UPC · Release
Les Trésors du Jazz 1898-1943
Various Artists
794881699728
231 tracksReleased 2002-01-01Le Chant Du Monde
Last verified:
794881699728 is the Universal Product Code (UPC barcode) for the release “Les Trésors du Jazz 1898-1943” by Various Artists, released 2002-01-01 on Le Chant Du Monde. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 231 tracks, each with its own ISRC. Tracks include DEU240800163, DEU240800647, DEU240800742.
Format
7Number system
94881Manufacturer
69972Product
8Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCLes Trésors du Jazz 1898-1943
ISRC20 recordings
ISWC63 works
IPI50 songwriters
Track List (231)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Joe Turner Blues | — | ||
| 2 | Eli Green's Cake-Walk | — | ||
| 3 | Gabriel's Trumpet | — | ||
| 4 | Cake-Walk in the Sky | — | ||
| 5 | Saint-Louis Tickle | — | ||
| 6 | A Bunch of Rags | — | ||
| 7 | Castle House Rag | — | ||
| 8 | Notoriety Rag | — | ||
| 9 | The Cascades | — | ||
| 10 | Charleston Rag | — | ||
| 11 | Dixie Jass Band One Step | — | ||
| 12 | Tiger Rag | Original Dixieland Jazz Band | — | |
| 13 | Carolina Shout | — | ||
| 14 | Just Gone | — | ||
| 15 | Dipper Mouth Blues | — | ||
| 16 | Canal Street Blues | — | ||
| 17 | New Orleans Joys | — | ||
| 18 | Toddlin' | — | ||
| 19 | Mama's Got the Blues | — | ||
| 20 | Lonesome Woman Blues | — | ||
| 21 | Any Woman's Blues | — | ||
| 22 | Mama's Gone Goodbye | — | ||
| 23 | Copenhagen | — | ||
| 24 | Saint-Louis Blues | — | ||
| 25 | Sobbin' Hearted Blues | — | ||
| 26 | Sugar Foot Stomp | — | ||
| 2-1 | Heebie Jeebies | — | ||
| 2-2 | Cornet Chop Suey | — | ||
| 2-3 | Muskrat Ramble | — | ||
| 2-4 | He Took My Sins Away | — | ||
| 2-5 | Sweet Little Papa | — | ||
| 2-6 | Perdido Street Blues | New Orleans Wanderers | T-070.165.538-0 | |
| 2-7 | The Chant | — | ||
| 2-8 | Black Bottom Stomp | — | ||
| 2-9 | Someday Sweetheart | King Oliver and His Dixie Syncopators | T-070.136.626-8 | |
| 2-10 | The Henserson Stomp | — | ||
| 2-11 | Banjonero | — | ||
| 2-12 | I'm Going to Heaven If It Takes My Life | — | ||
| 2-13 | Clarinet Marmalade | — | ||
| 2-14 | All That I Had Is Gone | — | ||
| 2-15 | Wild Man Blues | — | ||
| 2-16 | S.O.L. Blues | — | ||
| 2-17 | Davis Street Blues | — | ||
| 2-18 | In a Mist | — | ||
| 2-19 | New Bow-Weawil Blues | — | ||
| 2-20 | Jazz Me Blues | — | ||
| 2-21 | Since My Best Gal Turned Me Down | — | ||
| 2-22 | Black and Tan Fantasy | — | ||
| 2-23 | Creole Love Call | — | ||
| 2-24 | Struttin' With Some Barbecue | — | ||
| 3-1 | Jubilee Stomp | — | ||
| 3-2 | Empty Bed Blues | — | ||
| 3-3 | Doin' Things | — | ||
| 3-4 | Fireworks | — | ||
| 3-5 | West End Blues | — | ||
| 3-6 | Blue Clarinet Stomp | — | ||
| 3-7 | Shim-Me-Sha-Wabble | — | ||
| 3-8 | Apex Blues | — | ||
| 3-9 | South | — | ||
| 3-10 | The Mooche | — | ||
| 3-11 | Hot and Bothered | — | ||
| 3-12 | It's Tight Like That | — | ||
| 3-13 | Weather Bird | — | ||
| 3-14 | Chimes Blues | — | ||
| 3-15 | St. James Infirmary | Louis Armstrong & His Savoy Ballroom Five | T-071.070.447-4 | |
| 3-16 | Tight Like This | Louis Armstrong and His Savoy Ballroom Five | — | |
| 3-17 | Pinetop's Boogie Woogie | — | ||
| 3-18 | Too Low | — | ||
| 3-19 | Handful of Keys | — | ||
| 3-20 | Raisin the Roof | — | ||
| 3-21 | Blue Guitars | — | ||
| 3-22 | Freakish | — | ||
| 3-23 | Beau Koo Jack | — | ||
| 3-24 | Hello Lola | — | ||
| 4-1 | Duet Stomp | — | ||
| 4-2 | I've Found a New Baby | — | ||
| 4-3 | Peg of My Heart | — | ||
| 4-4 | Blue Yodel No. 9 (Standin’ on the Corner) | Jimmie Rodgers, Louis Armstrong | T-929.878.298-6 | |
| 4-5 | Creole Rhapsody | — | ||
| 4-6 | Shakin' the African | — | ||
| 4-7 | Lots O' Fingers | — | ||
| 4-8 | Minnie the Moocher | — | ||
| 4-9 | Sweetie Dear | — | ||
| 4-10 | Shag | — | ||
| 4-11 | I Can't Give You Anything but Love | — | ||
| 4-12 | Fanfare | — | ||
| 4-13 | Queer Notions | — | ||
| 4-14 | Gimme a Pigfoot | — | ||
| 4-15 | Stompy Jones | — | ||
| 4-16 | Solitude | — | ||
| 4-17 | Somebody Loves Me | — | ||
| 4-18 | Moonglow | — | ||
| 4-19 | Shangai Shuffle | — | ||
| 4-20 | Shoutin' in That Amen Corner | — | ||
| 4-21 | Viper's Drag | — | ||
| 4-22 | Here Comes Cookie | — | ||
| 4-23 | The Sheik of Araby | — | ||
| 5-1 | Lady Luck Blues | — | ||
| 5-2 | Basin Street Blues | — | ||
| 5-3 | Blue Skies | — | ||
| 5-4 | What a Little Moonlight Can Do | — | ||
| 5-5 | Darktown Strutters’ Ball | Paul Whiteman and His Orchestra, Jack Teagarden | T-900.755.998-0 | |
| 5-6 | After You’ve Gone | Benny Goodman | T-900.008.578-9 | |
| 5-7 | Djangology | — | ||
| 5-8 | Echoes of Harlem | — | ||
| 5-9 | Swing Is Here | — | ||
| 5-10 | After You've Gone | — | ||
| 5-11 | Limehouse Blues | — | ||
| 5-12 | In a Jam | — | ||
| 5-13 | When Did You Leave Heaven? | — | ||
| 5-14 | Sweet Chorus | — | ||
| 5-15 | Evenin' | — | ||
| 5-16 | Wabash Stomp | — | ||
| 5-17 | Jivin' the Vibes | — | ||
| 5-18 | Honky Tonk Train Blues | — | ||
| 5-19 | Buzzin' Around With the Bee | — | ||
| 5-20 | Chinatown | — | ||
| 5-21 | Crazy Rhythm | Coleman Hawkins & His All-Star “Jam” Band | T-071.388.431-1 | |
| 5-22 | King Porter Stomp | — | ||
| 5-23 | Blues | — | ||
| 5-24 | Honeysuckle Rose | — | ||
| 5-25 | Helhound on My Trail | — | ||
| 6-1 | One O'Clock Jump | — | ||
| 6-2 | Dicky Wells Blues | — | ||
| 6-3 | Ain't Misbehavin' | — | ||
| 6-4 | Blue Skies | — | ||
| 6-5 | I Can't Get Started With You | — | ||
| 6-6 | Topsy | — | ||
| 6-7 | Bouncing Around | — | ||
| 6-8 | He's Funny That Way | — | ||
| 6-9 | Diminuendo and Crescendo in Blue | — | ||
| 6-10 | Eddie’s Blues | Eddie South, Django Reinhardt | — | |
| 6-11 | Harlem Congo | — | ||
| 6-12 | Minor Swing | Quintette du Hot Club de France | T-003.012.311-5 | |
| 6-13 | Improvisation sur le 1er mouvement du concerto en ré mineur de J. S. Bach | Eddie South, Stéphane Grappelli, Django Reinhardt | — | |
| 6-14 | Gone With the Wind | — | ||
| 6-15 | Swingin' With Django | — | ||
| 6-16 | Struttin' With Some Barbecue | — | ||
| 6-17 | Dizzy Spells | — | ||
| 6-18 | Sing Sing Sing | — | ||
| 6-19 | Ring Dem Bells | — | ||
| 6-20 | Swinging the Blues | — | ||
| 7-1 | The Flat Foot Floogie | — | ||
| 7-2 | A Ticket a Tasket | — | ||
| 7-3 | My Own Blues | — | ||
| 7-4 | Begin the Beguine | — | ||
| 7-5 | Jumpin' at the Woodside | — | ||
| 7-6 | Battle of Swing | — | ||
| 7-7 | Mess-A-Stomp | — | ||
| 7-8 | Boogie Woogie | — | ||
| 7-9 | With Plenty of Money and You | — | ||
| 7-10 | Doin' the New Low Down | — | ||
| 7-11 | Really the Blues | — | ||
| 7-12 | I Ain't Got Nobody | — | ||
| 7-13 | Passionette | — | ||
| 7-14 | The Blues My Baby Gave to Me | Frankie Newton and Orchestra | — | |
| 7-15 | Floyd's Guitar Blues | — | ||
| 7-16 | Two Against One | — | ||
| 7-17 | Wizzin' the Wizz | — | ||
| 7-18 | Solid Old Man | Rex Stewart and His Feetwarmers | — | |
| 7-19 | Tea for Two | — | ||
| 7-20 | Strange Fruit | — | ||
| 7-21 | Kay's Fantasy | — | ||
| 7-22 | Grand Terrace Shuffle | — | ||
| 7-23 | Tuxedo Junction | — | ||
| 7-24 | The Eel | — | ||
| 7-25 | In the Mood | — | ||
| 8-1 | I'm Crazy About My Baby | — | ||
| 8-2 | Oh! Didn't He Ramble? | — | ||
| 8-3 | Stardust | — | ||
| 8-4 | I Got Rhythm | — | ||
| 8-5 | The Sergeant Was Shy | — | ||
| 8-6 | Body and Soul | Coleman Hawkins and His Orchestra | T-070.012.014-4 | |
| 8-7 | Grievin' | — | ||
| 8-8 | Rosetta | — | ||
| 8-9 | Yancey's Bugle Call | — | ||
| 8-10 | The Munson Street Breakdown | — | ||
| 8-11 | Clarinet Blues | — | ||
| 8-12 | Gone With What Wind | — | ||
| 8-13 | Ko-Ko | — | ||
| 8-14 | Conga Brava | — | ||
| 8-15 | Concerto for Cootie | — | ||
| 8-16 | Tickle Toe | — | ||
| 8-17 | China Boy | — | ||
| 8-18 | Begin the Beguine | — | ||
| 8-19 | Down in Honky Tonk Town | — | ||
| 8-20 | Don't Get Around Much Anymore | — | ||
| 8-21 | Cotton Tail | Duke Ellington & His Orchestra | — | |
| 8-22 | Night Hop | — | ||
| 9-1 | I Can't Believe That You're in Love With Me | — | ||
| 9-2 | Dusk | — | ||
| 9-3 | After Hours | — | ||
| 9-4 | Rock Island | — | ||
| 9-5 | I Don't Stand a Ghost of a Chance With You | — | ||
| 9-6 | Blue Because of You | — | ||
| 9-7 | Saint-Louis Blues | — | ||
| 9-8 | In a Mellotone | Duke Ellington | T-070.910.244-2 | |
| 9-9 | Warm Valley | — | ||
| 9-10 | Blues in Thirds | — | ||
| 9-11 | Mr JB Blues | — | ||
| 9-12 | Pitter Panther Patter | — | ||
| 9-13 | Nuages | Quintette du Hot Club de France, Alix Combelle | T-305.259.078-6 | |
| 9-14 | Take the a Train | — | ||
| 9-15 | Profoundly Blue | — | ||
| 9-16 | Fudge Wudge | — | ||
| 9-17 | John Hardy's Wife | — | ||
| 9-18 | Jonah Joins the Cab | — | ||
| 9-19 | All of Me | — | ||
| 9-20 | Dexter Blues | — | ||
| 9-21 | Swing to Bop | — | ||
| 10-1 | Are You Sticking | — | ||
| 10-2 | The Giddybug Gallop | — | ||
| 10-3 | All Too Soon | — | ||
| 10-4 | Foot Pedal Boogie | — | ||
| 10-5 | Clementine | — | ||
| 10-6 | Menelik the Lion of Judah | — | ||
| 10-7 | Festival Swing 1942 | — | ||
| 10-8 | Harvard Blues | Count Basie and His Orchestra | T-070.918.635-5 | |
| 10-9 | Blues in the Night | — | ||
| 10-10 | Saint Louis Blues | — | ||
| 10-11 | Stormy Monday Blues | — | ||
| 10-12 | Flying Home | — | ||
| 10-13 | Main Stem | — | ||
| 10-14 | Indiana | — | ||
| 10-15 | It's Sand Man | — | ||
| 10-16 | Ain't Misbehavin' | — | ||
| 10-17 | Moppin' and Boppin' | — | ||
| 10-18 | Blues Clair | Django Reinhardt | T-003.006.322-9 | |
| 10-19 | The Gasser | — | ||
| 10-20 | Stumpy | — | ||
| 10-21 | The Man I Love | — |
Joe Turner Blues
—
Eli Green's Cake-Walk
—
Gabriel's Trumpet
—
Cake-Walk in the Sky
—
Saint-Louis Tickle
—
A Bunch of Rags
—
Castle House Rag
—
Notoriety Rag
—
The Cascades
—
Charleston Rag
—
Dixie Jass Band One Step
—
Tiger Rag
Original Dixieland Jazz Band
—
Carolina Shout
—
Just Gone
—
Dipper Mouth Blues
—
Canal Street Blues
—
New Orleans Joys
—
Toddlin'
—
Mama's Got the Blues
—
Lonesome Woman Blues
—
Any Woman's Blues
—
Mama's Gone Goodbye
—
Copenhagen
—
Saint-Louis Blues
—
Sobbin' Hearted Blues
—
Sugar Foot Stomp
—
Heebie Jeebies
—
Cornet Chop Suey
—
Muskrat Ramble
—
He Took My Sins Away
—
Sweet Little Papa
—
The Chant
—
Black Bottom Stomp
—
The Henserson Stomp
—
Banjonero
—
I'm Going to Heaven If It Takes My Life
—
Clarinet Marmalade
—
All That I Had Is Gone
—
Wild Man Blues
—
S.O.L. Blues
—
Davis Street Blues
—
In a Mist
—
New Bow-Weawil Blues
—
Jazz Me Blues
—
Since My Best Gal Turned Me Down
—
Black and Tan Fantasy
—
Creole Love Call
—
Struttin' With Some Barbecue
—
Jubilee Stomp
—
Empty Bed Blues
—
Doin' Things
—
Fireworks
—
West End Blues
—
Blue Clarinet Stomp
—
Shim-Me-Sha-Wabble
—
Apex Blues
—
South
—
The Mooche
—
Hot and Bothered
—
It's Tight Like That
—
Weather Bird
—
Chimes Blues
—
Tight Like This
Louis Armstrong and His Savoy Ballroom Five
—
Pinetop's Boogie Woogie
—
Too Low
—
Handful of Keys
—
Raisin the Roof
—
Blue Guitars
—
Freakish
—
Beau Koo Jack
—
Hello Lola
—
Duet Stomp
—
I've Found a New Baby
—
Peg of My Heart
—
Creole Rhapsody
—
Shakin' the African
—
Lots O' Fingers
—
Minnie the Moocher
—
Sweetie Dear
—
Shag
—
I Can't Give You Anything but Love
—
Fanfare
—
Queer Notions
—
Gimme a Pigfoot
—
Stompy Jones
—
Solitude
—
Somebody Loves Me
—
Moonglow
—
Shangai Shuffle
—
Shoutin' in That Amen Corner
—
Viper's Drag
—
Here Comes Cookie
—
The Sheik of Araby
—
Lady Luck Blues
—
Basin Street Blues
—
Blue Skies
—
What a Little Moonlight Can Do
—
Djangology
—
Echoes of Harlem
—
Swing Is Here
—
After You've Gone
—
Limehouse Blues
—
In a Jam
—
When Did You Leave Heaven?
—
Sweet Chorus
—
Evenin'
—
Wabash Stomp
—
Jivin' the Vibes
—
Honky Tonk Train Blues
—
Buzzin' Around With the Bee
—
Chinatown
—
King Porter Stomp
—
Blues
—
Honeysuckle Rose
—
Helhound on My Trail
—
One O'Clock Jump
—
Dicky Wells Blues
—
Ain't Misbehavin'
—
Blue Skies
—
I Can't Get Started With You
—
Topsy
—
Bouncing Around
—
He's Funny That Way
—
Diminuendo and Crescendo in Blue
—
Eddie’s Blues
Eddie South, Django Reinhardt
—
Harlem Congo
—
Improvisation sur le 1er mouvement du concerto en ré mineur de J. S. Bach
Eddie South, Stéphane Grappelli, Django Reinhardt
—
Gone With the Wind
—
Swingin' With Django
—
Struttin' With Some Barbecue
—
Dizzy Spells
—
Sing Sing Sing
—
Ring Dem Bells
—
Swinging the Blues
—
The Flat Foot Floogie
—
A Ticket a Tasket
—
My Own Blues
—
Begin the Beguine
—
Jumpin' at the Woodside
—
Battle of Swing
—
Mess-A-Stomp
—
Boogie Woogie
—
With Plenty of Money and You
—
Doin' the New Low Down
—
Really the Blues
—
I Ain't Got Nobody
—
Passionette
—
The Blues My Baby Gave to Me
Frankie Newton and Orchestra
—
Floyd's Guitar Blues
—
Two Against One
—
Wizzin' the Wizz
—
Solid Old Man
Rex Stewart and His Feetwarmers
—
Tea for Two
—
Strange Fruit
—
Kay's Fantasy
—
Grand Terrace Shuffle
—
Tuxedo Junction
—
The Eel
—
In the Mood
—
I'm Crazy About My Baby
—
Oh! Didn't He Ramble?
—
Stardust
—
I Got Rhythm
—
The Sergeant Was Shy
—
Grievin'
—
Rosetta
—
Yancey's Bugle Call
—
The Munson Street Breakdown
—
Clarinet Blues
—
Gone With What Wind
—
Ko-Ko
—
Conga Brava
—
Concerto for Cootie
—
Tickle Toe
—
China Boy
—
Begin the Beguine
—
Down in Honky Tonk Town
—
Don't Get Around Much Anymore
—
Cotton Tail
Duke Ellington & His Orchestra
—
Night Hop
—
I Can't Believe That You're in Love With Me
—
Dusk
—
After Hours
—
Rock Island
—
I Don't Stand a Ghost of a Chance With You
—
Blue Because of You
—
Saint-Louis Blues
—
Warm Valley
—
Blues in Thirds
—
Mr JB Blues
—
Pitter Panther Patter
—
Take the a Train
—
Profoundly Blue
—
Fudge Wudge
—
John Hardy's Wife
—
Jonah Joins the Cab
—
All of Me
—
Dexter Blues
—
Swing to Bop
—
Are You Sticking
—
The Giddybug Gallop
—
All Too Soon
—
Foot Pedal Boogie
—
Clementine
—
Menelik the Lion of Judah
—
Festival Swing 1942
—
Blues in the Night
—
Saint Louis Blues
—
Stormy Monday Blues
—
Flying Home
—
Main Stem
—
Indiana
—
It's Sand Man
—
Ain't Misbehavin'
—
Moppin' and Boppin'
—
The Gasser
—
Stumpy
—
The Man I Love
—
Additional database matches (7)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Tight Like This | Louis Armstrong and His Savoy Ballroom Five | — |
| Tight Like This | Louis Armstrong and His Savoy Ballroom Five | — |
| Solid Old Man | Rex Stewart and His Feetwarmers | — |
| The Blues My Baby Gave to Me | Frankie Newton and Orchestra | — |
| Tight Like This | Louis Armstrong and His Savoy Ballroom Five | — |
| Tight Like This | Louis Armstrong and His Savoy Ballroom Five | — |
| Tight Like This | Louis Armstrong and His Savoy Ballroom Five | — |
Tight Like This
Louis Armstrong and His Savoy Ballroom Five
—
Tight Like This
Louis Armstrong and His Savoy Ballroom Five
—
Solid Old Man
Rex Stewart and His Feetwarmers
—
The Blues My Baby Gave to Me
Frankie Newton and Orchestra
—
Tight Like This
Louis Armstrong and His Savoy Ballroom Five
—
Tight Like This
Louis Armstrong and His Savoy Ballroom Five
—
Tight Like This
Louis Armstrong and His Savoy Ballroom Five
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-003.006.322-9T-003.012.311-5T-003.006.322-9T-003.008.607-7T-003.012.311-5T-003.016.803-6T-010.434.930-5T-010.860.260-3T-011.191.232-3T-011.606.516-7
+53 more
T-031.563.049-9T-031.885.275-3T-070.012.014-4T-070.136.626-8T-070.165.538-0T-070.910.244-2T-070.918.635-5T-070.000.748-2T-070.000.835-0T-070.010.455-7T-070.010.811-7T-070.011.441-5T-070.011.813-3T-070.011.947-6T-070.011.948-7T-070.012.014-4T-070.019.845-3T-070.025.185-9T-070.025.986-4T-070.030.693-9T-070.039.705-2T-070.040.990-0T-070.049.142-4T-070.049.187-7T-070.054.802-2T-070.064.775-1T-070.067.061-6T-070.074.170-3T-070.074.353-8T-070.088.599-9T-070.088.677-6T-070.088.753-1T-070.092.517-2T-070.092.709-8T-070.107.826-3T-070.126.740-4T-070.127.285-6T-070.135.152-1T-070.135.647-9T-070.136.626-8T-070.137.843-9T-070.137.962-5T-070.138.112-5T-070.152.294-2T-070.159.301-2T-070.165.091-0T-070.165.538-0T-071.070.447-4T-071.388.431-1T-305.259.078-6T-900.008.578-9T-900.755.998-0T-929.878.298-6
Songwriters/Publishers (IPI)
00000589213000013345460000225942400002458123000053689910000648598100007840200000091719940000921181400010318443
+40 more
00010831137000123369190001255261900013322243000133223410001361571300013812614000141426310001428180900015415809000154163160001541670800015421523000154246120001542670400015517602000176095860001800452400018746470000189812630002084570200021585796000249274820002557886500025673777000284993510002901360800030591800000324451150003259577900032968566000329687620003304571700039221498000432818950005711130600063555180000717369640007741874900136044795
Creative Contributors (ISNI)
000000003068006000000000450049540000000055138614000000005514001X000000005514411700000000594537420000000063023227000000006302493200000000630381620000000063087554
+40 more
0000000063088573000000006309245X000000006309352400000000631011680000000071022064000000007145079800000000732711520000000073570822000000007357290800000000735761750000000073593514000000007360544X00000000736440270000000078272381000000007839081200000000797415060000000079750402000000007975605400000000799016880000000080350780000000008076911900000000807959900000000080869929000000008092005000000000809693130000000080991692000000008101480X00000000811382200000000081161383000000008125582200000000813330850000000081477599000000008178453X0000000084008763000000008939996X00000000894115510000000099586988000000010296977X00000001065504740000000107781602
Credits Graph
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What is UPC 794881699728?
794881699728 is a Universal Product Code (UPC) assigned to Les Trésors du Jazz 1898-1943 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 231 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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