UPC · Release
Les Trésors du jazz 1956
Various Artists
794881863624
132 tracksReleased 2007-01-01Le Chant Du Monde
Last verified:
794881863624 is the Universal Product Code (UPC barcode) for the release “Les Trésors du jazz 1956” by Various Artists, released 2007-01-01 on Le Chant Du Monde. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 132 tracks, each with its own ISRC. Tracks include DEU240820047, DEU240819887, DEU240819833.
Format
7Number system
94881Manufacturer
86362Product
4Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCLes Trésors du jazz 1956
ISRC15 recordings
ISWC60 works
IPI44 songwriters
Track List (132)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Powell’s Prance | — | ||
| 2 | Fred’s Mood | — | ||
| 3 | Sadi’s Sad | — | ||
| 4 | Tour de Force | — | ||
| 5 | Lydian M‐1 | — | ||
| 6 | Here’s Pete | — | ||
| 7 | The King | — | ||
| 8 | Fontessa | — | ||
| 9 | Muskrat Ramble | — | ||
| 10 | Coolin’ the Blues | — | ||
| 11 | Mainstream | — | ||
| 12 | Just One of Those Things | — | ||
| 2-1 | Lights Out | — | ||
| 2-2 | Pithecanthropus Erectus | — | ||
| 2-3 | Way Cross Town | — | ||
| 2-4 | Makin’ Whoopee | — | ||
| 2-5 | Too Damn Hot | — | ||
| 2-6 | Two Degrees East Three Degrees West | — | ||
| 2-7 | Collard Geens and Black‐Eyed Peas | — | ||
| 2-8 | Intermission Riff | — | ||
| 2-9 | Sleepy Slept There | — | ||
| 2-10 | Topsy | — | ||
| 2-11 | Time | — | ||
| 2-12 | Love Is a Many Splendored Thing | — | ||
| 2-13 | Midnight Sun | — | ||
| 2-14 | Cheek to Cheek | — | ||
| 3-1 | Stablemates | — | ||
| 3-2 | Piney Brown Blues | — | ||
| 3-3 | Undecided | — | ||
| 3-4 | Vierd Blues | Miles Davis Quintet | — | |
| 3-5 | Down Home | — | ||
| 3-6 | Valse Hot | — | ||
| 3-7 | Pent Up House | — | ||
| 3-8 | The Champ | — | ||
| 3-9 | Jack’s Blues | — | ||
| 3-10 | Jambangle | — | ||
| 3-11 | Just You Just Me | — | ||
| 3-12 | Mildew | — | ||
| 3-13 | The Spinning Song | — | ||
| 4-1 | Wild Flower | — | ||
| 4-2 | Nixon, Dixon and Yates Blues | — | ||
| 4-3 | Tricotism | — | ||
| 4-4 | Blues Martial | — | ||
| 4-5 | Ecaroh | — | ||
| 4-6 | On It | Elmo Hope Sextet | — | |
| 4-7 | Ahmad’s Blues | — | ||
| 4-8 | Tears by Me Out the Heart | — | ||
| 4-9 | Tenor Madness | Sonny Rollins Quartet | — | |
| 4-10 | Chuckles | — | ||
| 4-11 | Yesterdays | — | ||
| 5-1 | Basin Street Blues | — | ||
| 5-2 | Love Me or Leave Me | — | ||
| 5-3 | Tadd’s Delight | Miles Davis Quintet | — | |
| 5-4 | ’Round Midnight | Miles Davis Quintet | T-070.002.363-7 | |
| 5-5 | The Man I Love | — | ||
| 5-6 | Strange Fruit | — | ||
| 5-7 | Strode Rode | Sonny Rollins | — | |
| 5-8 | St. Thomas | Sonny Rollins Quartet | T-070.243.897-8 | |
| 5-9 | April in Paris | — | ||
| 5-10 | Every Day I Have the Blues | — | ||
| 5-11 | Tension Détente | — | ||
| 5-12 | Paradoxe 1 | — | ||
| 5-13 | Blues for the Highbrow | — | ||
| 5-14 | Blues Express | — | ||
| 5-15 | Blues to Be There | — | ||
| 5-16 | Later Team | — | ||
| 6-1 | Warmeland | — | ||
| 6-2 | Pilgrim’s Progress | — | ||
| 6-3 | The Third | — | ||
| 6-4 | The Preacher | — | ||
| 6-5 | Suburban Beauty | — | ||
| 6-6 | Half the Fun | — | ||
| 6-7 | How High the Moon | — | ||
| 6-8 | It’s Only a Paper Moon | — | ||
| 6-9 | How About You | — | ||
| 6-10 | Humoresque | — | ||
| 6-11 | A Foggy Day | — | ||
| 6-12 | Cheek to Cheek | — | ||
| 6-13 | A Fugue for Music Inn | The Modern Jazz Quartet, Jimmy Giuffre | — | |
| 6-14 | A Morning in Paris | — | ||
| 7-1 | Bob’s Boys | Hank Mobley, Al Cohn, John Coltrane, Zoot Sims | — | |
| 7-2 | Night and Day | — | ||
| 7-3 | I Should Care | — | ||
| 7-4 | Just You Just Me | — | ||
| 7-5 | Azure | — | ||
| 7-6 | The Most Beautiful Girl in the World | — | ||
| 7-7 | Omicron | — | ||
| 7-8 | I Love You | — | ||
| 7-9 | No Cover, No Minimum | — | ||
| 7-10 | Get Happy | — | ||
| 7-11 | Blues for Bessie | — | ||
| 7-12 | Coscrane | — | ||
| 7-13 | The House I Live In | — | ||
| 8-1 | Ba‐Lue Bolivar Ba‐Lues‐Are | — | ||
| 8-2 | Serenade in Blue | — | ||
| 8-3 | Brilliant Corners | — | ||
| 8-4 | Lover Come Back to Me | — | ||
| 8-5 | Concerto for Billy the Kid | — | ||
| 8-6 | Overtime | — | ||
| 8-7 | Three Little Feelings | — | ||
| 8-8 | Pharaoh | — | ||
| 8-9 | On a Riff | — | ||
| 8-10 | My Funny Valentine | Miles Davis Quintet | T-070.110.849-7 | |
| 8-11 | If I Were a Bell | Miles Davis Quintet | T-070.905.180-8 | |
| 9-1 | Once More | — | ||
| 9-2 | Blinuet | — | ||
| 9-3 | Hank’s Shout | Hank Mobley | T-700.019.360-4 | |
| 9-4 | An Afternoon at Home | — | ||
| 9-5 | Don’t Explain | — | ||
| 9-6 | For Heaven’s Sake | — | ||
| 9-7 | Senor Blues | — | ||
| 9-8 | Between the Devil and the Deep Blue Sea | — | ||
| 9-9 | Blues #4 | — | ||
| 9-10 | Ain’t Misbehavin’ | — | ||
| 9-11 | Oblique | — | ||
| 9-12 | Blues for Many Jane | — | ||
| 9-13 | All the Things You Are | — | ||
| 10-1 | Crazy Rhythm | — | ||
| 10-2 | Tequila Time | — | ||
| 10-3 | The Squirrel | Kenny Clarke’s Sextet | T-070.137.481-3 | |
| 10-4 | Mating Call | Tadd Dameron, John Coltrane | — | |
| 10-5 | Romas | Tadd Dameron, John Coltrane | — | |
| 10-6 | Two Kinds of Blues | — | ||
| 10-7 | Winter | — | ||
| 10-8 | Dipper Mouth Blues | — | ||
| 10-9 | I Surrender Dear | — | ||
| 10-10 | Lester Leaps In | — | ||
| 10-11 | Just for Marty | — | ||
| 10-12 | Decision | — | ||
| 10-13 | Yesterdays | — | ||
| 10-14 | Who Me? | — | ||
| 10-15 | The Train and the River | — |
Powell’s Prance
—
Fred’s Mood
—
Sadi’s Sad
—
Tour de Force
—
Lydian M‐1
—
Here’s Pete
—
The King
—
Fontessa
—
Muskrat Ramble
—
Coolin’ the Blues
—
Mainstream
—
Just One of Those Things
—
Lights Out
—
Pithecanthropus Erectus
—
Way Cross Town
—
Makin’ Whoopee
—
Too Damn Hot
—
Two Degrees East Three Degrees West
—
Collard Geens and Black‐Eyed Peas
—
Intermission Riff
—
Sleepy Slept There
—
Topsy
—
Time
—
Love Is a Many Splendored Thing
—
Midnight Sun
—
Cheek to Cheek
—
Stablemates
—
Piney Brown Blues
—
Undecided
—
Vierd Blues
Miles Davis Quintet
—
Down Home
—
Valse Hot
—
Pent Up House
—
The Champ
—
Jack’s Blues
—
Jambangle
—
Just You Just Me
—
Mildew
—
The Spinning Song
—
Wild Flower
—
Nixon, Dixon and Yates Blues
—
Tricotism
—
Blues Martial
—
Ecaroh
—
On It
Elmo Hope Sextet
—
Ahmad’s Blues
—
Tears by Me Out the Heart
—
Tenor Madness
Sonny Rollins Quartet
—
Chuckles
—
Yesterdays
—
Basin Street Blues
—
Love Me or Leave Me
—
Tadd’s Delight
Miles Davis Quintet
—
The Man I Love
—
Strange Fruit
—
Strode Rode
Sonny Rollins
—
April in Paris
—
Every Day I Have the Blues
—
Tension Détente
—
Paradoxe 1
—
Blues for the Highbrow
—
Blues Express
—
Blues to Be There
—
Later Team
—
Warmeland
—
Pilgrim’s Progress
—
The Third
—
The Preacher
—
Suburban Beauty
—
Half the Fun
—
How High the Moon
—
It’s Only a Paper Moon
—
How About You
—
Humoresque
—
A Foggy Day
—
Cheek to Cheek
—
A Fugue for Music Inn
The Modern Jazz Quartet, Jimmy Giuffre
—
A Morning in Paris
—
Bob’s Boys
Hank Mobley, Al Cohn, John Coltrane, Zoot Sims
—
Night and Day
—
I Should Care
—
Just You Just Me
—
Azure
—
The Most Beautiful Girl in the World
—
Omicron
—
I Love You
—
No Cover, No Minimum
—
Get Happy
—
Blues for Bessie
—
Coscrane
—
The House I Live In
—
Ba‐Lue Bolivar Ba‐Lues‐Are
—
Serenade in Blue
—
Brilliant Corners
—
Lover Come Back to Me
—
Concerto for Billy the Kid
—
Overtime
—
Three Little Feelings
—
Pharaoh
—
On a Riff
—
Once More
—
Blinuet
—
An Afternoon at Home
—
Don’t Explain
—
For Heaven’s Sake
—
Senor Blues
—
Between the Devil and the Deep Blue Sea
—
Blues #4
—
Ain’t Misbehavin’
—
Oblique
—
Blues for Many Jane
—
All the Things You Are
—
Crazy Rhythm
—
Tequila Time
—
Mating Call
Tadd Dameron, John Coltrane
—
Romas
Tadd Dameron, John Coltrane
—
Two Kinds of Blues
—
Winter
—
Dipper Mouth Blues
—
I Surrender Dear
—
Lester Leaps In
—
Just for Marty
—
Decision
—
Yesterdays
—
Who Me?
—
The Train and the River
—
Additional database matches (7)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Strode Rode | Sonny Rollins | — |
| Bob’s Boys | Hank Mobley, Al Cohn, John Coltrane, Zoot Sims | — |
| Mating Call | Tadd Dameron, John Coltrane | T-070.114.179-8 |
| ROMAS [MONO VERSION] | JOHN COLTRANE | — |
| Ah‐Leu‐Cha | Miles Davis Quintet | T-010.320.310-6 |
| Dear Old Stockholm | Miles Davis Quintet | T-900.312.305-5 |
| Tadd’s Delight | Miles Davis Quintet | T-070.159.751-4 |
Strode Rode
Sonny Rollins
—
Bob’s Boys
Hank Mobley, Al Cohn, John Coltrane, Zoot Sims
—
Tadd Dameron, John Coltrane
ROMAS [MONO VERSION]
JOHN COLTRANE
—
Miles Davis Quintet
Miles Davis Quintet
Miles Davis Quintet
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.320.310-6T-010.041.592-6T-010.434.159-4T-039.172.860-1T-070.002.363-7T-070.110.849-7T-070.137.481-3T-070.243.897-8T-070.905.180-8T-070.000.803-2
+50 more
T-070.002.363-7T-070.011.085-5T-070.011.904-5T-070.049.120-8T-070.054.990-1T-070.063.970-8T-070.074.622-0T-070.089.096-5T-070.089.165-1T-070.095.363-4T-070.097.295-7T-070.097.652-8T-070.107.933-5T-070.110.849-7T-070.134.669-1T-070.134.754-7T-070.137.481-3T-070.137.962-5T-070.138.158-9T-070.152.461-9T-070.153.337-0T-070.180.776-2T-070.210.198-1T-070.233.721-0T-070.242.189-3T-070.242.869-0T-070.243.277-6T-070.243.897-8T-070.247.596-4T-070.882.094-3T-070.904.338-8T-070.905.180-8T-070.907.672-1T-071.056.299-4T-071.063.844-0T-071.067.361-2T-071.180.697-1T-071.191.834-1T-071.388.431-1T-302.688.135-2T-700.019.360-4T-700.001.048-2T-700.003.842-8T-700.006.848-6T-700.019.360-4T-700.048.272-6T-700.053.975-5T-900.312.305-5T-070.114.179-8T-070.159.751-4
Songwriters/Publishers (IPI)
00001334546000022594240000433702900004721815000062710240000646121400006462309000064859810000657220200006725203
+34 more
00007392100000103184430001200416800013611921000142818090001800092800018953465000209185040002091860200021055928000212265350002227920600023067220000255750900002636140100026552591000269996320002706430300028730093000289914480002899264100037262197000407266000004527587500054767357000635551800006865772700068657825001434681780019298850800205395874002053959720020863019400352220799
Creative Contributors (ISNI)
000000002410202900000000342938180000000055129558000000005513553600000000551412820000000055141290000000005935903500000000593590510000000059423885000000005946437X
+42 more
00000000724506340000000073584570000000007366227600000000736637700000000079803164000000008125582200000000813610270000000081386507000000008387191X00000000841286180000000084131382000000009310882X000000010655593700000001065632750000000108160904000000010854854600000001086819960000000108964216000000010922386600000001092891280000000109398703000000010939902800000001096459460000000110083450000000011019807100000001102155990000000110367920000000011083262600000001143632730000000114429439000000011476328500000001148989720000000114929337000000011560709X0000000115776694000000011580814X0000000116808520000000011850415X000000011930992X000000011956623X00000001214820430000000368512793
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What is UPC 794881863624?
794881863624 is a Universal Product Code (UPC) assigned to Les Trésors du jazz 1956 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 132 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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