UPC · Release
Masters Of Memphis Blues
Various Artists
Last verified:
788065772529 is the Universal Product Code (UPC barcode) for the release “Masters Of Memphis Blues” by Various Artists, released 2004-01-01 on JSP Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 101 tracks, each with its own ISRC. Tracks include USSM10311155, GBHVK1200013, QMDA71386729.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (101)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Everybody's Blues | — | ||
| 2 | Mr. Furry's Blues | — | ||
| 3 | Sweet Papa Moan | — | ||
| 4 | Rock Island Blues | — | ||
| 5 | Jelly Roll | — | ||
| 6 | Billy Lyons and Stack O’Lee | Furry Lewis | — | |
| 7 | Good Looking Girl Blues | — | ||
| 8 | Why Don't You Come Home Blues | — | ||
| 9 | Falling Down Blues | Furry Lewis | — | |
| 10 | Big Chief Blues | — | ||
| 11 | Mean Old Bed Bug Blues | — | ||
| 12 | Furry’s Blues | Furry Lewis | — | |
| 13 | I Will Turn Your Money Green (take 1) | Furry Lewis | — | |
| 14 | I Will Turn Your Money Green (take 2) | Furry Lewis | — | |
| 15 | Mistreatin’ Mama | Furry Lewis | — | |
| 16 | Dry Land Blues | Furry Lewis | — | |
| 17 | Cannonball Blues | Furry Lewis | — | |
| 18 | Kassie Jones Part 1 | Furry Lewis | — | |
| 19 | Kassie Jones, Part 2 | Furry Lewis | — | |
| 20 | Judge Harsh Blues (take 1) | Furry Lewis | — | |
| 21 | Judge Harsh Blues (take 2) | Furry Lewis | — | |
| 22 | John Henry (The Steel Driving Man) (Take 1) | — | ||
| 23 | John Henry (The Steel Driving Man) (Take 2) | — | ||
| 24 | Black Gypsy Blues | — | ||
| 25 | Creeper's Blues | — | ||
| 2-1 | You Shall | — | ||
| 2-2 | It's A Good Thing | — | ||
| 2-3 | Sweet To Mama | — | ||
| 2-4 | Half Cup Of Tea | — | ||
| 2-5 | Beale Town Bound | — | ||
| 2-6 | Last Go Round | — | ||
| 2-7 | Jazzin' The Blues | — | ||
| 2-8 | You Shall | — | ||
| 2-9 | It's A Good Thing | — | ||
| 2-10 | Mr. Crump Don't Like It | — | ||
| 2-11 | Chicken You Can Roost Behind The Moon | — | ||
| 2-12 | Blues In D | — | ||
| 2-13 | Ain't Goin' To Do Like I Used To Do | — | ||
| 2-14 | Hunting Blues | — | ||
| 2-15 | Rockin' On The Hill Blues | — | ||
| 2-16 | Fillin' In Blues - Part 1 | — | ||
| 2-17 | Fillin' In Blues - Part 2 | — | ||
| 2-18 | Wasn't That Doggin' Me | — | ||
| 2-19 | Jumpin' On The Hill | — | ||
| 2-20 | Jonestown Blues | — | ||
| 2-21 | Poor Boy, Long Ways From Home | — | ||
| 2-22 | Madison Street Rag | — | ||
| 2-23 | Jazz Gypsy Blues | — | ||
| 2-24 | Can You Blame The Colored Man | — | ||
| 2-25 | My Money Never Runs Out | — | ||
| 3-1 | Downtown Blues (Take 1) | — | ||
| 3-2 | Downtown Blues (take 2) | Frank Stokes | T-329.456.222-0 | |
| 3-3 | Bedtime Blues | Frank Stokes | — | |
| 3-4 | What’s the Matter Blues | Frank Stokes | — | |
| 3-5 | Mistreatin’ Blues | Frank Stokes | — | |
| 3-6 | It Won’t Be Long Now (take 1) | Frank Stokes | — | |
| 3-7 | It Won't Be Long (Take 2) | — | ||
| 3-8 | Nehi Mamma Blues | Frank Stokes | — | |
| 3-9 | I Got Mine | Frank Stokes | — | |
| 3-10 | Stomp That Thing | Frank Stokes | — | |
| 3-11 | ’Taint Nobody’s Business If I Do, Part 1 | Frank Stokes | — | |
| 3-12 | ’Taint Nobody’s Business If I Do, Part 2 (take 1) | Frank Stokes | — | |
| 3-13 | 'Tain't Nobody's Business If I Do - Part 2 (Take 2) | — | ||
| 3-14 | Take Me Back | Frank Stokes | — | |
| 3-15 | How Long | Frank Stokes | — | |
| 3-16 | South Memphis Blues | — | ||
| 3-17 | Bunker Hill Blues | — | ||
| 3-18 | Right Now Blues | — | ||
| 3-19 | Shiney Town Blues | — | ||
| 3-20 | I'm Going Away Blues | — | ||
| 3-21 | Old Sometime Blues | — | ||
| 3-22 | Frank Stokes' Dream | — | ||
| 3-23 | Memphis Rounders Blues | — | ||
| 3-24 | I Couldn't Help It | — | ||
| 3-25 | Moanin’ the Blues | Allen Shaw | T-070.242.244-3 | |
| 4-1 | Rollin' Stone (Part 1) | Robert Wilkins | — | |
| 4-2 | Rollin' Stone (Part 2) | Robert Wilkins | — | |
| 4-3 | Jail House Blues | Robert Wilkins | — | |
| 4-4 | I Do Blues | Robert Wilkins | — | |
| 4-5 | That’s No Way to Get Along | Robert Wilkins | T-072.385.932-2 | |
| 4-6 | Alabama Blues | — | ||
| 4-7 | Long Train Blues | — | ||
| 4-8 | Falling Down Blues | — | ||
| 4-9 | Nashville Stonewall Blues | — | ||
| 4-10 | Police Sergeant Blues | Robert Wilkins | — | |
| 4-11 | Get Away Blues | — | ||
| 4-12 | I'll Go With Her Blues | — | ||
| 4-13 | Dirty Deal Blues | — | ||
| 4-14 | Black Rat Blues | — | ||
| 4-15 | New Stock Yard Blues | — | ||
| 4-16 | Old Jim Canan’s | Robert Wilkins | — | |
| 4-17 | Losin' Out Blues | — | ||
| 4-18 | Hard Scufflin' Blues | — | ||
| 4-19 | Grief Will Kill You | — | ||
| 4-20 | Slick Capers Blues | — | ||
| 4-21 | Renewed Love Blues | — | ||
| 4-22 | Bad In Mind Blues | — | ||
| 4-23 | Three-Sixty-Nine Blues | — | ||
| 4-24 | She's Got Good Dry Goods | — | ||
| 4-25 | Lost Baby Blues | — | ||
| 4-26 | Sweet Man Blues | — |
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| I Got Mine | Frank Stokes | T-070.264.545-1 |
| ’Taint Nobody’s Business If I Do, Part 1 | Frank Stokes | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 788065772529?
788065772529 is a Universal Product Code (UPC) assigned to Masters Of Memphis Blues by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 101 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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