UPC · Release
Orchesterwerke
Max Reger
782124839925
62 tracksReleased 2006-01-01Berlin Classics
Last verified:
782124839925 is the Universal Product Code (UPC barcode) for the release “Orchesterwerke” by Max Reger, released 2006-01-01 on Berlin Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 62 tracks, each with its own ISRC.
Format
7Number system
82124Manufacturer
83992Product
5Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (62)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Eine Ballettsuite für Orchester, op. 130: Entrée. Tempo di Marcia | — | ||
| 2 | Eine Ballettsuite für Orchester, op. 130: Colombine. Adagietto: molto tranquillo | — | ||
| 3 | Eine Ballettsuite für Orchester, op. 130: Harlequin. Vivace | — | ||
| 4 | Eine Ballettsuite für Orchester, op. 130: Pierrot und Pierrette. Larghetto | — | ||
| 5 | Eine Ballettsuite für Orchester, op. 130: Valse d'amour. Sostenuto: Tempo di Valse | — | ||
| 6 | Eine Ballettsuite für Orchester, op. 130: Finale. Presto | — | ||
| 7 | Konzert im alten Stil für Orchester, op. 123: Allegro con spirito | — | ||
| 8 | Konzert im alten Stil für Orchester, op. 123: Largo | — | ||
| 9 | Konzert im alten Stil für Orchester, op. 123: Allegro | — | ||
| 10 | Beethoven-Variationen, op. 86: Andante | — | ||
| 11 | Beethoven-Variationen, op. 86: I. Un poco più lento | — | ||
| 12 | Beethoven-Variationen, op. 86: II. Appassionato | — | ||
| 13 | Beethoven-Variationen, op. 86: III. Andante grazioso | — | ||
| 14 | Beethoven-Variationen, op. 86: IV. Vivace | — | ||
| 15 | Beethoven-Variationen, op. 86: V. Andante sostenuto | — | ||
| 16 | Beethoven-Variationen, op. 86: VI. Allegretto con grazia | — | ||
| 17 | Beethoven-Variationen, op. 86: VII. Poco vivace | — | ||
| 18 | Beethoven-Variationen, op. 86: VIII. Allegro pomposo | — | ||
| 19 | Beethoven-Variationen, op. 86: Fuge. Con spirito (non troppo allegro!) | — | ||
| 2-1 | Hiller Variationen, op. 100: Thema. Andante grazioso | — | ||
| 2-2 | Hiller Variationen, op. 100: Variation 1. Piu andante | — | ||
| 2-3 | Hiller Variationen, op. 100: Variation 2. Allegro con grazia - Meno allegretto - Andante sostenuto - Largo | — | ||
| 2-4 | Hiller Variationen, op. 100: Variation 3. Vivace | — | ||
| 2-5 | Hiller Variationen, op. 100: Variation 4. Poco vivace | — | ||
| 2-6 | Hiller Variationen, op. 100: Variation 5. Andante sostenuto - Qasi più andante - Tempo primo - Più lento | — | ||
| 2-7 | Hiller Variationen, op. 100: Variation 6. Tempo di menuetto - Meno mosso - Tempo primo | — | ||
| 2-8 | Hiller Variationen, op. 100: Variation 7. Presto | — | ||
| 2-9 | Hiller Variationen, op. 100: Variation 8. Andante con moto | — | ||
| 2-10 | Hiller Variationen, op. 100: Variation 9. Allegro con spirito - Poco meno mosso - Tempo primo | — | ||
| 2-11 | Hiller Variationen, op. 100: Variation 10. Allegro appassionato | — | ||
| 2-12 | Hiller Variationen, op. 100: Variation 11. Andante con moto - Più lento - Largo - Più largo | — | ||
| 2-13 | Hiller Variationen, op. 100: Fuge. Allegro moderato - Meno mosso - Tempo primo - Quasi largo - Più largo | — | ||
| 3-1 | Mozart-Variationen, op. 132: Thema. Andante grazioso | — | ||
| 3-2 | Mozart-Variationen, op. 132: Variation I. L'istesso tempo | — | ||
| 3-3 | Mozart-Variationen, op. 132: Variation II. Poco agitato | — | ||
| 3-4 | Mozart-Variationen, op. 132: Variation III. Con moto | — | ||
| 3-5 | Mozart-Variationen, op. 132: Variation IV. Vivace | — | ||
| 3-6 | Mozart-Variationen, op. 132: Variation V. Quasi Presto | — | ||
| 3-7 | Mozart-Variationen, op. 132: Variation VI. Sostenuto | — | ||
| 3-8 | Mozart-Variationen, op. 132: Variation VII. Andante grazioso | — | ||
| 3-9 | Mozart-Variationen, op. 132: Variation VIII. Molto sostenuto | — | ||
| 3-10 | Mozart-Variationen, op. 132: Fuge. Allegretto grazioso | — | ||
| 3-11 | Böcklin Tondichtungen, op. 128: Der geigende Eremit. Molto sostenuto | — | ||
| 3-12 | Böcklin Tondichtungen, op. 128: Im Spiel der Wellen. Vivace | — | ||
| 3-13 | Böcklin Tondichtungen, op. 128: Die Totentinsel. Molto sostenuto, doch nie schleppend | — | ||
| 3-14 | Böcklin Tondichtungen, op. 128: Bacchanal. Vivace | — | ||
| 4-1 | Sinfonietta, op. 90: I. Allegro moderato (quasi allegretto) - attaca | — | ||
| 4-2 | Sinfonietta, op. 90: II. (Scherzo) Allegro vivace - (Trio) Moderato | — | ||
| 4-3 | Sinfonietta, op. 90: III. Larghetto | — | ||
| 4-4 | Sinfonietta, op. 90: IV. Allegro con spirito - Più allegro | — | ||
| 4-5 | 'An die Hoffnung', op. 124 | — | ||
| 4-6 | 'Hymnus der Liebe', op. 136 | — | ||
| 5-1 | Violinkonzert, op. 101: I. Allegro moderato | — | ||
| 5-2 | Violinkonzert, op. 101: II. Largo con gran espressione | — | ||
| 5-3 | Violinkonzert, op. 101: III. Allegro moderato (ma con spirito) | — | ||
| 6-1 | Klavierkonzert, op. 114: I. Allegro moderato | — | ||
| 6-2 | Klavierkonzert, op. 114: II. Largo con gran espressione | — | ||
| 6-3 | Klavierkonzert, op. 114: III. Allegretto con spirito | — | ||
| 7-1 | Symphonischer Prolog zu einer Tragödie, op. 108: Grave - Allegro agitato - Andante sostenuto - Largo | — | ||
| 7-2 | Eine romantische Suite, op. 125: I. Notturno. Molto sostenuto | — | ||
| 7-3 | Eine romantische Suite, op. 125: II. Scherzo. Vivace | — | ||
| 7-4 | Eine romantische Suite, op. 125: III. Finale. Molto sostenuto | — |
Eine Ballettsuite für Orchester, op. 130: Entrée. Tempo di Marcia
—
Eine Ballettsuite für Orchester, op. 130: Colombine. Adagietto: molto tranquillo
—
Eine Ballettsuite für Orchester, op. 130: Harlequin. Vivace
—
Eine Ballettsuite für Orchester, op. 130: Pierrot und Pierrette. Larghetto
—
Eine Ballettsuite für Orchester, op. 130: Valse d'amour. Sostenuto: Tempo di Valse
—
Eine Ballettsuite für Orchester, op. 130: Finale. Presto
—
Konzert im alten Stil für Orchester, op. 123: Allegro con spirito
—
Konzert im alten Stil für Orchester, op. 123: Largo
—
Konzert im alten Stil für Orchester, op. 123: Allegro
—
Beethoven-Variationen, op. 86: Andante
—
Beethoven-Variationen, op. 86: I. Un poco più lento
—
Beethoven-Variationen, op. 86: II. Appassionato
—
Beethoven-Variationen, op. 86: III. Andante grazioso
—
Beethoven-Variationen, op. 86: IV. Vivace
—
Beethoven-Variationen, op. 86: V. Andante sostenuto
—
Beethoven-Variationen, op. 86: VI. Allegretto con grazia
—
Beethoven-Variationen, op. 86: VII. Poco vivace
—
Beethoven-Variationen, op. 86: VIII. Allegro pomposo
—
Beethoven-Variationen, op. 86: Fuge. Con spirito (non troppo allegro!)
—
Hiller Variationen, op. 100: Thema. Andante grazioso
—
Hiller Variationen, op. 100: Variation 1. Piu andante
—
Hiller Variationen, op. 100: Variation 2. Allegro con grazia - Meno allegretto - Andante sostenuto - Largo
—
Hiller Variationen, op. 100: Variation 3. Vivace
—
Hiller Variationen, op. 100: Variation 4. Poco vivace
—
Hiller Variationen, op. 100: Variation 5. Andante sostenuto - Qasi più andante - Tempo primo - Più lento
—
Hiller Variationen, op. 100: Variation 6. Tempo di menuetto - Meno mosso - Tempo primo
—
Hiller Variationen, op. 100: Variation 7. Presto
—
Hiller Variationen, op. 100: Variation 8. Andante con moto
—
Hiller Variationen, op. 100: Variation 9. Allegro con spirito - Poco meno mosso - Tempo primo
—
Hiller Variationen, op. 100: Variation 10. Allegro appassionato
—
Hiller Variationen, op. 100: Variation 11. Andante con moto - Più lento - Largo - Più largo
—
Hiller Variationen, op. 100: Fuge. Allegro moderato - Meno mosso - Tempo primo - Quasi largo - Più largo
—
Mozart-Variationen, op. 132: Thema. Andante grazioso
—
Mozart-Variationen, op. 132: Variation I. L'istesso tempo
—
Mozart-Variationen, op. 132: Variation II. Poco agitato
—
Mozart-Variationen, op. 132: Variation III. Con moto
—
Mozart-Variationen, op. 132: Variation IV. Vivace
—
Mozart-Variationen, op. 132: Variation V. Quasi Presto
—
Mozart-Variationen, op. 132: Variation VI. Sostenuto
—
Mozart-Variationen, op. 132: Variation VII. Andante grazioso
—
Mozart-Variationen, op. 132: Variation VIII. Molto sostenuto
—
Mozart-Variationen, op. 132: Fuge. Allegretto grazioso
—
Böcklin Tondichtungen, op. 128: Der geigende Eremit. Molto sostenuto
—
Böcklin Tondichtungen, op. 128: Im Spiel der Wellen. Vivace
—
Böcklin Tondichtungen, op. 128: Die Totentinsel. Molto sostenuto, doch nie schleppend
—
Böcklin Tondichtungen, op. 128: Bacchanal. Vivace
—
Sinfonietta, op. 90: I. Allegro moderato (quasi allegretto) - attaca
—
Sinfonietta, op. 90: II. (Scherzo) Allegro vivace - (Trio) Moderato
—
Sinfonietta, op. 90: III. Larghetto
—
Sinfonietta, op. 90: IV. Allegro con spirito - Più allegro
—
'An die Hoffnung', op. 124
—
'Hymnus der Liebe', op. 136
—
Violinkonzert, op. 101: I. Allegro moderato
—
Violinkonzert, op. 101: II. Largo con gran espressione
—
Violinkonzert, op. 101: III. Allegro moderato (ma con spirito)
—
Klavierkonzert, op. 114: I. Allegro moderato
—
Klavierkonzert, op. 114: II. Largo con gran espressione
—
Klavierkonzert, op. 114: III. Allegretto con spirito
—
Symphonischer Prolog zu einer Tragödie, op. 108: Grave - Allegro agitato - Andante sostenuto - Largo
—
Eine romantische Suite, op. 125: I. Notturno. Molto sostenuto
—
Eine romantische Suite, op. 125: II. Scherzo. Vivace
—
Eine romantische Suite, op. 125: III. Finale. Molto sostenuto
—
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What is UPC 782124839925?
782124839925 is a Universal Product Code (UPC) assigned to Orchesterwerke by Max Reger. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 62 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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