UPC · Release
Wozzeck
Alban Berg, Theo Adam, Gisela Schröter, Reiner Goldberg, Rundfunkchor Leipzig, Rundfunk-Sinfonie-Orchester Leipzig, Helmut Koch
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782124206826 is the Universal Product Code (UPC barcode) for the release “Wozzeck” by Alban Berg, Theo Adam, Gisela Schröter, Reiner Goldberg, Rundfunkchor Leipzig, Rundfunk-Sinfonie-Orchester Leipzig, Helmut Koch, released 1992-01-01 on Berlin Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 27 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (27)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Wozzeck, Act I Scene 1: Zimmer des Hauptmanns: Langsam, Wozzeck, langsam! - Wozzeck, Er sieht | — | ||
| 2 | Wozzeck, Act I Scene 1: Transformation music | — | ||
| 3 | Wozzeck, Act I Scene 2: Freies Feld, die Stadt in der Ferne Wozzeck und Andres schneiden Weid | — | ||
| 4 | Wozzeck, Act I Scene 2: Transformation music | — | ||
| 5 | Wozzeck, Act I Scene 3: Mariens Stube: Tschin Bum, Tschin, Bum - Komm, mein Bub! - Madel, was | — | ||
| 6 | Wozzeck, Act I Scene 3: Transformation music | — | ||
| 7 | Wozzeck, Act I Scene 4: Studierstube des Doktors: Was erleb'ich Wozzeck? - Die Natur kommt - | — | ||
| 8 | Wozzeck, Act I Scene 4: Transformation music | — | ||
| 9 | Wozzeck, Act I Scene 5: Strasse vor Mariens Tur: Geh einmal vor Dich hin! - Sieht Dir der Teu | — | ||
| 10 | Wozzeck, Act II Scene 1: Mariens Stube: Was die Steine glanzen? - Schlaf, Bub! - Still! Bub! | — | ||
| 11 | Wozzeck, Act II Scene 1: Transformation music | — | ||
| 2-1 | Wozzeck, Act II Scene 2: Strasse: Wohin so eilig - Frau, in vier Wochen tot! - He, Wozzeck! W | — | ||
| 2-2 | Wozzeck, Act II Scene 2: Transformation music | — | ||
| 2-3 | Wozzeck, Act II Scene 3: Gasse vor Mariens Wohnungstur: Guten tag, Franz - Da! Hat er da gest | — | ||
| 2-4 | Wozzeck, Act II Scene 3: Transformation music | — | ||
| 2-5 | Wozzeck, Act II Scene 4: Wirthausgarten: Ich hab' ein Hemdlein an - Vergiss mein nicht! - Er! | — | ||
| 2-6 | Wozzeck, Act II Scene 4: Transformation music | — | ||
| 2-7 | Wozzeck, Act II Scene 5: Wachstube in der Kaserne: Oh-oh-Andres! Ich kann nicht schlafen - Ic | — | ||
| 2-8 | Wozzeck, Act III Scene 1: Mariens Stube: Sie liest in der Bibel - Und ist kein Betrug . - Abe | — | ||
| 2-9 | Wozzeck, Act III Scene 1: Transformation music | — | ||
| 2-10 | Wozzeck, Act III Scene 2: Waldweg am Teich: Dort links geht's in die Stadt - Wie der mond rot | — | ||
| 2-11 | Wozzeck, Act III Scene 2: Transformation music | — | ||
| 2-12 | Wozzeck, Act III Scene 3: Schenke: Tanzt Alle - Komm setz Dich her, Margret! - Nein! keine Sc | — | ||
| 2-13 | Wozzeck, Act III Scene 3: Transformation music | — | ||
| 2-14 | Wozzeck, Act III Scene 4: Waldweg am Teich: Das Meser? - Aber der Mond verrat mich - Halt!-Ho | — | ||
| 2-15 | Wozzeck, Act III Scene 4: Transformation music | — | ||
| 2-16 | Wozzeck, Act III Scene 5: Vor Mariens Haustur | — |
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What is UPC 782124206826?
782124206826 is a Universal Product Code (UPC) assigned to Wozzeck by Alban Berg, Theo Adam, Gisela Schröter, Reiner Goldberg, Rundfunkchor Leipzig, Rundfunk-Sinfonie-Orchester Leipzig, Helmut Koch. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 27 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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