UPC · Release
Rembetika: Greek Music from the Underground
Various Artists
Last verified:
788065777623 is the Universal Product Code (UPC barcode) for the release “Rembetika: Greek Music from the Underground” by Various Artists, released 2006-01-01 on JSP Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 89 tracks, each with its own ISRC. Tracks include USRO29207905.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (89)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Papagika Mandalena | — | ||
| 2 | Chakiji Zeibek | — | ||
| 3 | Tsifte Telli | — | ||
| 4 | Huseini Manes | — | ||
| 5 | Ballos Smyrneikos Me Mane | — | ||
| 6 | Aidhinikos Xoros (Dance From Aydin) | — | ||
| 7 | Zeimbekiko Melemenio | — | ||
| 8 | Piran Ta Frygana Fotia (The Neighbourhood's Ablaze) | — | ||
| 9 | Minore Manes, S'Afino Tin Kali Nychtia | — | ||
| 10 | Sousta Politiki | — | ||
| 11 | Bournovalio | — | ||
| 12 | Melachrinoula (Dark Skinned Girl) | — | ||
| 13 | Rast Zergile Manes | — | ||
| 14 | Markopouliotissa (The Girl from Markopoulo) | — | ||
| 15 | I Dzerkeza (The Circassian Girl) | — | ||
| 16 | Gazeli, Sti Mavri Yi Chrosto Kormi (I Owe My Body to the Black Earth) | — | ||
| 17 | San Eyriz' Ap' Tin Pylo (As I Returned From Pylos) | — | ||
| 18 | Mes' To Vathi Skotadhi (In the Deep Darkness) | — | ||
| 19 | O Prezakis (The Junkie) | — | ||
| 20 | Yiovan Tsaous | — | ||
| 21 | Paraponiounde I Manges Mas (Our Manges Are Complaining) | — | ||
| 22 | Ego Thelo Prigipessa (I Want a Princess) | — | ||
| 2-1 | I Klostirou (The Mill Girl) | — | ||
| 2-2 | Zeimbekano Spaniolo | — | ||
| 2-3 | O Thermastis (The Stoker) | — | ||
| 2-4 | San Ise Mangas Ke Dais (If You're a Mangas and a Real Hard Nut) | — | ||
| 2-5 | Kapote Imouna Ki 'Ego (And I Was Once...) | — | ||
| 2-6 | O Synachis (The Dope Sniffer) | — | ||
| 2-7 | Varka Mou Boyiatismeni (My Painted Boat) | — | ||
| 2-8 | I Fylakes Tou Oropou (Oropos Jail) | — | ||
| 2-9 | Prepi Na Xeris Michani (You Gotta Know the Tricks) | — | ||
| 2-10 | Panta Me Glyko Hasisi (Always with Sweet Hashish) | — | ||
| 2-11 | Htan Anixi (It Was Springtime) | — | ||
| 2-12 | Manges Piaste Ta Vouna (Manges, Take to the Hills) | — | ||
| 2-13 | Pende Manges (Five Manges) | — | ||
| 2-14 | Soura Ke Mastoura (Drunk and Stoned) | — | ||
| 2-15 | Taxim Athineiko Ke Zeimbekiko | — | ||
| 2-16 | Mes 'Tou Vavoula Ti Gouva (In Vavoula's Hollow) | — | ||
| 2-17 | Ouzak-To Tragoudhi Tis Xentias (The Song of Exile) | — | ||
| 2-18 | I Moni Mou Parigoria (My Only Consolation) | — | ||
| 2-19 | Ego Mangas Fenomouna (It Showed I Was a Mangas) | — | ||
| 2-20 | Ταξίμ ζεϊμπέκικο | Μάρκος Βαμβακάρης | — | |
| 2-21 | Olli I Rembetes Tou Dounia (All the Rembetes in the World) | — | ||
| 2-22 | I Baglamadhes | — | ||
| 2-23 | Ithela Na' Moun Iraklis (I Wanted to Be Hercules) | — | ||
| 3-1 | Stis Syras To Aniforo (On the Hill in Syros) | — | ||
| 3-2 | Tout' I Batsoi Pou' Rthan Tora (Those Cops Who Were Here Just Now) | — | ||
| 3-3 | Troumba | — | ||
| 3-4 | O Skylomangas | — | ||
| 3-5 | Me Pianoune Zaladhes (Dizzyness Overcomes Me) | — | ||
| 3-6 | To Minore Tou Deke | — | ||
| 3-7 | O Paraponiaris (The Grumbler) | — | ||
| 3-8 | I Elmorfi Attaleia (Beautiful Antalya) | — | ||
| 3-9 | Echo Meraki Echo Dalga | — | ||
| 3-10 | To Yellekaki (The Waistcoat) | — | ||
| 3-11 | Raste Tou Deke | — | ||
| 3-12 | O Vlamis Tou Psyri | — | ||
| 3-13 | Mas Kynigoun Ton Argile (They're After Our Argile) | — | ||
| 3-14 | Strive Logia (Leave Out the Bullshit) | — | ||
| 3-15 | To Flidzani Tou Yianni | — | ||
| 3-16 | Pane Yia To Prasso (They're Going "Dipping") | — | ||
| 3-17 | Ime Prezakias (I'm a Smack-Head) | — | ||
| 3-18 | Dhervisis Ke Anna (Anna and the Dervish) | — | ||
| 3-19 | To Proi Me Tin Dhrossoula (With the Early Morning Dew) | — | ||
| 3-20 | Hadzimilousiko | — | ||
| 3-21 | Trikouverto | — | ||
| 4-1 | I Margarita | — | ||
| 4-2 | Ola Ta 'Cho Varethi | — | ||
| 4-3 | Mikroula Pireotissa (The Girl From Piraeus) | — | ||
| 4-4 | I Magdhalo | — | ||
| 4-5 | Thelo Na Se Andamoso, Xaveriotissa | — | ||
| 4-6 | I Mikri Ap 'To Passalimani (The Girl From Passalimani) | — | ||
| 4-7 | Vaggelitsa | — | ||
| 4-8 | Se Fino Akroyiali (On a Fine Beach) | — | ||
| 4-9 | Tatavliano (Dance of Tatavla) | — | ||
| 4-10 | Dhen Tha'rtho Peia Stin Kokkinia (I Won't Come Again to Kokkinia) | — | ||
| 4-11 | Pali Mou Kanoun Proxenia (Again, They've Offered Me a Bride) | — | ||
| 4-12 | Paliopedho (The No Good) | — | ||
| 4-13 | O Tsiggounis O Babas Sou (Your Old Man, The Miser) | — | ||
| 4-14 | Vadizo Me Parapono | — | ||
| 4-15 | Tha Se Klepso Tha Se Paro (I'll Steal You Away) | — | ||
| 4-16 | I Meraklidhes | — | ||
| 4-17 | To Portofoli (The Wallet) | — | ||
| 4-18 | Opios Orfanepse Mikros (Whoever Is Orphaned Young) | — | ||
| 4-19 | Manavissa Me Gaidhouraki (The Grocer Girl & Her Donkey) | — | ||
| 4-20 | O Serianis (The Stroller) | — | ||
| 4-21 | Tis Mastouras O Skopos (The Song of the High) | — | ||
| 4-22 | Varka Yialo (The Boat Down on the Beach) | — | ||
| 4-23 | Nea Vaggelitsa | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
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People also ask
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What is UPC 788065777623?
788065777623 is a Universal Product Code (UPC) assigned to Rembetika: Greek Music from the Underground by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 89 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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