UPC · Release
C’est la dernière chanson
Maher Shalal Hash Baz
Last verified:
789856121021 is the Universal Product Code (UPC barcode) for the release “C’est la dernière chanson” by Maher Shalal Hash Baz, released 2009-07-21. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 176 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (176)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | A Paris, Pt. 1 | — | ||
| 2 | A Paris, Pt. 2 | — | ||
| 3 | A Paris, Pt. 3 | — | ||
| 4 | A Paris, Pt. 4 | — | ||
| 5 | ぶどうの丘 | — | ||
| 6 | Good-Bye Lili | — | ||
| 7 | ムスカリは私も | — | ||
| 8 | つくしとすぎな | — | ||
| 9 | 中崎 | — | ||
| 10 | Landing Cards | — | ||
| 11 | After Landing | — | ||
| 12 | 高い書架 | — | ||
| 13 | コンビニの水 | — | ||
| 14 | Mai Dance | — | ||
| 16 | Forty-Eight | — | ||
| 17 | Northern Line | — | ||
| 18 | 彼らは疲れ果てるだろう | — | ||
| 19 | 緋文字 | — | ||
| 20 | Liquor | — | ||
| 21 | ひえさび | — | ||
| 22 | An Afternoon | — | ||
| 23 | 吾亦紅 | — | ||
| 24 | チンドン | — | ||
| 25 | 居住いを正す不良 | — | ||
| 26 | Recess | — | ||
| 27 | 大月の夜景 | — | ||
| 28 | Touring | — | ||
| 29 | Job | — | ||
| 30 | Kaiware Sprouts | — | ||
| 31 | Machinations in Your Days | — | ||
| 32 | 本当の京都の夜景 | — | ||
| 33 | 東銀座 | — | ||
| 34 | McCloud | — | ||
| 35 | 去年の秋2007 | — | ||
| 36 | 燕京ビール | — | ||
| 37 | ホンモンジゴケ | — | ||
| 38 | Mobile Memo2 | — | ||
| 39 | Mobile Memo3 | — | ||
| 40 | 沢ガニ | — | ||
| 41 | 川内のパン屋Beans | — | ||
| 42 | 川内の喫茶店モンシェリ | — | ||
| 43 | 山ばと | — | ||
| 44 | Mobile Memo1 | — | ||
| 45 | スープもり | — | ||
| 46 | 別離 | — | ||
| 47 | Je… | — | ||
| 48 | 神山先生 | — | ||
| 49 | 苦しい | — | ||
| 50 | 月夜の晩に拾ったボタンは | — | ||
| 51 | 世界でいちばん悲しい歌 | — | ||
| 52 | これはギターです。さわると音が出ます | — | ||
| 53 | Forgetting | — | ||
| 54 | よこたわるやまのやまいをさくら かな | — | ||
| 55 | 満月にあと2日 | — | ||
| 56 | ひとには悲劇的な死はなく，愛ゆえの死しかないはずだ | — | ||
| 57 | スーパーデラックス周辺 | — | ||
| 58 | 水の中の顔と顔 | — | ||
| 59 | A Roadie | — | ||
| 60 | タブローの誕生 | — | ||
| 61 | 白菜 | — | ||
| 62 | 捩れた有機野菜 | — | ||
| 63 | 無限の鯨の行列がふたつずつ | — | ||
| 64 | 仙台 | — | ||
| 65 | 私の心も私を捨てました | — | ||
| 66 | セラミックセンサーとしての人体 | — | ||
| 67 | ゴイティソーロ | — | ||
| 68 | クマムシ | — | ||
| 69 | 穴をうめる | — | ||
| 70 | Stamp | — | ||
| 71 | 天に借金 | — | ||
| 72 | 空間ごと切り刻まれる | — | ||
| 73 | Death Has Come Up Through Our Windows | — | ||
| 74 | 楽になること | — | ||
| 75 | 電話代 | — | ||
| 76 | 朝 | — | ||
| 77 | 本というものは外によってしか，そして外においてしか存在しない | — | ||
| 78 | ゆうちゃん | — | ||
| 79 | 思い出した昔の歌 | — | ||
| 80 | I Am Not Ignorant of His Designs | — | ||
| 81 | 工事Eのノイズ | — | ||
| 82 | 眼球 | — | ||
| 83 | 南阿佐ヶ谷 | — | ||
| 84 | 暖冬1 | — | ||
| 85 | 暖冬2 | — | ||
| 86 | James Turrell’s Open Field | — | ||
| 87 | Rainy Morning | — | ||
| 88 | 認知療法 | — | ||
| 89 | 山形 | — | ||
| 90 | ハリマ塚バス停 | — | ||
| 91 | 夜景2 | — | ||
| 92 | 内在する稜線 | — | ||
| 93 | つよい夕日 | — | ||
| 94 | 月の輪 | — | ||
| 95 | 白い夢2 | — | ||
| 96 | 21才 | — | ||
| 97 | Donne-moi à boire | — | ||
| 98 | Big Moon | — | ||
| 99 | 大きな葬送 | — | ||
| 2-1 | 松山のジャズ | — | ||
| 2-2 | 岬の裏側 | — | ||
| 2-3 | 夕暮れ | — | ||
| 2-4 | Vegan | — | ||
| 2-5 | Household Management | — | ||
| 2-6 | 吾亦紅原型 | — | ||
| 2-7 | 抗いようのない角笛 | — | ||
| 2-8 | Set Things Straight | — | ||
| 2-9 | 胸の中を落ちる一筋の流れ | — | ||
| 2-10 | 三津の花火大会に行く前の混雑 | — | ||
| 2-11 | 空調1 | — | ||
| 2-12 | 空調2 | — | ||
| 2-13 | Letter From Bill Wells | — | ||
| 2-14 | 歌わずに滑ってゆく身体 | — | ||
| 2-15 | フリマ | — | ||
| 2-16 | 明け方 | — | ||
| 2-17 | Hight | — | ||
| 2-18 | 失敗する出だし | — | ||
| 2-19 | 悪 | — | ||
| 2-20 | 紅梅白梅 ほこほこと咲きほこり | — | ||
| 2-21 | 錦そば | — | ||
| 2-22 | 入学式 | — | ||
| 2-23 | 早稲田文学 | — | ||
| 2-24 | 階層10／6 | — | ||
| 2-25 | 追悼 | — | ||
| 2-26 | More Errors | — | ||
| 2-27 | 玉乗り | — | ||
| 2-28 | ロス市警 | — | ||
| 2-29 | 世 | — | ||
| 2-30 | 男の星座 | — | ||
| 2-31 | 剥がれるタブロー | — | ||
| 2-32 | Homeless Vehicle | — | ||
| 2-33 | 茶碗 | — | ||
| 2-34 | 6月6日 | — | ||
| 2-35 | ひやあつ | — | ||
| 2-36 | Chaudelande I | — | ||
| 2-37 | Chaudelande II | — | ||
| 2-38 | Pslm36：9 | — | ||
| 2-39 | Had a Show at Mono | — | ||
| 2-40 | Various Stages | — | ||
| 2-41 | Dance With Cartilage | — | ||
| 2-42 | ヒヤシンス騎兵隊 | — | ||
| 2-43 | 猶予期間 | — | ||
| 2-44 | さるすべり | — | ||
| 2-45 | Right Arm | — | ||
| 2-46 | Bitter Cold | — | ||
| 2-47 | Cartridge Family | — | ||
| 2-48 | A Quitter | — | ||
| 2-49 | Snared | — | ||
| 2-50 | Malfocusing | — | ||
| 2-51 | 上空で遠慮してビール | — | ||
| 2-52 | Do Not Swear by the Heavens | — | ||
| 2-53 | Do Not Swear by the Earth | — | ||
| 2-54 | Shouldn’t Have Sworn | — | ||
| 2-55 | 朝の焚き火 | — | ||
| 2-56 | 掛軸 | — | ||
| 2-57 | Marshall in Shinjuku | — | ||
| 2-58 | セラミックセンサーとしての人体2 | — | ||
| 2-59 | 深い海の上 | — | ||
| 2-60 | Blackout | — | ||
| 2-61 | 雹の日の仕事 | — | ||
| 2-62 | どうかごぶじで | — | ||
| 2-63 | Hook | — | ||
| 2-64 | カビラ湾 | — | ||
| 2-65 | 渡部仁接骨整体療院 | — | ||
| 2-66 | 山猫窯業組合 | — | ||
| 2-67 | モンブラン | — | ||
| 2-68 | 湯島 | — | ||
| 2-69 | Saul | — | ||
| 2-70 | 焦げついた終わり | — | ||
| 2-71 | 白茶けた終わり | — | ||
| 2-72 | 黒い前日 | — | ||
| 2-73 | Toreinam@hotmail.com | — | ||
| 2-74 | SNS IS Your Sad Daily Bread | — | ||
| 2-75 | アメリカのベトナム人 | — | ||
| 2-76 | 中目黒 | — | ||
| 2-77 | C’est la dernière chanson | — | ||
| 2-78 | 原型 | — |
What other identifiers does this connect to?
Creative Contributors (ISNI)
Credits Graph
People also ask
Verified on
What is UPC 789856121021?
789856121021 is a Universal Product Code (UPC) assigned to C’est la dernière chanson by Maher Shalal Hash Baz. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 176 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm