UPC · Release
Pathways of Baroque Music: Cathedrals and Chapels
Various Artists
794881404322
124 tracksReleased 1997-01-01
Last verified:
794881404322 is the Universal Product Code (UPC barcode) for the release “Pathways of Baroque Music: Cathedrals and Chapels” by Various Artists, released 1997-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 124 tracks, each with its own ISRC. Tracks include FRZ149304060, FRZ149113070, FRZ149113080.
Format
7Number system
94881Manufacturer
40432Product
2Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCPathways of Baroque Music: Cathedrals and Chapels
ISRC4 recordings
ISWC1 work
IPI6 songwriters
Track List (124)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Hieremiae Prophetae Lamentationes: Holy Friday, Lamentatio Tertia | — | ||
| 2 | O Vos Omnes (Holy Saturday, Responses for the Tenebrae Liturgy) | — | ||
| 3 | Missa in Illo Tempore: Sanctus | — | ||
| 4 | Vespro Della Beata Vergine: Deus in Adjutorium | — | ||
| 5 | Vespro Della Beata Vergine: Duo Seraphim (Tribus Vocibus) | — | ||
| 6 | Vespro Della Beata Vergine: Magnificat | — | ||
| 7 | Vespro Della Beata Vergine: Et Exultavit (Magnificat) | — | ||
| 8 | Vespro Della Beata Vergine: Esurientes (Magnificat) | — | ||
| 9 | Vespro Della Beata Vergine: Suscepit Israel (Magnificat) | — | ||
| 10 | Sacrae Concertationes: No. 9, Dialogo Della Cantica | — | ||
| 11 | Vespro Della Beata Vergine: Lauda Jerusalem | — | ||
| 12 | Dumsilentium, Dialogue Motet | — | ||
| 13 | Jubilate Deo, Ritornello-Motet | — | ||
| 14 | Bone Jesu, SWV 313 | — | ||
| 15 | Bringt Her Dem Herrn, SWV 283 | — | ||
| 16 | Musikalische Exequien, Op. 7, SWV 279-81: Canticum B. Simeonis "Herr, Nun Lässest Du Deinen Diener" | — | ||
| 17 | Geistliche Chormusik, Op. 11: Herr, Auf Dich Traue Ich | — | ||
| 18 | Geistliche Chormusik, Op. 11: Ich Bin Eine Rufende Stimme | — | ||
| 19 | Siehe Nach 'Trost War Mir Sehr Bange | — | ||
| 20 | Die Mit Tränen Säen | — | ||
| 21 | Vespro Della Beata Vergine: Magnificat | — | ||
| 2-1 | Selva Morale E Spirituale (1640): Confitebor Terzo Alla Francese: Confitebor | — | ||
| 2-2 | Selva Morale E Spirituale (1640): Confitebor Terzo Alla Francese: Sanctum E Terribile | — | ||
| 2-3 | Selva Morale E Spirituale (1640): Confitebor Terzo Alla Francese: Gloria Patri | — | ||
| 2-4 | Membra Jesu Nostri, Buxwv 75: Cantata "Ad Genua" | — | ||
| 2-5 | Rejoice in the Lord Alway, Verse Anthem Z. 49 | — | ||
| 2-6 | Laudate Pueri (Psalm 112), First Part | — | ||
| 2-7 | Stabat Mater for Soprano, Alto, Strings and Organ: Stabat Mater Dolorosa | — | ||
| 2-8 | Stabat Mater for Soprano, Alto, Strings and Organ: Qui Est Homo, Qui Non Fleret | — | ||
| 2-9 | Stabat Mater for Soprano, Alto, Strings and Organ: Fac, Ut Ardeat Cor Meum | — | ||
| 2-10 | Sonata a Quatro "Al Santo Sepolcro", RV 130: Largo | — | ||
| 2-11 | Stabat Mater, RV 621, for Alto and Strings: Eja Mater, Fons Amoris, Largo | — | ||
| 2-12 | Stabat Mater, RV 621, for Alto and Strings: Amen. Allegro | — | ||
| 2-13 | Regina Coeli, for 3 Sopranos and Continuo | — | ||
| 2-14 | Cantique Quatrième Sur Le Bonheur Des Justes Et Le Malheur Des Reprouvez: Heureux, Qui de La Sagesse | — | ||
| 2-15 | Cantique Quatrième Sur Le Bonheur Des Justes Et Le Malheur Des Reprouvez: De Quelle Douleur Profonde | — | ||
| 2-16 | Cantique Quatrième Sur Le Bonheur Des Justes Et Le Malheur Des Reprouvez: Infortunés Que Nous Sommes | — | ||
| 2-17 | Pastorale Sur La Naissance de N.S. Jésus Christ, H. 483: Overture | — | ||
| 2-18 | Pastorale Sur La Naissance de N.S. Jésus Christ, H. 483: Scène 1, Que Nos Soupirs | — | ||
| 2-19 | Pastorale Sur La Naissance de N.S. Jésus Christ, H. 483: Le Règne Du Péche | — | ||
| 2-20 | Leçons de Ténèbres Du Mercredy Sainct: Incipit Lamentatio Jeremiae Prophetae | — | ||
| 2-21 | Leçons de Ténèbres Du Mercredy Sainct: ALEPH | — | ||
| 2-22 | Leçons de Ténèbres Du Mercredy Sainct: Quomodo Sedet Sola Civitas | — | ||
| 2-23 | Leçons de Ténèbres Du Mercredy Sainct: Jerusalem, Convertere | — | ||
| 2-24 | Leçons de Ténèbres Du Mercredy, Third Lesson: JOD | — | ||
| 2-25 | Leçons de Ténèbres Du Mercredy, Third Lesson: Manum Suam Misit Hostis | — | ||
| 2-26 | Leçons de Ténèbres Du Mercredy, Third Lesson: Omnus Populus Ejus. LAMED | — | ||
| 2-27 | Leçons de Ténèbres Du Mercredy, Third Lesson: O Vos Omnes | — | ||
| 2-28 | Leçons de Ténèbres Du Mercredy, Third Lesson: MEM | — | ||
| 2-29 | Regina Coeli Laetare, Alleluia | — | ||
| 3-1 | Te Deum H. 146 [excerpt]: March for Timpani (Philidor Cadet) | — | ||
| 3-2 | Te Deum H. 146 [excerpt]: Prelude | — | ||
| 3-3 | Te Deum H. 146 [excerpt]: Te Deum Laudamus | — | ||
| 3-4 | Te Deum H. 146 [excerpt]: Te Aeternum Patrem | — | ||
| 3-5 | Memorare | — | ||
| 3-6 | Super Flumina Babylonis, First Part | — | ||
| 3-7 | Dies Irae | — | ||
| 3-8 | Super Flumina Babylonis, Psalm 137 [excerpt] [Symphonie] Super Flumina Babylonis | — | ||
| 3-9 | Super Flumina Babylonis, Psalm 137 [excerpt]: Filia Babylonis Misera (Soli) | — | ||
| 3-10 | Super Flumina Babylonis, Psalm 137 [excerpt]: Filia Babylonis Misera (Chorus) | — | ||
| 3-11 | Miserere for Solo Voice (And Chorus), S. 27 [excerpt]: Miserere Mei, Deus. Chorus: Et Secundum | — | ||
| 3-12 | Miserere for Solo Voice (And Chorus), S. 27 [excerpt]: Tunc Acceptabis Sacrificium | — | ||
| 3-13 | Miserere Mei Deus [excerpt]: Miserere Mei, Deus | — | ||
| 3-14 | Miserere Mei Deus [excerpt]: Amplius Lava Me | — | ||
| 3-15 | Miserere Mei Deus [excerpt]: Ecce Enim in Iniquitatibus | — | ||
| 3-16 | Miserere Mei Deus [excerpt]: Docebo Iniquos | — | ||
| 3-17 | Motet Pour L'Offertoire de La Messe Rouge, H. 434: Pluet Super Peccatores | — | ||
| 3-18 | Mass of Requiem: Sanctus | — | ||
| 3-19 | In Convertendo: Récit: In Convertendo | — | ||
| 3-20 | In Convertendo: Chorus: Tunc Repletum Est | — | ||
| 4-1 | Oratorio Per La Settimana Santa (First Part): Introduzione | — | ||
| 4-2 | Oratorio Per La Settimana Santa (First Part): Baraba a Noi Si Dia | — | ||
| 4-3 | Oratorio Per La Settimana Santa (First Part): E di Gesù Che Fia | — | ||
| 4-4 | Oratorio Per La Settimana Santa (First Part): Di Si Rigida Sentenza | — | ||
| 4-5 | Oratorio Per La Settimana Santa (First Part): Troppo I Lumi | — | ||
| 4-6 | Oratorio Per La Settimana Santa (First Part): Se Geleta Paura Il Cor T'Ingombra | — | ||
| 4-7 | O Cecità Del Misero Mortale! (First Part): Introduzione | — | ||
| 4-8 | O Cecità Del Misero Mortale! (First Part): O Cecita Del Misero Mortale! | — | ||
| 4-9 | O Cecità Del Misero Mortale! (First Part): Piangerà | — | ||
| 4-10 | Auferstehungs-Historie, SWV 50 [excerpt]: Die Auferstehung Unsers Herren Jesu | — | ||
| 4-11 | Auferstehungs-Historie, SWV 50 [excerpt]: Da Der Sabbath Vergangen War … | — | ||
| 4-12 | Auferstehungs-Historie, SWV 50 [excerpt]: Wer Wälzet Uns Den Stein Von Des Grabes Tür? | — | ||
| 4-13 | Auferstehungs-Historie, SWV 50 [excerpt]: Maria Aber Stund Vor Dem Grabe Und Weinet Draußen | — | ||
| 4-14 | Auferstehungs-Historie, SWV 50 [excerpt]: Weib, Was Weinest Du | — | ||
| 4-15 | Weihnactts-Historie, SWV 435 [excerpt]: Die Geburt Unsres Herren Jesu Christi | — | ||
| 4-16 | Weihnactts-Historie, SWV 435 [excerpt]: Fürchtet Euch Nicht | — | ||
| 4-17 | Weihnactts-Historie, SWV 435 [excerpt]: Die Menge Der Engel | — | ||
| 4-18 | Weihnactts-Historie, SWV 435 [excerpt]: Und Sie Kamen Eilend / Weihnactts-Historie, SWV 435 [excerpt]: Da Nun Jesus Geboren | — | ||
| 4-19 | Weihnactts-Historie, SWV 435 [excerpt]: Wo Ist Der Neugeborne König Der Juden? | — | ||
| 4-20 | In Nativitatem Domini Canticum, H. 416 [excerpt]: First Part. Prelude | — | ||
| 4-21 | In Nativitatem Domini Canticum, H. 416 [excerpt]: Usque Quo Avertis Faciem / Memorare Testamenti | — | ||
| 4-22 | In Nativitatem Domini Canticum, H. 416 [excerpt]: Second Part. Night | — | ||
| 4-23 | In Nativitatem Domini Canticum, H. 416 [excerpt]: Third Part. Shepherds' Awaking / Coeli Aperti Sunt | — | ||
| 4-24 | Maddalena Ai Piedi di Cristo: In Lagrime Stemprato | — | ||
| 4-25 | Maddalena Ai Piedi di Cristo: La Ragione, S'Un Alma Conseglia | — | ||
| 4-26 | Maddalena Ai Piedi di Cristo: Così Sciolta da'Lacci de' Sui Error | — | ||
| 4-27 | Maddalena Ai Piedi di Cristo: Alle Vittorie | — | ||
| 4-28 | La Giuditta: Alto Signore / Dalla Destra Omnipotente | — | ||
| 4-29 | Messiah: Behold the Lamb of God | — | ||
| 4-30 | Messiah: Thus Saith the Lord of Hosts | — | ||
| 4-31 | Messiah, HWV 56: Part I, VI. Air (Alto) "But who may abide the day of His coming?" | Andreas Scholl, William Christie, Les Arts Florissants | — | |
| 4-32 | Messiah: And He Shall Purify the Sons of Levi | — | ||
| 4-33 | Messiah: Halleluja! | — | ||
| 5-1 | Magnificat, BWV 243 in D Major [excerpt]: Magnificat Anima Mea Dominum | — | ||
| 5-2 | Magnificat, BWV 243 in D Major [excerpt]: Quia Respexit Humilitatem | — | ||
| 5-3 | Magnificat, BWV 243 in D Major [excerpt]: Omnes Generationes | — | ||
| 5-4 | Ich Hatte Viel Bekümmernis, BWV 21: Sinfonia | — | ||
| 5-5 | Ich Hatte Viel Bekümmernis, BWV 21: Ich Hatte Viel Bekümmernis | — | ||
| 5-6 | Jesu, Der Du Meine Seele, BWV 78: Wir Eilen | — | ||
| 5-7 | Jesu, Der Du Meine Seele, BWV 78: Herr, Ich Glaube | — | ||
| 5-8 | Cantate, BWV 56 "Ich will den Kreuzstab gerne tragen": II. Recitativo “Mein Wandel auf der Welt” | Peter Kooij, La Chapelle Royale, Philippe Herreweghe | — | |
| 5-9 | Cantate, BWV 56 "Ich will den Kreuzstab gerne tragen": III. Aria “Endlich, endlich wird mein Joch” | Peter Kooij, La Chapelle Royale, Philippe Herreweghe | — | |
| 5-10 | Laß, Fürstin, Laß Noch Einen Strahl, BWV 198 | — | ||
| 5-11 | Komm, Jesu, Komm, BWV 229 | — | ||
| 5-12 | Oster-Oratorio, BWV 249: Sinfonia | — | ||
| 5-13 | Oster-Oratorio, BWV 249: Hier Ist Die Gruft | — | ||
| 5-14 | Oster-Oratorio, BWV 249: Sanfte Soll Mein Todeskummer | — | ||
| 5-15 | Himmelfahrts-Oratorium: Wenn Soll Es Doch Geschehen | — | ||
| 5-16 | St. John Passion, BWV 245: Die Kriegsknechte Aber, da Sie Jesum Gekreuziget Hatten | — | ||
| 5-17 | St. John Passion, BWV 245: Auf Daß Erfüllet Würde Die Schrift | — | ||
| 5-18 | St. John Passion, BWV 245: Er Nahm Alles Wohl in Acht | — | ||
| 5-19 | St. John Passion, BWV 245: Und Von Stund an Nahm Sie Der Jünger Zu Sich | — | ||
| 5-20 | St. John Passion, BWV 245: Es Ist Vollbracht! | — | ||
| 5-21 | Matthäus-Passion, BWV 244: Teil I: Chorus I & II: Kommt, ihr Töchter, helft mir klagen | Collegium Vocale Gent, Ensemble vocal européen de la Chapelle royale, Philippe Herreweghe, La Chapelle Royale | — |
Hieremiae Prophetae Lamentationes: Holy Friday, Lamentatio Tertia
—
O Vos Omnes (Holy Saturday, Responses for the Tenebrae Liturgy)
—
Missa in Illo Tempore: Sanctus
—
Vespro Della Beata Vergine: Deus in Adjutorium
—
Vespro Della Beata Vergine: Duo Seraphim (Tribus Vocibus)
—
Vespro Della Beata Vergine: Magnificat
—
Vespro Della Beata Vergine: Et Exultavit (Magnificat)
—
Vespro Della Beata Vergine: Esurientes (Magnificat)
—
Vespro Della Beata Vergine: Suscepit Israel (Magnificat)
—
Sacrae Concertationes: No. 9, Dialogo Della Cantica
—
Vespro Della Beata Vergine: Lauda Jerusalem
—
Dumsilentium, Dialogue Motet
—
Jubilate Deo, Ritornello-Motet
—
Bone Jesu, SWV 313
—
Bringt Her Dem Herrn, SWV 283
—
Musikalische Exequien, Op. 7, SWV 279-81: Canticum B. Simeonis "Herr, Nun Lässest Du Deinen Diener"
—
Geistliche Chormusik, Op. 11: Herr, Auf Dich Traue Ich
—
Geistliche Chormusik, Op. 11: Ich Bin Eine Rufende Stimme
—
Siehe Nach 'Trost War Mir Sehr Bange
—
Die Mit Tränen Säen
—
Vespro Della Beata Vergine: Magnificat
—
Selva Morale E Spirituale (1640): Confitebor Terzo Alla Francese: Confitebor
—
Selva Morale E Spirituale (1640): Confitebor Terzo Alla Francese: Sanctum E Terribile
—
Selva Morale E Spirituale (1640): Confitebor Terzo Alla Francese: Gloria Patri
—
Membra Jesu Nostri, Buxwv 75: Cantata "Ad Genua"
—
Rejoice in the Lord Alway, Verse Anthem Z. 49
—
Laudate Pueri (Psalm 112), First Part
—
Stabat Mater for Soprano, Alto, Strings and Organ: Stabat Mater Dolorosa
—
Stabat Mater for Soprano, Alto, Strings and Organ: Qui Est Homo, Qui Non Fleret
—
Stabat Mater for Soprano, Alto, Strings and Organ: Fac, Ut Ardeat Cor Meum
—
Sonata a Quatro "Al Santo Sepolcro", RV 130: Largo
—
Stabat Mater, RV 621, for Alto and Strings: Eja Mater, Fons Amoris, Largo
—
Stabat Mater, RV 621, for Alto and Strings: Amen. Allegro
—
Regina Coeli, for 3 Sopranos and Continuo
—
Cantique Quatrième Sur Le Bonheur Des Justes Et Le Malheur Des Reprouvez: Heureux, Qui de La Sagesse
—
Cantique Quatrième Sur Le Bonheur Des Justes Et Le Malheur Des Reprouvez: De Quelle Douleur Profonde
—
Cantique Quatrième Sur Le Bonheur Des Justes Et Le Malheur Des Reprouvez: Infortunés Que Nous Sommes
—
Pastorale Sur La Naissance de N.S. Jésus Christ, H. 483: Overture
—
Pastorale Sur La Naissance de N.S. Jésus Christ, H. 483: Scène 1, Que Nos Soupirs
—
Pastorale Sur La Naissance de N.S. Jésus Christ, H. 483: Le Règne Du Péche
—
Leçons de Ténèbres Du Mercredy Sainct: Incipit Lamentatio Jeremiae Prophetae
—
Leçons de Ténèbres Du Mercredy Sainct: ALEPH
—
Leçons de Ténèbres Du Mercredy Sainct: Quomodo Sedet Sola Civitas
—
Leçons de Ténèbres Du Mercredy Sainct: Jerusalem, Convertere
—
Leçons de Ténèbres Du Mercredy, Third Lesson: JOD
—
Leçons de Ténèbres Du Mercredy, Third Lesson: Manum Suam Misit Hostis
—
Leçons de Ténèbres Du Mercredy, Third Lesson: Omnus Populus Ejus. LAMED
—
Leçons de Ténèbres Du Mercredy, Third Lesson: O Vos Omnes
—
Leçons de Ténèbres Du Mercredy, Third Lesson: MEM
—
Regina Coeli Laetare, Alleluia
—
Te Deum H. 146 [excerpt]: March for Timpani (Philidor Cadet)
—
Te Deum H. 146 [excerpt]: Prelude
—
Te Deum H. 146 [excerpt]: Te Deum Laudamus
—
Te Deum H. 146 [excerpt]: Te Aeternum Patrem
—
Memorare
—
Super Flumina Babylonis, First Part
—
Dies Irae
—
Super Flumina Babylonis, Psalm 137 [excerpt] [Symphonie] Super Flumina Babylonis
—
Super Flumina Babylonis, Psalm 137 [excerpt]: Filia Babylonis Misera (Soli)
—
Super Flumina Babylonis, Psalm 137 [excerpt]: Filia Babylonis Misera (Chorus)
—
Miserere for Solo Voice (And Chorus), S. 27 [excerpt]: Miserere Mei, Deus. Chorus: Et Secundum
—
Miserere for Solo Voice (And Chorus), S. 27 [excerpt]: Tunc Acceptabis Sacrificium
—
Miserere Mei Deus [excerpt]: Miserere Mei, Deus
—
Miserere Mei Deus [excerpt]: Amplius Lava Me
—
Miserere Mei Deus [excerpt]: Ecce Enim in Iniquitatibus
—
Miserere Mei Deus [excerpt]: Docebo Iniquos
—
Motet Pour L'Offertoire de La Messe Rouge, H. 434: Pluet Super Peccatores
—
Mass of Requiem: Sanctus
—
In Convertendo: Récit: In Convertendo
—
In Convertendo: Chorus: Tunc Repletum Est
—
Oratorio Per La Settimana Santa (First Part): Introduzione
—
Oratorio Per La Settimana Santa (First Part): Baraba a Noi Si Dia
—
Oratorio Per La Settimana Santa (First Part): E di Gesù Che Fia
—
Oratorio Per La Settimana Santa (First Part): Di Si Rigida Sentenza
—
Oratorio Per La Settimana Santa (First Part): Troppo I Lumi
—
Oratorio Per La Settimana Santa (First Part): Se Geleta Paura Il Cor T'Ingombra
—
O Cecità Del Misero Mortale! (First Part): Introduzione
—
O Cecità Del Misero Mortale! (First Part): O Cecita Del Misero Mortale!
—
O Cecità Del Misero Mortale! (First Part): Piangerà
—
Auferstehungs-Historie, SWV 50 [excerpt]: Die Auferstehung Unsers Herren Jesu
—
Auferstehungs-Historie, SWV 50 [excerpt]: Da Der Sabbath Vergangen War …
—
Auferstehungs-Historie, SWV 50 [excerpt]: Wer Wälzet Uns Den Stein Von Des Grabes Tür?
—
Auferstehungs-Historie, SWV 50 [excerpt]: Maria Aber Stund Vor Dem Grabe Und Weinet Draußen
—
Auferstehungs-Historie, SWV 50 [excerpt]: Weib, Was Weinest Du
—
Weihnactts-Historie, SWV 435 [excerpt]: Die Geburt Unsres Herren Jesu Christi
—
Weihnactts-Historie, SWV 435 [excerpt]: Fürchtet Euch Nicht
—
Weihnactts-Historie, SWV 435 [excerpt]: Die Menge Der Engel
—
Weihnactts-Historie, SWV 435 [excerpt]: Und Sie Kamen Eilend / Weihnactts-Historie, SWV 435 [excerpt]: Da Nun Jesus Geboren
—
Weihnactts-Historie, SWV 435 [excerpt]: Wo Ist Der Neugeborne König Der Juden?
—
In Nativitatem Domini Canticum, H. 416 [excerpt]: First Part. Prelude
—
In Nativitatem Domini Canticum, H. 416 [excerpt]: Usque Quo Avertis Faciem / Memorare Testamenti
—
In Nativitatem Domini Canticum, H. 416 [excerpt]: Second Part. Night
—
In Nativitatem Domini Canticum, H. 416 [excerpt]: Third Part. Shepherds' Awaking / Coeli Aperti Sunt
—
Maddalena Ai Piedi di Cristo: In Lagrime Stemprato
—
Maddalena Ai Piedi di Cristo: La Ragione, S'Un Alma Conseglia
—
Maddalena Ai Piedi di Cristo: Così Sciolta da'Lacci de' Sui Error
—
Maddalena Ai Piedi di Cristo: Alle Vittorie
—
La Giuditta: Alto Signore / Dalla Destra Omnipotente
—
Messiah: Behold the Lamb of God
—
Messiah: Thus Saith the Lord of Hosts
—
Messiah, HWV 56: Part I, VI. Air (Alto) "But who may abide the day of His coming?"
Andreas Scholl, William Christie, Les Arts Florissants
—
Messiah: And He Shall Purify the Sons of Levi
—
Messiah: Halleluja!
—
Magnificat, BWV 243 in D Major [excerpt]: Magnificat Anima Mea Dominum
—
Magnificat, BWV 243 in D Major [excerpt]: Quia Respexit Humilitatem
—
Magnificat, BWV 243 in D Major [excerpt]: Omnes Generationes
—
Ich Hatte Viel Bekümmernis, BWV 21: Sinfonia
—
Ich Hatte Viel Bekümmernis, BWV 21: Ich Hatte Viel Bekümmernis
—
Jesu, Der Du Meine Seele, BWV 78: Wir Eilen
—
Jesu, Der Du Meine Seele, BWV 78: Herr, Ich Glaube
—
Cantate, BWV 56 "Ich will den Kreuzstab gerne tragen": II. Recitativo “Mein Wandel auf der Welt”
Peter Kooij, La Chapelle Royale, Philippe Herreweghe
—
Cantate, BWV 56 "Ich will den Kreuzstab gerne tragen": III. Aria “Endlich, endlich wird mein Joch”
Peter Kooij, La Chapelle Royale, Philippe Herreweghe
—
Laß, Fürstin, Laß Noch Einen Strahl, BWV 198
—
Komm, Jesu, Komm, BWV 229
—
Oster-Oratorio, BWV 249: Sinfonia
—
Oster-Oratorio, BWV 249: Hier Ist Die Gruft
—
Oster-Oratorio, BWV 249: Sanfte Soll Mein Todeskummer
—
Himmelfahrts-Oratorium: Wenn Soll Es Doch Geschehen
—
St. John Passion, BWV 245: Die Kriegsknechte Aber, da Sie Jesum Gekreuziget Hatten
—
St. John Passion, BWV 245: Auf Daß Erfüllet Würde Die Schrift
—
St. John Passion, BWV 245: Er Nahm Alles Wohl in Acht
—
St. John Passion, BWV 245: Und Von Stund an Nahm Sie Der Jünger Zu Sich
—
St. John Passion, BWV 245: Es Ist Vollbracht!
—
Matthäus-Passion, BWV 244: Teil I: Chorus I & II: Kommt, ihr Töchter, helft mir klagen
Collegium Vocale Gent, Ensemble vocal européen de la Chapelle royale, Philippe Herreweghe, La Chapelle Royale
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
00000000551519820000000063101192000000008076041300000000808470920000000081465619000000008363800X0000000106697345000000010858118600000001086343800000000108886473
+30 more
00000001089644270000000109160885000000010953514900000001100629160000000110228787000000011035544400000001109331870000000114931090000000011648953100000001194928400000000120859320000000012090163X0000000120991997000000012126876800000001212991690000000121336716000000012151826100000001220726010000000122073508000000012275970200000001227653440000000122784123000000012278597800000001227918330000000122806150000000012282278300000001228268990000000122842637000000012353867X0000000417978590
Credits Graph
People also ask
SourcesMLCMusicBrainz2 sources
Verified on
What is UPC 794881404322?
794881404322 is a Universal Product Code (UPC) assigned to Pathways of Baroque Music: Cathedrals and Chapels by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 124 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm