UPC · Release
Alberto Basso
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794881440825 is the Universal Product Code (UPC barcode) for the release “A New Approach to Johann Sebastian Bach” by Alberto Basso, released 1998-01-01 on Harmonia Mundi. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 47 tracks, each with its own ISRC. Tracks include USHM19615512, FRZ149748090, FRZ149625090.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphoniacus / Dramaticus / Melismaticus / Madrigalescus / Eccleslasticus / Canonicus / Motecticus / Phantasticus / Hyporchematicus | — | ||
| 2 | Hexachordum Apollinis: Fifth Aria, Theme and Variations 1-3 | — | ||
| 3 | Chorale and 3 Partitas, BWV 767: O Gott, du Frommer Gott | — | ||
| 4 | Christ Lag In Todesbanden | — | ||
| 5 | Armonico Tributo, Concerto Grosso no. 3 in A major: Sonata. Grave / Armonico Tributo, Concerto Grosso no. 3 in A major: Allegro | — | ||
| 6 | Toccata & Fugue in F major, BuxWV 157 | — | ||
| 7 | Yale Manuscript: Choral 88, Erhalt'uns, Herr, Bei Deinem Wort | — | ||
| 8 | Yale Manuscript: Choral 60, Aus Tiefer Not Schrei Ich Zu Dir | — | ||
| 9 | Yale Manuscript: Choral 93, Jesu, Meine Freude | — | ||
| 10 | Trauerode, Cantata BWV 198: I.1 Laß, Fürstin, Laß Noch Einen Stahl | — | ||
| 11 | Trauerode, Cantata BWV 198: I.2 Dech Sachsen | — | ||
| 12 | Trauerode, Cantata BWV 198: I.3 Verstummt! | — | ||
| 13 | Trauerode, Cantata BWV 198: I.4 Der Glocken Bebendes Getön | — | ||
| 14 | Trauerode, Cantata BWV 198: I.5 Wie Starb Die Heldin So Vergnugt | — | ||
| 15 | Trauerode, Cantata BWV 198: I.6 Ihr Leben Ließ Die Kunst Zu Sterben | — | ||
| 16 | Trauerode, Cantata BWV 198: I.7 Du Fürbild Großer Frauen | — | ||
| 17 | Trauerode, Cantata BWV 198: II.1 Der Ewigkeit Saphirnes Haus | — | ||
| 18 | Trauerode, Cantata BWV 198: II.2 Was Wunder Ist? | — | ||
| 19 | Trauerode, Cantata BWV 198: II.3 Königin! | — | ||
| 2-1 | Fantasy in G major, BWV 572 | — | ||
| 2-2 | Pastorella in F major, BWV 590: I. | — | ||
| 2-3 | Concerto for Two Violins in D minor, BWV 1060: III. Allegro | Andrew Manze, Rachel Podger, Academy of Ancient Music | — | |
| 2-4 | Kantate, BWV 61 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland" | Collegium Vocale, Philippe Herreweghe | — | |
| 2-5 | Cantata Ich Hatte Viel Bekümmernis, BWV 21: Sinfonia (Adagio Assai) | — | ||
| 2-6 | Suite No. 1 en Ut majeur, BWV 1066: IV. Forlane | Akademie für Alte Musik Berlin | — | |
| 2-7 | Orchestral Suite no. 1 in C major, BWV 1066: ,V. Menuets I & II | — | ||
| 2-8 | Mass in B minor, BWV 232: IIId. Symbolum nicenum: Et incarnatus est | Collegium Vocale Gent, Philippe Herreweghe | — | |
| 2-9 | Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Crucifixus | Collegium Vocale Gent, Philippe Herreweghe | — | |
| 2-10 | Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Et resurrexit | Collegium Vocale Gent, Philippe Herreweghe | — | |
| 2-11 | Matthäus-Passion, BWV 244: Teil II: Evangelista, Ancilla I & II, Petrus: Petrus aber saß draußen im Palast / Chorus II, Evangelista, Petrus: Wahrlich, du bist auch einer von denen | La Chapelle Royale, Philippe Herreweghe | — | |
| 2-12 | Matthäus-Passion, BWV 244: Teil II: Aria: Erbarme dich | La Chapelle Royale, Philippe Herreweghe | — | |
| 2-13 | Matthäus-Passion, BWV 244: Teil II: Choral: Bin ich gleich von dir gewichen | La Chapelle Royale, Philippe Herreweghe | — | |
| 2-14 | Matthäus-Passion, BWV 244: Teil II: Evangelista, Judas: Des Morgens aber hielten alle Hohepriester / Chorus I & II: Was gehet uns das an / Evangelista, Pontifex I & II: Und er warf die Silberlinge in den Tempel | La Chapelle Royale, Philippe Herreweghe | — | |
| 2-15 | Motet, BWV 225: Chor: Singet dem Hernn ein neues Lied | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | T-902.745.762-1 | |
| 2-16 | Magnificat, BWV 243: Sicut Locutus Est | — | ||
| 2-17 | Ascension Oratorio, BWV 11: Ach, Ich Bleibe Doch | — | ||
| 2-18 | Mass in B minor, BWV 232: Agnus Dei | — | ||
| 2-19 | 6 Part Fugue, BWV 686: Aus Tieƒer Not Schrei Ich Zu Dir | — | ||
| 2-20 | Goldberg Variations, BWV 988: Theme | — | ||
| 2-21 | Goldberg Variations, BWV 988: Variation no. 25 | — | ||
| 2-22 | The Art of Fugue: Contrapunctus 1 | — | ||
| 2-23 | The Art of Fugue: Contrapunctus 3 | — | ||
| 2-24 | The Art of Fugue: Contrapunctus 6 | — | ||
| 2-25 | The Art of Fugue: Canon in Hypodiatesseron per Augmentationem in Contrario Motu | — | ||
| 2-26 | The Musical Offering, BWV 1079: Ricercar a 3 (beginning) | — | ||
| 2-27 | The Musical Offering, BWV 1079: Ricercar a 6 (beginning) | — | ||
| 2-28 | The Musical Offering, BWV 1079: Largo of Sonata Sopr'il Sogetto Reale | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
794881440825 is a Universal Product Code (UPC) assigned to A New Approach to Johann Sebastian Bach by Alberto Basso. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 47 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
794881440825 is the Universal Product Code (UPC barcode) for the release “A New Approach to Johann Sebastian Bach” by Alberto Basso, released 1998-01-01 on Harmonia Mundi. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 47 tracks, each with its own ISRC. Tracks include USHM19615512, FRZ149748090, FRZ149625090.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphoniacus / Dramaticus / Melismaticus / Madrigalescus / Eccleslasticus / Canonicus / Motecticus / Phantasticus / Hyporchematicus | — | ||
| 2 | Hexachordum Apollinis: Fifth Aria, Theme and Variations 1-3 | — | ||
| 3 | Chorale and 3 Partitas, BWV 767: O Gott, du Frommer Gott | — | ||
| 4 | Christ Lag In Todesbanden | — | ||
| 5 | Armonico Tributo, Concerto Grosso no. 3 in A major: Sonata. Grave / Armonico Tributo, Concerto Grosso no. 3 in A major: Allegro | — | ||
| 6 | Toccata & Fugue in F major, BuxWV 157 | — | ||
| 7 | Yale Manuscript: Choral 88, Erhalt'uns, Herr, Bei Deinem Wort | — | ||
| 8 | Yale Manuscript: Choral 60, Aus Tiefer Not Schrei Ich Zu Dir | — | ||
| 9 | Yale Manuscript: Choral 93, Jesu, Meine Freude | — | ||
| 10 | Trauerode, Cantata BWV 198: I.1 Laß, Fürstin, Laß Noch Einen Stahl | — | ||
| 11 | Trauerode, Cantata BWV 198: I.2 Dech Sachsen | — | ||
| 12 | Trauerode, Cantata BWV 198: I.3 Verstummt! | — | ||
| 13 | Trauerode, Cantata BWV 198: I.4 Der Glocken Bebendes Getön | — | ||
| 14 | Trauerode, Cantata BWV 198: I.5 Wie Starb Die Heldin So Vergnugt | — | ||
| 15 | Trauerode, Cantata BWV 198: I.6 Ihr Leben Ließ Die Kunst Zu Sterben | — | ||
| 16 | Trauerode, Cantata BWV 198: I.7 Du Fürbild Großer Frauen | — | ||
| 17 | Trauerode, Cantata BWV 198: II.1 Der Ewigkeit Saphirnes Haus | — | ||
| 18 | Trauerode, Cantata BWV 198: II.2 Was Wunder Ist? | — | ||
| 19 | Trauerode, Cantata BWV 198: II.3 Königin! | — | ||
| 2-1 | Fantasy in G major, BWV 572 | — | ||
| 2-2 | Pastorella in F major, BWV 590: I. | — | ||
| 2-3 | Concerto for Two Violins in D minor, BWV 1060: III. Allegro | Andrew Manze, Rachel Podger, Academy of Ancient Music | — | |
| 2-4 | Kantate, BWV 61 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland" | Collegium Vocale, Philippe Herreweghe | — | |
| 2-5 | Cantata Ich Hatte Viel Bekümmernis, BWV 21: Sinfonia (Adagio Assai) | — | ||
| 2-6 | Suite No. 1 en Ut majeur, BWV 1066: IV. Forlane | Akademie für Alte Musik Berlin | — | |
| 2-7 | Orchestral Suite no. 1 in C major, BWV 1066: ,V. Menuets I & II | — | ||
| 2-8 | Mass in B minor, BWV 232: IIId. Symbolum nicenum: Et incarnatus est | Collegium Vocale Gent, Philippe Herreweghe | — | |
| 2-9 | Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Crucifixus | Collegium Vocale Gent, Philippe Herreweghe | — | |
| 2-10 | Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Et resurrexit | Collegium Vocale Gent, Philippe Herreweghe | — | |
| 2-11 | Matthäus-Passion, BWV 244: Teil II: Evangelista, Ancilla I & II, Petrus: Petrus aber saß draußen im Palast / Chorus II, Evangelista, Petrus: Wahrlich, du bist auch einer von denen | La Chapelle Royale, Philippe Herreweghe | — | |
| 2-12 | Matthäus-Passion, BWV 244: Teil II: Aria: Erbarme dich | La Chapelle Royale, Philippe Herreweghe | — | |
| 2-13 | Matthäus-Passion, BWV 244: Teil II: Choral: Bin ich gleich von dir gewichen | La Chapelle Royale, Philippe Herreweghe | — | |
| 2-14 | Matthäus-Passion, BWV 244: Teil II: Evangelista, Judas: Des Morgens aber hielten alle Hohepriester / Chorus I & II: Was gehet uns das an / Evangelista, Pontifex I & II: Und er warf die Silberlinge in den Tempel | La Chapelle Royale, Philippe Herreweghe | — | |
| 2-15 | Motet, BWV 225: Chor: Singet dem Hernn ein neues Lied | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | T-902.745.762-1 | |
| 2-16 | Magnificat, BWV 243: Sicut Locutus Est | — | ||
| 2-17 | Ascension Oratorio, BWV 11: Ach, Ich Bleibe Doch | — | ||
| 2-18 | Mass in B minor, BWV 232: Agnus Dei | — | ||
| 2-19 | 6 Part Fugue, BWV 686: Aus Tieƒer Not Schrei Ich Zu Dir | — | ||
| 2-20 | Goldberg Variations, BWV 988: Theme | — | ||
| 2-21 | Goldberg Variations, BWV 988: Variation no. 25 | — | ||
| 2-22 | The Art of Fugue: Contrapunctus 1 | — | ||
| 2-23 | The Art of Fugue: Contrapunctus 3 | — | ||
| 2-24 | The Art of Fugue: Contrapunctus 6 | — | ||
| 2-25 | The Art of Fugue: Canon in Hypodiatesseron per Augmentationem in Contrario Motu | — | ||
| 2-26 | The Musical Offering, BWV 1079: Ricercar a 3 (beginning) | — | ||
| 2-27 | The Musical Offering, BWV 1079: Ricercar a 6 (beginning) | — | ||
| 2-28 | The Musical Offering, BWV 1079: Largo of Sonata Sopr'il Sogetto Reale | — |
