Creations 1929-1962

UPC · Release

Creations 1929-1962

Judy Garland

788065907327
94 tracksReleased 2013-01-01JSP Records

Last verified:

788065907327 is the Universal Product Code (UPC barcode) for the release Creations 1929-1962 by Judy Garland, released 2013-01-01 on JSP Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 94 tracks, each with its own ISRC. Tracks include GBBBU0100031, USMC13801437, USNLR1200024.

Format

7Number system
88065Manufacturer
90732Product
7Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCCreations 1929-1962
ISRC22 recordings
ISWC68 works
IPI3 songwriters

Track List (94)

Blue Butterfly
Blue Butterfly
Hang on to a Rainbow
Hang on to a Rainbow
Waltz With a Swing/Americana
Waltz With a Swing/Americana
The Balboa
The Balboa
The Texas Tornado
The Texas Tornado
It's Love I'm After
It's Love I'm After
Everybody Sing
Everybody Sing
Your Broadway and My Broadway
Your Broadway and My Broadway
Yours and Mine
Yours and Mine
Swing Mr. Mendelssohn
Swing Mr. Mendelssohn
Got a Pair of New Shoes
Got a Pair of New Shoes
Down on Melody Farm
Down on Melody Farm
Ever Since the World Began/Shall I Sing a Melody?
Ever Since the World Began/Shall I Sing a Melody?
Why? Because!
Why? Because!
In Between
In Between
Meet the Beat of My Heart
Meet the Beat of My Heart
Ten Pins in the Sky
Ten Pins in the Sky
On the Bumpy Road to Love
On the Bumpy Road to Love
The Jitterbug (outtake)
Judy Garland, Ray Bolger, Jack Haley, Buddy Ebsen, Bert Lahr
Good Morning
Good Morning
Figaro
Figaro
Nobody
Nobody
Drummer Boy
Drummer Boy
Do the La Conga
Do the La Conga
It's a Great Day for the Irish
It's a Great Day for the Irish
A Pretty Girl Milking Her Cow
A Pretty Girl Milking Her Cow
Laugh? I Thought I'd Split My Side
Laugh? I Thought I'd Split My Side
Our Love Affair
Our Love Affair
Judy Garland
We Must Have Music
We Must Have Music
Minnie From Trinidad
Minnie From Trinidad
How About You?
How About You?
Hoe Down
Hoe Down
Chin Up! Cheerio! Carry On!
Chin Up! Cheerio! Carry On!
Babes on Broadway
Babes on Broadway
Three Cheers for the Yanks
Three Cheers for the Yanks
Tom, Tom, the Piper's Son
Tom, Tom, the Piper's Son
When I Look at You
When I Look at You
Paging Mr. Greenback
Paging Mr. Greenback
The Joint Is Really Jumpin' Down at Carnegie Hall
The Joint Is Really Jumpin' Down at Carnegie Hall
Boys and Girls Like You and Me (outtake)
Boys and Girls Like You and Me (outtake)
The Trolley Song
Judy Garland, MGM Studio Chorus
A Great Lady Has an Interview (a.k.a. the Interview; Madame Crematante)
A Great Lady Has an Interview (a.k.a. the Interview; Madame Crematante)
In the Valley (Where the Evening Sun Goes Down)
In the Valley (Where the Evening Sun Goes Down)
My Intuition
My Intuition
March of the Doagies
March of the Doagies
Hayride
Hayride
Connecticut
Judy Garland, Bing Crosby
It's a Great Big World
It's a Great Big World
Love of My Life
Love of My Life
You Can Do No Wrong
You Can Do No Wrong
Voodoo
Voodoo
Be a Clown
Be a Clown
Mr. Monotony
Mr. Monotony
A Couple of Swells
A Couple of Swells
Mack the Black
Mack the Black
It Only Happens When I Dance With You
It Only Happens When I Dance With You
A Fella With an Umbrella
A Fella With an Umbrella
Better Luck Next Time
Better Luck Next Time
Merry Christmas
Merry Christmas
If You Feel Like Singing, Sing
If You Feel Like Singing, Sing
Happy Harvest
Happy Harvest
Judy Garland
All for You
All for You
You, Wonderful You
You, Wonderful You
Send My Baby Back to Me
Send My Baby Back to Me
Heartbroken
Heartbroken
Without a Memory
Without a Memory
Here's What I'm Here For
Here's What I'm Here For
Gotta Have Me Go With You
Gotta Have Me Go With You
The Man That Got Away
The Man That Got Away
It's a New World
It's a New World
Someone at Last
Someone at Last
Lose That Long Face
Lose That Long Face
Maybe I’ll Come Back
Maybe I’ll Come Back
Judy Garland
It's Lovely to Be Back in London
It's Lovely to Be Back in London
The Faraway Part of Town
The Faraway Part of Town
Sweet Danger
Sweet Danger
Judy Garland
Take My Hand, Paree
Take My Hand, Paree
Paris Is a Lonely Town
Paris Is a Lonely Town
Roses Red, Violets Blue
Roses Red, Violets Blue

Additional database matches (1)

Maybe I’ll Come Back
Judy Garland
SourcesMusicBrainzDiscogs2 sources

Verified on

Identifier Graph

UPCCreations 1929-…ISRCStompin’ at the…ISRCIt Never Rains,…ISRCThe Jitterbug (…ISRCOver the RainbowISRCSweet Sixteen

People also ask

What is UPC 788065907327?
UPC 788065907327 is the Universal Product Code (barcode) for "Creations 1929-1962" by Judy Garland, released on JSP Records.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 788065907327?
UPC 788065907327 contains 94 tracks, each with its own ISRC.

What is UPC 788065907327?

788065907327 is a Universal Product Code (UPC) assigned to Creations 1929-1962 by Judy Garland. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 94 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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