UPC · Release
Dance on the Blacktop
Nothing
Last verified:
781676739424 is the Universal Product Code (UPC barcode) for the release “Dance on the Blacktop” by Nothing, released 2018-01-01 on Relapse Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 9 tracks, each with its own ISRC. Tracks include US2641839401, US2641839402, US2641839403.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (9)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Zero Day | Nothing | T-926.466.908-1 | |
| 2 | Blue Line Baby | Nothing | T-926.822.885-9 | |
| 3 | You Wind Me Up | Nothing | T-926.446.340-3 | |
| 4 | Plastic Migraine | Nothing | T-926.466.910-5 | |
| 5 | Us/We/Are | Nothing | T-314.945.076-6 | |
| 6 | Hail on Palace Pier | Nothing | T-926.446.342-5 | |
| 7 | I Hate the Flowers | Nothing | T-926.446.343-6 | |
| 8 | The Carpenter’s Son | Nothing | T-926.446.344-7 | |
| 9 | (Hope) Is Just Another Word With a Hole in It | Nothing | T-926.446.345-8 |
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What is UPC 781676739424?
781676739424 is a Universal Product Code (UPC) assigned to Dance on the Blacktop by Nothing. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 9 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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