UPC · Release
Various Artists
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794881699827 is the Universal Product Code (UPC barcode) for the release “Les Trésors Du Jazz 1944–1951” by Various Artists, released 2002-01-01 on Le Chant Du Monde. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 208 tracks, each with its own ISRC. Tracks include DEU240410012, FR6F31926790, DEU240815306.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 11-1 | Just You Just Me | — | ||
| 11-2 | Honeysuckle Rose | — | ||
| 11-3 | Flying Home | — | ||
| 11-4 | Fiesta in Brass | — | ||
| 11-5 | Woody’n You | — | ||
| 11-6 | Tempo’s Boogie | — | ||
| 11-7 | Lester Leaps Again | — | ||
| 11-8 | Curry in a Hurry | — | ||
| 11-9 | Honeysuckle Rose | — | ||
| 11-10 | Dark Eyes | — | ||
| 11-11 | Jump Lester Jump | — | ||
| 11-12 | I Can’t Get Started With You | — | ||
| 11-13 | Blues | — | ||
| 11-14 | Blue Harlem | — | ||
| 11-15 | Skyliner | — | ||
| 11-16 | Persian Rug | — | ||
| 11-17 | Lip’s Blues | — | ||
| 11-18 | Tiny’s Tempo | — | ||
| 12-1 | Jammin’ the Blues | — | ||
| 12-2 | Erroll’s Bounce | — | ||
| 12-3 | Black, Brown and Beige | — | ||
| 12-4 | Caldonia | — | ||
| 12-5 | Avenue C | — | ||
| 12-6 | All the Things You Are | — | ||
| 12-7 | Groovin’ High | — | ||
| 12-8 | Riffamarole | — | ||
| 12-9 | Salt Peanuts | — | ||
| 12-10 | Blow Top Blues | — | ||
| 12-11 | I Got Rhythm | — | ||
| 12-12 | The Perfume Suite (Extraits) | — | ||
| 12-13 | Don’t Explain | — | ||
| 12-14 | Stardust | — | ||
| 12-15 | For Dancers Only | — | ||
| 12-16 | Billie’s Bounce | — | ||
| 12-17 | Meandering | — | ||
| 12-18 | Koko | — | ||
| 12-19 | These Foolish Things | — | ||
| 13-1 | I Found My Baby | — | ||
| 13-2 | Tonk | — | ||
| 13-3 | Mellow Mood | — | ||
| 13-4 | Intermission Riff | — | ||
| 13-5 | Oh Lady Be Good | — | ||
| 13-6 | Long Tall Dexter | — | ||
| 13-7 | Cool Breeze | — | ||
| 13-8 | The King | — | ||
| 13-9 | The 52nd Street Theme | — | ||
| 13-10 | A Night in Tunisia | — | ||
| 13-11 | A Night in Tunisia | — | ||
| 13-12 | Boyd Meets Stravinsky | — | ||
| 13-13 | Cherokee | — | ||
| 13-14 | Our Delight | — | ||
| 13-15 | Things to Come | — | ||
| 13-16 | Transblucency | — | ||
| 13-17 | Lover Man | — | ||
| 13-18 | Lester Leaps In | — | ||
| 13-19 | Blues in Be Bop | — | ||
| 13-20 | Cadillac Slim | — | ||
| 13-21 | Esquire Swank | — | ||
| 13-22 | Epistrophy | — | ||
| 14-1 | Webb City | — | ||
| 14-2 | Hesitation Boogie | — | ||
| 14-3 | Out on a Limb | — | ||
| 14-4 | Untitled Blues | — | ||
| 14-5 | Where the Blues Were Born in New‐Orleans | — | ||
| 14-6 | Ride Red Ride | — | ||
| 14-7 | Happy Go Lucky Local | — | ||
| 14-8 | The Beautiful Indians Hiawatha | — | ||
| 14-9 | Hollerin’ and Screamin’ | — | ||
| 14-10 | I’ll Remember April | — | ||
| 14-11 | Off Minor | — | ||
| 14-12 | Fat Girl | — | ||
| 14-13 | Bop Look and Listen | — | ||
| 14-14 | Trio | — | ||
| 14-15 | Cool Blues | — | ||
| 14-16 | Relaxin’ at Camarillo | — | ||
| 14-17 | A Bar a Second | — | ||
| 14-18 | Blues After Hours | — | ||
| 14-19 | Oh Lady Be Good | — | ||
| 14-20 | Boulevard Bounce | — | ||
| 14-21 | Blue Lou | — | ||
| 14-22 | Little Boy | — | ||
| 15-1 | Cheryl | — | ||
| 15-2 | Nostalgia | — | ||
| 15-3 | Back O’ Town Blues | — | ||
| 15-4 | Coolin’ Off With Ulanov | — | ||
| 15-5 | The Chase | — | ||
| 15-6 | All Night All Frantic | — | ||
| 15-7 | Stardust | — | ||
| 15-8 | Hy’ a Sue | — | ||
| 15-9 | Half Nelson | — | ||
| 15-10 | Two Bass Hit | — | ||
| 15-11 | Oop‐Pop‐A‐Da | — | ||
| 15-12 | Mad Lad | — | ||
| 15-13 | Confirmation | — | ||
| 15-14 | Koko | — | ||
| 15-15 | Thelonious | — | ||
| 15-16 | Well You Needn’t | — | ||
| 15-17 | April in Paris | — | ||
| 15-18 | My Old Flame | — | ||
| 16-1 | T‐Bone Shuffle | — | ||
| 16-2 | Place de Broukère | — | ||
| 16-3 | Donna Lee | — | ||
| 16-4 | Mingus Fingers | — | ||
| 16-5 | In Walked Bud | — | ||
| 16-6 | Round About Midnight | — | ||
| 16-7 | Oscar’s Boogie | — | ||
| 16-8 | Air Conditioning | — | ||
| 16-9 | How High the Moon | — | ||
| 16-10 | Another Hair Do | — | ||
| 16-11 | Repetition | — | ||
| 16-12 | On a Turquoise Cloud | — | ||
| 16-13 | Cubano Be Cubano Bop | — | ||
| 16-14 | Liberian Suite (Extraits) | — | ||
| 16-15 | Four Brothers | — | ||
| 16-16 | Minor Walk | — | ||
| 16-17 | Round About Midnight | — | ||
| 17-1 | Good Bait | — | ||
| 17-2 | Emanon | — | ||
| 17-3 | Stealin’ Apples | — | ||
| 17-4 | Picasso | — | ||
| 17-5 | Barbados | — | ||
| 17-6 | Parker’s Mood | — | ||
| 17-7 | The Fuller Bop Man | Art Blakey | — | |
| 17-8 | Brew Blue | — | ||
| 17-9 | My Man | — | ||
| 17-10 | Early Autumn | Woody Herman, Stan Getz | T-071.392.495-8 | |
| 17-11 | Over the Rainbow | — | ||
| 17-12 | Overtime | — | ||
| 17-13 | Sid’s Delight | — | ||
| 17-14 | Professor Bop | — | ||
| 17-15 | Move | — | ||
| 17-16 | Godchild | — | ||
| 17-17 | Tempus Fugit | — | ||
| 17-18 | Celia | — | ||
| 17-19 | Salt Peanuts | — | ||
| 17-20 | Undercurrent Blues | — | ||
| 17-21 | Be Bop | — | ||
| 17-22 | September in the Rain | — | ||
| 17-23 | Father Knickerbopper | — | ||
| 17-24 | Visa | — | ||
| 18-1 | Wow | — | ||
| 18-2 | Battle of the Saxes | — | ||
| 18-3 | Elevation | — | ||
| 18-4 | Boplicity | Miles Davis | T-070.233.104-1 | |
| 18-5 | Israel | — | ||
| 18-6 | A Bird in Igor’s Yard | — | ||
| 18-7 | Good Bait | — | ||
| 18-8 | Intuition | — | ||
| 18-9 | Digression | — | ||
| 18-10 | Long Island Sound | — | ||
| 18-11 | The Scene Changes | — | ||
| 18-12 | Aunt Hagar’s Blues | — | ||
| 18-13 | Dardanella | — | ||
| 18-14 | Cherchez La Femme | — | ||
| 18-15 | Dance of the Infidels | — | ||
| 18-16 | The 52nd Street Theme | — | ||
| 18-17 | Ornithology | — | ||
| 18-18 | You Go to My Head | — | ||
| 18-19 | Aishie | — | ||
| 18-20 | Blue Skies | — | ||
| 18-21 | My Sweet Hunk O’ Trash | — | ||
| 18-22 | Sophisticated Lady | — | ||
| 18-23 | On the Sunny Side of the Street | — | ||
| 18-24 | Sax of a Kind | — | ||
| 19-1 | Sometimes I’m Happy | — | ||
| 19-2 | Blues in a Riff | — | ||
| 19-3 | Blues Up and Down | — | ||
| 19-4 | Deception | — | ||
| 19-5 | Lady in Red | — | ||
| 19-6 | Mean to Me | — | ||
| 19-7 | Night and Day | — | ||
| 19-8 | Bloomdido | — | ||
| 19-9 | Mohawk | — | ||
| 19-10 | Neenah | — | ||
| 19-11 | Tea for Two | — | ||
| 19-12 | You Rascal You | — | ||
| 19-13 | I Remember Harlem | — | ||
| 19-14 | Move | — | ||
| 19-15 | Penthouse Serenade | — | ||
| 19-16 | Down | — | ||
| 19-17 | I Know | — | ||
| 19-18 | Star Eyes | — | ||
| 19-19 | Au Privave | — | ||
| 19-20 | K C Blues | — | ||
| 19-21 | Local 802 Blues | — | ||
| 19-22 | Oblivion | — | ||
| 19-23 | Dusk in Sandy | — | ||
| 19-24 | Just One of Those Things | — | ||
| 19-25 | Split Kick | — | ||
| 19-26 | Birk’s Work | — | ||
| 20-1 | Ezz‐Thetics | — | ||
| 20-2 | Odjenar | — | ||
| 20-3 | Anthropology | — | ||
| 20-4 | Body and Soul | — | ||
| 20-5 | A Night in Tunisia | — | ||
| 20-6 | It Could Happen to You | — | ||
| 20-7 | Un Poco Loco | — | ||
| 20-8 | Milestone N° 2 | — | ||
| 20-9 | Straight No Chaser | — | ||
| 20-10 | Smada | — | ||
| 20-11 | Potter’s Luck | — | ||
| 20-12 | D and E | — | ||
| 20-13 | Buzzy | — | ||
| 20-14 | Conception | — | ||
| 20-15 | Popo | — | ||
| 20-16 | Parker 51 | — | ||
| 20-17 | Time on My Hands | — | ||
| 20-18 | A Tone Parallel to Harlem | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| The Fuller Bop Man | Art Blakey | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
794881699827 is a Universal Product Code (UPC) assigned to Les Trésors Du Jazz 1944–1951 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 208 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
794881699827 is the Universal Product Code (UPC barcode) for the release “Les Trésors Du Jazz 1944–1951” by Various Artists, released 2002-01-01 on Le Chant Du Monde. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 208 tracks, each with its own ISRC. Tracks include DEU240410012, FR6F31926790, DEU240815306.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 11-1 | Just You Just Me | — | ||
| 11-2 | Honeysuckle Rose | — | ||
| 11-3 | Flying Home | — | ||
| 11-4 | Fiesta in Brass | — | ||
| 11-5 | Woody’n You | — | ||
| 11-6 | Tempo’s Boogie | — | ||
| 11-7 | Lester Leaps Again | — | ||
| 11-8 | Curry in a Hurry | — | ||
| 11-9 | Honeysuckle Rose | — | ||
| 11-10 | Dark Eyes | — | ||
| 11-11 | Jump Lester Jump | — | ||
| 11-12 | I Can’t Get Started With You | — | ||
| 11-13 | Blues | — | ||
| 11-14 | Blue Harlem | — | ||
| 11-15 | Skyliner | — | ||
| 11-16 | Persian Rug | — | ||
| 11-17 | Lip’s Blues | — | ||
| 11-18 | Tiny’s Tempo | — | ||
| 12-1 | Jammin’ the Blues | — | ||
| 12-2 | Erroll’s Bounce | — | ||
| 12-3 | Black, Brown and Beige | — | ||
| 12-4 | Caldonia | — | ||
| 12-5 | Avenue C | — | ||
| 12-6 | All the Things You Are | — | ||
| 12-7 | Groovin’ High | — | ||
| 12-8 | Riffamarole | — | ||
| 12-9 | Salt Peanuts | — | ||
| 12-10 | Blow Top Blues | — | ||
| 12-11 | I Got Rhythm | — | ||
| 12-12 | The Perfume Suite (Extraits) | — | ||
| 12-13 | Don’t Explain | — | ||
| 12-14 | Stardust | — | ||
| 12-15 | For Dancers Only | — | ||
| 12-16 | Billie’s Bounce | — | ||
| 12-17 | Meandering | — | ||
| 12-18 | Koko | — | ||
| 12-19 | These Foolish Things | — | ||
| 13-1 | I Found My Baby | — | ||
| 13-2 | Tonk | — | ||
| 13-3 | Mellow Mood | — | ||
| 13-4 | Intermission Riff | — | ||
| 13-5 | Oh Lady Be Good | — | ||
| 13-6 | Long Tall Dexter | — | ||
| 13-7 | Cool Breeze | — | ||
| 13-8 | The King | — | ||
| 13-9 | The 52nd Street Theme | — | ||
| 13-10 | A Night in Tunisia | — | ||
| 13-11 | A Night in Tunisia | — | ||
| 13-12 | Boyd Meets Stravinsky | — | ||
| 13-13 | Cherokee | — | ||
| 13-14 | Our Delight | — | ||
| 13-15 | Things to Come | — | ||
| 13-16 | Transblucency | — | ||
| 13-17 | Lover Man | — | ||
| 13-18 | Lester Leaps In | — | ||
| 13-19 | Blues in Be Bop | — | ||
| 13-20 | Cadillac Slim | — | ||
| 13-21 | Esquire Swank | — | ||
| 13-22 | Epistrophy | — | ||
| 14-1 | Webb City | — | ||
| 14-2 | Hesitation Boogie | — | ||
| 14-3 | Out on a Limb | — | ||
| 14-4 | Untitled Blues | — | ||
| 14-5 | Where the Blues Were Born in New‐Orleans | — | ||
| 14-6 | Ride Red Ride | — | ||
| 14-7 | Happy Go Lucky Local | — | ||
| 14-8 | The Beautiful Indians Hiawatha | — | ||
| 14-9 | Hollerin’ and Screamin’ | — | ||
| 14-10 | I’ll Remember April | — | ||
| 14-11 | Off Minor | — | ||
| 14-12 | Fat Girl | — | ||
| 14-13 | Bop Look and Listen | — | ||
| 14-14 | Trio | — | ||
| 14-15 | Cool Blues | — | ||
| 14-16 | Relaxin’ at Camarillo | — | ||
| 14-17 | A Bar a Second | — | ||
| 14-18 | Blues After Hours | — | ||
| 14-19 | Oh Lady Be Good | — | ||
| 14-20 | Boulevard Bounce | — | ||
| 14-21 | Blue Lou | — | ||
| 14-22 | Little Boy | — | ||
| 15-1 | Cheryl | — | ||
| 15-2 | Nostalgia | — | ||
| 15-3 | Back O’ Town Blues | — | ||
| 15-4 | Coolin’ Off With Ulanov | — | ||
| 15-5 | The Chase | — | ||
| 15-6 | All Night All Frantic | — | ||
| 15-7 | Stardust | — | ||
| 15-8 | Hy’ a Sue | — | ||
| 15-9 | Half Nelson | — | ||
| 15-10 | Two Bass Hit | — | ||
| 15-11 | Oop‐Pop‐A‐Da | — | ||
| 15-12 | Mad Lad | — | ||
| 15-13 | Confirmation | — | ||
| 15-14 | Koko | — | ||
| 15-15 | Thelonious | — | ||
| 15-16 | Well You Needn’t | — | ||
| 15-17 | April in Paris | — | ||
| 15-18 | My Old Flame | — | ||
| 16-1 | T‐Bone Shuffle | — | ||
| 16-2 | Place de Broukère | — | ||
| 16-3 | Donna Lee | — | ||
| 16-4 | Mingus Fingers | — | ||
| 16-5 | In Walked Bud | — | ||
| 16-6 | Round About Midnight | — | ||
| 16-7 | Oscar’s Boogie | — | ||
| 16-8 | Air Conditioning | — | ||
| 16-9 | How High the Moon | — | ||
| 16-10 | Another Hair Do | — | ||
| 16-11 | Repetition | — | ||
| 16-12 | On a Turquoise Cloud | — | ||
| 16-13 | Cubano Be Cubano Bop | — | ||
| 16-14 | Liberian Suite (Extraits) | — | ||
| 16-15 | Four Brothers | — | ||
| 16-16 | Minor Walk | — | ||
| 16-17 | Round About Midnight | — | ||
| 17-1 | Good Bait | — | ||
| 17-2 | Emanon | — | ||
| 17-3 | Stealin’ Apples | — | ||
| 17-4 | Picasso | — | ||
| 17-5 | Barbados | — | ||
| 17-6 | Parker’s Mood | — | ||
| 17-7 | The Fuller Bop Man | Art Blakey | — | |
| 17-8 | Brew Blue | — | ||
| 17-9 | My Man | — | ||
| 17-10 | Early Autumn | Woody Herman, Stan Getz | T-071.392.495-8 | |
| 17-11 | Over the Rainbow | — | ||
| 17-12 | Overtime | — | ||
| 17-13 | Sid’s Delight | — | ||
| 17-14 | Professor Bop | — | ||
| 17-15 | Move | — | ||
| 17-16 | Godchild | — | ||
| 17-17 | Tempus Fugit | — | ||
| 17-18 | Celia | — | ||
| 17-19 | Salt Peanuts | — | ||
| 17-20 | Undercurrent Blues | — | ||
| 17-21 | Be Bop | — | ||
| 17-22 | September in the Rain | — | ||
| 17-23 | Father Knickerbopper | — | ||
| 17-24 | Visa | — | ||
| 18-1 | Wow | — | ||
| 18-2 | Battle of the Saxes | — | ||
| 18-3 | Elevation | — | ||
| 18-4 | Boplicity | Miles Davis | T-070.233.104-1 | |
| 18-5 | Israel | — | ||
| 18-6 | A Bird in Igor’s Yard | — | ||
| 18-7 | Good Bait | — | ||
| 18-8 | Intuition | — | ||
| 18-9 | Digression | — | ||
| 18-10 | Long Island Sound | — | ||
| 18-11 | The Scene Changes | — | ||
| 18-12 | Aunt Hagar’s Blues | — | ||
| 18-13 | Dardanella | — | ||
| 18-14 | Cherchez La Femme | — | ||
| 18-15 | Dance of the Infidels | — | ||
| 18-16 | The 52nd Street Theme | — | ||
| 18-17 | Ornithology | — | ||
| 18-18 | You Go to My Head | — | ||
| 18-19 | Aishie | — | ||
| 18-20 | Blue Skies | — | ||
| 18-21 | My Sweet Hunk O’ Trash | — | ||
| 18-22 | Sophisticated Lady | — | ||
| 18-23 | On the Sunny Side of the Street | — | ||
| 18-24 | Sax of a Kind | — | ||
| 19-1 | Sometimes I’m Happy | — | ||
| 19-2 | Blues in a Riff | — | ||
| 19-3 | Blues Up and Down | — | ||
| 19-4 | Deception | — | ||
| 19-5 | Lady in Red | — | ||
| 19-6 | Mean to Me | — | ||
| 19-7 | Night and Day | — | ||
| 19-8 | Bloomdido | — | ||
| 19-9 | Mohawk | — | ||
| 19-10 | Neenah | — | ||
| 19-11 | Tea for Two | — | ||
| 19-12 | You Rascal You | — | ||
| 19-13 | I Remember Harlem | — | ||
| 19-14 | Move | — | ||
| 19-15 | Penthouse Serenade | — | ||
| 19-16 | Down | — | ||
| 19-17 | I Know | — | ||
| 19-18 | Star Eyes | — | ||
| 19-19 | Au Privave | — | ||
| 19-20 | K C Blues | — | ||
| 19-21 | Local 802 Blues | — | ||
| 19-22 | Oblivion | — | ||
| 19-23 | Dusk in Sandy | — | ||
| 19-24 | Just One of Those Things | — | ||
| 19-25 | Split Kick | — | ||
| 19-26 | Birk’s Work | — | ||
| 20-1 | Ezz‐Thetics | — | ||
| 20-2 | Odjenar | — | ||
| 20-3 | Anthropology | — | ||
| 20-4 | Body and Soul | — | ||
| 20-5 | A Night in Tunisia | — | ||
| 20-6 | It Could Happen to You | — | ||
| 20-7 | Un Poco Loco | — | ||
| 20-8 | Milestone N° 2 | — | ||
| 20-9 | Straight No Chaser | — | ||
| 20-10 | Smada | — | ||
| 20-11 | Potter’s Luck | — | ||
| 20-12 | D and E | — | ||
| 20-13 | Buzzy | — | ||
| 20-14 | Conception | — | ||
| 20-15 | Popo | — | ||
| 20-16 | Parker 51 | — | ||
| 20-17 | Time on My Hands | — | ||
| 20-18 | A Tone Parallel to Harlem | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| The Fuller Bop Man | Art Blakey | — |
