UPC · Release
Midnight At The Barrelhouse: Rockin’ California Rhythm & Blues 1947–1951
Various Artists
Last verified:
788065771324 is the Universal Product Code (UPC barcode) for the release “Midnight At The Barrelhouse: Rockin’ California Rhythm & Blues 1947–1951” by Various Artists, released 2003-01-01 on JSP Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 125 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (125)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | My Baby’s Business | — | ||
| 2 | Preston Love’s Mansion | — | ||
| 3 | Jimmy’s Round the Clock Blues | — | ||
| 4 | Harlem Nocturne | — | ||
| 5 | Omaha Flash | — | ||
| 6 | He Was Tall, Dark & Handsome | — | ||
| 7 | S.K. Blues | — | ||
| 8 | Jam Session Blues | — | ||
| 9 | Omaha Flash | — | ||
| 10 | Jeff‐Hi Stomp | — | ||
| 11 | Miss Mitchell | — | ||
| 12 | Ultra‐Violet | — | ||
| 13 | Sgt. Barksdale, Pt. 1 | — | ||
| 14 | Sgt. Barksdale, Pt. 2 | — | ||
| 15 | Love’s Nocturne | — | ||
| 16 | Good Boogie Googie | — | ||
| 17 | Midnight in the Barrelhouse | — | ||
| 18 | Barrelhouse Stomp | — | ||
| 19 | Alimony Boogie | — | ||
| 20 | Hog Jaws | — | ||
| 21 | My Baby Done Told Me | — | ||
| 22 | Court Room Blues | — | ||
| 23 | The Jelly Roll | — | ||
| 24 | Pay Day Blues | — | ||
| 25 | Happy New Year Baby | — | ||
| 2-1 | That’s Your Last Boogie | — | ||
| 2-2 | Lovin’ Baby Blues | — | ||
| 2-3 | Crazy ‘Bout Your Cookin’ | — | ||
| 2-4 | Right Now Baby | — | ||
| 2-5 | Boogie Guitar | — | ||
| 2-6 | Ain’t Nothin’ Shakin’ | — | ||
| 2-7 | Hangover Blues | — | ||
| 2-8 | Get Together Blues | — | ||
| 2-9 | I’m Not Falling in Love With You | — | ||
| 2-10 | If It’s So Baby | — | ||
| 2-11 | Our Romance Is Gone | — | ||
| 2-12 | If I Didn’t Love You So | — | ||
| 2-13 | Rain in My Eyes | — | ||
| 2-14 | Double Crossing Blues | — | ||
| 2-15 | Headhunter | — | ||
| 2-16 | Going to See My Baby | — | ||
| 2-17 | The Little Red Hen | — | ||
| 2-18 | New Orleans Shuffle | — | ||
| 2-19 | The Turkey Hop Part 1 | — | ||
| 2-20 | The Turkey Hop Part 2 | — | ||
| 2-21 | Blues Nocturne | — | ||
| 2-22 | Cry Baby | — | ||
| 2-23 | Lover’s Lane Boogie | — | ||
| 2-24 | I Found Out My Troubles | — | ||
| 2-25 | Misery | — | ||
| 3-1 | I’m Through | — | ||
| 3-2 | I’m Living O.K. | — | ||
| 3-3 | There Ain’t No Use Begging | — | ||
| 3-4 | You’re Fine but Not My Kind | — | ||
| 3-5 | Helpless | — | ||
| 3-6 | Cool and Easy | — | ||
| 3-7 | Mistrustin’ Blues | — | ||
| 3-8 | Dreamin’ Blues | — | ||
| 3-9 | Cupid’s Boogie | — | ||
| 3-10 | Just Can’t Get Free | — | ||
| 3-11 | My Heart Tells Me | — | ||
| 3-12 | Lost Dream Blues | — | ||
| 3-13 | Deceivin’ Blues | — | ||
| 3-14 | Lonely Blues | — | ||
| 3-15 | Strange Woman | — | ||
| 3-16 | Freight Train Boogie | — | ||
| 3-17 | Good Time Blues | — | ||
| 3-18 | Sunset to Dawn | — | ||
| 3-19 | Wedding Boogie | — | ||
| 3-20 | Faraway Christmas Blues | — | ||
| 3-21 | Love Will Break Your Heart | — | ||
| 3-22 | Rockin’ Blues | — | ||
| 3-23 | I Don’t Care | — | ||
| 3-24 | I Dream | — | ||
| 3-25 | Beer Bottle Boogie | — | ||
| 4-1 | Uneasy Blues | — | ||
| 4-2 | It Can Never Happen Again | — | ||
| 4-3 | Gee Baby | — | ||
| 4-4 | Fool’s Gold | — | ||
| 4-5 | Feel Like Crying Again | — | ||
| 4-6 | Heartache, Here I Come | — | ||
| 4-7 | Turn the Lights Down Low | — | ||
| 4-8 | Hold Me Close | — | ||
| 4-9 | Gonna Take a Train | — | ||
| 4-10 | Doggin’ Blues | — | ||
| 4-11 | Chitlin’ Switch | — | ||
| 4-12 | Warning Blues | — | ||
| 4-13 | Living and Loving You | — | ||
| 4-14 | Mambo Boogie | — | ||
| 4-15 | New Love | — | ||
| 4-16 | Just Another Flame | — | ||
| 4-17 | I’ll Ask My Heart | — | ||
| 4-18 | Looking for a Man | — | ||
| 4-19 | Other Lips, Other Arms | — | ||
| 4-20 | The Deacon Moves In | — | ||
| 4-21 | It Ain’t the Beauty | — | ||
| 4-22 | All Night Long | — | ||
| 4-23 | Help Me Blues | — | ||
| 4-24 | Walkin’ Shoe Blues | — | ||
| 4-25 | Honky Tonk Boogie | — | ||
| 5-1 | Because I Love My Baby So | — | ||
| 5-2 | Where’s My Baby | — | ||
| 5-3 | Three Magic Words | — | ||
| 5-4 | I’m a Bad, Bad Girl | — | ||
| 5-5 | Cryin’ and Singin’ the Blues | — | ||
| 5-6 | Ring‐A‐Ding‐Doo | — | ||
| 5-7 | Hold Me | — | ||
| 5-8 | Better Beware | — | ||
| 5-9 | Raggedy Blues | — | ||
| 5-10 | Crying With the Rising Sun | — | ||
| 5-11 | Aged and Mellow Blues | — | ||
| 5-12 | Ramblin’ Blues | — | ||
| 5-13 | The Storm | — | ||
| 5-14 | Strictly Cash | — | ||
| 5-15 | Like a Ship at Sea | — | ||
| 5-16 | Call Operator 210 | — | ||
| 5-17 | Baby Baby Blues | — | ||
| 5-18 | Gypsy Blues | — | ||
| 5-19 | The Candle’s Burnin’ Low | — | ||
| 5-20 | Hollerin’ and Screamin’ | — | ||
| 5-21 | Saturday Night Daddy | — | ||
| 5-22 | Mainliner | — | ||
| 5-23 | You Took My Love Too Fast | — | ||
| 5-24 | Scratchin’ | — | ||
| 5-25 | Ooh Midnight | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Credits Graph
People also ask
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What is UPC 788065771324?
788065771324 is a Universal Product Code (UPC) assigned to Midnight At The Barrelhouse: Rockin’ California Rhythm & Blues 1947–1951 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 125 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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