UPC · Release
41 Original Hits From The Soundtrack Of American Graffiti
Various Artists
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777497890086 is the Universal Product Code (UPC barcode) for the release “41 Original Hits From The Soundtrack Of American Graffiti” by Various Artists, released 1995-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 41 tracks, each with its own ISRC. Tracks include GBAWA0624768, GB01A0800374, FRX281906402.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (41)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Rock Around the Clock | Bill Haley and His Comets | T-070.922.116-8 | |
| 2 | Sixteen Candles | — | ||
| 3 | Runaway | Del Shannon | T-071.212.403-2 | |
| 4 | Why Do Fools Fall in Love | Frankie Lymon & The Teenagers | T-070.200.014-3 | |
| 5 | That’ll Be the Day | — | ||
| 6 | Fanny Mae | — | ||
| 7 | At the Hop | — | ||
| 8 | She’s So Fine | — | ||
| 9 | The Stroll | The Diamonds | T-070.233.290-8 | |
| 10 | See You in September | The Tempos | T-070.923.913-3 | |
| 11 | Surfin’ Safari | The Beach Boys | T-070.244.089-8 | |
| 12 | He’s the Great Imposter | — | ||
| 13 | Almost Grown | Chuck Berry | T-070.231.932-1 | |
| 14 | Smoke Gets in Your Eyes | The Platters | T-070.199.313-6 | |
| 15 | Little Darlin’ | — | ||
| 16 | Peppermint Twist | — | ||
| 17 | Barbara Anne | — | ||
| 18 | Book of Love | — | ||
| 19 | Maybe Baby | The Crickets | T-070.108.696-5 | |
| 20 | Ya Ya | Lee Dorsey | T-010.741.051-4 | |
| 21 | The Great Pretender | The Platters | T-010.494.482-2 | |
| 2-1 | Ain’t That a Shame | — | ||
| 2-2 | Johnny B. Goode | Chuck Berry | T-070.939.624-6 | |
| 2-3 | I Only Have Eyes for You | The Flamingos | T-070.904.226-1 | |
| 2-4 | Get a Job | The Silhouettes | T-070.881.556-8 | |
| 2-5 | To the Aisle | — | ||
| 2-6 | Do You Wanna Dance | Bobby Freeman | T-070.233.694-4 | |
| 2-7 | Party Doll | Buddy Knox | T-070.939.823-1 | |
| 2-8 | Come Go With Me | The Del-Vikings | T-070.233.422-2 | |
| 2-9 | You’re Sixteen – You’re Beautiful (and You’re Mine) | — | ||
| 2-10 | Love Potion No. 9 | The Clovers | T-010.437.072-0 | |
| 2-11 | Since I Don’t Have You | The Skyliners | T-070.135.540-9 | |
| 2-12 | Chantilly Lace | The Big Bopper | T-071.679.217-4 | |
| 2-13 | Teen Angel | Mark Dinning | T-070.244.226-9 | |
| 2-14 | Crying in the Chapel | The Orioles | T-071.000.608-8 | |
| 2-15 | A Thousand Miles Away | The Heartbeats | — | |
| 2-16 | Heart and Soul | — | ||
| 2-17 | Green Onions | — | ||
| 2-18 | Only You | The Platters | T-070.159.445-7 | |
| 2-19 | Goodnight, Well It’s Time to Go | — | ||
| 2-20 | All Summer Long | The Beach Boys | T-070.231.916-1 |
Additional database matches (4)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Only You (re‐recorded) | The Platters | T-070.159.445-7 |
| SURF | THE BEACH BOYS | T-070.244.088-7 |
| (We’re Gonna) Rock Around the Clock | Bill Haley and His Comets | T-070.922.116-8 |
| Rock Around the Clock | Bill Haley and His Comets | — |
What other identifiers does this connect to?
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What is UPC 777497890086?
777497890086 is a Universal Product Code (UPC) assigned to 41 Original Hits From The Soundtrack Of American Graffiti by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 41 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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