UPC · Release
All the Classic Sides 1928-1937
Big Bill Broonzy
Last verified:
788065771829 is the Universal Product Code (UPC barcode) for the release “All the Classic Sides 1928-1937” by Big Bill Broonzy, released 2003-01-01 on JSP Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 120 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (120)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | House Rent Stomp | — | ||
| 2 | Big Bill Blues | — | ||
| 3 | Down in the Basement Blues | — | ||
| 4 | Starvation Blues | — | ||
| 5 | Somebody's Been Using That Thing | — | ||
| 6 | Black Cat Rag | — | ||
| 7 | Pig Meat Strut | — | ||
| 8 | Guitar Rag | — | ||
| 9 | Saturday Night Rub | — | ||
| 10 | I Can't Be Satisfied | — | ||
| 11 | Grandma's Farm | — | ||
| 12 | Skoodle Do Do | — | ||
| 13 | Tadpole Blues | — | ||
| 14 | Bow Leg Baby | — | ||
| 16 | Saturday Night | — | ||
| 18 | Papa's Gettin' Hot | — | ||
| 19 | Police Station Blues | — | ||
| 20 | They Can't Do That | — | ||
| 21 | No Good Buddy | — | ||
| 22 | State Street Woman | — | ||
| 23 | Meanest Kind of Blues | — | ||
| 24 | I Got the Blues for My Baby | — | ||
| 25 | Banker's Blues, The | — | ||
| 26 | How You Want It Done | — | ||
| 2-1 | Worried in Mind Blues | — | ||
| 2-2 | Too Too Train Blues | — | ||
| 2-3 | Mistreatin' Mamma | — | ||
| 2-5 | Brown Skin Shuffle | — | ||
| 2-6 | Stove Pipe Stomp | — | ||
| 2-7 | Beedle Um Bum | — | ||
| 2-8 | Selling That Stuff | — | ||
| 2-9 | Mr. Conductor Man | — | ||
| 2-11 | Worrying You Off My Mind, Part 1 | — | ||
| 2-12 | Worrying You Off My Mind, Part 2 | — | ||
| 2-13 | Shelby County Blues | — | ||
| 2-14 | Mistreatin' Mama Blues | — | ||
| 2-15 | Bull Cow Blues | — | ||
| 2-17 | Long Tall Mama | — | ||
| 2-18 | M and o Blues | — | ||
| 2-19 | Rukus Juice Blues | — | ||
| 2-20 | Friendless Blues | — | ||
| 2-21 | Milk Cow Blues | — | ||
| 2-22 | Hungry Man Blues | — | ||
| 2-23 | I'll Be Back Home Again | — | ||
| 2-24 | Bull Cow Blues, Part 2 | — | ||
| 2-25 | Serve It to Me Right | — | ||
| 3-2 | Mississippi River Blues | — | ||
| 3-3 | At the Break of Day | — | ||
| 3-4 | I Want to Go Home | — | ||
| 3-5 | Hard Headed Woman | — | ||
| 3-6 | Dying Day Blues | — | ||
| 3-7 | I Want to See My Baby | — | ||
| 3-9 | Dirty No-Gooder | — | ||
| 3-10 | Let Her Go / She Don't Know | — | ||
| 3-11 | Hobo Blues | — | ||
| 3-12 | Prowlin' Ground Hog | — | ||
| 3-13 | C.C. Rider (take a) | — | ||
| 3-14 | C.C. Rider (take B) | — | ||
| 3-15 | Sweet to Mama | — | ||
| 3-16 | Rustlin' Man | — | ||
| 3-17 | She Caught the Train | — | ||
| 3-18 | Midnight Special | — | ||
| 3-19 | The Dozen | — | ||
| 3-20 | Don't Tear My Clothes | — | ||
| 3-21 | The Southern Blues | — | ||
| 3-22 | Good Jelly | — | ||
| 3-23 | C and a Blues | — | ||
| 3-24 | Something Good | — | ||
| 3-25 | You May Need My Help Someday | — | ||
| 4-1 | Rising Sun Shine On | — | ||
| 4-2 | Mountain Blues | — | ||
| 4-3 | Bad Luck Blues | — | ||
| 4-4 | I Can't Make You Satisfied | — | ||
| 4-5 | I'm Just a Bum | — | ||
| 4-6 | Keep Your Hands Off Her | — | ||
| 4-7 | The Sun Gonna Shine in My Door Someday | — | ||
| 4-8 | Good Liquor Gonna Carry Me Down | — | ||
| 4-9 | Down the Line Blues | — | ||
| 4-10 | Bricks in My Pillow | — | ||
| 4-11 | Tell Me What You Been Doing | — | ||
| 4-12 | Ash Hauler | — | ||
| 4-13 | Evil Women Blues | — | ||
| 4-14 | These Ants Keep Biting Me | — | ||
| 4-15 | Big Bill Blues (These Blues Are Doggin' Me) | — | ||
| 4-16 | You Know I Need Lovin' | — | ||
| 4-17 | Match Box Blues | — | ||
| 4-18 | Low Down Woman Blues | — | ||
| 4-19 | Keep Your Mind on It | — | ||
| 4-20 | Bull Cow Blues No. 3 | — | ||
| 4-21 | Married Life's a Pain | — | ||
| 4-22 | Black Mare Blues | — | ||
| 4-23 | Pneumonia Blues (I Keep on Aching) | — | ||
| 4-24 | Big Bill's Milk Cow No. 2 | — | ||
| 4-25 | W.P.A. Blues | — | ||
| 4-26 | I'm a Southern Man | — | ||
| 5-1 | Nancy Jane | — | ||
| 5-2 | Lowland Blues | — | ||
| 5-3 | Seven-Eleven (Dice Please Don't Fail Me) | — | ||
| 5-4 | You Know I Got a Reason | — | ||
| 5-5 | Oh Babe (Dice Please Don't Fail Me) | — | ||
| 5-6 | Detroit Special | — | ||
| 5-7 | Falling Rain | — | ||
| 5-8 | Black Widow Spider | — | ||
| 5-9 | Cherry Hill | — | ||
| 5-10 | Out With the Wrong Woman | — | ||
| 5-11 | Don't Tear My Clothes No. 2 | — | ||
| 5-12 | You Drink Too Much | — | ||
| 5-13 | Southern Flood Blues | — | ||
| 5-14 | My Big Money | — | ||
| 5-15 | My Woman Mistreats Me | — | ||
| 5-16 | Let's Reel and Rock | — | ||
| 5-17 | Come Up to My House | — | ||
| 5-18 | Get Away | — | ||
| 5-19 | Terrible Flood Blues | — | ||
| 5-20 | Little Bug | — | ||
| 5-21 | Horny Frog (take 1) | — | ||
| 5-22 | Horny Frog (take 2) | — | ||
| 5-23 | Mean Old World (take 1) | — | ||
| 5-24 | Mean Old World (take 2) | — | ||
| 5-25 | Barrelhouse When It Rains | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 788065771829?
788065771829 is a Universal Product Code (UPC) assigned to All the Classic Sides 1928-1937 by Big Bill Broonzy. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 120 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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