UPC · Release
Jook Joint Blues Good Time Rhythm & Blues 1943–1956
Various Artists
788065779627
112 tracksReleased 2007-01-01JSP Records
Last verified:
788065779627 is the Universal Product Code (UPC barcode) for the release “Jook Joint Blues Good Time Rhythm & Blues 1943–1956” by Various Artists, released 2007-01-01 on JSP Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 112 tracks, each with its own ISRC. Tracks include GBDAG1990658, GBDAG1990634, GBDAG1990657.
Format
7Number system
88065Manufacturer
77962Product
7Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCJook Joint Blues Good Time Rhythm & Blues 1943–1956
ISRC8 recordings
IPI3 songwriters
Track List (112)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Wine, Women, Whiskey | — | ||
| 2 | Rock Me, Mama | — | ||
| 3 | Little Lean Woman | — | ||
| 4 | Hydramatic Woman | — | ||
| 5 | Lucy Mae Blues | — | ||
| 6 | Goin' to New Orleans | — | ||
| 7 | Another Fool Like Me | — | ||
| 8 | Little Milton Boogie | — | ||
| 9 | Scott's Boogie | — | ||
| 10 | She's Gone | Schoolboy Cleve | — | |
| 11 | Down at the Depot | — | ||
| 12 | Calling All Cows | — | ||
| 13 | Courtin' in a Cadillac | — | ||
| 14 | Wakin' and Cryin' Blues | — | ||
| 15 | Ride, Hooker, Ride | — | ||
| 16 | Don't Let Your Daddy Slow Walk You Down | — | ||
| 17 | Cool Down, Mama | — | ||
| 18 | Country Boy | Pee Wee Hughes | — | |
| 19 | Little Mae Boogie | Alex Moore | — | |
| 20 | Gotta Get Together | — | ||
| 21 | When I Come in This House, Woman | — | ||
| 22 | I'm Gonna Leave You, Baby | — | ||
| 23 | Evil and Hanky | — | ||
| 24 | Bad Luck | — | ||
| 25 | Central Avenue Blues | — | ||
| 26 | On My Way | — | ||
| 27 | Highway 80 Blues | — | ||
| 28 | Mama Does the Boogie | — | ||
| 2-1 | She Fool Me | — | ||
| 2-2 | Chicken Hearted Woman | — | ||
| 2-3 | That's What They Want | — | ||
| 2-4 | Sneaky Groundhog | — | ||
| 2-5 | Blinds Blues | John Lee | — | |
| 2-6 | Sugar Mama | — | ||
| 2-7 | One Room Country Shack | — | ||
| 2-8 | You Are Doing Me Wrong | — | ||
| 2-9 | I Can't Live Happy | — | ||
| 2-10 | Mean Old Train | — | ||
| 2-11 | Jackson Juke | — | ||
| 2-12 | Jealous Man | — | ||
| 2-13 | Winehead Swing | — | ||
| 2-14 | Weekend Blues | — | ||
| 2-15 | Leave My Money Alone | — | ||
| 2-16 | Pebble in My Shoe | — | ||
| 2-17 | Lonely Blues | — | ||
| 2-18 | No. 4 Boogie | — | ||
| 2-19 | Someday You'll Understand | — | ||
| 2-20 | Alley Corn | — | ||
| 2-21 | I Got Them Blues | — | ||
| 2-22 | L.J. Boogie | — | ||
| 2-23 | She's So Good to Me | — | ||
| 2-24 | New Orleans Bound | — | ||
| 2-25 | West Kinney Street Blues | — | ||
| 2-26 | I'm Him | — | ||
| 2-27 | Neglected Woman | — | ||
| 2-28 | Too Much Competition | — | ||
| 3-1 | A Fool No More | Eddie Hope & The Mannish Boys | — | |
| 3-2 | Johnny Mae | — | ||
| 3-3 | Got My Call Card | — | ||
| 3-4 | Love My Baby | — | ||
| 3-5 | Jump the Boogie | — | ||
| 3-6 | One Thing My Baby Likes | — | ||
| 3-7 | A Dream | — | ||
| 3-8 | Happy Go Lucky | — | ||
| 3-9 | Bugger Bugger Boy | — | ||
| 3-10 | Sweet Angel | — | ||
| 3-11 | You Don't Love Me No More | — | ||
| 3-12 | My Woman Knows the Score | — | ||
| 3-13 | Goin' Home to Mother | — | ||
| 3-14 | Santa Fe Blues | — | ||
| 3-15 | Tiger Man | — | ||
| 3-16 | Alabama Boogie | — | ||
| 3-17 | Wolf Call Boogie | — | ||
| 3-18 | Congo Mombo | — | ||
| 3-19 | Big Time Woman | — | ||
| 3-20 | Paper Wooden Daddy | — | ||
| 3-21 | Bloodstains on the Wall | — | ||
| 3-22 | Rub a Little Boogie | — | ||
| 3-23 | Schoolboy | — | ||
| 3-24 | Ethel Mae | — | ||
| 3-25 | Knocking the Boogie | — | ||
| 3-26 | Mistreated Baby Blues | — | ||
| 3-27 | The 64 Dollar Question | — | ||
| 3-28 | If I Lose You Woman | — | ||
| 4-1 | Lester's Stomp | — | ||
| 4-2 | Dark Muddy Bottom | — | ||
| 4-3 | Lost Child | — | ||
| 4-4 | 1958 Blues | Little Sammy Davis | — | |
| 4-5 | Now Listen, Baby | — | ||
| 4-6 | Lost Without Love | — | ||
| 4-7 | Alla Blues | — | ||
| 4-8 | She's Mine, All Mine | — | ||
| 4-9 | T.N.T. Woman | — | ||
| 4-10 | Lightnin' Blues | — | ||
| 4-11 | K.C. Boogie | — | ||
| 4-12 | Baby Blues | — | ||
| 4-13 | She's Taking All My Money | — | ||
| 4-14 | Let Me Be Your Handy Man | — | ||
| 4-15 | You Better Change | Ole Sonny Boy | — | |
| 4-16 | Strange Letter Blues | — | ||
| 4-17 | Things Ain't Right | — | ||
| 4-18 | Wine Head Baby | — | ||
| 4-19 | Don't Take It Out on Me | — | ||
| 4-20 | Deep South Guitar Blues | — | ||
| 4-21 | Packin' Up My Blues | — | ||
| 4-22 | Blow It Down | — | ||
| 4-23 | Good Road Blues | Wright Holmes | — | |
| 4-24 | Katherine Blues | — | ||
| 4-25 | On the Hook | — | ||
| 4-26 | I Can't Be Successful | — | ||
| 4-27 | Philippine Blues | — | ||
| 4-28 | Harpin' on It | — |
Wine, Women, Whiskey
—
Rock Me, Mama
—
Little Lean Woman
—
Hydramatic Woman
—
Lucy Mae Blues
—
Goin' to New Orleans
—
Another Fool Like Me
—
Little Milton Boogie
—
Scott's Boogie
—
She's Gone
Schoolboy Cleve
—
Down at the Depot
—
Calling All Cows
—
Courtin' in a Cadillac
—
Wakin' and Cryin' Blues
—
Ride, Hooker, Ride
—
Don't Let Your Daddy Slow Walk You Down
—
Cool Down, Mama
—
Country Boy
Pee Wee Hughes
—
Little Mae Boogie
Alex Moore
—
Gotta Get Together
—
When I Come in This House, Woman
—
I'm Gonna Leave You, Baby
—
Evil and Hanky
—
Bad Luck
—
Central Avenue Blues
—
On My Way
—
Highway 80 Blues
—
Mama Does the Boogie
—
She Fool Me
—
Chicken Hearted Woman
—
That's What They Want
—
Sneaky Groundhog
—
Blinds Blues
John Lee
—
Sugar Mama
—
One Room Country Shack
—
You Are Doing Me Wrong
—
I Can't Live Happy
—
Mean Old Train
—
Jackson Juke
—
Jealous Man
—
Winehead Swing
—
Weekend Blues
—
Leave My Money Alone
—
Pebble in My Shoe
—
Lonely Blues
—
No. 4 Boogie
—
Someday You'll Understand
—
Alley Corn
—
I Got Them Blues
—
L.J. Boogie
—
She's So Good to Me
—
New Orleans Bound
—
West Kinney Street Blues
—
I'm Him
—
Neglected Woman
—
Too Much Competition
—
A Fool No More
Eddie Hope & The Mannish Boys
—
Johnny Mae
—
Got My Call Card
—
Love My Baby
—
Jump the Boogie
—
One Thing My Baby Likes
—
A Dream
—
Happy Go Lucky
—
Bugger Bugger Boy
—
Sweet Angel
—
You Don't Love Me No More
—
My Woman Knows the Score
—
Goin' Home to Mother
—
Santa Fe Blues
—
Tiger Man
—
Alabama Boogie
—
Wolf Call Boogie
—
Congo Mombo
—
Big Time Woman
—
Paper Wooden Daddy
—
Bloodstains on the Wall
—
Rub a Little Boogie
—
Schoolboy
—
Ethel Mae
—
Knocking the Boogie
—
Mistreated Baby Blues
—
The 64 Dollar Question
—
If I Lose You Woman
—
Lester's Stomp
—
Dark Muddy Bottom
—
Lost Child
—
1958 Blues
Little Sammy Davis
—
Now Listen, Baby
—
Lost Without Love
—
Alla Blues
—
She's Mine, All Mine
—
T.N.T. Woman
—
Lightnin' Blues
—
K.C. Boogie
—
Baby Blues
—
She's Taking All My Money
—
Let Me Be Your Handy Man
—
You Better Change
Ole Sonny Boy
—
Strange Letter Blues
—
Things Ain't Right
—
Wine Head Baby
—
Don't Take It Out on Me
—
Deep South Guitar Blues
—
Packin' Up My Blues
—
Blow It Down
—
Good Road Blues
Wright Holmes
—
Katherine Blues
—
On the Hook
—
I Can't Be Successful
—
Philippine Blues
—
Harpin' on It
—
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| 1958 Blues | Little Sammy Davis | — |
1958 Blues
Little Sammy Davis
—
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
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People also ask
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What is UPC 788065779627?
788065779627 is a Universal Product Code (UPC) assigned to Jook Joint Blues Good Time Rhythm & Blues 1943–1956 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 112 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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