UPC · Release
Various Artists
Last verified:
7798093711585 is the Universal Product Code (UPC barcode) for the release “The Many Faces of King Crimson” by Various Artists, released 2016-01-01 on Music Brokers. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 33 tracks, each with its own ISRC. Tracks include GBBLY1503536, GBBLY0903015, ARF411401361.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Scottish Suite: (I) Salmon Leap | Anthony Phillips | — | |
| 2 | Divine Presence | — | ||
| 3 | The Night People | — | ||
| 4 | Wonderland | — | ||
| 5 | Cascade | — | ||
| 6 | Thunderbirds in Thirds (edit) | — | ||
| 7 | Still Moving in Fear | — | ||
| 8 | The Song of the Sea Goat | Pete Sinfield | — | |
| 9 | Walking Into Mirrors | — | ||
| 10 | Ghost Dance | — | ||
| 11 | Still | Peter Sinfield, Greg Lake | — | |
| 12 | (S.O.S.) Sending Out Signals | — | ||
| 2-1 | I Talk to the Wind | — | ||
| 2-2 | Make It Today | — | ||
| 2-3 | Wonderland | — | ||
| 2-4 | Suite N° 1 | — | ||
| 2-5 | Newly‐Weds | — | ||
| 2-6 | Why Don’t You Just Drop In | — | ||
| 2-7 | Erudite Eyes | — | ||
| 2-8 | Scrivens | — | ||
| 2-9 | She Is Loaded | — | ||
| 2-10 | Digging My Lawn | — | ||
| 2-11 | Tremelo Study in A‐major (Spanish Suite) | — | ||
| 2-12 | Hypocrite | — | ||
| 3-1 | Make It All Up | — | ||
| 3-2 | Something’s Going On | — | ||
| 3-3 | Spectrum | — | ||
| 3-4 | Master | — | ||
| 3-5 | Going | — | ||
| 3-6 | Santa Maria | — | ||
| 3-7 | Silent Life | — | ||
| 3-8 | The Valley Below | — | ||
| 3-9 | Better Be Right | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
7798093711585 is a Universal Product Code (UPC) assigned to The Many Faces of King Crimson by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 33 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
7798093711585 is the Universal Product Code (UPC barcode) for the release “The Many Faces of King Crimson” by Various Artists, released 2016-01-01 on Music Brokers. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 33 tracks, each with its own ISRC. Tracks include GBBLY1503536, GBBLY0903015, ARF411401361.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Scottish Suite: (I) Salmon Leap | Anthony Phillips | — | |
| 2 | Divine Presence | — | ||
| 3 | The Night People | — | ||
| 4 | Wonderland | — | ||
| 5 | Cascade | — | ||
| 6 | Thunderbirds in Thirds (edit) | — | ||
| 7 | Still Moving in Fear | — | ||
| 8 | The Song of the Sea Goat | Pete Sinfield | — | |
| 9 | Walking Into Mirrors | — | ||
| 10 | Ghost Dance | — | ||
| 11 | Still | Peter Sinfield, Greg Lake | — | |
| 12 | (S.O.S.) Sending Out Signals | — | ||
| 2-1 | I Talk to the Wind | — | ||
| 2-2 | Make It Today | — | ||
| 2-3 | Wonderland | — | ||
| 2-4 | Suite N° 1 | — | ||
| 2-5 | Newly‐Weds | — | ||
| 2-6 | Why Don’t You Just Drop In | — | ||
| 2-7 | Erudite Eyes | — | ||
| 2-8 | Scrivens | — | ||
| 2-9 | She Is Loaded | — | ||
| 2-10 | Digging My Lawn | — | ||
| 2-11 | Tremelo Study in A‐major (Spanish Suite) | — | ||
| 2-12 | Hypocrite | — | ||
| 3-1 | Make It All Up | — | ||
| 3-2 | Something’s Going On | — | ||
| 3-3 | Spectrum | — | ||
| 3-4 | Master | — | ||
| 3-5 | Going | — | ||
| 3-6 | Santa Maria | — | ||
| 3-7 | Silent Life | — | ||
| 3-8 | The Valley Below | — | ||
| 3-9 | Better Be Right | — |
