UPC · Release
The Complete Recorded Works, Volume 1
Fats Waller
Last verified:
788065902728 is the Universal Product Code (UPC barcode) for the release “The Complete Recorded Works, Volume 1” by Fats Waller, released 2007-01-01 on JSP Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include USSM10012632, USBB10200801, DEU240801834.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Muscle Shoals Blues | — | ||
| 2 | Birmingham Blues | — | ||
| 3 | 'Taint Nobody's Bus'ness If I Do | — | ||
| 4 | You Got Ev'rything a Sweet Mama Needs but Me | — | ||
| 5 | Mama's Got the Blues | — | ||
| 6 | Last Go Round Blues | — | ||
| 7 | Stingaree Blues | — | ||
| 8 | You Can't Do What My Last Man Did | — | ||
| 9 | Sister Kate | — | ||
| 10 | You Can't Do What My Last Man Did | — | ||
| 11 | Trixie Blues | — | ||
| 12 | I'm Cert'ny Gonna See 'Bout That | — | ||
| 13 | Squabbling Blues | — | ||
| 14 | In Harlem's Araby | — | ||
| 15 | You Don't Know My Mind Blues | — | ||
| 16 | West Indies Blues | — | ||
| 17 | Maybe Someday | — | ||
| 18 | (I'm Gonna See You) When Your Troubles Are Just Like Mine | — | ||
| 19 | You Get Mad | — | ||
| 20 | What's the Matter Now? | — | ||
| 21 | Nobody Knows de Trouble I See | — | ||
| 22 | Couldn't Hear Nobody Pray | — | ||
| 23 | Ain't Got Nobody to Grind Ma Coffee | — | ||
| 24 | Mama's Losin' a Mighty Good Chance | — | ||
| 25 | The Henderson Stomp | — | ||
| 26 | The Chant | Fletcher Henderson and His Orchestra | — | |
| 2-1 | St. Louis Blues | Fats Waller | T-802.458.253-5 | |
| 2-2 | Lenox Avenue Blues | — | ||
| 2-3 | What Do You Know About That | — | ||
| 2-4 | Shut Your Mouth | — | ||
| 2-5 | Soothin' Syrup Stomp | — | ||
| 2-6 | Sloppy Water Blues | — | ||
| 2-7 | Loveless Love | — | ||
| 2-8 | Messin' Around With the Blues | — | ||
| 2-9 | The Rusty Pail | — | ||
| 2-10 | Stompin' the Bug | — | ||
| 2-11 | Hog-Maw Stomp | — | ||
| 2-12 | Blue Black Bottom Stomp | — | ||
| 2-13 | Whiteman Stomp | — | ||
| 2-14 | I'm Coming Virginia | — | ||
| 2-15 | Preach the Word | — | ||
| 2-16 | I'll Just Stand and Ring My Hands and Cry | — | ||
| 2-17 | True Friendship | — | ||
| 2-18 | The Christians' Trouble Is Ended | — | ||
| 2-19 | Sugar | — | ||
| 2-20 | Sugar | — | ||
| 2-21 | Beale Street Blues | — | ||
| 2-22 | Beale Street Blues | — | ||
| 2-23 | I'm Going to See My Ma | — | ||
| 2-24 | Fats Waller Stomp | Thomas Waller with Morris's Hot Babies | — | |
| 2-25 | Savannah Blues | Thomas Waller with Morris's Hot Babies | — | |
| 3-1 | Won't You Take Me Home | Thomas Waller with Morris's Hot Babies | — | |
| 3-2 | My Old Daddy's Got a Brand New Way to Love | — | ||
| 3-3 | Anything That Happens Just Pleases Me | — | ||
| 3-4 | I've Got the Joogie Blues | — | ||
| 3-5 | Florence | — | ||
| 3-6 | Gone but Not Forgotten | — | ||
| 3-7 | You Live on in Memory | — | ||
| 3-8 | Bye-Bye, Florence | — | ||
| 3-9 | He’s Gone Away | Thomas Waller with Morris's Hot Babies | — | |
| 3-10 | I Ain't Got Nobody | — | ||
| 3-11 | The Digah's Stomp | — | ||
| 3-12 | Red Hot Dan | — | ||
| 3-13 | Geechee | — | ||
| 3-14 | Please Take Me Out of Jail | Thomas Waller with Morris's Hot Babies | — | |
| 3-15 | Back in Your Own Back Yard | — | ||
| 3-16 | Nobody Knows How Much I Love You | — | ||
| 3-17 | What's the Use of Being Alone? | — | ||
| 3-18 | Original Blues | — | ||
| 3-19 | Willow Tree | Louisiana Sugar Babes | T-926.347.696-6 | |
| 3-20 | ’Sippi | Louisiana Sugar Babes | — | |
| 3-21 | Thou Swell | Louisiana Sugar Babes | T-070.179.903-2 | |
| 3-22 | Persian Rug | Louisiana Sugar Babes | T-070.165.594-8 | |
| 3-23 | Chicago Blues | — | ||
| 3-24 | Mournful Tho'ts | — | ||
| 4-1 | You Can't Do What My Last Man Did | — | ||
| 4-2 | Trixie Blues | — | ||
| 4-3 | St. Louis Blues | — | ||
| 4-4 | What Do You Know About That? | — | ||
| 4-5 | Shut Your Mouth | — | ||
| 4-6 | Soothin' Syrup Stomp | — | ||
| 4-7 | Sloppy Water | — | ||
| 4-8 | Messin' Around With the Blues | — | ||
| 4-9 | The Rusty Pail | — | ||
| 4-10 | Stompin' the Bug | — | ||
| 4-11 | Hog-Maw Stomp | — | ||
| 4-12 | Fats Waller Stomp | — | ||
| 4-13 | Savannah Blues | — | ||
| 4-14 | Won't You Take Me Home? | — | ||
| 4-15 | My Old Daddy's Got a Brand New Way to Love | — | ||
| 4-16 | Anything That Happens Just Pleases Me | — | ||
| 4-17 | I've Got the Joogie Blues | — | ||
| 4-18 | He's Gone Away | — | ||
| 4-19 | The Digah's Stomp | — | ||
| 4-20 | Red Hot Dan | — | ||
| 4-21 | Geechee | — | ||
| 4-22 | Please, Take Me Out of Jail | — | ||
| 4-23 | Willow Tree | Louisiana Sugar Babes | T-926.347.696-6 | |
| 4-24 | 'Sippi | Louisiana Sugar Babes | — | |
| 4-25 | Thou Swell | Louisiana Sugar Babes | T-070.179.903-2 |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| 'Sippi | Louisiana Sugar Babes | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
Verified on
What is UPC 788065902728?
788065902728 is a Universal Product Code (UPC) assigned to The Complete Recorded Works, Volume 1 by Fats Waller. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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