PostPunk: Original Anthems From the 70’s and 80’s Post‐Punk Scene

UPC · Release

PostPunk: Original Anthems From the 70’s and 80’s Post‐Punk Scene

Various Artists

7798141331543
46 tracksReleased 2009-01-01Music Brokers

Last verified:

7798141331543 is the Universal Product Code (UPC barcode) for the release PostPunk: Original Anthems From the 70’s and 80’s Post‐Punk Scene by Various Artists, released 2009-01-01 on Music Brokers. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 46 tracks, each with its own ISRC. Tracks include GBAFL0700138, GBAHT0200233, GBAFL8200058.

Format

779GS1 prefix
8141Company prefix
33154Product
3Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCPostPunk: Original Anthems From the 70’s and 80’s Post‐Punk Scene
ISRC13 recordings
ISWC30 works
IPI12 songwriters

Track List (46)

Kick in the Eye
Kick in the Eye
Do You Believe in the Westworld?
Do You Believe in the Westworld?
April Skies
The Jesus and Mary Chain
Li’l Boys Play With Dolls
Li’l Boys Play With Dolls
The Lords of the New Church
Perfumed Metal
Perfumed Metal
Shadowplay
Shadowplay
Just a Thought
Just a Thought
I Can’t Escape Myself
I Can’t Escape Myself
Kollaps
Kollaps
Lisa (The Passion)
Lisa (The Passion)
Saeta
Saeta
R.O.D.
R.O.D.
Final Solution
Final Solution
Pere Ubu
Adrenalin
Adrenalin
Wasteland
Wasteland
E.S.T. (Trip to the Moon)
E.S.T. (Trip to the Moon)
Black Planet
The Sisters of Mercy
I Fell in Love With a Ghost
I Fell in Love With a Ghost
Waiting on the Guns
Waiting on the Guns
Maximum G.
Maximum G.
Sebastiane
Sebastiane
Israel
Israel
Take the Skinheads Bowling
Take the Skinheads Bowling
A Night Like This
A Night Like This
The Killing Moon
The Killing Moon
Russian Roulette
Russian Roulette
Love Like Blood
Love Like Blood
Cars
Cars
Lips Like Sugar
Lips Like Sugar
Caged
Caged
Evil
Evil
Cry for Help
Cry for Help
Romeo’s Distress
Romeo’s Distress
Spellbound
Spellbound
Video Eyes
Video Eyes
Waiting
Waiting
Last Dog in Space
Last Dog in Space
Snail
Nightclubbing
Nightclubbing

Additional database matches (1)

Final Solution
Pere Ubu

Identifier Graph

UPCPostPunk: Origi…ISRCBone MachineISRCApril SkiesISRCRelease the Bats

People also ask

What is UPC 7798141331543?
UPC 7798141331543 is the Universal Product Code (barcode) for "PostPunk: Original Anthems From the 70’s and 80’s Post‐Punk Scene" by Various Artists, released on Music Brokers.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 7798141331543?
UPC 7798141331543 contains 46 tracks, each with its own ISRC.
SourcesMLCMusicBrainzDiscogs3 sources

Verified on

What is UPC 7798141331543?

7798141331543 is a Universal Product Code (UPC) assigned to PostPunk: Original Anthems From the 70’s and 80’s Post‐Punk Scene by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 46 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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