UPC · Release
Pathways of Baroque Music: The Secular Voice
Various Artists
794881404223
105 tracksReleased 1997-01-01
Last verified:
794881404223 is the Universal Product Code (UPC barcode) for the release “Pathways of Baroque Music: The Secular Voice” by Various Artists, released 1997-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 105 tracks, each with its own ISRC.
Format
7Number system
94881Manufacturer
40422Product
3Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCPathways of Baroque Music: The Secular Voice
IPI7 songwriters
Track List (105)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Anchor che col partire, 4-voice Madrigal | — | ||
| 2 | Allala, pia calia, 4-voice morescha | — | ||
| 3 | So ben mi ch'a ben tempo, for voice and lute | — | ||
| 4 | Amarilli, mia bella, solo madrigal with lute | — | ||
| 5 | Vezzosi augelli, 4-voice madrigal (Book I): Tasso | — | ||
| 6 | Crudele acerba, 5-voice madrigal (Book IX): Petrarca | — | ||
| 7 | Mercè grido piangendo, 5-voice madrigal (Book V, no. 11) | — | ||
| 8 | Occhi del pianto mio, madrigal for 3 sopranos and harpsichord (Ferrara) | — | ||
| 9 | T'amo mia vita, madrigal for 3 sopranos and harpsichord (Ferrara) | — | ||
| 10 | Quella vermiglia rosa, solo madrigal with lute | — | ||
| 11 | Luci serene a chaire, 5-voice madrigal (Book IV) | — | ||
| 12 | T'amo mia vita, 5-voice madrigal (Book V) | — | ||
| 13 | O come sei gentile, caro augellino a doi soprano (Livre VII) | — | ||
| 14 | Il combattimento di Tancredi e Clorinda (Book VIII, Madrigali guerrieri) | — | ||
| 15 | Zefiro torna, a doi voci (Livre IX) | — | ||
| 16 | Italian Madrigals: O dolcezze amarissimi d'amore | — | ||
| 17 | Cantata "Amanti, io vi disfido" | — | ||
| 18 | Cantata "Il mio core è un mar di pianti" (duetto) | — | ||
| 2-1 | L'Amfiparnaso, commedia harmonica: Prologo. Lelio: "Benchè siat'usi, o spettatori illustri" | — | ||
| 2-2 | L'Amfiparnaso, commedia harmonica: Act 3, Scene 2. Gratiano: "Anchor ch'al partiture" | — | ||
| 2-3 | L'Amfiparnaso, commedia harmonica: Act 3, Scene 3. Francatrippa: "Tich, Tach, Toch" | — | ||
| 2-4 | Orfeo, favola in Musica (Mantova): Toccata | — | ||
| 2-5 | Orfeo, favola in Musica (Mantova): Prologo. La Musica: "Dal mio Permesso amato" | — | ||
| 2-6 | Orfeo, favola in Musica (Mantova): Act 1, Coro di Ninfe: "Vieni, Imeneo" | — | ||
| 2-7 | Orfeo, favola in Musica (Mantova): Act 2, Messaggiera: "Ahi casi acerbo!" (Pastori, Orfeo) | — | ||
| 2-8 | Orfeo, favola in Musica (Mantova): Act 2, Messaggiera: "In un fiorito prato" (Pastori) | — | ||
| 2-9 | Orfeo, favola in Musica (Mantova): Act 3, Orfeo: "Possente spirto" | — | ||
| 2-10 | Orfeo, favola in Musica (Mantova): Act 3: Ritornello (arpa) | — | ||
| 2-11 | Lamento d'Arianna | — | ||
| 2-12 | Il Ritorno d'Ulisse in patria: Sinfonia | — | ||
| 2-13 | Il Ritorno d'Ulisse in patria: Act 4, Scene 3. Penelope: "Ecco l'arco d'Ulisse" | — | ||
| 2-14 | L'Incoronazione di Poppea: Act 2, Scene 3. Seneca i suoi famigliari: "Amici, è giunta l'ora" | — | ||
| 2-15 | L'Incoronazione di Poppea: Final Duet Poppea/Nerone: "Pur ti miro" | — | ||
| 2-16 | Orfeo, tragicomedia per musica (Paris): Orfeo: "Lagrime, dove sete" | — | ||
| 2-17 | Giasone, drama musicale (Venice): Act 1, Scene XIV. Stanza degli incanti di Medea (Medea's magic room) | — | ||
| 2-18 | La Calisto, dramma per musica (Venice): Act 1. Sinfonia | — | ||
| 2-19 | La Calisto, dramma per musica (Venice): Act 1. Calisto: "Piante ombroso" | — | ||
| 2-20 | La Calisto, dramma per musica (Venice): Act 1. Mercurio, Giove transformato in Diana, Calisto Mercurio: "Va pur, va' pur, va'seco" | — | ||
| 2-21 | La Calisto, dramma per musica (Venice): Act 1. The Ballet Of Bears (Ballo de orsi). Chiacona | — | ||
| 3-1 | Oyez! Has any found a lad?, polyphonic madrigal | — | ||
| 3-2 | We be soldiers three, 3-voice song | — | ||
| 3-3 | Come to me, grief, forever: Elegy for Sir Philip Sidney | — | ||
| 3-4 | The three ravens, folksong | — | ||
| 3-5 | Barbara Allen, folksong | — | ||
| 3-6 | Flow, my tears | — | ||
| 3-7 | Go from my window | — | ||
| 3-8 | Sorrow, stay | — | ||
| 3-9 | Packington's Pound | — | ||
| 3-10 | They were three ravens (polyphonic setting by Ravenscroft) | — | ||
| 3-11 | She weepeth sore in the night | — | ||
| 3-12 | Venus and Adonis, Masque for the entertainment of the King: Overture | — | ||
| 3-13 | Venus and Adonis, Masque for the entertainment of the King: Act 3. Venus: "Adonis, uncall'd for sighs" | — | ||
| 3-14 | Dido & Aeneas, opera: Act 3. Dido's Death | — | ||
| 3-15 | Timon of Athens, masque: "Hark, how the songsters" | — | ||
| 3-16 | King Arthur, semi-opera: Act 3. Cold Genius: "What power art thou" | Cupid: "Thou doting fool forbear" | — | ||
| 3-17 | King Arthur, semi-opera: Act 5. Venus: "Fairest Isle" | — | ||
| 3-18 | The Fair Queen, semi-opera: Act 2. Prelude | — | ||
| 3-19 | The Fair Queen, semi-opera: Act 2. Chorus: "May the God of Wit" & Echo | — | ||
| 3-20 | The Fair Queen, semi-opera: Act 4. Autumn: "See, see my many colour'd fields" | — | ||
| 3-21 | The Fair Queen, semi-opera: Act 4. Winter: "Next Winter comes slowly". Chorus | — | ||
| 3-22 | If Music Be The Food Of Love | — | ||
| 3-23 | Music For A While | — | ||
| 4-1 | Admirons notre jeune et charmante Déesse, 3-voice dialogue | — | ||
| 4-2 | Atys, sleep Scene (Act 3, scene 4): Prelude - "Dormons, dormons tous" | — | ||
| 4-3 | Atys, sleep Scene (Act 3, scene 4): Air des songes agréables (Air of the Pleasant Dreams) | — | ||
| 4-4 | Armide: Overture | — | ||
| 4-5 | Armide: Act 2, scene 4. Airs - Choruses of the Nymphs & Shepherds: "Ah! Quelle erreur!" | — | ||
| 4-6 | Armide: Act 2, scene 5. Armida: "Enfin, il est na ma puissance" | — | ||
| 4-7 | Médée - Highlights from Act 3: Scene 5. Médée: "Noires filles du Styx" | — | ||
| 4-8 | Médée - Highlights from Act 3: Scene 6. Médée, La Jalousie et la Vengeance, chorus. "Je vois le don fatal" | — | ||
| 4-9 | Médée - Highlights from Act 3: Scene 7. Médée, La Jalousie et la Vengeance, chorus. "Je vois le don fatal" - First Air for Demons | — | ||
| 4-10 | Médée - Highlights from Act 3: Médée, La Jalousie et la Vengeance, chorus. "Dieu du Cocyte et des Royaumes sombres" - Second Air for Demons | — | ||
| 4-11 | Idoménée: Act 4, Scenes 4&5. Idoménée & les Sacrificateurs: "O Neptune, reçoy nos voeux" | — | ||
| 4-12 | Idoménée: Act 5, Scene 2. Duet Ilione / Idamante: "Ah! quel bonheur de vous revoir" | — | ||
| 4-13 | Idoménée: Act 5, Last Scene. Idoménée: "Quel pouvoir m'a condutit sur ce bord écarté | — | ||
| 4-14 | Castor et Pollux: Act 1, Scene 1. Spartan Chorus: "Que tout gémisse" | — | ||
| 4-15 | Castor et Pollux: Act 1, Scene 3. Télaïre: "Tristes apprêts, pâles flambeaux"- Jean-Philippe Rameau | — | ||
| 4-16 | Castor et Pollux: Act 1, Scene 4. Télaïre: "D'où parlent ces cris nouveaux?" | War Symphony Spartan Chorus: "Que l'enfer applaudisse" | — | ||
| 4-17 | Castor et Pollux: Act 1, Scene 5. First Air for the Athletes | — | ||
| 4-18 | Le Malade imaginaire, excerpts from the Prologue: Entrée de ballet | — | ||
| 4-19 | Le Malade imaginaire, excerpts from the Prologue: "De vos flûtes bocagères" (Flore) | — | ||
| 4-20 | Le Malade imaginaire, excerpts from the Prologue: Combat. Air of the Violins: "Quand la neige fondue" | — | ||
| 4-21 | Les Indes galantes, opéra-ballet Second Entrée (The Incas of Peru): Earthquake / Chorus "Dans les abîmes" | — | ||
| 4-22 | Les Troqueurs, "opéra-bouffon": Overture. Presto-Andante-Presto | — | ||
| 4-23 | Les Troqueurs, "opéra-bouffon": Duet "Troquons, iroquons" & Quartet "Eh non c'est lui, eh non c'est moi" | — | ||
| 5-1 | L'Incoronazione di Dario (Venice): Overture | — | ||
| 5-2 | L'Incoronazione di Dario (Venice): Act 1, Scene 14. Statiro, recit and aria: "L'adorar bellà che piace" | — | ||
| 5-3 | L'Incoronazione di Dario (Venice): Statiro, Niceno: "Ma chidicea cosi?" | — | ||
| 5-4 | L'Incoronazione di Dario (Venice): Act 2, Scene 5. Flora, aria: "Lo spietato, e crudo armor" | — | ||
| 5-5 | L'Incoronazione di Dario (Venice): Act 2, Scene 6. Dario, Oronte, Arpago e populo: "Lampa eterna" - Apollo/Dario (recit) | — | ||
| 5-6 | L'Incoronazione di Dario (Venice): Oronte, aria: "Non mi lusinga" | — | ||
| 5-7 | Radamisto. Aria: "Ombra cara di mia sposa" (Act 2, Scene 2 - Radamisto) | — | ||
| 5-8 | Ottone, Re di Germania. Act 2, Scene 4 (Gismonda): Recit: "Ben a raggion" | — | ||
| 5-9 | Ottone, Re di Germania. Act 2, Scene 4 (Gismonda): Arai: "Vieni, o figlio" | — | ||
| 5-10 | Giulio Cesare (London): Overture | — | ||
| 5-11 | Giulio Cesare (London): Act 1, Scene 7. Cesare: aria: "Alma del gran Pompeo" | — | ||
| 5-12 | Giulio Cesare (London): Act 1, Scene 4. Sesto: aria: "Svegliatevi nel core" | — | ||
| 5-13 | Giulio Cesare (London): Act 2, Scene 8. Cesare: aria: "All lampo dell'armí" | — | ||
| 5-14 | Flavio (London). Act 2: Scene 1: "Al tuo cenno reale ubbidiente" | Scene 2. Ugone, Flavio, Teodata. Scene 3. Ugone e Teodata | — | ||
| 5-15 | Flavio. Act 2: Ugone. Aria: "Fato tiranno e crudo" | — | ||
| 5-16 | Ariodante (London): Act 2. Sinfonia | — | ||
| 5-17 | Ariodante (London): Recitativo: "Di Dalinda l'amore" (Polinesso, Ariodante, Lurcanio) | — | ||
| 5-18 | Ariodante (London): Aria: "Tu preparati a morire" | — | ||
| 5-19 | Cleopatra E Cesare (Berlin): Act 1, Scene 8. Cleopatra: aria: "Tra le procelle assorto" | — | ||
| 5-20 | Cleopatra E Cesare (Berlin): Act 2, Scene 20. Tutti: "All'armi, al cimento" | — |
Anchor che col partire, 4-voice Madrigal
—
Allala, pia calia, 4-voice morescha
—
So ben mi ch'a ben tempo, for voice and lute
—
Amarilli, mia bella, solo madrigal with lute
—
Vezzosi augelli, 4-voice madrigal (Book I): Tasso
—
Crudele acerba, 5-voice madrigal (Book IX): Petrarca
—
Mercè grido piangendo, 5-voice madrigal (Book V, no. 11)
—
Occhi del pianto mio, madrigal for 3 sopranos and harpsichord (Ferrara)
—
T'amo mia vita, madrigal for 3 sopranos and harpsichord (Ferrara)
—
Quella vermiglia rosa, solo madrigal with lute
—
Luci serene a chaire, 5-voice madrigal (Book IV)
—
T'amo mia vita, 5-voice madrigal (Book V)
—
O come sei gentile, caro augellino a doi soprano (Livre VII)
—
Il combattimento di Tancredi e Clorinda (Book VIII, Madrigali guerrieri)
—
Zefiro torna, a doi voci (Livre IX)
—
Italian Madrigals: O dolcezze amarissimi d'amore
—
Cantata "Amanti, io vi disfido"
—
Cantata "Il mio core è un mar di pianti" (duetto)
—
L'Amfiparnaso, commedia harmonica: Prologo. Lelio: "Benchè siat'usi, o spettatori illustri"
—
L'Amfiparnaso, commedia harmonica: Act 3, Scene 2. Gratiano: "Anchor ch'al partiture"
—
L'Amfiparnaso, commedia harmonica: Act 3, Scene 3. Francatrippa: "Tich, Tach, Toch"
—
Orfeo, favola in Musica (Mantova): Toccata
—
Orfeo, favola in Musica (Mantova): Prologo. La Musica: "Dal mio Permesso amato"
—
Orfeo, favola in Musica (Mantova): Act 1, Coro di Ninfe: "Vieni, Imeneo"
—
Orfeo, favola in Musica (Mantova): Act 2, Messaggiera: "Ahi casi acerbo!" (Pastori, Orfeo)
—
Orfeo, favola in Musica (Mantova): Act 2, Messaggiera: "In un fiorito prato" (Pastori)
—
Orfeo, favola in Musica (Mantova): Act 3, Orfeo: "Possente spirto"
—
Orfeo, favola in Musica (Mantova): Act 3: Ritornello (arpa)
—
Lamento d'Arianna
—
Il Ritorno d'Ulisse in patria: Sinfonia
—
Il Ritorno d'Ulisse in patria: Act 4, Scene 3. Penelope: "Ecco l'arco d'Ulisse"
—
L'Incoronazione di Poppea: Act 2, Scene 3. Seneca i suoi famigliari: "Amici, è giunta l'ora"
—
L'Incoronazione di Poppea: Final Duet Poppea/Nerone: "Pur ti miro"
—
Orfeo, tragicomedia per musica (Paris): Orfeo: "Lagrime, dove sete"
—
Giasone, drama musicale (Venice): Act 1, Scene XIV. Stanza degli incanti di Medea (Medea's magic room)
—
La Calisto, dramma per musica (Venice): Act 1. Sinfonia
—
La Calisto, dramma per musica (Venice): Act 1. Calisto: "Piante ombroso"
—
La Calisto, dramma per musica (Venice): Act 1. Mercurio, Giove transformato in Diana, Calisto Mercurio: "Va pur, va' pur, va'seco"
—
La Calisto, dramma per musica (Venice): Act 1. The Ballet Of Bears (Ballo de orsi). Chiacona
—
Oyez! Has any found a lad?, polyphonic madrigal
—
We be soldiers three, 3-voice song
—
Come to me, grief, forever: Elegy for Sir Philip Sidney
—
The three ravens, folksong
—
Barbara Allen, folksong
—
Flow, my tears
—
Go from my window
—
Sorrow, stay
—
Packington's Pound
—
They were three ravens (polyphonic setting by Ravenscroft)
—
She weepeth sore in the night
—
Venus and Adonis, Masque for the entertainment of the King: Overture
—
Venus and Adonis, Masque for the entertainment of the King: Act 3. Venus: "Adonis, uncall'd for sighs"
—
Dido & Aeneas, opera: Act 3. Dido's Death
—
Timon of Athens, masque: "Hark, how the songsters"
—
King Arthur, semi-opera: Act 3. Cold Genius: "What power art thou" | Cupid: "Thou doting fool forbear"
—
King Arthur, semi-opera: Act 5. Venus: "Fairest Isle"
—
The Fair Queen, semi-opera: Act 2. Prelude
—
The Fair Queen, semi-opera: Act 2. Chorus: "May the God of Wit" & Echo
—
The Fair Queen, semi-opera: Act 4. Autumn: "See, see my many colour'd fields"
—
The Fair Queen, semi-opera: Act 4. Winter: "Next Winter comes slowly". Chorus
—
If Music Be The Food Of Love
—
Music For A While
—
Admirons notre jeune et charmante Déesse, 3-voice dialogue
—
Atys, sleep Scene (Act 3, scene 4): Prelude - "Dormons, dormons tous"
—
Atys, sleep Scene (Act 3, scene 4): Air des songes agréables (Air of the Pleasant Dreams)
—
Armide: Overture
—
Armide: Act 2, scene 4. Airs - Choruses of the Nymphs & Shepherds: "Ah! Quelle erreur!"
—
Armide: Act 2, scene 5. Armida: "Enfin, il est na ma puissance"
—
Médée - Highlights from Act 3: Scene 5. Médée: "Noires filles du Styx"
—
Médée - Highlights from Act 3: Scene 6. Médée, La Jalousie et la Vengeance, chorus. "Je vois le don fatal"
—
Médée - Highlights from Act 3: Scene 7. Médée, La Jalousie et la Vengeance, chorus. "Je vois le don fatal" - First Air for Demons
—
Médée - Highlights from Act 3: Médée, La Jalousie et la Vengeance, chorus. "Dieu du Cocyte et des Royaumes sombres" - Second Air for Demons
—
Idoménée: Act 4, Scenes 4&5. Idoménée & les Sacrificateurs: "O Neptune, reçoy nos voeux"
—
Idoménée: Act 5, Scene 2. Duet Ilione / Idamante: "Ah! quel bonheur de vous revoir"
—
Idoménée: Act 5, Last Scene. Idoménée: "Quel pouvoir m'a condutit sur ce bord écarté
—
Castor et Pollux: Act 1, Scene 1. Spartan Chorus: "Que tout gémisse"
—
Castor et Pollux: Act 1, Scene 3. Télaïre: "Tristes apprêts, pâles flambeaux"- Jean-Philippe Rameau
—
Castor et Pollux: Act 1, Scene 4. Télaïre: "D'où parlent ces cris nouveaux?" | War Symphony Spartan Chorus: "Que l'enfer applaudisse"
—
Castor et Pollux: Act 1, Scene 5. First Air for the Athletes
—
Le Malade imaginaire, excerpts from the Prologue: Entrée de ballet
—
Le Malade imaginaire, excerpts from the Prologue: "De vos flûtes bocagères" (Flore)
—
Le Malade imaginaire, excerpts from the Prologue: Combat. Air of the Violins: "Quand la neige fondue"
—
Les Indes galantes, opéra-ballet Second Entrée (The Incas of Peru): Earthquake / Chorus "Dans les abîmes"
—
Les Troqueurs, "opéra-bouffon": Overture. Presto-Andante-Presto
—
Les Troqueurs, "opéra-bouffon": Duet "Troquons, iroquons" & Quartet "Eh non c'est lui, eh non c'est moi"
—
L'Incoronazione di Dario (Venice): Overture
—
L'Incoronazione di Dario (Venice): Act 1, Scene 14. Statiro, recit and aria: "L'adorar bellà che piace"
—
L'Incoronazione di Dario (Venice): Statiro, Niceno: "Ma chidicea cosi?"
—
L'Incoronazione di Dario (Venice): Act 2, Scene 5. Flora, aria: "Lo spietato, e crudo armor"
—
L'Incoronazione di Dario (Venice): Act 2, Scene 6. Dario, Oronte, Arpago e populo: "Lampa eterna" - Apollo/Dario (recit)
—
L'Incoronazione di Dario (Venice): Oronte, aria: "Non mi lusinga"
—
Radamisto. Aria: "Ombra cara di mia sposa" (Act 2, Scene 2 - Radamisto)
—
Ottone, Re di Germania. Act 2, Scene 4 (Gismonda): Recit: "Ben a raggion"
—
Ottone, Re di Germania. Act 2, Scene 4 (Gismonda): Arai: "Vieni, o figlio"
—
Giulio Cesare (London): Overture
—
Giulio Cesare (London): Act 1, Scene 7. Cesare: aria: "Alma del gran Pompeo"
—
Giulio Cesare (London): Act 1, Scene 4. Sesto: aria: "Svegliatevi nel core"
—
Giulio Cesare (London): Act 2, Scene 8. Cesare: aria: "All lampo dell'armí"
—
Flavio (London). Act 2: Scene 1: "Al tuo cenno reale ubbidiente" | Scene 2. Ugone, Flavio, Teodata. Scene 3. Ugone e Teodata
—
Flavio. Act 2: Ugone. Aria: "Fato tiranno e crudo"
—
Ariodante (London): Act 2. Sinfonia
—
Ariodante (London): Recitativo: "Di Dalinda l'amore" (Polinesso, Ariodante, Lurcanio)
—
Ariodante (London): Aria: "Tu preparati a morire"
—
Cleopatra E Cesare (Berlin): Act 1, Scene 8. Cleopatra: aria: "Tra le procelle assorto"
—
Cleopatra E Cesare (Berlin): Act 2, Scene 20. Tutti: "All'armi, al cimento"
—
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
00000000630011080000000080760413000000008076959X0000000080769602000000008098996300000000838493920000000108634380000000010863444400000001087167810000000108726007
+22 more
0000000108870383000000010916088500000001093677040000000110135011000000011014267600000001102923590000000110718102000000011648954X000000011742377X00000001188573770000000120859320000000012090163X0000000120991997000000012102147400000001211882740000000121299169000000012275970200000001227859780000000122791833000000012280615000000001228268990000000122828026
Credits Graph
People also ask
SourcesMusicBrainz
Verified on
What is UPC 794881404223?
794881404223 is a Universal Product Code (UPC) assigned to Pathways of Baroque Music: The Secular Voice by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 105 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm