UPC · Release
Vintage Culture & Friends 3
Vintage Culture
Last verified:
784998930067 is the Universal Product Code (UPC barcode) for the release “Vintage Culture & Friends 3” by Vintage Culture, released 2020-06-19. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 5 tracks, each with its own ISRC. Tracks include BXLKS2000009, BXLKS2000010, BXLKS2000011.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (5)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Colour of My Heart | Vintage Culture, Meca | T9154182408 | |
| 2 | Creep | Vintage Culture, Gábe, Bondi | T-071180847-7 | |
| 3 | Love Goes | Vintage Culture | — | |
| 4 | Descontrol | Vintage Culture, KVSH | T-304154650-9 | |
| 5 | Sinners & Fools | Vintage Culture, Dashdot | T3186706645 |
What other identifiers does this connect to?
Musical Works (ISWC)
Identifier Graph
People also ask
Verified on
What is UPC 784998930067?
784998930067 is a Universal Product Code (UPC) assigned to Vintage Culture & Friends 3 by Vintage Culture. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 5 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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