UPC · Release
Pathways Of Renaissance Music: L'Europe Musicale Aux XV Et XVI Siècles
Various Artists
794881443024
82 tracksReleased 1998-01-01Harmonia Mundi
Last verified:
794881443024 is the Universal Product Code (UPC barcode) for the release “Pathways Of Renaissance Music: L'Europe Musicale Aux XV Et XVI Siècles” by Various Artists, released 1998-01-01 on Harmonia Mundi. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 82 tracks, each with its own ISRC.
Format
7Number system
94881Manufacturer
44302Product
4Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
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Credit Chain
UPCPathways Of Renaissance Music: L'Europe Musicale Aux XV Et XVI Siècles
IPI2 songwriters
Track List (82)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Hymn : Pange lingua | — | ||
| 2 | Missa "Pange lingua" : Kyrie / Gloria / Credo / Sanctus | — | ||
| 3 | Missa "De beata virgine" - agnus dei | — | ||
| 4 | Messe "L'homme armé" : Kyrie / Gloria / Agnus dei | — | ||
| 5 | Messe "La bataille" : Credo / Sanctus | — | ||
| 6 | Chanson : Sus le pont d'avignon | — | ||
| 7 | Messe "Sus le pont d'avignon" - agnus dei i, agnus dei ii | — | ||
| 8 | Missa "Viri galilaei" : Gloria / Agnus dei i & Agnus dei ii | — | ||
| 9 | Missa super "Dixit maria" - credo | — | ||
| 10 | Missa a quattro voci da cappella : Sanctus / Benedictus / Agnus dei | — | ||
| 2-1 | Salve regina | — | ||
| 2-2 | Ave sanctissima maria | — | ||
| 2-3 | Congregati sunt | — | ||
| 2-4 | Le vergine : Vergine bella (Stanza prima) | — | ||
| 2-5 | The lamentations of jeremiah : First set, incipit lamentatio jeremiae prophetae | — | ||
| 2-6 | Cantiones sacrae : Peccantem me quotidie | — | ||
| 2-7 | Lagrime di san pietro : Il magnanimo pietro / Ma gli archi / Tre volte haveva a l'importuna / Qual a l'incontro di queggli ochi santi / Motet : Vide homo, quae pro te patior | — | ||
| 2-8 | Motet viri galilaei | — | ||
| 2-9 | Magnificat primi toni | — | ||
| 2-10 | Tribulationem et dolorem | — | ||
| 2-11 | Ecce quomodo moritur justus (Sabbato sancto) | — | ||
| 2-12 | Ad dominum | — | ||
| 3-1 | Contrapunto sobre el tenor del conde claros | — | ||
| 3-2 | Fantasia del primer tono (For guitar) | — | ||
| 3-3 | La battaglia (After janequin) | — | ||
| 3-4 | Ricercar 33 | — | ||
| 3-5 | Saltarello | — | ||
| 3-6 | La bataille : Pavane et balliarde (After janequin) | — | ||
| 3-7 | L'arboscello ballo furlano | — | ||
| 3-8 | Susanne un jour (After cipriano da rore) | — | ||
| 3-9 | Bransle gay | — | ||
| 3-10 | L'orchésographie (1588) - excerpts : Pavane : Belle qui tient ma vie / Gaillarde : La traditore my fa morire / Gaillarde : Anthoinette / Gaillarde : J'aymerois mieulx dormir seulette / La volte | — | ||
| 3-11 | England, 16th c. : Tunes : Greensleeves / Packington's pound / Kemp's jig | — | ||
| 3-12 | Vergine bella | — | ||
| 3-13 | Vergine bella (Mod. version by Orazio Bassani) | — | ||
| 3-14 | Saltarello detto trivella | — | ||
| 3-15 | O bene mio fam'uno favore | — | ||
| 3-16 | The frogg galliard | — | ||
| 3-17 | Lachrimae | — | ||
| 3-18 | Gaillard to lachrimae | — | ||
| 3-19 | Can she excuse | — | ||
| 3-20 | Fantasia | — | ||
| 3-21 | Canzon xi | — | ||
| 3-22 | End 16th c. : Suite de danses pour orgue : Intrada / Anglaise / Allemande / Autrichienne / Hongroise / Italienne, saltarelle / La courante du roy | — | ||
| 4-1 | Faulte d'argent | — | ||
| 4-2 | Mille regretz | — | ||
| 4-3 | Mille regretz (For lute only) | — | ||
| 4-4 | Allégez moy | — | ||
| 4-5 | Nous sommes tous de l'ordre de saint-babouyn | — | ||
| 4-6 | Le chant des oyseaulx | — | ||
| 4-7 | Toutes les nuictz | — | ||
| 4-8 | Le chant du rossignol | — | ||
| 4-9 | Qu'est que d'amour ? | — | ||
| 4-10 | La guerre (Escoutez tous, gentils gaulois) | — | ||
| 4-11 | Au verd bois je m'en iray | — | ||
| 4-12 | La Chasse | — | ||
| 4-13 | Du beau tétin | — | ||
| 4-14 | Du laid tétin | — | ||
| 4-15 | Tant que vivray | — | ||
| 4-16 | Las, je m'y plains | — | ||
| 4-17 | Il est bel et bon | — | ||
| 4-18 | La prise de calais (Hardis françois) | — | ||
| 4-19 | Fricassée | — | ||
| 4-20 | La Fricassée | — | ||
| 4-21 | La, la, la, je ne l'ose dire | — | ||
| 4-22 | Suzanne un jour | — | ||
| 4-23 | Suzanne un jour (For lute only) | — | ||
| 4-24 | Mon dieu, que ma maîtresse est belle | — | ||
| 4-25 | Quand tu tournes tes yeux | — | ||
| 5-1 | Musica dulci sono | — | ||
| 5-2 | O lucia | — | ||
| 5-3 | Libro de villanelle, moresche & Altre canzoni (Excerpts) : Cathalina / Hai lucia / Canta giorgia | — | ||
| 5-4 | Vezzose augelli | — | ||
| 5-5 | Voi ch'ascoltate | — | ||
| 5-6 | Giunto alla tomba | — | ||
| 5-7 | Giunto alla tomba (Book iv) | — | ||
| 5-8 | Rimanti in pace (Book vi) | — | ||
| 5-9 | Non t'amo, o voce ingrata (Book iii) | — | ||
| 5-10 | Occhi del mio cor vita (Book v) | — | ||
| 5-11 | Se la mia morte brami (Book vi) | — | ||
| 5-12 | Giunto alla tomba, lamento di tancredi | — | ||
| 5-13 | Barca di venetia per padova : L'umor svegliato / Strepito di pescatori / Parone di barca / Barcaruolo e passagieri / Libraio fiorentino / Mastro di musica luchese / Venetiano e thedesco / Madrigale affetuoso / Madrigale capriccioso / Mattinata in dialogo / Mercante bresciano et hebrei / Madrigale alla romana (Stile del marenzio romano) / Prima ottava all'improvviso nel liuto / Seconda ottava all'improvviso nel liuto / Barcaryoli procaccio e tutti al fine / Soldato svaglioato | — |
Hymn : Pange lingua
—
Missa "Pange lingua" : Kyrie / Gloria / Credo / Sanctus
—
Missa "De beata virgine" - agnus dei
—
Messe "L'homme armé" : Kyrie / Gloria / Agnus dei
—
Messe "La bataille" : Credo / Sanctus
—
Chanson : Sus le pont d'avignon
—
Messe "Sus le pont d'avignon" - agnus dei i, agnus dei ii
—
Missa "Viri galilaei" : Gloria / Agnus dei i & Agnus dei ii
—
Missa super "Dixit maria" - credo
—
Missa a quattro voci da cappella : Sanctus / Benedictus / Agnus dei
—
Salve regina
—
Ave sanctissima maria
—
Congregati sunt
—
Le vergine : Vergine bella (Stanza prima)
—
The lamentations of jeremiah : First set, incipit lamentatio jeremiae prophetae
—
Cantiones sacrae : Peccantem me quotidie
—
Lagrime di san pietro : Il magnanimo pietro / Ma gli archi / Tre volte haveva a l'importuna / Qual a l'incontro di queggli ochi santi / Motet : Vide homo, quae pro te patior
—
Motet viri galilaei
—
Magnificat primi toni
—
Tribulationem et dolorem
—
Ecce quomodo moritur justus (Sabbato sancto)
—
Ad dominum
—
Contrapunto sobre el tenor del conde claros
—
Fantasia del primer tono (For guitar)
—
La battaglia (After janequin)
—
Ricercar 33
—
Saltarello
—
La bataille : Pavane et balliarde (After janequin)
—
L'arboscello ballo furlano
—
Susanne un jour (After cipriano da rore)
—
Bransle gay
—
L'orchésographie (1588) - excerpts : Pavane : Belle qui tient ma vie / Gaillarde : La traditore my fa morire / Gaillarde : Anthoinette / Gaillarde : J'aymerois mieulx dormir seulette / La volte
—
England, 16th c. : Tunes : Greensleeves / Packington's pound / Kemp's jig
—
Vergine bella
—
Vergine bella (Mod. version by Orazio Bassani)
—
Saltarello detto trivella
—
O bene mio fam'uno favore
—
The frogg galliard
—
Lachrimae
—
Gaillard to lachrimae
—
Can she excuse
—
Fantasia
—
Canzon xi
—
End 16th c. : Suite de danses pour orgue : Intrada / Anglaise / Allemande / Autrichienne / Hongroise / Italienne, saltarelle / La courante du roy
—
Faulte d'argent
—
Mille regretz
—
Mille regretz (For lute only)
—
Allégez moy
—
Nous sommes tous de l'ordre de saint-babouyn
—
Le chant des oyseaulx
—
Toutes les nuictz
—
Le chant du rossignol
—
Qu'est que d'amour ?
—
La guerre (Escoutez tous, gentils gaulois)
—
Au verd bois je m'en iray
—
La Chasse
—
Du beau tétin
—
Du laid tétin
—
Tant que vivray
—
Las, je m'y plains
—
Il est bel et bon
—
La prise de calais (Hardis françois)
—
Fricassée
—
La Fricassée
—
La, la, la, je ne l'ose dire
—
Suzanne un jour
—
Suzanne un jour (For lute only)
—
Mon dieu, que ma maîtresse est belle
—
Quand tu tournes tes yeux
—
Musica dulci sono
—
O lucia
—
Libro de villanelle, moresche & Altre canzoni (Excerpts) : Cathalina / Hai lucia / Canta giorgia
—
Vezzose augelli
—
Voi ch'ascoltate
—
Giunto alla tomba
—
Giunto alla tomba (Book iv)
—
Rimanti in pace (Book vi)
—
Non t'amo, o voce ingrata (Book iii)
—
Occhi del mio cor vita (Book v)
—
Se la mia morte brami (Book vi)
—
Giunto alla tomba, lamento di tancredi
—
Barca di venetia per padova : L'umor svegliato / Strepito di pescatori / Parone di barca / Barcaruolo e passagieri / Libraio fiorentino / Mastro di musica luchese / Venetiano e thedesco / Madrigale affetuoso / Madrigale capriccioso / Mattinata in dialogo / Mercante bresciano et hebrei / Madrigale alla romana (Stile del marenzio romano) / Prima ottava all'improvviso nel liuto / Seconda ottava all'improvviso nel liuto / Barcaryoli procaccio e tutti al fine / Soldato svaglioato
—
What other identifiers does this connect to?
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00000000013670590000000053276159000000007823531000000000797530480000000080163002000000008076959X0000000108634444000000010869426000000001087167810000000108802217
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000000010884840X000000010888649X00000001090630650000000109232316000000010928607400000001093677040000000110013882000000011020103100000001102983200000000115564886000000011648954X0000000116691780000000011810263600000001202238320000000120859320000000012090163X000000012095048200000001210296520000000121033870000000012130364X00000001214360120000000121463176000000012279183300000001232063170000000435176831
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What is UPC 794881443024?
794881443024 is a Universal Product Code (UPC) assigned to Pathways Of Renaissance Music: L'Europe Musicale Aux XV Et XVI Siècles by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 82 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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