UPC · Release
Memphis Blues: Important Postwar Blues
Various Artists
788065777722
111 tracksReleased 2006-09-19JSP Records
Last verified:
788065777722 is the Universal Product Code (UPC barcode) for the release “Memphis Blues: Important Postwar Blues” by Various Artists, released 2006-09-19 on JSP Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 111 tracks, each with its own ISRC. Tracks include GBDAG1990637.
Format
7Number system
88065Manufacturer
77772Product
2Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCMemphis Blues: Important Postwar Blues
ISRC1 recording
ISWC6 works
IPI10 songwriters
Track List (111)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Gotta Let You Go | — | ||
| 2 | Boogie in the Park | — | ||
| 3 | That Ain’t Right (take 1) | — | ||
| 4 | Little Soldier Boy (take 2) | — | ||
| 5 | Country Clown (take 1) | — | ||
| 6 | County Farm Blues | — | ||
| 7 | They Call Me Talkin’ Boy | — | ||
| 8 | Easy | — | ||
| 9 | Before Long | — | ||
| 10 | Lonesome Ol’ Jail | — | ||
| 11 | Greyhound Blues | — | ||
| 12 | Registration Day Blues | — | ||
| 13 | Rats in My Kitchen | — | ||
| 14 | Rattlesnake Mama | — | ||
| 15 | Forty Four Blues | — | ||
| 16 | I Feel Like a Million | — | ||
| 17 | Heartache Baby | — | ||
| 18 | Shorty the Barber | — | ||
| 19 | The Last Time | — | ||
| 20 | Train Is Comin’ | — | ||
| 21 | Pinetop’s Boogie Woogie | — | ||
| 22 | Policy Man Blues (take 1) | — | ||
| 23 | Wolf Call Boogie | — | ||
| 24 | Harmonica Jam | — | ||
| 25 | Take a Little Chance | — | ||
| 26 | Tailor Made | — | ||
| 27 | The Boogie Disease | — | ||
| 2-1 | Moanin’ at Midnight | — | ||
| 2-2 | Blue Bird | — | ||
| 2-3 | Move on Down the Line | — | ||
| 2-4 | The Hucklebuck | — | ||
| 2-5 | Walter’s Instrumental | — | ||
| 2-6 | Grandmother Got Grandfather Told | — | ||
| 2-7 | Midnight Showers of Rain | — | ||
| 2-8 | Prison Bound Blues | — | ||
| 2-9 | Bear Cat | — | ||
| 2-10 | Married Woman | — | ||
| 2-11 | Roscoe’s Boogie | — | ||
| 2-12 | City Women | — | ||
| 2-13 | Baby, Baby | — | ||
| 2-14 | Rock the Bottle | — | ||
| 2-15 | Bad Women, Bad Whiskey | — | ||
| 2-16 | You’re My Angel | — | ||
| 2-17 | Good Lovin’ | — | ||
| 2-18 | Drifting From Town to Town | — | ||
| 2-19 | My Baby | — | ||
| 2-20 | Straighten Up Baby | — | ||
| 2-21 | Work With Her Boy | — | ||
| 2-22 | Detriot Arrow Blues | — | ||
| 2-23 | Carry My Business On (take 1) | — | ||
| 2-24 | Crying in the Courthouse (take 1) | — | ||
| 2-25 | Walked All Night (take 1) | Charlie Booker | — | |
| 2-26 | Baby I’m Coming Home | — | ||
| 2-27 | I’m Gonna Murder My Baby | — | ||
| 2-28 | Bonus Pay | — | ||
| 3-1 | T-Model Boogie | — | ||
| 3-2 | Saddled the Cow (and Milked the Horse) | — | ||
| 3-3 | Seems Like a Million Years (take 1) | — | ||
| 3-4 | Riding in the Moonlight | — | ||
| 3-5 | Can’t Love Me and My Money Too | — | ||
| 3-6 | Flypaper Boogie | — | ||
| 3-7 | Somebody Told Me | — | ||
| 3-8 | If You Love Me | — | ||
| 3-9 | Feelin’ Good | — | ||
| 3-10 | Fussin’ and Fightin’ Blues | — | ||
| 3-11 | Hart’s Bread Boogie | — | ||
| 3-12 | Blues Leave Me Alone | — | ||
| 3-13 | She Comes to See Me Sometime (take 1) | — | ||
| 3-14 | We All Gotta Go Sometime | — | ||
| 3-15 | Sweet Home Chicago (take 1) | — | ||
| 3-16 | Mistreating Boogie | — | ||
| 3-17 | Worry You Off My Mind | — | ||
| 3-18 | Lucy Done Moved | — | ||
| 3-19 | Don’t Dog Me Around | — | ||
| 3-20 | Skin and Bone (take 1) | — | ||
| 3-21 | Dead Letter Blues (take 1) | — | ||
| 3-22 | Ugly Woman (take 3) | — | ||
| 3-23 | You’ll Be Sorry | — | ||
| 3-24 | Blue and Lonesome | — | ||
| 3-25 | Long Gone Raymond | — | ||
| 3-26 | I’m Back Pretty Baby | — | ||
| 3-27 | Blue Man (take 1) | — | ||
| 3-28 | High (take 1) | — | ||
| 4-1 | Tiger Man | — | ||
| 4-2 | Save That Money | — | ||
| 4-3 | Lookin’ for My Baby | — | ||
| 4-4 | Homesick for My Baby | — | ||
| 4-5 | Feel So Worried | — | ||
| 4-6 | So Long Baby, Goodbye | — | ||
| 4-7 | Cotton Crop Blues (take 1) | — | ||
| 4-8 | Hold Me in Your Arms | — | ||
| 4-9 | Come Back Home (take 1) | — | ||
| 4-10 | Chocolate Drop | — | ||
| 4-11 | Blue Guitar | — | ||
| 4-12 | Believe I’ll Settle Down | — | ||
| 4-13 | We All Gotta Go Sometime | — | ||
| 4-14 | Off the Wall | — | ||
| 4-15 | Love My Baby | — | ||
| 4-16 | Mystery Train | — | ||
| 4-17 | Dry Up Baby | — | ||
| 4-18 | Crying All Night Long | — | ||
| 4-19 | Way After Midnight (take 1) | — | ||
| 4-20 | Hey Now (take 1) | — | ||
| 4-21 | I Wronged a Woman | — | ||
| 4-22 | I Can’t Forgive You | — | ||
| 4-23 | Midnight Hours Journey | — | ||
| 4-24 | My Baby Left Me | — | ||
| 4-25 | You’re Driving Me Insane | — | ||
| 4-26 | Trouble and Heartache | — | ||
| 4-27 | When It Rains It Pours | — | ||
| 4-28 | Move Baby Move | — |
Gotta Let You Go
—
Boogie in the Park
—
That Ain’t Right (take 1)
—
Little Soldier Boy (take 2)
—
Country Clown (take 1)
—
County Farm Blues
—
They Call Me Talkin’ Boy
—
Easy
—
Before Long
—
Lonesome Ol’ Jail
—
Greyhound Blues
—
Registration Day Blues
—
Rats in My Kitchen
—
Rattlesnake Mama
—
Forty Four Blues
—
I Feel Like a Million
—
Heartache Baby
—
Shorty the Barber
—
The Last Time
—
Train Is Comin’
—
Pinetop’s Boogie Woogie
—
Policy Man Blues (take 1)
—
Wolf Call Boogie
—
Harmonica Jam
—
Take a Little Chance
—
Tailor Made
—
The Boogie Disease
—
Moanin’ at Midnight
—
Blue Bird
—
Move on Down the Line
—
The Hucklebuck
—
Walter’s Instrumental
—
Grandmother Got Grandfather Told
—
Midnight Showers of Rain
—
Prison Bound Blues
—
Bear Cat
—
Married Woman
—
Roscoe’s Boogie
—
City Women
—
Baby, Baby
—
Rock the Bottle
—
Bad Women, Bad Whiskey
—
You’re My Angel
—
Good Lovin’
—
Drifting From Town to Town
—
My Baby
—
Straighten Up Baby
—
Work With Her Boy
—
Detriot Arrow Blues
—
Carry My Business On (take 1)
—
Crying in the Courthouse (take 1)
—
Walked All Night (take 1)
Charlie Booker
—
Baby I’m Coming Home
—
I’m Gonna Murder My Baby
—
Bonus Pay
—
T-Model Boogie
—
Saddled the Cow (and Milked the Horse)
—
Seems Like a Million Years (take 1)
—
Riding in the Moonlight
—
Can’t Love Me and My Money Too
—
Flypaper Boogie
—
Somebody Told Me
—
If You Love Me
—
Feelin’ Good
—
Fussin’ and Fightin’ Blues
—
Hart’s Bread Boogie
—
Blues Leave Me Alone
—
She Comes to See Me Sometime (take 1)
—
We All Gotta Go Sometime
—
Sweet Home Chicago (take 1)
—
Mistreating Boogie
—
Worry You Off My Mind
—
Lucy Done Moved
—
Don’t Dog Me Around
—
Skin and Bone (take 1)
—
Dead Letter Blues (take 1)
—
Ugly Woman (take 3)
—
You’ll Be Sorry
—
Blue and Lonesome
—
Long Gone Raymond
—
I’m Back Pretty Baby
—
Blue Man (take 1)
—
High (take 1)
—
Tiger Man
—
Save That Money
—
Lookin’ for My Baby
—
Homesick for My Baby
—
Feel So Worried
—
So Long Baby, Goodbye
—
Cotton Crop Blues (take 1)
—
Hold Me in Your Arms
—
Come Back Home (take 1)
—
Chocolate Drop
—
Blue Guitar
—
Believe I’ll Settle Down
—
We All Gotta Go Sometime
—
Off the Wall
—
Love My Baby
—
Mystery Train
—
Dry Up Baby
—
Crying All Night Long
—
Way After Midnight (take 1)
—
Hey Now (take 1)
—
I Wronged a Woman
—
I Can’t Forgive You
—
Midnight Hours Journey
—
My Baby Left Me
—
You’re Driving Me Insane
—
Trouble and Heartache
—
When It Rains It Pours
—
Move Baby Move
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
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What is UPC 788065777722?
788065777722 is a Universal Product Code (UPC) assigned to Memphis Blues: Important Postwar Blues by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 111 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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