UPC · Release
Ludwig van Beethoven, Pražák Quartet
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The UPC for “The String Quartets” by Ludwig van Beethoven, Pražák Quartet is 794881791828. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2006-01-01. Label: Praga Digitals. This release contains 71 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | No. 4 in C minor, Op. 18/4: I. Allegro ma non tanto | — | ||
| 2 | No. 4 in C minor, Op. 18/4: II. Scherzo. Andante scherzoso quasi Allegretto | — | ||
| 3 | No. 4 in C minor, Op. 18/4: III. Menuetto. Allegretto | — | ||
| 4 | No. 4 in C minor, Op. 18/4: IV. Allegro – Prestissimo | — | ||
| 5 | No. 5 in A major, Op. 18/5: I. Allegro | — | ||
| 6 | No. 5 in A major, Op. 18/5: II. Menuetto | — | ||
| 7 | No. 5 in A major, Op. 18/5: III. Andante cantabile. Thema – Variations I-IV – Coda. Poco adagio | — | ||
| 8 | No. 5 in A major, Op. 18/5: IV. Allegro | — | ||
| 9 | No. 1 in F major, Op. 18/1: I. Allegro con brio | — | ||
| 10 | No. 1 in F major, Op. 18/1: II. Adagio affetuoso ed appassionato | — | ||
| 11 | No. 1 in F major, Op. 18/1: III. Scherzo. Allegro molto | — | ||
| 12 | No. 1 in F major, Op. 18/1: IV. Allegro | — | ||
| 13 | No. 3 in D major, Op. 18/3: I. Allegro | — | ||
| 14 | No. 3 in D major, Op. 18/3: II. Andante con moto | — | ||
| 15 | No. 3 in D major, Op. 18/3: III. Allegro | — | ||
| 16 | No. 3 in D major, Op. 18/3: IV. Presto | — | ||
| 17 | No. 2 in G major, Op. 18/2: I. Allegro | — | ||
| 18 | No. 2 in G major, Op. 18/2: II. Adagio cantabile – Allegro – Tempo Primo | — | ||
| 19 | No. 2 in G major, Op. 18/2: III. Scherzo. Allegro | — | ||
| 20 | No. 2 in G major, Op. 18/2: IV. Allegro molto quasi Presto | — | ||
| 21 | No. 6 in B-flat major, Op. 18/6: I. Allegro con brio | — | ||
| 22 | No. 6 in B-flat major, Op. 18/6: II. Adagio ma non troppo | — | ||
| 23 | No. 6 in B-flat major, Op. 18/6: III.Scherzo. Allegro | — | ||
| 24 | No. 6 in B-flat major, Op. 18/6: IV. Adagio ( La Malinconia ) – Allegretto | — | ||
| 25 | No. 7 in F major, Op. 59/1: I. Allegro | — | ||
| 26 | No. 7 in F major, Op. 59/1: II. Allegretto vivace e siempre scherzando | — | ||
| 27 | No. 7 in F major, Op. 59/1: III. Adagio molto e mesto – attacca | — | ||
| 28 | No. 7 in F major, Op. 59/1: IV. Thème russe – Allegro | — | ||
| 29 | No. 8 in E minor, Op. 59/2: I. Allegretto | — | ||
| 30 | No. 8 in E minor, Op. 59/2: II. Molto adagio. Si tratta questo pezzo con molto sentimento | — | ||
| 31 | No. 8 in E minor, Op. 59/2: III. Allegretto | — | ||
| 32 | No. 8 in E minor, Op. 59/2: IV. Finale. Presto | — | ||
| 33 | No. 9 in C major, Op. 59/3: I. Introduzione. Andante con moto – allegro vivace | — | ||
| 34 | No. 9 in C major, Op. 59/3: II. Andante con moto quasi allegretto | — | ||
| 35 | No. 9 in C major, Op. 59/3: III. Menuetto. Grazioso – attacca | — | ||
| 36 | No. 9 in C major, Op. 59/3: IV. Finale. Allegro molto | — | ||
| 37 | No. 10 in E-Flat major, Op. 74: I. Poco adagio – allegro | — | ||
| 38 | No. 10 in E-Flat major, Op. 74: II. Adagio ma non troppo | — | ||
| 39 | No. 10 in E-Flat major, Op. 74: III. Presto – attacca | — | ||
| 40 | No. 10 in E-Flat major, Op. 74: IV. Finale. Allegro con variazioni | — | ||
| 41 | No. 11 in F minor, Op. 95: I. Allegro con brio | — | ||
| 42 | No. 11 in F minor, Op. 95: II. Allegretto ma non troppo | — | ||
| 43 | No. 11 in F minor, Op. 95: III. Allegro assai vivace ma serioso | — | ||
| 44 | No. 11 in F minor, Op. 95: IV. Larghetto espressivo – allegro agitato | — | ||
| 45 | No. 12 in E flat major, Op. 127: I. Maestoso – Allegro teneramente | — | ||
| 46 | No. 12 in E flat major, Op. 127: II. Adagio ma non troppo e molto cantabile – Andante con moto – Adagio molto espressivo Tempo primo | — | ||
| 47 | No. 12 in E flat major, Op. 127: III. Scherzando vivace – presto | — | ||
| 48 | No. 12 in E flat major, Op. 127: IV. Finale | — | ||
| 49 | No. 14 in C sharp minor, Op. 131: I. Adagio, ma non troppo e molto espressivo – attacca | — | ||
| 50 | No. 14 in C sharp minor, Op. 131: II. Allegro molto vivace – attacca | — | ||
| 51 | No. 14 in C sharp minor, Op. 131: III. Allegro moderato – attacca | — | ||
| 52 | No. 14 in C sharp minor, Op. 131: IV. Andante, ma non troppo e molto cantabile – Piu mosso – Andante moderato e lusinghiero – Adagio – Allegretto – Adagio ma non troppo e semplice – Allegretto | — | ||
| 53 | No. 14 in C sharp minor, Op. 131: V. Presto – Molto poco adagio – attacca | — | ||
| 54 | No. 14 in C sharp minor, Op. 131: VI. Adagio quasi un poco andante – attacca | — | ||
| 55 | No. 14 in C sharp minor, Op. 131: VII. Allegro | — | ||
| 56 | No. 15 in A minor, Op. 132: I. Assai sostenuto – Allegro | — | ||
| 57 | No. 15 in A minor, Op. 132: II. Allegretto ma non tanto | — | ||
| 58 | No. 15 in A minor, Op. 132: III. Heiliger Dankgesang eines Genesenden an die Gottheit, in der lydischen Tonart. Molto adagio. Mit innigster Empfindung | — | ||
| 59 | No. 15 in A minor, Op. 132: IV. Alla marcia, assai vivace – Piu allegro – attacca | — | ||
| 60 | No. 15 in A minor, Op. 132: V. Allegro appassionato | — | ||
| 61 | No. 16 in F major, Op. 135: I. Allegretto | — | ||
| 62 | No. 16 in F major, Op. 135: II. Vivace | — | ||
| 63 | No. 16 in F major, Op. 135: III. Lente assai e cantate tranquillo | — | ||
| 64 | No. 16 in F major, Op. 135: IV. Der schwergefußre EmschluB. Grave (Muß es sein?) - Allegro (E, muß sein) - Grave, ma non tram, - Allegro | — | ||
| 65 | No. 13 in B flat major, Op. 130: I. Allegro ma non tanto – Allegro | — | ||
| 66 | No. 13 in B flat major, Op. 130: II. Presto | — | ||
| 67 | No. 13 in B flat major, Op. 130: III. Andante con moto, ma non troppo | — | ||
| 68 | No. 13 in B flat major, Op. 130: IV. Alla danza tedesca : Allegro assai | — | ||
| 69 | No. 13 in B flat major, Op. 130: V. Cavatina : Adagio molto espressivo | — | ||
| 70 | Große Fuge, Op. 133 in B Flat Overtura : Allegro – Meno mosso e moderato – Allegro Fuga [Allegro] meno mosso e moderato – Allegro molto e con brio Allegro | — | ||
| 71 | Finale. Allegro (Op. 130) – Alternative finale | — |
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794881791828 is a Universal Product Code (UPC) assigned to The String Quartets by Ludwig van Beethoven, Pražák Quartet. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 71 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The String Quartets” by Ludwig van Beethoven, Pražák Quartet is 794881791828. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2006-01-01. Label: Praga Digitals. This release contains 71 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | No. 4 in C minor, Op. 18/4: I. Allegro ma non tanto | — | ||
| 2 | No. 4 in C minor, Op. 18/4: II. Scherzo. Andante scherzoso quasi Allegretto | — | ||
| 3 | No. 4 in C minor, Op. 18/4: III. Menuetto. Allegretto | — | ||
| 4 | No. 4 in C minor, Op. 18/4: IV. Allegro – Prestissimo | — | ||
| 5 | No. 5 in A major, Op. 18/5: I. Allegro | — | ||
| 6 | No. 5 in A major, Op. 18/5: II. Menuetto | — | ||
| 7 | No. 5 in A major, Op. 18/5: III. Andante cantabile. Thema – Variations I-IV – Coda. Poco adagio | — | ||
| 8 | No. 5 in A major, Op. 18/5: IV. Allegro | — | ||
| 9 | No. 1 in F major, Op. 18/1: I. Allegro con brio | — | ||
| 10 | No. 1 in F major, Op. 18/1: II. Adagio affetuoso ed appassionato | — | ||
| 11 | No. 1 in F major, Op. 18/1: III. Scherzo. Allegro molto | — | ||
| 12 | No. 1 in F major, Op. 18/1: IV. Allegro | — | ||
| 13 | No. 3 in D major, Op. 18/3: I. Allegro | — | ||
| 14 | No. 3 in D major, Op. 18/3: II. Andante con moto | — | ||
| 15 | No. 3 in D major, Op. 18/3: III. Allegro | — | ||
| 16 | No. 3 in D major, Op. 18/3: IV. Presto | — | ||
| 17 | No. 2 in G major, Op. 18/2: I. Allegro | — | ||
| 18 | No. 2 in G major, Op. 18/2: II. Adagio cantabile – Allegro – Tempo Primo | — | ||
| 19 | No. 2 in G major, Op. 18/2: III. Scherzo. Allegro | — | ||
| 20 | No. 2 in G major, Op. 18/2: IV. Allegro molto quasi Presto | — | ||
| 21 | No. 6 in B-flat major, Op. 18/6: I. Allegro con brio | — | ||
| 22 | No. 6 in B-flat major, Op. 18/6: II. Adagio ma non troppo | — | ||
| 23 | No. 6 in B-flat major, Op. 18/6: III.Scherzo. Allegro | — | ||
| 24 | No. 6 in B-flat major, Op. 18/6: IV. Adagio ( La Malinconia ) – Allegretto | — | ||
| 25 | No. 7 in F major, Op. 59/1: I. Allegro | — | ||
| 26 | No. 7 in F major, Op. 59/1: II. Allegretto vivace e siempre scherzando | — | ||
| 27 | No. 7 in F major, Op. 59/1: III. Adagio molto e mesto – attacca | — | ||
| 28 | No. 7 in F major, Op. 59/1: IV. Thème russe – Allegro | — | ||
| 29 | No. 8 in E minor, Op. 59/2: I. Allegretto | — | ||
| 30 | No. 8 in E minor, Op. 59/2: II. Molto adagio. Si tratta questo pezzo con molto sentimento | — | ||
| 31 | No. 8 in E minor, Op. 59/2: III. Allegretto | — | ||
| 32 | No. 8 in E minor, Op. 59/2: IV. Finale. Presto | — | ||
| 33 | No. 9 in C major, Op. 59/3: I. Introduzione. Andante con moto – allegro vivace | — | ||
| 34 | No. 9 in C major, Op. 59/3: II. Andante con moto quasi allegretto | — | ||
| 35 | No. 9 in C major, Op. 59/3: III. Menuetto. Grazioso – attacca | — | ||
| 36 | No. 9 in C major, Op. 59/3: IV. Finale. Allegro molto | — | ||
| 37 | No. 10 in E-Flat major, Op. 74: I. Poco adagio – allegro | — | ||
| 38 | No. 10 in E-Flat major, Op. 74: II. Adagio ma non troppo | — | ||
| 39 | No. 10 in E-Flat major, Op. 74: III. Presto – attacca | — | ||
| 40 | No. 10 in E-Flat major, Op. 74: IV. Finale. Allegro con variazioni | — | ||
| 41 | No. 11 in F minor, Op. 95: I. Allegro con brio | — | ||
| 42 | No. 11 in F minor, Op. 95: II. Allegretto ma non troppo | — | ||
| 43 | No. 11 in F minor, Op. 95: III. Allegro assai vivace ma serioso | — | ||
| 44 | No. 11 in F minor, Op. 95: IV. Larghetto espressivo – allegro agitato | — | ||
| 45 | No. 12 in E flat major, Op. 127: I. Maestoso – Allegro teneramente | — | ||
| 46 | No. 12 in E flat major, Op. 127: II. Adagio ma non troppo e molto cantabile – Andante con moto – Adagio molto espressivo Tempo primo | — | ||
| 47 | No. 12 in E flat major, Op. 127: III. Scherzando vivace – presto | — | ||
| 48 | No. 12 in E flat major, Op. 127: IV. Finale | — | ||
| 49 | No. 14 in C sharp minor, Op. 131: I. Adagio, ma non troppo e molto espressivo – attacca | — | ||
| 50 | No. 14 in C sharp minor, Op. 131: II. Allegro molto vivace – attacca | — | ||
| 51 | No. 14 in C sharp minor, Op. 131: III. Allegro moderato – attacca | — | ||
| 52 | No. 14 in C sharp minor, Op. 131: IV. Andante, ma non troppo e molto cantabile – Piu mosso – Andante moderato e lusinghiero – Adagio – Allegretto – Adagio ma non troppo e semplice – Allegretto | — | ||
| 53 | No. 14 in C sharp minor, Op. 131: V. Presto – Molto poco adagio – attacca | — | ||
| 54 | No. 14 in C sharp minor, Op. 131: VI. Adagio quasi un poco andante – attacca | — | ||
| 55 | No. 14 in C sharp minor, Op. 131: VII. Allegro | — | ||
| 56 | No. 15 in A minor, Op. 132: I. Assai sostenuto – Allegro | — | ||
| 57 | No. 15 in A minor, Op. 132: II. Allegretto ma non tanto | — | ||
| 58 | No. 15 in A minor, Op. 132: III. Heiliger Dankgesang eines Genesenden an die Gottheit, in der lydischen Tonart. Molto adagio. Mit innigster Empfindung | — | ||
| 59 | No. 15 in A minor, Op. 132: IV. Alla marcia, assai vivace – Piu allegro – attacca | — | ||
| 60 | No. 15 in A minor, Op. 132: V. Allegro appassionato | — | ||
| 61 | No. 16 in F major, Op. 135: I. Allegretto | — | ||
| 62 | No. 16 in F major, Op. 135: II. Vivace | — | ||
| 63 | No. 16 in F major, Op. 135: III. Lente assai e cantate tranquillo | — | ||
| 64 | No. 16 in F major, Op. 135: IV. Der schwergefußre EmschluB. Grave (Muß es sein?) - Allegro (E, muß sein) - Grave, ma non tram, - Allegro | — | ||
| 65 | No. 13 in B flat major, Op. 130: I. Allegro ma non tanto – Allegro | — | ||
| 66 | No. 13 in B flat major, Op. 130: II. Presto | — | ||
| 67 | No. 13 in B flat major, Op. 130: III. Andante con moto, ma non troppo | — | ||
| 68 | No. 13 in B flat major, Op. 130: IV. Alla danza tedesca : Allegro assai | — | ||
| 69 | No. 13 in B flat major, Op. 130: V. Cavatina : Adagio molto espressivo | — | ||
| 70 | Große Fuge, Op. 133 in B Flat Overtura : Allegro – Meno mosso e moderato – Allegro Fuga [Allegro] meno mosso e moderato – Allegro molto e con brio Allegro | — | ||
| 71 | Finale. Allegro (Op. 130) – Alternative finale | — |
