UPC · Release
Various Artists
Last verified:
The UPC for “Welt der Oper” by Various Artists is 782124825126. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2000-01-01. Label: ART (9). This release contains 49 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Leichte Kavallerie: Ouvertüre | — | ||
| 2 | Die lustigen Weiber von Windsor: Ouvertüre | — | ||
| 3 | Der Schauspieldirektor: Ouvertüre | — | ||
| 4 | Orfeo ed Euridice: Ouvertüre | — | ||
| 5 | Il barbiere di Siviglia: Ouvertüre | — | ||
| 6 | Orpheus in der Unterwelt: Ouvertüre | — | ||
| 7 | Die Fledermaus: Ouvertüre | — | ||
| 8 | Die verkaufte Braut: Ouvertüre | — | ||
| 9 | Carmen: Ouvertüre | — | ||
| 10 | Rigoletto: Ouvertüre | — | ||
| 11 | Rienzi: Ouvertüre | — | ||
| 2-1 | Il barbiere di Siviglia: Arie des Figaro | — | ||
| 2-2 | Die Zauberflöte: Arie der Königin der Nacht | — | ||
| 2-3 | Carmen : Sequidilla | — | ||
| 2-4 | Le nozze di Figaro: Arie des Figaro | — | ||
| 2-5 | Rigoletto: Arie der Gilda | — | ||
| 2-6 | Orfeo ed Euridice: Arie des Orfeo | — | ||
| 2-7 | Lucia di lammermoor: Wahnsinnsszene | — | ||
| 2-8 | Don Giovanni: Duett | — | ||
| 2-9 | Don Pasquale: Duett | — | ||
| 2-10 | Les Contes d’Hoffmann : Arie der Olympia | — | ||
| 2-11 | Tannhäuser: Lied an den Abendstern | — | ||
| 2-12 | Der Rosenkavalier: Schlußduett | — | ||
| 3-1 | Die Zauberflöte: Arie des Papageno | — | ||
| 3-2 | Il barbiere di Siviglia: Kavatine der Rosina | — | ||
| 3-3 | Les Pêcheurs de perles : Duett | — | ||
| 3-4 | Lucia di Lammermoor: Rezitativ und Arie des Edgardo | — | ||
| 3-5 | Lucia di Lammermoor: Finale | — | ||
| 3-6 | Apolle et Hyacinthe : Duett | — | ||
| 3-7 | Lohengrin: Gralserzählung | — | ||
| 3-8 | Die Entführung aus dem Serail: Arie der Konstanze | — | ||
| 3-9 | La sonnambula: Auftrittsarie der Amina | — | ||
| 3-10 | Aida: Szene | — | ||
| 3-11 | Tristan und Isolde: Isoldes Liebestod | — | ||
| 4-1 | Nabucco: Gefangenenchor | — | ||
| 4-2 | Carmen: "Les voici la Quadrille!" | — | ||
| 4-3 | Margarete: Soldatencho | — | ||
| 4-4 | I pagliacci: Glockenchor | — | ||
| 4-5 | Cavalleria rusticana: Chor der Landleute | — | ||
| 4-6 | Rigoletto: "Zitti, Zitti moviamo a vendetta" | — | ||
| 4-7 | Beatrice di Tenda: Atto I. “Come, ah come ogni cosa” | — | ||
| 4-8 | Der Freischütz: Jägerchor | — | ||
| 4-9 | Martha: Chor der Landleute | — | ||
| 4-10 | Tannhäuser: Einzug der Gäste | — | ||
| 4-11 | Il trovatore: Soldatenchor | — | ||
| 4-12 | Lohengrin: Brautchor | — | ||
| 4-13 | Orfeo ed Euridice: "Ah, quale incognito affetto flebile" | — | ||
| 4-14 | Turandot: "Gira la cote" | — | ||
| 4-15 | Fürst Igor: Polowetzer Tänze | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
782124825126 is a Universal Product Code (UPC) assigned to Welt der Oper by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 49 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Welt der Oper” by Various Artists is 782124825126. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2000-01-01. Label: ART (9). This release contains 49 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Leichte Kavallerie: Ouvertüre | — | ||
| 2 | Die lustigen Weiber von Windsor: Ouvertüre | — | ||
| 3 | Der Schauspieldirektor: Ouvertüre | — | ||
| 4 | Orfeo ed Euridice: Ouvertüre | — | ||
| 5 | Il barbiere di Siviglia: Ouvertüre | — | ||
| 6 | Orpheus in der Unterwelt: Ouvertüre | — | ||
| 7 | Die Fledermaus: Ouvertüre | — | ||
| 8 | Die verkaufte Braut: Ouvertüre | — | ||
| 9 | Carmen: Ouvertüre | — | ||
| 10 | Rigoletto: Ouvertüre | — | ||
| 11 | Rienzi: Ouvertüre | — | ||
| 2-1 | Il barbiere di Siviglia: Arie des Figaro | — | ||
| 2-2 | Die Zauberflöte: Arie der Königin der Nacht | — | ||
| 2-3 | Carmen : Sequidilla | — | ||
| 2-4 | Le nozze di Figaro: Arie des Figaro | — | ||
| 2-5 | Rigoletto: Arie der Gilda | — | ||
| 2-6 | Orfeo ed Euridice: Arie des Orfeo | — | ||
| 2-7 | Lucia di lammermoor: Wahnsinnsszene | — | ||
| 2-8 | Don Giovanni: Duett | — | ||
| 2-9 | Don Pasquale: Duett | — | ||
| 2-10 | Les Contes d’Hoffmann : Arie der Olympia | — | ||
| 2-11 | Tannhäuser: Lied an den Abendstern | — | ||
| 2-12 | Der Rosenkavalier: Schlußduett | — | ||
| 3-1 | Die Zauberflöte: Arie des Papageno | — | ||
| 3-2 | Il barbiere di Siviglia: Kavatine der Rosina | — | ||
| 3-3 | Les Pêcheurs de perles : Duett | — | ||
| 3-4 | Lucia di Lammermoor: Rezitativ und Arie des Edgardo | — | ||
| 3-5 | Lucia di Lammermoor: Finale | — | ||
| 3-6 | Apolle et Hyacinthe : Duett | — | ||
| 3-7 | Lohengrin: Gralserzählung | — | ||
| 3-8 | Die Entführung aus dem Serail: Arie der Konstanze | — | ||
| 3-9 | La sonnambula: Auftrittsarie der Amina | — | ||
| 3-10 | Aida: Szene | — | ||
| 3-11 | Tristan und Isolde: Isoldes Liebestod | — | ||
| 4-1 | Nabucco: Gefangenenchor | — | ||
| 4-2 | Carmen: "Les voici la Quadrille!" | — | ||
| 4-3 | Margarete: Soldatencho | — | ||
| 4-4 | I pagliacci: Glockenchor | — | ||
| 4-5 | Cavalleria rusticana: Chor der Landleute | — | ||
| 4-6 | Rigoletto: "Zitti, Zitti moviamo a vendetta" | — | ||
| 4-7 | Beatrice di Tenda: Atto I. “Come, ah come ogni cosa” | — | ||
| 4-8 | Der Freischütz: Jägerchor | — | ||
| 4-9 | Martha: Chor der Landleute | — | ||
| 4-10 | Tannhäuser: Einzug der Gäste | — | ||
| 4-11 | Il trovatore: Soldatenchor | — | ||
| 4-12 | Lohengrin: Brautchor | — | ||
| 4-13 | Orfeo ed Euridice: "Ah, quale incognito affetto flebile" | — | ||
| 4-14 | Turandot: "Gira la cote" | — | ||
| 4-15 | Fürst Igor: Polowetzer Tänze | — |
