UPC · Release
Various Artists
Last verified:
The UPC for “Sacred Music: Cornerstone Works of Sacred Music” by Various Artists is 794881926725. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2009-01-01. Label: Harmonia Mundi. This release contains 545 tracks, each with its own ISRC. Tracks include FRZ149407010, FRZ149407020, FRZ149407030.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Chant Ambrosien: Lucernarium "Paravi lucernam Christo meo" | — | ||
| 2 | Chant Ambrosien: Ingressa "Lux fulgebit hodie super nos" | — | ||
| 3 | Chant Ambrosien: Psalmellus "Tecum principium in die virtutis tue" | — | ||
| 4 | Chant vieux-romain: Introït. Resurrexi | — | ||
| 5 | Chant vieux-romain: Offertoire. Terra tremuit | — | ||
| 6 | Chant vieux-romain: Alleluia | — | ||
| 7 | Chant Bénéventain: Introït. Maria vidit angelum (tutti) | — | ||
| 8 | Chant mozarabe, Office des lectures: Invocation sacerdotale d’introduction "Per gloriam nominis tui" | — | ||
| 9 | Chant mozarabe, Office des lectures: Gloria in excelsis Deo | — | ||
| 10 | Chant mozarabe, Prière eucharistique: Ad confractionem panis "Qui venit ad me non esuriet" | — | ||
| 11 | Chant mozarabe, Prière eucharistique: Prêtre "Humiliate vos ad benedictionem !" | — | ||
| 12 | Chant mozarabe, Prière eucharistique: Ad accedentes "Gustate et videte" | — | ||
| 13 | Chant vieux-romain: Ad processionem Kyrie | — | ||
| 14 | Chant vieux-romain: Alleluia. Versus "O kyrios evasileosen" - Versus "Ke gar estereosen" | — | ||
| 2-1 | L'immense corpus grégorien: Universi qui te expectant | — | ||
| 2-2 | L'immense corpus grégorien, Messe de Requiem grégorienne: I. Introït: Requiem aeternam | — | ||
| 2-3 | L'immense corpus grégorien, Messe de Requiem grégorienne: II. Kyrie eleison | — | ||
| 2-4 | L'immense corpus grégorien, Messe de Requiem grégorienne: III. Graduel: Requiem aeternam | — | ||
| 2-5 | L'immense corpus grégorien, Messe de Requiem grégorienne: IV. Trait: Absolve, Domine | — | ||
| 2-6 | L'immense corpus grégorien, Messe de Requiem grégorienne: V. Séquence: Dies irae | — | ||
| 2-7 | L'immense corpus grégorien, Messe de Requiem grégorienne: VI. Offertoire: Domine Jesu Christe | — | ||
| 2-8 | L'immense corpus grégorien, Messe de Requiem grégorienne: VII. Sanctus | — | ||
| 2-9 | L'immense corpus grégorien, Messe de Requiem grégorienne: VIII. Agnus Dei | — | ||
| 2-10 | L'immense corpus grégorien, Messe de Requiem grégorienne: IX. Communion: Lux aeterna | — | ||
| 2-11 | L'immense corpus grégorien, Messe de Requiem grégorienne: X. Repons: Libera me | — | ||
| 2-12 | L'immense corpus grégorien, Messe de Requiem grégorienne: XI. Antienne: In paradisum | — | ||
| 2-13 | Une messe de l'an 1000: Agnus Dei: Omnipotens eterne | — | ||
| 2-14 | Une messe de l'an 1000: Communion tropée: Corpus quod nunc - Psallite domino | — | ||
| 2-15 | Une messe de l'an 1000: Hymne: Cives celestis patrie | — | ||
| 2-16 | Codex Calixtinus: Invitatoire: Regem regum dominum | — | ||
| 2-17 | Codex Calixtinus: Répons: Iacobe servorum | — | ||
| 2-18 | Codex Calixtinus: Offertoire: Ascendens Ihesus in montem | — | ||
| 2-19 | Chant cistercien, Répons de Matines pour la fête de saint Bernard: In timore Dei | — | ||
| 2-20 | Chant cistercien, Répons de Matines pour la fête de saint Bernard: Testamentum eternum | — | ||
| 2-21 | Chant cistercien, Répons de Matines pour la fête de saint Bernard: Dedit Dominus confessionem sancto suo | — | ||
| 2-22 | Magnus liber organi: Natus est rex | — | ||
| 2-23 | Magnus liber organi: In natale | — | ||
| 3-1 | Polyphonie aquitaine: Domine labia mea aperies - Deus in adjutorium meum | — | ||
| 3-2 | Polyphonie aquitaine: Versus "O primus homo coruit" | — | ||
| 3-3 | Polyphonie aquitaine: Resonemus hoc natali | — | ||
| 3-4 | École de Notre-Dame, Messe du jour de Noël: I. Introït tropé : Puer natus est | — | ||
| 3-5 | École de Notre-Dame, Messe du jour de Noël: II. Kyrie | — | ||
| 3-6 | École de Notre-Dame: Propter veritatem | — | ||
| 3-7 | École de Notre-Dame: Graduel: Viderunt omnes - Notum fecit Dominus | — | ||
| 3-8 | Hoquets du manuscrit de Bamberg: In seculum "Longum" | — | ||
| 3-9 | Hoquets du manuscrit de Bamberg: In seculum "Viellatoris" | — | ||
| 3-10 | Hoquets du manuscrit de Bamberg: In seculum "Breve" | — | ||
| 3-11 | Hoquets du manuscrit de Bamberg: In seculum "D’Amiens longum" | — | ||
| 3-12 | Chansons mariales du XIIIe siècle: Ave maria gracia plena | — | ||
| 3-13 | Chansons mariales du XIIIe siècle: Pia mater gratie | — | ||
| 3-14 | Chansons mariales du XIIIe siècle: Ave nobilis venerabilis | — | ||
| 3-15 | Graduel d'Aliénor de Bretagne: Kyrie: Orbis factor | — | ||
| 3-16 | Messe Mariale à la Cathédrale de Salisbury: Kyrie: Kyria christifera | — | ||
| 3-17 | Messe Mariale à la Cathédrale de Salisbury: Gloria | — | ||
| 3-18 | Messe Mariale à la Cathédrale de Salisbury: Sanctus - Benedictus | — | ||
| 3-19 | Messe Mariale à la Cathédrale de Salisbury: Agnus Dei: Virtute numinis | — | ||
| 4-1 | Ars antiqua: Virgo flagellatur | — | ||
| 4-2 | Ars antiqua: Mors | — | ||
| 4-3 | L'Angleterre du XIVe siècle: Campanis cum cymbalis. Honoremus Dominam | — | ||
| 4-4 | L'Angleterre du XIVe siècle: Worldes blisse have good day (Benedicamus Domino) | — | ||
| 4-5 | L'Angleterre du XIVe siècle: Valde mane diluculo | — | ||
| 4-6 | L'Angleterre du XIVe siècle: Ovet mundus letabundus | — | ||
| 4-7 | Ars nova et pré-Renaissance: Ave Regina coelorum | — | ||
| 4-8 | Ars nova et pré-Renaissance: Salve scema sanctitatis - Salve salus servulorum - Cantant celi agmina | — | ||
| 4-9 | Ars nova et pré-Renaissance: Anna Mater Matris Christi | — | ||
| 4-10 | Renaissance: Salve Regina | — | ||
| 4-11 | Renaissance: Congregati sunt | — | ||
| 4-12 | Renaissance: Cantiones sacrae: Peccantem me quotidie | — | ||
| 4-13 | Renaissance: Tribulationem et dolorem | — | ||
| 4-14 | Renaissance: Ecce quomodo moritur justus (Sabbato Sancto) | — | ||
| 4-15 | Renaissance: Ad Dominum | — | ||
| 5-1 | Messe de Notre Dame: I. Kyrie | — | ||
| 5-2 | Messe de Notre Dame: II. Gloria | — | ||
| 5-3 | Messe de Notre Dame: III. Credo | — | ||
| 5-4 | Messe de Notre Dame: IV. Sanctus | — | ||
| 5-5 | Messe de Notre Dame: V. Agnus Dei | — | ||
| 5-6 | Messe de Notre Dame: VI. Ite Missa est | — | ||
| 5-7 | Missa Pange lingua: I. Kyrie | — | ||
| 5-8 | Missa Pange lingua: II. Gloria | — | ||
| 5-9 | Missa Pange lingua: III. Credo | — | ||
| 5-10 | Missa Pange lingua: IV. O Salutaris | — | ||
| 5-11 | Missa Pange lingua: V. Agnus | — | ||
| 5-12 | Messe "La Bataille": I. Kyrie | Ensemble Clément Janequin, Dominique Visse | — | |
| 5-13 | Messe "La Bataille": II. Gloria | Ensemble Clément Janequin, Dominique Visse | T-011.560.127-8 | |
| 5-14 | Messe "La Bataille": III. Credo | Ensemble Clément Janequin, Dominique Visse | T-011.560.128-9 | |
| 5-15 | Messe "La Bataille": IV. Sanctus | Ensemble Clément Janequin, Dominique Visse | T-011.560.129-0 | |
| 5-16 | Messe "La Bataille": V. Agnus Dei | Ensemble Clément Janequin, Dominique Visse | T-011.559.157-5 | |
| 6-1 | Missa “Tous les regretz”: I. Kyrie | Huelgas Ensemble, Paul Van Nevel | — | |
| 6-2 | Missa “Tous les regretz”: II. Gloria | Huelgas Ensemble, Paul Van Nevel | — | |
| 6-3 | Missa “Tous les regretz”: III. Credo | Huelgas Ensemble, Paul Van Nevel | — | |
| 6-4 | Missa “Tous les regretz”: IV. Sanctus | Huelgas Ensemble, Paul Van Nevel | — | |
| 6-5 | Missa “Tous les regretz”: V. Agnus Dei | Huelgas Ensemble, Paul Van Nevel | — | |
| 6-6 | Missa Viri Galilaei: I. Kyrie | — | ||
| 6-7 | Missa Viri Galilaei: II. Gloria | — | ||
| 6-8 | Missa Viri Galilaei: III. Credo | — | ||
| 6-9 | Missa Viri Galilaei: IV. Sanctus | — | ||
| 6-10 | Missa Viri Galilaei: V. Benedictus | — | ||
| 6-11 | Missa Viri Galilaei: VI. Agnus Dei I | — | ||
| 6-12 | Missa Viri Galilaei: VII. Agnus Dei II | — | ||
| 6-13 | Mass for 4 voices: I. Kyrie | — | ||
| 6-14 | Mass for 4 voices: II. Gloria | — | ||
| 6-15 | Mass for 4 voices: III. Credo | — | ||
| 6-16 | Mass for 4 voices: IV. Sanctus | — | ||
| 6-17 | Mass for 4 voices: V. Benedictus | — | ||
| 6-18 | Mass for 4 voices: VI. Agnus Dei | — | ||
| 7-1 | Grand motet: Memorare | — | ||
| 7-2 | Grand motet: Dies irae | — | ||
| 7-3 | Grand motet, Super flumina Babylonis: I. Simphonie. Super flumina | — | ||
| 7-4 | Grand motet, Super flumina Babylonis: II. In salicibus | — | ||
| 7-5 | Grand motet, Super flumina Babylonis: III. Quia illic interrogaverunt nos | — | ||
| 7-6 | Grand motet, Super flumina Babylonis: IV. Hymnum cantate nobis | — | ||
| 7-7 | Grand motet, Super flumina Babylonis: V. Si oblitus fuero tui | — | ||
| 7-8 | Grand motet, Super flumina Babylonis: VI. Adhaereat lingua mea | — | ||
| 7-9 | Grand motet, Super flumina Babylonis: VII. Memor esto, Domine | — | ||
| 7-10 | Grand motet, Super flumina Babylonis: VIIIa. Filia Babilonis misera (soli) | — | ||
| 7-11 | Grand motet, Super flumina Babylonis: VIIIb. Filia Babilonis misera (choeur) | — | ||
| 7-12 | Grand motet, Te Deum, H 146: I. Prélude | — | ||
| 7-13 | Grand motet, Te Deum, H 146: II. Te Deum laudamus | — | ||
| 7-14 | Grand motet, Te Deum, H 146: III. Te aeternum Patrem | — | ||
| 7-15 | Grand motet, Te Deum, H 146: IV. Per te orbem terrarum | — | ||
| 7-16 | Grand motet, Te Deum, H 146: V. Tu devicto mortis aculeo | — | ||
| 7-17 | Grand motet, Te Deum, H 146: VI. Te ergo quaesumus | — | ||
| 7-18 | Grand motet, Te Deum, H 146: VII. Aeterna fac cum sanctis tuis | — | ||
| 7-19 | Grand motet, Te Deum, H 146: VIII. Dignare Domine | — | ||
| 7-20 | Grand motet, Te Deum, H 146: IX. Fiat misericordia tua Domine | — | ||
| 7-21 | Grand motet, Te Deum, H 146: X. In te Domine speravi | — | ||
| 7-22 | Petit motet: Ave Coeli | — | ||
| 7-23 | Petit motet: Miserator et misericors | — | ||
| 8-1 | Musica super Threnos Ieremiae prophete in maiori hebdomada decantandas: Feria V in coena Domini: Lectio Prima | — | ||
| 8-2 | Musica super Threnos Ieremiae prophete in maiori hebdomada decantandas: Feria V in coena Domini: Lectio Prima | — | ||
| 8-3 | Musica super Threnos Ieremiae prophete in maiori hebdomada decantandas: Feria V in coena Domini: Lectio Tertia | — | ||
| 8-4 | Lamentationes Hieremiae: Feria sexta in Parasceve: Lamentatio Prima | — | ||
| 8-5 | Lamentationes Hieremiae: Feria sexta in Parasceve: Lamentatio Secunda | — | ||
| 8-6 | Lamentationes Hieremiae: Feria sexta in Parasceve: Lamentatio Tertia | — | ||
| 8-7 | Leçons de Ténèbres du Mercredy Sainct: Seconde Leçon. VAU - Et egressus est a filia Sion | — | ||
| 8-8 | Leçons de Ténèbres: Troisième Leçon | — | ||
| 8-9 | Lamentatio Jeremiæ Prophetæ: In Sabbato Sancto: Lectio Secunda | RIAS Kammerchor, Marcus Creed | — | |
| 9-1 | Deus in Adjutorium: vespro della Beata Vergine | La Chapelle Royale, Collegium Vocale Gent, Les Sacqueboutiers, Philippe Herreweghe | — | |
| 9-2 | Dixit Dominus: Vespro della Beata Vergine | La Chapelle Royale, Collegium Vocale Gent, Les Sacqueboutiers, Philippe Herreweghe | — | |
| 9-3 | Vespro della Beata Vergine, SV 206: III. Nigra sum (Concerto) | La Chapelle Royale, Les Sacqueboutiers, Philippe Herreweghe | — | |
| 9-4 | Vespro della Beata Vergine, SV 206: IV. Laudate pueri (Psalmus 112) | Collegium Vocale Gent, La Chapelle Royale, Les Sacqueboutiers, Philippe Herreweghe | T-900.019.174-2 | |
| 9-5 | Vespro della Beata Vergine, SV 206: V. Pulchra es (Concerto) | La Chapelle Royale, Les Sacqueboutiers, Philippe Herreweghe | — | |
| 9-6 | Vespro della Beata Vergine, SV 206: VI. Antiphona - Laetatus sum (Psalmus 121) | Collegium Vocale Gent, La Chapelle Royale, Les Sacqueboutiers, Philippe Herreweghe | — | |
| 9-7 | Vespro della Beata Vergine, SV 206: VII. Duo Seraphim (Concerto) | La Chapelle Royale, Les Sacqueboutiers, Philippe Herreweghe | — | |
| 9-8 | Vespro della Beata Vergine, SV 206: VIII. Antiphona - Nisi Dominus (Psalmus 126) | Collegium Vocale Gent, La Chapelle Royale, Les Sacqueboutiers, Philippe Herreweghe | — | |
| 9-9 | Vespro della Beata Vergine, SV 206: IX. Audi coelum (Concerto) | La Chapelle Royale, Les Sacqueboutiers, Philippe Herreweghe | — | |
| 9-10 | Vespro della Beata Vergine, SV 206: X. Antiphona - Lauda, Jerusalem, Dominum (Psalmus 147) | Collegium Vocale Gent, La Chapelle Royale, Les Sacqueboutiers, Philippe Herreweghe | — | |
| 9-11 | Vespro della Beata Vergine, SV 206: XI. Sonata sopra "Sancta Maria, ora pro nobis" | Collegium Vocale Gent, La Chapelle Royale, Les Sacqueboutiers, Philippe Herreweghe | — | |
| 9-12 | Vespro della Beata Vergine, SV 206: XII. Ave maris stella (Hymnus) | Collegium Vocale Gent, La Chapelle Royale, Les Sacqueboutiers, Philippe Herreweghe | T-801.040.138-5 | |
| 10-1 | Vespro della Beata Vergine, SV 206: XIII. Antiphona - Magnificat | Collegium Vocale Gent, La Chapelle Royale, Les Sacqueboutiers, Philippe Herreweghe | — | |
| 10-2 | Vespro solenne: Dixit secondo | — | ||
| 10-3 | Vespro solenne: Confitebor tibi Domine | — | ||
| 10-4 | Vespro solenne: Beatus vir | — | ||
| 10-5 | Vespro solenne: Laudate pueri | — | ||
| 10-6 | Vespro solenne: Lauda Jerusalem | — | ||
| 10-7 | Vespro solenne: Magnificat | — | ||
| 11-1 | Cain overo Il primo omicidio: Introduzzione all’Oratorio. Spiritoso | — | ||
| 11-2 | Cain overo Il primo omicidio: Introduzzione all’Oratorio. Adagio | — | ||
| 11-3 | Cain overo Il primo omicidio: Introduzzione all’Oratorio. Allegro | — | ||
| 11-4 | Cain overo Il primo omicidio: Parte Prima. Recitativo "Figli miseri figli" (Adamo) | — | ||
| 11-5 | Cain overo Il primo omicidio: Parte Prima. Aria "Mi balena ancor sul ciglio" (Adamo) | — | ||
| 11-6 | Cain overo Il primo omicidio: Parte Prima. Recitativo "Di Serpe ingannator perfida frode" (Eva) | — | ||
| 11-7 | Cain overo Il primo omicidio: Parte Prima. Aria "Caro sposo, prole amata" (Eva) | — | ||
| 11-8 | Cain overo Il primo omicidio: Parte Prima. Recitativo "Genitori adorati" (Abel) | — | ||
| 11-9 | Cain overo Il primo omicidio: Parte Prima. Aria "Dalla mandra un puro agnello" (Abel) | — | ||
| 11-10 | Cain overo Il primo omicidio: Parte Prima. Recitativo "Padre questa d’Abel forz’è che sia" (Caino) | — | ||
| 11-11 | Cain overo Il primo omicidio: Parte Prima. Aria "Della Terra i frutti primi" (Caino) | — | ||
| 11-12 | Cain overo Il primo omicidio: Parte Prima. Recitativo "Figli cessin le gare" (Adamo) | — | ||
| 11-13 | Cain overo Il primo omicidio: Parte Prima. Aria "Più dei doni il cor devoto" (Adamo) | — | ||
| 11-14 | Cain overo Il primo omicidio: Parte Prima. Recitativo "Disposto o figli è il sacrificio" (Eva) | — | ||
| 11-15 | Cain overo Il primo omicidio: Parte Prima. Aria "Sommo Dio nel mio peccato" (Eva) | — | ||
| 11-16 | Cain overo Il primo omicidio: Parte Prima. Recitativo "Miei Genitori, oh come dritta ascende" (Abel, Caino) | — | ||
| 11-17 | Cain overo Il primo omicidio: Parte Prima. Duetto "Dio pietoso ogni mio armento" (Abel, Caino) | — | ||
| 11-18 | Cain overo Il primo omicidio: Parte Prima. Recitativo "Figli balena il Ciel d’alto splendore" (Eva, Adamo) | — | ||
| 11-19 | Cain overo Il primo omicidio: Parte Prima. Sinfonia | — | ||
| 11-20 | Cain overo Il primo omicidio: Parte Prima. Recitativo "Prima imagine mia, prima fattura" (Voce de Dio) | — | ||
| 11-21 | Cain overo Il primo omicidio: Parte Prima. Aria "L’olocausto del tu Abelle" (Voce de Dio) | — | ||
| 11-22 | Cain overo Il primo omicidio: Parte Prima. Recitativo "Ne’ tuoi figli, e nipoti" (Voce de Dio) | — | ||
| 11-23 | Cain overo Il primo omicidio: Parte Prima. Recitativo "Udiste, udiste, o figli" (Eva, Adamo) | — | ||
| 11-24 | Cain overo Il primo omicidio: Parte Prima. Aria "Aderite" (Eva, Adamo) | — | ||
| 11-25 | Cain overo Il primo omicidio: Parte Prima. Sinfonia | — | ||
| 11-26 | Cain overo Il primo omicidio: Parte Prima. Recitativo "Cain, che fai, che pensi?" (Lucifero) | — | ||
| 11-27 | Cain overo Il primo omicidio: Parte Prima. Aria "Poche lagrime dolenti" (Lucifero) | — | ||
| 11-28 | Cain overo Il primo omicidio: Parte Prima. Recitativo "D’ucciderlo risolvo; il core affretta" (Caino) | — | ||
| 11-29 | Cain overo Il primo omicidio: Parte Prima. Aria "Mascheratevi o miei sdegni" (Caino) | — | ||
| 11-30 | Cain overo Il primo omicidio: Parte Prima. Recitativo "Ecco il fratello; anzi il nemico" (Abel) | — | ||
| 11-31 | Cain overo Il primo omicidio: Parte Prima. Duetto "La fraterna amica pace" (Abel) | — | ||
| 11-32 | Cain overo Il primo omicidio: Parte Prima. Recitativo "Sempre l’amor fraterno è un ben sincero" (Abel) | — | ||
| 12-1 | Cain overo Il primo omicidio: Parte Seconda. Recitativo "Fermiam qui Abelle il passo" (Caino) | — | ||
| 12-2 | Cain overo Il primo omicidio: Parte Seconda. Aria "Perché mormora il ruscello" (Caino) | — | ||
| 12-3 | Cain overo Il primo omicidio: Parte Seconda. Aria "Ti risponde il ruscelletto" (Abel) | — | ||
| 12-4 | Cain overo Il primo omicidio: Parte Seconda. Recitativo "Or se braman posar la fronda, e’l rio" (Abel) | — | ||
| 12-5 | Cain overo Il primo omicidio: Parte Seconda. Recitativo "Più non so trattenr l’impeto interno" (Abel, Caino) | — | ||
| 12-6 | Cain overo Il primo omicidio: Parte Seconda. Andante e staccato | — | ||
| 12-7 | Cain overo Il primo omicidio: Parte Seconda. Recitativo "Cain dov’è il fratello? Abel dov’è?" (Voce di Dio, Caino) | — | ||
| 12-8 | Cain overo Il primo omicidio: Parte Seconda. Recitativo "Or di strage fraterna il suolo asperso" (Voce di Dio) | — | ||
| 12-9 | Cain overo Il primo omicidio: Parte Seconda. Aria "Come mostro spaventevole" (Voce di Dio) | — | ||
| 12-10 | Cain overo Il primo omicidio: Parte Seconda. Recitativo "Signor se mi dai bando" (Caino) | — | ||
| 12-11 | Cain overo Il primo omicidio: Parte Seconda. Aria "O preservami per mia pena" (Caino) | — | ||
| 12-12 | Cain overo Il primo omicidio: Parte Seconda. Recitativo "Vattene non temer; tu non morrai" (Voce di Dio) | — | ||
| 12-13 | Cain overo Il primo omicidio: Parte Seconda. Aria "Vuò il castigo, non voglio la morte" (Voce di Dio) | — | ||
| 12-14 | Cain overo Il primo omicidio: Parte Seconda. Recitativo "O ch’io mora vivendo" (Caino) | — | ||
| 12-15 | Cain overo Il primo omicidio: Parte Seconda. Aria "Bramo insieme, e morte, e vita" (Caino) | — | ||
| 12-16 | Cain overo Il primo omicidio: Parte Seconda. Grave, e orrido - Recitativo "Codardo nell’ardire, e nel timore" (Voce di Lucifero) | — | ||
| 12-17 | Cain overo Il primo omicidio: Parte Seconda. Aria "Nel poter il Nume imita" (Voce di Lucifero) | — | ||
| 12-18 | Cain overo Il primo omicidio: Parte Seconda. Recitativo "Oh consigli d’Inferno, onde soggiace" (Caino) | — | ||
| 12-19 | Cain overo Il primo omicidio: Parte Seconda. Aria "Miei genitori, adio" (Caino) | — | ||
| 12-20 | Cain overo Il primo omicidio: Parte Seconda. Aria "Mio sposo al cor mi sento" (Eva, Adamo) | — | ||
| 12-21 | Cain overo Il primo omicidio: Parte Seconda. Aria "Miei genitori amati" (Voce di Abel, Eva, Adamo) | — | ||
| 12-22 | Cain overo Il primo omicidio: Parte Seconda. Aria "Non piangete il figlio ucciso" (Voce di Abel) | — | ||
| 12-23 | Cain overo Il primo omicidio: Parte Seconda. Recitativo "Ferma del figlio mio voce gradita" (Eva) | — | ||
| 12-24 | Cain overo Il primo omicidio: Parte Seconda. Aria "Madre tenera, et amante" (Eva) | — | ||
| 12-25 | Cain overo Il primo omicidio: Parte Seconda. Recitativo "Sin che spoglia mortale" (Adamo) | — | ||
| 12-26 | Cain overo Il primo omicidio: Parte Seconda. Aria "Padre misero, e dolente" (Adamo) | — | ||
| 12-27 | Cain overo Il primo omicidio: Parte Seconda. Recitativo "Spirto del figlio mio, questi son sensi" (Eva, Adamo) | — | ||
| 12-28 | Cain overo Il primo omicidio: Parte Seconda. Aria "Piango la prole esangue" (Adamo) | — | ||
| 12-29 | Cain overo Il primo omicidio: Parte Seconda. Recitativo "Adam prole tu chiedi, e prole avrai" (Voce di Dio) | — | ||
| 12-30 | Cain overo Il primo omicidio: Parte Seconda. Aria "L’innocenza paccando perdeste" (Voce di Dio) | — | ||
| 12-31 | Cain overo Il primo omicidio: Parte Seconda. Recitativo "Udii Signor della Divina Idea" (Adamo) | — | ||
| 12-32 | Cain overo Il primo omicidio: Parte Seconda. Duetto "Contenti" (Eva, Adamo) | — | ||
| 13-1 | Messiah: Part I. Sinfonia | — | ||
| 13-2 | Messiah: Part I. Recitative "Comfort ye, my people, saith your God" | — | ||
| 13-3 | Messiah: Part I. Air "Every valley shall be exalted" | — | ||
| 13-4 | Messiah: Part I. Chorus "And the glory of the Lord shall be revealed" | — | ||
| 13-5 | Messiah: Part I. Recitative "Thus saith the Lord of Hosts" | — | ||
| 13-6 | Messiah, HWV 56: Part I, VI. Air (Alto) "But who may abide the day of His coming?" | Andreas Scholl, William Christie, Les Arts Florissants | — | |
| 13-7 | Messiah: Part I. Chorus "And He shall purify the sons of Levi" | — | ||
| 13-8 | Messiah: Part I. Recitative "Behold, a virgin shall conceive" - Air "O thou that tellest good tidings to Zion" - Chorus "O thou that tellest good tidings to Zion, arise" | — | ||
| 13-9 | Messiah: Part I. Recitative "For behold, darkness shall cover the earth" - Air "The people that walked in darkness" | — | ||
| 13-10 | Messiah: Part I. Chorus "For unto us a child is born" | — | ||
| 13-11 | Messiah: Part I. Pastoral Symphony | — | ||
| 13-12 | Messiah: Part I. Recitative "There were shepherds abiding in the field" - Recitative "And lo, the angel of the Lord came upon them" - Recitative "And the angel said unto them: Fear not, for behold" - Chorus "Glory to God in the highest" | — | ||
| 13-13 | Messiah: Part I. Air "Rejoice greatly, O daughter of Zion" | — | ||
| 13-14 | Messiah: Part I. Recitative "Then shall the eyes of the blind be opened" - Air "He shall feed His flock like a shepherd" | — | ||
| 13-15 | Messiah: Part I. Chorus "His yoke is easy, and His burthen is light" | — | ||
| 13-16 | Messiah: Part II. Chorus "Behold the lamb of God" | — | ||
| 13-17 | Messiah: Part II. Air "He was despised and rejected of men" | — | ||
| 13-18 | Messiah: Part II. Chorus "Surely He hath borne our griefs" - Chorus "All we like sheep have gone astray" | — | ||
| 14-1 | Messiah: Part II. Recitative "All they that see Him laugh Him to scorn" - Chorus "He trusted in God that He would deliver Him" | — | ||
| 14-2 | Messiah: Part II. Recitative "Thy rebuke hath broken His heart" - Air "Behold and see if there be any sorrow" - Recitative "He was cut off out of the land of the living" | — | ||
| 14-3 | Messiah: Part II. Air "But Thou didst not leave His soul in hell" | — | ||
| 14-4 | Messiah: Part II. Chorus "Lift up your heads, O ye gates" | — | ||
| 14-5 | Messiah: Part II. Recitative "Unto which of the angels said He at any time" - Chorus "Let all the angels of God worship Him" | — | ||
| 14-6 | Messiah: Part II. Air "Thou art gone up on high" | — | ||
| 14-7 | Messiah: Part II. Chorus "The Lord gave the world" | — | ||
| 14-8 | Messiah: Part II. Air "How beautiful are the feet of them" | — | ||
| 14-9 | Messiah: Part II. Chorus "Their sound is gone out into all lands" | — | ||
| 14-10 | Messiah: Part II. Air "Why do the nations so furiously rage together" | — | ||
| 14-11 | Messiah: Part II. Chorus "Let us break their bonds asunder" | — | ||
| 14-12 | Messiah: Part II. Recitative "He that dwelleth in heaven shall laugh them to scorn" - Air "Thou shalt break them with a rod of iron" | — | ||
| 14-13 | Messiah: Part II. Chorus "Hallelujah!" | — | ||
| 14-14 | Messiah: Part III. Air "I know that my redeemer liveth" | — | ||
| 14-15 | Messiah: Part III. Chorus "Since by man came death" | — | ||
| 14-16 | Messiah: Part III. Recitative "Behold, I tell you a mystery" - Air "The trumpet shall sound" | — | ||
| 14-17 | Messiah: Part III. Recitative "Then shall be brought to pass the saying that is written" - Duet "O Death, where is thy sting?" - Chorus "But thanks be to God who giveth us the victory" | — | ||
| 14-18 | Messiah: Part III. Air "If God be for us, who can be against us?" | — | ||
| 14-19 | Messiah: Part III. Chorus "Worthy is the Lamb that was slain" | — | ||
| 14-20 | Messiah: Part III. Chorus "Amen" | — | ||
| 15-1 | Paulus, Op. 36: Erster Teil. Ouvertüre | — | ||
| 15-2 | Paulus, Op. 36: Erster Teil. Chor "Herr, der du bist der Gott" | — | ||
| 15-3 | Paulus, Op. 36: Erster Teil. Choral "Allein Gott in der Höh’ sei Ehr" | — | ||
| 15-4 | Paulus, Op. 36: Erster Teil. Rezitativ "Die Menge der Gläubigen" | — | ||
| 15-5 | Paulus, Op. 36: Erster Teil. Chor "Dieser Mensch hört nicht auf" | — | ||
| 15-6 | Paulus, Op. 36: Erster Teil. Rezitativ und Chor "Und sie sahen auf ihn alle. Weg mit dem!" | — | ||
| 15-7 | Paulus, Op. 36: Erster Teil. Aria "Jerusalem, die du tödtest die Propheten" | — | ||
| 15-8 | Paulus, Op. 36: Erster Teil. Rezitativ und Chor "Sie aber stürmten auf ihn ein. Steiniget ihn!" | — | ||
| 15-9 | Paulus, Op. 36: Erster Teil. Rezitativ und Choral "Und sie steinigten ihn" - "Dir, Herr, will ich mich ergeben" | — | ||
| 15-10 | Paulus, Op. 36: Erster Teil. Rezitativ "Und die Zeugen legten ab ihre Kleider" | — | ||
| 15-11 | Paulus, Op. 36: Erster Teil. Chor "Siehe, wir preisen selig die erdultet haben" | — | ||
| 15-12 | Paulus, Op. 36: Erster Teil. Rezitativ und Aria "Saulus aber zerstörte die Gemeinde" - "Vertilge sie, Herr Zebaoth" | — | ||
| 15-13 | Paulus, Op. 36: Erster Teil. Rezitativ und Arioso "Und zog mit einer Schaar gen Damaskus" | — | ||
| 15-14 | Paulus, Op. 36: Erster Teil. Rezitativ mit Chor "Und als er auf dem Wege war" | — | ||
| 15-15 | Paulus, Op. 36: Erster Teil. Chor "Mache dich auf!" | — | ||
| 15-16 | Paulus, Op. 36: Erster Teil. Choral "Wachet auf, ruft uns die Stimme" | — | ||
| 15-17 | Paulus, Op. 36: Erster Teil. Rezitativ "Die Männer aber" | — | ||
| 15-18 | Paulus, Op. 36: Erster Teil. Aria "Gott, sei mir gnädig" | — | ||
| 15-19 | Paulus, Op. 36: Erster Teil. Rezitativ "Es war aber ein Jünger zu Damaskus" | — | ||
| 15-20 | Paulus, Op. 36: Erster Teil. Aria mit Chor "Ich danke dir, Herr, mein Gott" | — | ||
| 15-21 | Paulus, Op. 36: Erster Teil. Rezitativ "Und Ananias ging hin" | — | ||
| 15-22 | Paulus, Op. 36: Erster Teil. Chor "O welch eine Tiefe" | — | ||
| 16-1 | Paulus, Op. 36: Zweiter Teil. Chor "Der Erdkreis ist nun des Herren" | — | ||
| 16-2 | Paulus, Op. 36: Zweiter Teil. Rezitativ "Und Paulus kam zu der Gemeinde" | — | ||
| 16-3 | Paulus, Op. 36: Zweiter Teil. Duettino "So sind wir nun Botschafter" | — | ||
| 16-4 | Paulus, Op. 36: Zweiter Teil. Chor "Wie lieblich sind die Boten" | — | ||
| 16-5 | Paulus, Op. 36: Zweiter Teil. Rezitativ und Arioso "Und wie sie ausgesandt" | — | ||
| 16-6 | Paulus, Op. 36: Zweiter Teil. Rezitativ "Da aber die Juden das Volk sahn" - Chor "So spricht des Herr" | — | ||
| 16-7 | Paulus, Op. 36: Zweiter Teil. Chor "Ist das nicht der zu Jerusalem verstörte alle" - Choral "O Jesu Christe, wahres Licht" | — | ||
| 16-8 | Paulus, Op. 36: Zweiter Teil. Rezitativ "Paulus aber und Barnabas sprachen" | — | ||
| 16-9 | Paulus, Op. 36: Zweiter Teil. Duetto "Denn also hat uns der Herr geboten" | — | ||
| 16-10 | Paulus, Op. 36: Zweiter Teil. Rezitativ "Und es war ein Mann zu Lystra" | — | ||
| 16-11 | Paulus, Op. 36: Zweiter Teil. Chor "Die Götter sind den Menschen gleich geworden" | — | ||
| 16-12 | Paulus, Op. 36: Zweiter Teil. Rezitativ "Und nannten Barnabas Jupiter" | — | ||
| 16-13 | Paulus, Op. 36: Zweiter Teil. Chor "Seid uns gnädig, hohe Götter" | — | ||
| 16-14 | Paulus, Op. 36: Zweiter Teil. Rezitativ und Aria "Da das die Apostel hörten. Ihr Männer" - Chor "Aber unser Gott ist im Himmel" | — | ||
| 16-15 | Paulus, Op. 36: Zweiter Teil. Rezitativ "Da ward das Volk erreget wider sie" | — | ||
| 16-16 | Paulus, Op. 36: Zweiter Teil. Chor "Hier ist des Herren Tempel!" | — | ||
| 16-17 | Paulus, Op. 36: Zweiter Teil. Rezitativ "Und sie alle verfolgten Paulus" | — | ||
| 16-18 | Paulus, Op. 36: Zweiter Teil. Cavatine "Sei getreu bis in den Tod" | — | ||
| 16-19 | Paulus, Op. 36: Zweiter Teil. Rezitativ "Paulus sandte hin" | — | ||
| 16-20 | Paulus, Op. 36: Zweiter Teil. Chor und Rezitativ "Schone doch deiner selbst! Was machet ihr" | — | ||
| 16-21 | Paulus, Op. 36: Zweiter Teil. Chor "Sehet, welch eine Liebe" | — | ||
| 16-22 | Paulus, Op. 36: Zweiter Teil. Rezitativ "Und wenn er gleich geopfert wird" | — | ||
| 16-23 | Paulus, Op. 36: Zweiter Teil. Schlußchor "Nicht aber ihm allein" | — | ||
| 17-1 | Tant que vivray en aege florissant (2, 3, 4, 7) | — | ||
| 17-2 | Estans assis aux rives aquatiques (Psaume 137) | — | ||
| 17-3 | 9 Psalm Tunes for Archbishop Parker’s Psalter: First Tune. Man blest no doubt | — | ||
| 17-4 | 9 Psalm Tunes for Archbishop Parker’s Psalter: Second Tune. Let God arise | — | ||
| 17-5 | 9 Psalm Tunes for Archbishop Parker’s Psalter: Third Tune. Why fum’th in fight | — | ||
| 17-6 | 9 Psalm Tunes for Archbishop Parker’s Psalter: Fourth Tune. O come in one to praise the Lord | — | ||
| 17-7 | 9 Psalm Tunes for Archbishop Parker’s Psalter: Fifth Tune. E’en like the hunted hind | — | ||
| 17-8 | 9 Psalm Tunes for Archbishop Parker’s Psalter: Sixth Tune. Expend, O Lord | — | ||
| 17-9 | 9 Psalm Tunes for Archbishop Parker’s Psalter: Seventh Tune. Why brag’st in malice | — | ||
| 17-10 | 9 Psalm Tunes for Archbishop Parker’s Psalter: Eighth Tune. God grant with grace | — | ||
| 17-11 | 9 Psalm Tunes for Archbishop Parker’s Psalter: Veni creator. Come Holy Ghost | — | ||
| 17-12 | Full anthem, Z 50: Remember not, Lord, our offences | — | ||
| 17-13 | Concert in Form einer teutschen Begräbnis | — | ||
| 17-14 | Hemmt eure Tränenflut: I. Hemmt eure Tränenflut | — | ||
| 17-15 | Hemmt eure Tränenflut: II. Der Stein war allzu groß | — | ||
| 17-16 | Hemmt eure Tränenflut: III. Die Christi Grab bewacht sind weg | — | ||
| 17-17 | Hemmt eure Tränenflut: IV. Verlaß ich gleich die Welt | — | ||
| 17-18 | Hemmt eure Tränenflut: V. Amen | — | ||
| 17-19 | Missa brevis in F-dur, BWV 233: I. Kyrie | — | ||
| 17-20 | Missa brevis in F-dur, BWV 233: II. Gloria | — | ||
| 17-21 | Missa brevis in F-dur, BWV 233: III. Domine Deus | — | ||
| 17-22 | Missa brevis in F-dur, BWV 233: IV. Qui tollis | — | ||
| 17-23 | Missa brevis in F-dur, BWV 233: V. Quoniam | — | ||
| 17-24 | Missa brevis in F-dur, BWV 233: VI. Cum Sancto Spiritu | — | ||
| 18-1 | Weihnachts-Oratorium, BWV 248: I. For the First Day of Christmas, I. Chorus: "Jauchzet, frohlocket, auf, preiset die Tage" | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-2 | Weihnachts-Oratorium, BWV 248: I. For the First Day of Christmas, II. Recit (E) "Es begab sich aber zu der Zeit" | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-3 | Weihnachts-Oratorium, BWV 248: I. For the First Day of Christmas, III. Recit (A) "Nun wird mein liebster Bräutigam" | RIAS Kammerchor, Andreas Scholl, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-4 | Weihnachts-Oratorium, BWV 248: I. For the First Day of Christmas, IV. Aria (A) "Bereite dich, Zion, mit zärtlichen Trieben" | RIAS Kammerchor, Andreas Scholl, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-5 | Weihnachts-Oratorium, BWV 248: I. For the First Day of Christmas, V. Chorale "Wie soll ich dich empfangen" | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-6 | Weihnachts-Oratorium, BWV 248: I. For the First Day of Christmas, VI. Recit (E) "Und sie gebar ihren ersten Sohn" | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-7 | Weihnachts-Oratorium, BWV 248: I. For the First Day of Christmas, VII. Chorale (S) "Er ist auf Erden kommen arm / Recit (B) "Wer will die Liebe recht erhöhn" | Klaus Häger, RIAS Kammerchor, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-8 | Weihnachts-Oratorium, BWV 248: I. For the First Day of Christmas, VIII. Aria (B) "Großer Herr und starker König" | Klaus Häger, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-9 | Weihnachts-Oratorium, BWV 248: I. For the First Day of Christmas, IX. Chorale "Ach mein Herzliebes Jesulein" | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-10 | Weihnachts-Oratorium, BWV 248: II. For the Second Day of Christmas, X. Sinfonia | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-11 | Weihnachts-Oratorium, BWV 248: II. For the Second Day of Christmas, XI. Recit (E) "Und es waren Hirten in derselben Gegend" | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-12 | Weihnachts-Oratorium, BWV 248: II. For the Second Day of Christmas, XII. Chorale "Brich an, o schönes Morgenlicht" | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-13 | Weihnachts-Oratorium, BWV 248: II. For the Second Day of Christmas, XIII. Recit (E, S) "Und der Engel sprach zu ihnen" / "Furchtet euch nicht" | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-14 | Weihnachts-Oratorium, BWV 248: II. For the Second Day of Christmas, XIV. Recit (B) "Was Gott dem Abraham verheißen" | Klaus Häger, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-15 | Weihnachts-Oratorium, BWV 248: II. For the Second Day of Christmas, XV. Aria (T) "Frohe Hirten, eilt, acht eilet" | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-16 | Weihnachts-Oratorium, BWV 248: II. For the Second Day of Christmas, XVI. Recit (S) "Und das habt zum Zeichen" | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-17 | Weihnachts-Oratorium, BWV 248: II. For the Second Day of Christmas, XVII. Chorale "Schaut hin, dort liegt im finstern Stall" | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-18 | Weihnachts-Oratorium, BWV 248: II. For the Second Day of Christmas, XVIII. Recit (B) "So geht denn hin, ihr Hirten, geht" | Klaus Häger, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-19 | Weihnachts-Oratorium, BWV 248: II. For the Second Day of Christmas, XIX. Aria (A) "Schlafe, mein Liebster, genieße der Ruh" | RIAS Kammerchor, Andreas Scholl, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-20 | Weihnachts-Oratorium, BWV 248: II. For the Second Day of Christmas, XX. Recit (E) "Und alsobald war da bei dem Engel" | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-21 | Weihnachts-Oratorium, BWV 248: II. For the Second Day of Christmas, XXI. Chorus "Ehre sei Gott in der Höhe" | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-22 | Weihnachts-Oratorium, BWV 248: II. For the Second Day of Christmas, XXII. Recit (B) "So recht, ihr Engel, jauchzet und singet" | Klaus Häger, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-23 | Weihnachts-Oratorium, BWV 248: II. For the Second Day of Christmas, XXIII. Chorale "Wir singen dir in deinem Heer" | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-24 | Weihnachts-Oratorium, BWV 248: III. For the Third Day of Christmas, XXIV. Chorus "Herrscher des Himmels, erhöre das Lallen" | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-25 | Weihnachts-Oratorium, BWV 248: III. For the Third Day of Christmas, XXV. Recit (E) "Und da die Engel von ihnen gen Himmel fuhren" | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-26 | Weihnachts-Oratorium, BWV 248: III. For the Third Day of Christmas, XXVI. Chorus "Lasset uns nun gehen gen Bethlehem" | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-27 | Weihnachts-Oratorium, BWV 248: III. For the Third Day of Christmas, XXVII. Recit (B) "Er hat sein Volk getröst'" | Klaus Häger, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-28 | Weihnachts-Oratorium, BWV 248: III. For the Third Day of Christmas, XXVIII. Chorale "Dies hat er alles uns getan" | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-29 | Weihnachts-Oratorium, BWV 248: III. For the Third Day of Christmas, XXIX. Duet (S, B) "Herr, dein Mitleid, dein Erbarmen" | Klaus Häger, RIAS Kammerchor, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-30 | Weihnachts-Oratorium, BWV 248: III. For the Third Day of Christmas, XXX. Recit (E) "Und sie kamen eilend und fanden beide" | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-31 | Weihnachts-Oratorium, BWV 248: III. For the Third Day of Christmas, XXXI. Aria (A) "Schließe, Mein Herze, dies selige Wunder" | RIAS Kammerchor, Andreas Scholl, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-32 | Weihnachts-Oratorium, BWV 248: III. For the Third Day of Christmas, XXXII. Recit (A) "Ja, ja, mein Herz soll es bewahren" | RIAS Kammerchor, Andreas Scholl, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-33 | Weihnachts-Oratorium, BWV 248: III. For the Third Day of Christmas, XXXIII. Chorale "Ich will dich mit Fleiß bewahren" | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-1 | Weihnachts-Oratorium, BWV 248: III. For the Third Day of Christmas: Rezitativ (E): Und die Hirten kehrten wieder um | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-2 | Weihnachts-Oratorium, BWV 248: III. For the Third Day of Christmas: Choral: Seid froh | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-3 | Weihnachts-Oratorium, BWV 248: III. For the Third Day of Christmas: Chor (da capo 24): Herrscher des Himmels, erhöre das Lallen | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-4 | Weihnachts-Oratorium, BWV 248: IV. For the Feast of the Circumcision of Christ: Chor: Fallt mit Danken, fallt mit Loben | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-5 | Weihnachts-Oratorium, BWV 248: IV. For the Feast of the Circumcision of Christ: Rezitativ (E): Und da acht Tage um waren | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-6 | Weihnachts-Oratorium, BWV 248: IV. For the Feast of the Circumcision of Christ: Rezitativ (B) und Choral (S): Imanuel, o süßes Wort! | Klaus Häger, RIAS Kammerchor, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-7 | Weihnachts-Oratorium, BWV 248: IV. For the Feast of the Circumcision of Christ: Arie (S/Echo): Flößt, mein Heiland, flößt dein Namen | RIAS Kammerchor, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-8 | Weihnachts-Oratorium, BWV 248: IV. For the Feast of the Circumcision of Christ: Rezitativ (B) und Choral (S): Wohlan, dein Name soll allein | Klaus Häger, RIAS Kammerchor, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-9 | Weihnachts-Oratorium, BWV 248: IV. For the Feast of the Circumcision of Christ: Arie (T): Ich will nur dir zu Ehren leben | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-10 | Weihnachts-Oratorium, BWV 248: IV. For the Feast of the Circumcision of Christ: Choral: Jesus richte mein Beginnen | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-11 | Weihnachts-Oratorium, BWV 248: V. For the Sunday after New Year: Chor: Ehre sei dir, Gott, gesungen | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-12 | Weihnachts-Oratorium, BWV 248: V. For the Sunday after New Year: Rezitativ (E): Da Jesus geboren war zu Bethlehem | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-13 | Weihnachts-Oratorium, BWV 248: V. For the Sunday after New Year: Chor und Rezitativ (A): Wo ist der neugeborne König der Juden? | RIAS Kammerchor, Andreas Scholl, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-14 | Weihnachts-Oratorium, BWV 248: V. For the Sunday after New Year: Choral: Dein Glanz all Finsternis verzehrt | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-15 | Weihnachts-Oratorium, BWV 248: V. For the Sunday after New Year: Arie (B): Erleucht auch meine finstre Stimme | Klaus Häger, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-16 | Weihnachts-Oratorium, BWV 248: V. For the Sunday after New Year: Rezitativ (E): Da das der König Herodes hörte | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-17 | Weihnachts-Oratorium, BWV 248: V. For the Sunday after New Year: Rezitativ (A): Warum wollt ihr erschrecken? | RIAS Kammerchor, Andreas Scholl, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-18 | Weihnachts-Oratorium, BWV 248: V. For the Sunday after New Year: Rezitativ (E): Und ließ versammeln alle Hohepriester | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-19 | Weihnachts-Oratorium, BWV 248: V. For the Sunday after New Year: Terzett (SAT): Ach, wenn wird die Zeit erscheinen? | Werner Güra, RIAS Kammerchor, Dorothea Röschmann, Andreas Scholl, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-20 | Weihnachts-Oratorium, BWV 248: V. For the Sunday after New Year: Rezitativ (A): Mein Liebster herrschet schon | RIAS Kammerchor, Andreas Scholl, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-21 | Weihnachts-Oratorium, BWV 248: V. For the Sunday after New Year: Choral: Zwar ist solche Herzensstube | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-22 | Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Chor: Herr, wenn die stolzen Feinde schnauben | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-23 | Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Rezitativ (E) und Rezitativ (H): Da berief Herodes die Weisen heimlich | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-24 | Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Rezitativ (S): Du Falscher, suche nur den Herrn zu fällen | RIAS Kammerchor, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-25 | Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Arie (S): Nur ein Wink von seinen Händen | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-26 | Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Rezitativ (E): Als sie nun den König gehöret hatten | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-27 | Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Choral: Ich steh an deiner Krippen hier | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-28 | Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Rezitativ (E): Und Gott befahl ihnen im Traum | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-29 | Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Rezitativ (T): So geht! Genug, mein Schatz geht nicht von hier | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-30 | Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Arie (T): Nun mögt ihr stolzen Feinde schrecken | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-31 | Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Rezitativ (SATB): Was will der Höllen Schrecken nun | Werner Güra, Klaus Häger, RIAS Kammerchor, Dorothea Röschmann, Andreas Scholl, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-32 | Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Choral: Nun seid ihr wohl gerochen | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 20-1 | Stabat Mater: Duo "Stabat Mater Dolorosa" | — | ||
| 20-2 | Stabat Mater: Aria "Cuius animam gementem" | — | ||
| 20-3 | Stabat Mater: Duo "O quam tristis et afflicta" | — | ||
| 20-4 | Stabat Mater: Aria "Quæ moerebat et dolebat" | — | ||
| 20-5 | Stabat Mater: Duo "Quis est homo, qui non fleret" | — | ||
| 20-6 | Stabat Mater: Aria "Vidit suum dulcem natum" | — | ||
| 20-7 | Stabat Mater: Aria "Eja, Mater, fons amoris" | — | ||
| 20-8 | Stabat Mater: Duo "Fac, ut ardeat cor meum" | — | ||
| 20-9 | Stabat Mater: Duo "Sancta Mater, istud agas" | — | ||
| 20-10 | Stabat Mater: Aria "Fac, ut portem Christi mortem" | — | ||
| 20-11 | Stabat Mater: Duo "Inflammatus et accensus" | — | ||
| 20-12 | Stabat Mater: Duo "Quando corpus morietur" - Duo "Amen" | — | ||
| 20-13 | Stabat Mater, G 532: I. Grave assai "Stabat Mater dolorosa" | — | ||
| 20-14 | Stabat Mater, G 532: II. Allegro "Cujus animam gementem" | — | ||
| 20-15 | Stabat Mater, G 532: III. Allegretto con moto "Quae moerebat et dolebat" | — | ||
| 20-16 | Stabat Mater, G 532: IV. Adagio assai. Recitativo "Quis est homo" | — | ||
| 20-17 | Stabat Mater, G 532: V. Allegretto "Pro peccatis suae gentis" | — | ||
| 20-18 | Stabat Mater, G 532: VI. Larghetto non tanto "Eja mater, fons amoris" | — | ||
| 20-19 | Stabat Mater, G 532: VII. Allegro vivo "Tui nati vulnerati" | — | ||
| 20-20 | Stabat Mater, G 532: VIII. Andantino "Virgo virginum praeclara" | — | ||
| 20-21 | Stabat Mater, G 532: IX. Larghetto "Fac ut portem Christi mortem" | — | ||
| 20-22 | Stabat Mater, G 532: X. Allegro commodo "Fac me plagis vulnerari" | — | ||
| 20-23 | Stabat Mater, G 532: XI. Andante lento "Quando corpus morietur" | — | ||
| 21-1 | Stabat Mater, RV 621: I. Stabat mater dolorosa. Largo | Andreas Scholl, Ensemble 415, Chiara Banchini | — | |
| 21-2 | Stabat Mater, RV 621: II. Cujus animam gementem. Adagio | Andreas Scholl, Ensemble 415, Chiara Banchini | — | |
| 21-3 | Stabat Mater, RV 621: III. O quam tristis. Andante | Andreas Scholl, Ensemble 415, Chiara Banchini | — | |
| 21-4 | Stabat Mater, RV 621: IV. Quis est homo. Largo | Andreas Scholl, Ensemble 415, Chiara Banchini | — | |
| 21-5 | Stabat Mater, RV 621: V. Quis non posset. Adagio | Andreas Scholl, Ensemble 415, Chiara Banchini | — | |
| 21-6 | Stabat Mater, RV 621: VI. Pro peccatis suae gentis. Andante | Andreas Scholl, Ensemble 415, Chiara Banchini | — | |
| 21-7 | Stabat Mater, RV 621: VII. Eja mater, fons amoris. Largo | Andreas Scholl, Ensemble 415, Chiara Banchini | — | |
| 21-8 | Stabat Mater, RV 621: VIII. Fac ut ardeat. Lento | Andreas Scholl, Ensemble 415, Chiara Banchini | — | |
| 21-9 | Stabat Mater, RV 621: IX. Amen. Allegro | Andreas Scholl, Ensemble 415, Chiara Banchini | T-915.927.200-1 | |
| 21-10 | Stabat Mater: I. Introduzione "Stabat Mater dolorosa" | — | ||
| 21-11 | Stabat Mater: II. Aria "Cujus animam gementem" | — | ||
| 21-12 | Stabat Mater: III. Duetto "Quis est homo, qui non fleret" | — | ||
| 21-13 | Stabat Mater: IV. Aria "Pro peccatis suae gentis" | — | ||
| 21-14 | Stabat Mater: V. Coro e Recitativo "Eja Mater, fons amoris" | — | ||
| 21-15 | Stabat Mater: VI. Quartetto "Sancta Mater, istud agas" | — | ||
| 21-16 | Stabat Mater: VII. Cavatina "Fac, ut portem Christi mortem" | — | ||
| 21-17 | Stabat Mater: VIII. Aria e Coro "Inflammatus et accensus" | — | ||
| 21-18 | Stabat Mater: IX. Quartetto "Quando corpus morietur" | — | ||
| 21-19 | Stabat Mater: X. Finale "In sempiterna saecula. Amen" | — | ||
| 22-1 | Requiem, K 626: I. Introitus: "Requiem aeternam" | — | ||
| 22-2 | Requiem, K 626: II. "Kyrie" | — | ||
| 22-3 | Requiem, K 626: IIIa. Sequenz: "Dies Irae" | — | ||
| 22-4 | Requiem, K 626: IIIb. Sequenz: "Tuba mirum" | — | ||
| 22-5 | Requiem, K 626: IIIc. Sequenz: "Rex tremendae" | — | ||
| 22-6 | Requiem, K 626: IIId. Sequenz: "Recordare" | — | ||
| 22-7 | Requiem, K 626: IIIe. Sequenz: "Confutatis" | — | ||
| 22-8 | Requiem, K 626: IIIf.Sequenz: "Lacrimosa" | — | ||
| 22-9 | Requiem, K 626: IVa. Offertorium: "Domine Jesu" | — | ||
| 22-10 | Requiem, K 626: IVb. Offertorium: "Hostias" | — | ||
| 22-11 | Requiem, K 626: V. "Sanctus" | — | ||
| 22-12 | Requiem, K 626: VI. "Benedictus" | — | ||
| 22-13 | Requiem, K 626: VII. "Agnus Dei" | — | ||
| 22-14 | Requiem, K 626: VIII. Communio: "Lux aeterna" | — | ||
| 22-15 | Kyrie, K 341 | — | ||
| 23-1 | Ein deutsches Requiem, Op. 45: I.Selig sind, die da Leid tragen | — | ||
| 23-2 | Ein deutsches Requiem, Op. 45: II. Denn alles Fleisch, es ist wie Gras | — | ||
| 23-3 | Ein deutsches Requiem, op. 45: III. Herr, lehre doch mich, daß ein Ende mit mir haben muß | La Chapelle Royale, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | — | |
| 23-4 | Ein deutsches Requiem, Op. 45: IV. Wie lieblich sind deine Wohnungen, Herr Zebaoth | — | ||
| 23-5 | Ein deutsches Requiem, Op. 45: V. Ihr habt nur Traurigkeit | — | ||
| 23-6 | Ein deutsches Requiem, Op. 45: VI. Denn wir haben hie keine bleibende Statt | — | ||
| 23-7 | Ein deutsches Requiem, Op. 45: VII. Selig sind die Toten, die in dem Herren sterben | — | ||
| 24-1 | Requiem, Op. 48: I. Introït | — | ||
| 24-2 | Requiem, Op. 48: II. Offertoire | — | ||
| 24-3 | Requiem, Op. 48: III. Sanctus | — | ||
| 24-4 | Requiem, Op. 48: IV. Pie Jesu | — | ||
| 24-5 | Requiem, Op. 48: V. Agnus Dei | — | ||
| 24-6 | Requiem, Op. 48: VI. Libera me | — | ||
| 24-7 | Requiem, Op. 48: VII. In Paradisum | — | ||
| 25-1 | Missa solemnis in D major, Op. 123: I. Kyrie | — | ||
| 25-2 | Missa solemnis in D major, Op. 123: II. Gloria | — | ||
| 25-3 | Missa solemnis in D major, Op. 123: III. Credo | — | ||
| 25-4 | Missa solemnis in D major, Op. 123: IV. Sanctus | — | ||
| 25-5 | Missa solemnis in D major, Op. 123: V. Benedictus | — | ||
| 25-6 | Missa solemnis in D major, Op. 123: VI. Agnus Dei | — | ||
| 26-1 | Psalm 100 "Jauchzet dem Herrn alle Welt" | — | ||
| 26-2 | Psalm 2, Op. 78 No. 1 "Warum toben die Heiden" | — | ||
| 26-3 | Psalm 43, Op. 78 No. 2 "Richte mich, Gott" | — | ||
| 26-4 | Psalm 22, Op. 78 No. 3 "Mein Gott, warum hast du mich verlassen?" | — | ||
| 26-5 | Choralmotette, Op. 23 No. 3 "Mitten wir im Leben sind" | — | ||
| 26-6 | Motette, Op. 69 No. 1 "Herr, nun lässest du deinen Diener in Frieden fahren" | — | ||
| 26-7 | Motette, Op. 69 No. 2 "Jauchzet dem Herrn alle Welt" | — | ||
| 26-8 | Motette, Op. 69 No. 3 "Mein Herz erhebet Gott, den Herrn" | — | ||
| 26-9 | Missa breve: "Kyrie eleison" - "Ehre sei Gott in der Höhe" - "Heilig, heilig, heilig" | — | ||
| 26-10 | Zum Abendsegen: "Herr, sei gnädig unserm Flehn" | — | ||
| 26-11 | Motets: Ave Maria | — | ||
| 26-12 | Motets: Christus factus est, WAB 10 | — | ||
| 26-13 | Motets: Os justi, WAB 30 | — | ||
| 26-14 | Motets: Locus iste, WAB 23 | — | ||
| 26-15 | Motets: Vexilla regis, WAB 51 | — | ||
| 27-1 | Quatre motets pour un temps de pénitence: No. 1. Timor et tremor | — | ||
| 27-2 | Quatre motets pour un temps de pénitence: No. 2. Vinea mea electa | — | ||
| 27-3 | Quatre motets pour un temps de pénitence: No. 3. Tenebræ factæ sunt | — | ||
| 27-4 | Quatre motets pour un temps de pénitence: No. 4. Tristis est anima mea | — | ||
| 27-5 | Quatre motets pour le temps de Noël: No. 1. O magnum mysterium | — | ||
| 27-6 | Quatre motets pour le temps de Noël: No. 2. Quem vidistis pastores dicite | — | ||
| 27-7 | Quatre motets pour le temps de Noël: No. 3. Videntes stellam | — | ||
| 27-8 | Quatre motets pour le temps de Noël: No. 4. Hodie Christus natus est | — | ||
| 27-9 | Messe en Sol majeur: I. Kyrie | — | ||
| 27-10 | Messe en Sol majeur: II. Gloria | — | ||
| 27-11 | Messe en Sol majeur: III. Sanctus | — | ||
| 27-12 | Messe en Sol majeur: IV. Benedictus | — | ||
| 27-13 | Messe en Sol majeur: V. Agnus Dei | — | ||
| 27-14 | "Mass": I. Devotions before Mass: 1. Antiphon: Kyrie eleison | — | ||
| 27-15 | "Mass": I. Devotions before Mass: 2. Hymn and Psalm: "A Simple Song" | — | ||
| 27-16 | "Mass": I. Devotions before Mass: 3. Responsory: Alleluia | — | ||
| 27-17 | "Mass": II. First Introit (Rondo): 1. Prefatory Prayers | — | ||
| 27-18 | "Mass": II. First Introit (Rondo): 2. Thrice-Triple Canon: Dominus vobiscum | — | ||
| 27-19 | "Mass": III. Second Introit: 1. In nomine Patris | — | ||
| 27-20 | "Mass": III. Second Introit: 2. Prayer for the Congregation (Chorale: "Almighty Father") | — | ||
| 27-21 | "Mass": III. Second Introit: 3. Epiphany | — | ||
| 27-22 | "Mass": IV. Confession: 1. Confiteor | — | ||
| 27-23 | "Mass": IV. Confession: 2. Trope: "I Don't Know" | — | ||
| 27-24 | "Mass": IV. Confession: 3. Trope: "Easy" | — | ||
| 28-1 | "Mass": V. Meditation No. 1 | — | ||
| 28-2 | "Mass": VI. Gloria: 1. Gloria tibi | — | ||
| 28-3 | "Mass": VI. Gloria: 2. Gloria in excelsis | — | ||
| 28-4 | "Mass": VI. Gloria: 3. Trope: "Half of the People | — | ||
| 28-5 | "Mass": VI. Gloria: 4. Trope: "Thank You" | — | ||
| 28-6 | "Mass": VII. Meditation No. 2 | — | ||
| 28-7 | "Mass": VIII. Epistle: "The Word of the Lord" | — | ||
| 28-8 | "Mass": IX. Gospel-Sermon: "God Said" | — | ||
| 28-9 | "Mass": X. Credo: 1. Credo in unum Deum | — | ||
| 28-10 | "Mass": X. Credo: 2. Trope: "Non Credo" | — | ||
| 28-11 | "Mass": X. Credo: 3. Trope: "Hurry" | — | ||
| 28-12 | "Mass": X. Credo: 4. Trope: "World Without End" | — | ||
| 28-13 | "Mass": X. Credo: 5. Trope: "I Believe In God" | — | ||
| 28-14 | "Mass": XI. Meditation No. 3: (De profundis, part 1) | — | ||
| 28-15 | "Mass": XII. Offertory: (De profundis, part 2) | — | ||
| 28-16 | "Mass": XIII. The Lord's Prayer: 1. Our Father | — | ||
| 28-17 | "Mass": XIII. The Lord's Prayer: 2. Trope: "I Go On" | — | ||
| 28-18 | "Mass": XIV. Sanctus: "Holy! Holy! Holy!..." | — | ||
| 28-19 | "Mass": XV. Agnus Dei | — | ||
| 28-20 | "Mass": XVI. Fraction: "Things Get Broken" | — | ||
| 28-21 | "Mass": XVII. Pax: Communion: "Secret Songs" | — | ||
| 29-1 | Orthodox Chant: Da ispravitsia molitva moia (Let My Prayer Arise) No. 2 | — | ||
| 29-2 | Orthodox Chant: Nyne sily nebesnyia (Now the Powers of Heaven) | — | ||
| 29-3 | Orthodox Chant: Kheruvimskaia pesn (The Cherubic Hymn) No. 7 | — | ||
| 29-4 | Orthodox Chant: Slava (Glory) - Yedinorodnyi Syne (Only-begotten Son) | — | ||
| 29-5 | Orthodox Chant: Plotiyu usnuv (In the flesh Thou didst fall asleep) | — | ||
| 29-6 | Orthodox Chant, Choral Concerto No. 24: Vozvedokh ochi moyi v gory (I lift up my eyes to the mountains) | — | ||
| 29-7 | Orthodox Chant: Khvalite imia Gospodne (Praise the Name of the Lord) | — | ||
| 29-8 | Orthodox Chant, Choral Concerto No. 27: Glasom moim ko Gospodu vozzvakh (With my voice I cried out to the Lord) | — | ||
| 29-9 | Orthodox Chant: Na rekakh vavilonskikh (By the rivers of Babylon) | — | ||
| 29-10 | Orthodox Chant, Choral Concerto No. 32: Skazhi mi, Gospodi, konchinu moyu (Lord, make me to know my end) | — | ||
| 29-11 | All-Night Vigil, op. 37: Vespers: I. Come, Let Us Worship | Eesti Filharmoonia Kammerkoor, Paul Hillier | — | |
| 29-12 | All-Night Vigil, op. 37: Vespers: II. Praise the Lord, o My Soul | Eesti Filharmoonia Kammerkoor, Paul Hillier | — | |
| 29-13 | All-Night Vigil, op. 37: Vespers: III. Blessed Is the Man | Eesti Filharmoonia Kammerkoor, Paul Hillier | — | |
| 29-14 | All-Night Vigil, op. 37: Vespers: IV. O Gentle Light | Eesti Filharmoonia Kammerkoor, Paul Hillier | — | |
| 29-15 | All-Night Vigil, op. 37: Vespers: V. Lord, Now Lettest Thou | Eesti Filharmoonia Kammerkoor, Paul Hillier | — | |
| 29-16 | All-Night Vigil, op. 37: Vespers: VI. Rejoice, o Virgin | Eesti Filharmoonia Kammerkoor, Paul Hillier | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
794881926725 is a Universal Product Code (UPC) assigned to Sacred Music: Cornerstone Works of Sacred Music by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 545 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
Creative Contributors (ISNI)
The UPC for “Sacred Music: Cornerstone Works of Sacred Music” by Various Artists is 794881926725. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2009-01-01. Label: Harmonia Mundi. This release contains 545 tracks, each with its own ISRC. Tracks include FRZ149407010, FRZ149407020, FRZ149407030.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Chant Ambrosien: Lucernarium "Paravi lucernam Christo meo" | — | ||
| 2 | Chant Ambrosien: Ingressa "Lux fulgebit hodie super nos" | — | ||
| 3 | Chant Ambrosien: Psalmellus "Tecum principium in die virtutis tue" | — | ||
| 4 | Chant vieux-romain: Introït. Resurrexi | — | ||
| 5 | Chant vieux-romain: Offertoire. Terra tremuit | — | ||
| 6 | Chant vieux-romain: Alleluia | — | ||
| 7 | Chant Bénéventain: Introït. Maria vidit angelum (tutti) | — | ||
| 8 | Chant mozarabe, Office des lectures: Invocation sacerdotale d’introduction "Per gloriam nominis tui" | — | ||
| 9 | Chant mozarabe, Office des lectures: Gloria in excelsis Deo | — | ||
| 10 | Chant mozarabe, Prière eucharistique: Ad confractionem panis "Qui venit ad me non esuriet" | — | ||
| 11 | Chant mozarabe, Prière eucharistique: Prêtre "Humiliate vos ad benedictionem !" | — | ||
| 12 | Chant mozarabe, Prière eucharistique: Ad accedentes "Gustate et videte" | — | ||
| 13 | Chant vieux-romain: Ad processionem Kyrie | — | ||
| 14 | Chant vieux-romain: Alleluia. Versus "O kyrios evasileosen" - Versus "Ke gar estereosen" | — | ||
| 2-1 | L'immense corpus grégorien: Universi qui te expectant | — | ||
| 2-2 | L'immense corpus grégorien, Messe de Requiem grégorienne: I. Introït: Requiem aeternam | — | ||
| 2-3 | L'immense corpus grégorien, Messe de Requiem grégorienne: II. Kyrie eleison | — | ||
| 2-4 | L'immense corpus grégorien, Messe de Requiem grégorienne: III. Graduel: Requiem aeternam | — | ||
| 2-5 | L'immense corpus grégorien, Messe de Requiem grégorienne: IV. Trait: Absolve, Domine | — | ||
| 2-6 | L'immense corpus grégorien, Messe de Requiem grégorienne: V. Séquence: Dies irae | — | ||
| 2-7 | L'immense corpus grégorien, Messe de Requiem grégorienne: VI. Offertoire: Domine Jesu Christe | — | ||
| 2-8 | L'immense corpus grégorien, Messe de Requiem grégorienne: VII. Sanctus | — | ||
| 2-9 | L'immense corpus grégorien, Messe de Requiem grégorienne: VIII. Agnus Dei | — | ||
| 2-10 | L'immense corpus grégorien, Messe de Requiem grégorienne: IX. Communion: Lux aeterna | — | ||
| 2-11 | L'immense corpus grégorien, Messe de Requiem grégorienne: X. Repons: Libera me | — | ||
| 2-12 | L'immense corpus grégorien, Messe de Requiem grégorienne: XI. Antienne: In paradisum | — | ||
| 2-13 | Une messe de l'an 1000: Agnus Dei: Omnipotens eterne | — | ||
| 2-14 | Une messe de l'an 1000: Communion tropée: Corpus quod nunc - Psallite domino | — | ||
| 2-15 | Une messe de l'an 1000: Hymne: Cives celestis patrie | — | ||
| 2-16 | Codex Calixtinus: Invitatoire: Regem regum dominum | — | ||
| 2-17 | Codex Calixtinus: Répons: Iacobe servorum | — | ||
| 2-18 | Codex Calixtinus: Offertoire: Ascendens Ihesus in montem | — | ||
| 2-19 | Chant cistercien, Répons de Matines pour la fête de saint Bernard: In timore Dei | — | ||
| 2-20 | Chant cistercien, Répons de Matines pour la fête de saint Bernard: Testamentum eternum | — | ||
| 2-21 | Chant cistercien, Répons de Matines pour la fête de saint Bernard: Dedit Dominus confessionem sancto suo | — | ||
| 2-22 | Magnus liber organi: Natus est rex | — | ||
| 2-23 | Magnus liber organi: In natale | — | ||
| 3-1 | Polyphonie aquitaine: Domine labia mea aperies - Deus in adjutorium meum | — | ||
| 3-2 | Polyphonie aquitaine: Versus "O primus homo coruit" | — | ||
| 3-3 | Polyphonie aquitaine: Resonemus hoc natali | — | ||
| 3-4 | École de Notre-Dame, Messe du jour de Noël: I. Introït tropé : Puer natus est | — | ||
| 3-5 | École de Notre-Dame, Messe du jour de Noël: II. Kyrie | — | ||
| 3-6 | École de Notre-Dame: Propter veritatem | — | ||
| 3-7 | École de Notre-Dame: Graduel: Viderunt omnes - Notum fecit Dominus | — | ||
| 3-8 | Hoquets du manuscrit de Bamberg: In seculum "Longum" | — | ||
| 3-9 | Hoquets du manuscrit de Bamberg: In seculum "Viellatoris" | — | ||
| 3-10 | Hoquets du manuscrit de Bamberg: In seculum "Breve" | — | ||
| 3-11 | Hoquets du manuscrit de Bamberg: In seculum "D’Amiens longum" | — | ||
| 3-12 | Chansons mariales du XIIIe siècle: Ave maria gracia plena | — | ||
| 3-13 | Chansons mariales du XIIIe siècle: Pia mater gratie | — | ||
| 3-14 | Chansons mariales du XIIIe siècle: Ave nobilis venerabilis | — | ||
| 3-15 | Graduel d'Aliénor de Bretagne: Kyrie: Orbis factor | — | ||
| 3-16 | Messe Mariale à la Cathédrale de Salisbury: Kyrie: Kyria christifera | — | ||
| 3-17 | Messe Mariale à la Cathédrale de Salisbury: Gloria | — | ||
| 3-18 | Messe Mariale à la Cathédrale de Salisbury: Sanctus - Benedictus | — | ||
| 3-19 | Messe Mariale à la Cathédrale de Salisbury: Agnus Dei: Virtute numinis | — | ||
| 4-1 | Ars antiqua: Virgo flagellatur | — | ||
| 4-2 | Ars antiqua: Mors | — | ||
| 4-3 | L'Angleterre du XIVe siècle: Campanis cum cymbalis. Honoremus Dominam | — | ||
| 4-4 | L'Angleterre du XIVe siècle: Worldes blisse have good day (Benedicamus Domino) | — | ||
| 4-5 | L'Angleterre du XIVe siècle: Valde mane diluculo | — | ||
| 4-6 | L'Angleterre du XIVe siècle: Ovet mundus letabundus | — | ||
| 4-7 | Ars nova et pré-Renaissance: Ave Regina coelorum | — | ||
| 4-8 | Ars nova et pré-Renaissance: Salve scema sanctitatis - Salve salus servulorum - Cantant celi agmina | — | ||
| 4-9 | Ars nova et pré-Renaissance: Anna Mater Matris Christi | — | ||
| 4-10 | Renaissance: Salve Regina | — | ||
| 4-11 | Renaissance: Congregati sunt | — | ||
| 4-12 | Renaissance: Cantiones sacrae: Peccantem me quotidie | — | ||
| 4-13 | Renaissance: Tribulationem et dolorem | — | ||
| 4-14 | Renaissance: Ecce quomodo moritur justus (Sabbato Sancto) | — | ||
| 4-15 | Renaissance: Ad Dominum | — | ||
| 5-1 | Messe de Notre Dame: I. Kyrie | — | ||
| 5-2 | Messe de Notre Dame: II. Gloria | — | ||
| 5-3 | Messe de Notre Dame: III. Credo | — | ||
| 5-4 | Messe de Notre Dame: IV. Sanctus | — | ||
| 5-5 | Messe de Notre Dame: V. Agnus Dei | — | ||
| 5-6 | Messe de Notre Dame: VI. Ite Missa est | — | ||
| 5-7 | Missa Pange lingua: I. Kyrie | — | ||
| 5-8 | Missa Pange lingua: II. Gloria | — | ||
| 5-9 | Missa Pange lingua: III. Credo | — | ||
| 5-10 | Missa Pange lingua: IV. O Salutaris | — | ||
| 5-11 | Missa Pange lingua: V. Agnus | — | ||
| 5-12 | Messe "La Bataille": I. Kyrie | Ensemble Clément Janequin, Dominique Visse | — | |
| 5-13 | Messe "La Bataille": II. Gloria | Ensemble Clément Janequin, Dominique Visse | T-011.560.127-8 | |
| 5-14 | Messe "La Bataille": III. Credo | Ensemble Clément Janequin, Dominique Visse | T-011.560.128-9 | |
| 5-15 | Messe "La Bataille": IV. Sanctus | Ensemble Clément Janequin, Dominique Visse | T-011.560.129-0 | |
| 5-16 | Messe "La Bataille": V. Agnus Dei | Ensemble Clément Janequin, Dominique Visse | T-011.559.157-5 | |
| 6-1 | Missa “Tous les regretz”: I. Kyrie | Huelgas Ensemble, Paul Van Nevel | — | |
| 6-2 | Missa “Tous les regretz”: II. Gloria | Huelgas Ensemble, Paul Van Nevel | — | |
| 6-3 | Missa “Tous les regretz”: III. Credo | Huelgas Ensemble, Paul Van Nevel | — | |
| 6-4 | Missa “Tous les regretz”: IV. Sanctus | Huelgas Ensemble, Paul Van Nevel | — | |
| 6-5 | Missa “Tous les regretz”: V. Agnus Dei | Huelgas Ensemble, Paul Van Nevel | — | |
| 6-6 | Missa Viri Galilaei: I. Kyrie | — | ||
| 6-7 | Missa Viri Galilaei: II. Gloria | — | ||
| 6-8 | Missa Viri Galilaei: III. Credo | — | ||
| 6-9 | Missa Viri Galilaei: IV. Sanctus | — | ||
| 6-10 | Missa Viri Galilaei: V. Benedictus | — | ||
| 6-11 | Missa Viri Galilaei: VI. Agnus Dei I | — | ||
| 6-12 | Missa Viri Galilaei: VII. Agnus Dei II | — | ||
| 6-13 | Mass for 4 voices: I. Kyrie | — | ||
| 6-14 | Mass for 4 voices: II. Gloria | — | ||
| 6-15 | Mass for 4 voices: III. Credo | — | ||
| 6-16 | Mass for 4 voices: IV. Sanctus | — | ||
| 6-17 | Mass for 4 voices: V. Benedictus | — | ||
| 6-18 | Mass for 4 voices: VI. Agnus Dei | — | ||
| 7-1 | Grand motet: Memorare | — | ||
| 7-2 | Grand motet: Dies irae | — | ||
| 7-3 | Grand motet, Super flumina Babylonis: I. Simphonie. Super flumina | — | ||
| 7-4 | Grand motet, Super flumina Babylonis: II. In salicibus | — | ||
| 7-5 | Grand motet, Super flumina Babylonis: III. Quia illic interrogaverunt nos | — | ||
| 7-6 | Grand motet, Super flumina Babylonis: IV. Hymnum cantate nobis | — | ||
| 7-7 | Grand motet, Super flumina Babylonis: V. Si oblitus fuero tui | — | ||
| 7-8 | Grand motet, Super flumina Babylonis: VI. Adhaereat lingua mea | — | ||
| 7-9 | Grand motet, Super flumina Babylonis: VII. Memor esto, Domine | — | ||
| 7-10 | Grand motet, Super flumina Babylonis: VIIIa. Filia Babilonis misera (soli) | — | ||
| 7-11 | Grand motet, Super flumina Babylonis: VIIIb. Filia Babilonis misera (choeur) | — | ||
| 7-12 | Grand motet, Te Deum, H 146: I. Prélude | — | ||
| 7-13 | Grand motet, Te Deum, H 146: II. Te Deum laudamus | — | ||
| 7-14 | Grand motet, Te Deum, H 146: III. Te aeternum Patrem | — | ||
| 7-15 | Grand motet, Te Deum, H 146: IV. Per te orbem terrarum | — | ||
| 7-16 | Grand motet, Te Deum, H 146: V. Tu devicto mortis aculeo | — | ||
| 7-17 | Grand motet, Te Deum, H 146: VI. Te ergo quaesumus | — | ||
| 7-18 | Grand motet, Te Deum, H 146: VII. Aeterna fac cum sanctis tuis | — | ||
| 7-19 | Grand motet, Te Deum, H 146: VIII. Dignare Domine | — | ||
| 7-20 | Grand motet, Te Deum, H 146: IX. Fiat misericordia tua Domine | — | ||
| 7-21 | Grand motet, Te Deum, H 146: X. In te Domine speravi | — | ||
| 7-22 | Petit motet: Ave Coeli | — | ||
| 7-23 | Petit motet: Miserator et misericors | — | ||
| 8-1 | Musica super Threnos Ieremiae prophete in maiori hebdomada decantandas: Feria V in coena Domini: Lectio Prima | — | ||
| 8-2 | Musica super Threnos Ieremiae prophete in maiori hebdomada decantandas: Feria V in coena Domini: Lectio Prima | — | ||
| 8-3 | Musica super Threnos Ieremiae prophete in maiori hebdomada decantandas: Feria V in coena Domini: Lectio Tertia | — | ||
| 8-4 | Lamentationes Hieremiae: Feria sexta in Parasceve: Lamentatio Prima | — | ||
| 8-5 | Lamentationes Hieremiae: Feria sexta in Parasceve: Lamentatio Secunda | — | ||
| 8-6 | Lamentationes Hieremiae: Feria sexta in Parasceve: Lamentatio Tertia | — | ||
| 8-7 | Leçons de Ténèbres du Mercredy Sainct: Seconde Leçon. VAU - Et egressus est a filia Sion | — | ||
| 8-8 | Leçons de Ténèbres: Troisième Leçon | — | ||
| 8-9 | Lamentatio Jeremiæ Prophetæ: In Sabbato Sancto: Lectio Secunda | RIAS Kammerchor, Marcus Creed | — | |
| 9-1 | Deus in Adjutorium: vespro della Beata Vergine | La Chapelle Royale, Collegium Vocale Gent, Les Sacqueboutiers, Philippe Herreweghe | — | |
| 9-2 | Dixit Dominus: Vespro della Beata Vergine | La Chapelle Royale, Collegium Vocale Gent, Les Sacqueboutiers, Philippe Herreweghe | — | |
| 9-3 | Vespro della Beata Vergine, SV 206: III. Nigra sum (Concerto) | La Chapelle Royale, Les Sacqueboutiers, Philippe Herreweghe | — | |
| 9-4 | Vespro della Beata Vergine, SV 206: IV. Laudate pueri (Psalmus 112) | Collegium Vocale Gent, La Chapelle Royale, Les Sacqueboutiers, Philippe Herreweghe | T-900.019.174-2 | |
| 9-5 | Vespro della Beata Vergine, SV 206: V. Pulchra es (Concerto) | La Chapelle Royale, Les Sacqueboutiers, Philippe Herreweghe | — | |
| 9-6 | Vespro della Beata Vergine, SV 206: VI. Antiphona - Laetatus sum (Psalmus 121) | Collegium Vocale Gent, La Chapelle Royale, Les Sacqueboutiers, Philippe Herreweghe | — | |
| 9-7 | Vespro della Beata Vergine, SV 206: VII. Duo Seraphim (Concerto) | La Chapelle Royale, Les Sacqueboutiers, Philippe Herreweghe | — | |
| 9-8 | Vespro della Beata Vergine, SV 206: VIII. Antiphona - Nisi Dominus (Psalmus 126) | Collegium Vocale Gent, La Chapelle Royale, Les Sacqueboutiers, Philippe Herreweghe | — | |
| 9-9 | Vespro della Beata Vergine, SV 206: IX. Audi coelum (Concerto) | La Chapelle Royale, Les Sacqueboutiers, Philippe Herreweghe | — | |
| 9-10 | Vespro della Beata Vergine, SV 206: X. Antiphona - Lauda, Jerusalem, Dominum (Psalmus 147) | Collegium Vocale Gent, La Chapelle Royale, Les Sacqueboutiers, Philippe Herreweghe | — | |
| 9-11 | Vespro della Beata Vergine, SV 206: XI. Sonata sopra "Sancta Maria, ora pro nobis" | Collegium Vocale Gent, La Chapelle Royale, Les Sacqueboutiers, Philippe Herreweghe | — | |
| 9-12 | Vespro della Beata Vergine, SV 206: XII. Ave maris stella (Hymnus) | Collegium Vocale Gent, La Chapelle Royale, Les Sacqueboutiers, Philippe Herreweghe | T-801.040.138-5 | |
| 10-1 | Vespro della Beata Vergine, SV 206: XIII. Antiphona - Magnificat | Collegium Vocale Gent, La Chapelle Royale, Les Sacqueboutiers, Philippe Herreweghe | — | |
| 10-2 | Vespro solenne: Dixit secondo | — | ||
| 10-3 | Vespro solenne: Confitebor tibi Domine | — | ||
| 10-4 | Vespro solenne: Beatus vir | — | ||
| 10-5 | Vespro solenne: Laudate pueri | — | ||
| 10-6 | Vespro solenne: Lauda Jerusalem | — | ||
| 10-7 | Vespro solenne: Magnificat | — | ||
| 11-1 | Cain overo Il primo omicidio: Introduzzione all’Oratorio. Spiritoso | — | ||
| 11-2 | Cain overo Il primo omicidio: Introduzzione all’Oratorio. Adagio | — | ||
| 11-3 | Cain overo Il primo omicidio: Introduzzione all’Oratorio. Allegro | — | ||
| 11-4 | Cain overo Il primo omicidio: Parte Prima. Recitativo "Figli miseri figli" (Adamo) | — | ||
| 11-5 | Cain overo Il primo omicidio: Parte Prima. Aria "Mi balena ancor sul ciglio" (Adamo) | — | ||
| 11-6 | Cain overo Il primo omicidio: Parte Prima. Recitativo "Di Serpe ingannator perfida frode" (Eva) | — | ||
| 11-7 | Cain overo Il primo omicidio: Parte Prima. Aria "Caro sposo, prole amata" (Eva) | — | ||
| 11-8 | Cain overo Il primo omicidio: Parte Prima. Recitativo "Genitori adorati" (Abel) | — | ||
| 11-9 | Cain overo Il primo omicidio: Parte Prima. Aria "Dalla mandra un puro agnello" (Abel) | — | ||
| 11-10 | Cain overo Il primo omicidio: Parte Prima. Recitativo "Padre questa d’Abel forz’è che sia" (Caino) | — | ||
| 11-11 | Cain overo Il primo omicidio: Parte Prima. Aria "Della Terra i frutti primi" (Caino) | — | ||
| 11-12 | Cain overo Il primo omicidio: Parte Prima. Recitativo "Figli cessin le gare" (Adamo) | — | ||
| 11-13 | Cain overo Il primo omicidio: Parte Prima. Aria "Più dei doni il cor devoto" (Adamo) | — | ||
| 11-14 | Cain overo Il primo omicidio: Parte Prima. Recitativo "Disposto o figli è il sacrificio" (Eva) | — | ||
| 11-15 | Cain overo Il primo omicidio: Parte Prima. Aria "Sommo Dio nel mio peccato" (Eva) | — | ||
| 11-16 | Cain overo Il primo omicidio: Parte Prima. Recitativo "Miei Genitori, oh come dritta ascende" (Abel, Caino) | — | ||
| 11-17 | Cain overo Il primo omicidio: Parte Prima. Duetto "Dio pietoso ogni mio armento" (Abel, Caino) | — | ||
| 11-18 | Cain overo Il primo omicidio: Parte Prima. Recitativo "Figli balena il Ciel d’alto splendore" (Eva, Adamo) | — | ||
| 11-19 | Cain overo Il primo omicidio: Parte Prima. Sinfonia | — | ||
| 11-20 | Cain overo Il primo omicidio: Parte Prima. Recitativo "Prima imagine mia, prima fattura" (Voce de Dio) | — | ||
| 11-21 | Cain overo Il primo omicidio: Parte Prima. Aria "L’olocausto del tu Abelle" (Voce de Dio) | — | ||
| 11-22 | Cain overo Il primo omicidio: Parte Prima. Recitativo "Ne’ tuoi figli, e nipoti" (Voce de Dio) | — | ||
| 11-23 | Cain overo Il primo omicidio: Parte Prima. Recitativo "Udiste, udiste, o figli" (Eva, Adamo) | — | ||
| 11-24 | Cain overo Il primo omicidio: Parte Prima. Aria "Aderite" (Eva, Adamo) | — | ||
| 11-25 | Cain overo Il primo omicidio: Parte Prima. Sinfonia | — | ||
| 11-26 | Cain overo Il primo omicidio: Parte Prima. Recitativo "Cain, che fai, che pensi?" (Lucifero) | — | ||
| 11-27 | Cain overo Il primo omicidio: Parte Prima. Aria "Poche lagrime dolenti" (Lucifero) | — | ||
| 11-28 | Cain overo Il primo omicidio: Parte Prima. Recitativo "D’ucciderlo risolvo; il core affretta" (Caino) | — | ||
| 11-29 | Cain overo Il primo omicidio: Parte Prima. Aria "Mascheratevi o miei sdegni" (Caino) | — | ||
| 11-30 | Cain overo Il primo omicidio: Parte Prima. Recitativo "Ecco il fratello; anzi il nemico" (Abel) | — | ||
| 11-31 | Cain overo Il primo omicidio: Parte Prima. Duetto "La fraterna amica pace" (Abel) | — | ||
| 11-32 | Cain overo Il primo omicidio: Parte Prima. Recitativo "Sempre l’amor fraterno è un ben sincero" (Abel) | — | ||
| 12-1 | Cain overo Il primo omicidio: Parte Seconda. Recitativo "Fermiam qui Abelle il passo" (Caino) | — | ||
| 12-2 | Cain overo Il primo omicidio: Parte Seconda. Aria "Perché mormora il ruscello" (Caino) | — | ||
| 12-3 | Cain overo Il primo omicidio: Parte Seconda. Aria "Ti risponde il ruscelletto" (Abel) | — | ||
| 12-4 | Cain overo Il primo omicidio: Parte Seconda. Recitativo "Or se braman posar la fronda, e’l rio" (Abel) | — | ||
| 12-5 | Cain overo Il primo omicidio: Parte Seconda. Recitativo "Più non so trattenr l’impeto interno" (Abel, Caino) | — | ||
| 12-6 | Cain overo Il primo omicidio: Parte Seconda. Andante e staccato | — | ||
| 12-7 | Cain overo Il primo omicidio: Parte Seconda. Recitativo "Cain dov’è il fratello? Abel dov’è?" (Voce di Dio, Caino) | — | ||
| 12-8 | Cain overo Il primo omicidio: Parte Seconda. Recitativo "Or di strage fraterna il suolo asperso" (Voce di Dio) | — | ||
| 12-9 | Cain overo Il primo omicidio: Parte Seconda. Aria "Come mostro spaventevole" (Voce di Dio) | — | ||
| 12-10 | Cain overo Il primo omicidio: Parte Seconda. Recitativo "Signor se mi dai bando" (Caino) | — | ||
| 12-11 | Cain overo Il primo omicidio: Parte Seconda. Aria "O preservami per mia pena" (Caino) | — | ||
| 12-12 | Cain overo Il primo omicidio: Parte Seconda. Recitativo "Vattene non temer; tu non morrai" (Voce di Dio) | — | ||
| 12-13 | Cain overo Il primo omicidio: Parte Seconda. Aria "Vuò il castigo, non voglio la morte" (Voce di Dio) | — | ||
| 12-14 | Cain overo Il primo omicidio: Parte Seconda. Recitativo "O ch’io mora vivendo" (Caino) | — | ||
| 12-15 | Cain overo Il primo omicidio: Parte Seconda. Aria "Bramo insieme, e morte, e vita" (Caino) | — | ||
| 12-16 | Cain overo Il primo omicidio: Parte Seconda. Grave, e orrido - Recitativo "Codardo nell’ardire, e nel timore" (Voce di Lucifero) | — | ||
| 12-17 | Cain overo Il primo omicidio: Parte Seconda. Aria "Nel poter il Nume imita" (Voce di Lucifero) | — | ||
| 12-18 | Cain overo Il primo omicidio: Parte Seconda. Recitativo "Oh consigli d’Inferno, onde soggiace" (Caino) | — | ||
| 12-19 | Cain overo Il primo omicidio: Parte Seconda. Aria "Miei genitori, adio" (Caino) | — | ||
| 12-20 | Cain overo Il primo omicidio: Parte Seconda. Aria "Mio sposo al cor mi sento" (Eva, Adamo) | — | ||
| 12-21 | Cain overo Il primo omicidio: Parte Seconda. Aria "Miei genitori amati" (Voce di Abel, Eva, Adamo) | — | ||
| 12-22 | Cain overo Il primo omicidio: Parte Seconda. Aria "Non piangete il figlio ucciso" (Voce di Abel) | — | ||
| 12-23 | Cain overo Il primo omicidio: Parte Seconda. Recitativo "Ferma del figlio mio voce gradita" (Eva) | — | ||
| 12-24 | Cain overo Il primo omicidio: Parte Seconda. Aria "Madre tenera, et amante" (Eva) | — | ||
| 12-25 | Cain overo Il primo omicidio: Parte Seconda. Recitativo "Sin che spoglia mortale" (Adamo) | — | ||
| 12-26 | Cain overo Il primo omicidio: Parte Seconda. Aria "Padre misero, e dolente" (Adamo) | — | ||
| 12-27 | Cain overo Il primo omicidio: Parte Seconda. Recitativo "Spirto del figlio mio, questi son sensi" (Eva, Adamo) | — | ||
| 12-28 | Cain overo Il primo omicidio: Parte Seconda. Aria "Piango la prole esangue" (Adamo) | — | ||
| 12-29 | Cain overo Il primo omicidio: Parte Seconda. Recitativo "Adam prole tu chiedi, e prole avrai" (Voce di Dio) | — | ||
| 12-30 | Cain overo Il primo omicidio: Parte Seconda. Aria "L’innocenza paccando perdeste" (Voce di Dio) | — | ||
| 12-31 | Cain overo Il primo omicidio: Parte Seconda. Recitativo "Udii Signor della Divina Idea" (Adamo) | — | ||
| 12-32 | Cain overo Il primo omicidio: Parte Seconda. Duetto "Contenti" (Eva, Adamo) | — | ||
| 13-1 | Messiah: Part I. Sinfonia | — | ||
| 13-2 | Messiah: Part I. Recitative "Comfort ye, my people, saith your God" | — | ||
| 13-3 | Messiah: Part I. Air "Every valley shall be exalted" | — | ||
| 13-4 | Messiah: Part I. Chorus "And the glory of the Lord shall be revealed" | — | ||
| 13-5 | Messiah: Part I. Recitative "Thus saith the Lord of Hosts" | — | ||
| 13-6 | Messiah, HWV 56: Part I, VI. Air (Alto) "But who may abide the day of His coming?" | Andreas Scholl, William Christie, Les Arts Florissants | — | |
| 13-7 | Messiah: Part I. Chorus "And He shall purify the sons of Levi" | — | ||
| 13-8 | Messiah: Part I. Recitative "Behold, a virgin shall conceive" - Air "O thou that tellest good tidings to Zion" - Chorus "O thou that tellest good tidings to Zion, arise" | — | ||
| 13-9 | Messiah: Part I. Recitative "For behold, darkness shall cover the earth" - Air "The people that walked in darkness" | — | ||
| 13-10 | Messiah: Part I. Chorus "For unto us a child is born" | — | ||
| 13-11 | Messiah: Part I. Pastoral Symphony | — | ||
| 13-12 | Messiah: Part I. Recitative "There were shepherds abiding in the field" - Recitative "And lo, the angel of the Lord came upon them" - Recitative "And the angel said unto them: Fear not, for behold" - Chorus "Glory to God in the highest" | — | ||
| 13-13 | Messiah: Part I. Air "Rejoice greatly, O daughter of Zion" | — | ||
| 13-14 | Messiah: Part I. Recitative "Then shall the eyes of the blind be opened" - Air "He shall feed His flock like a shepherd" | — | ||
| 13-15 | Messiah: Part I. Chorus "His yoke is easy, and His burthen is light" | — | ||
| 13-16 | Messiah: Part II. Chorus "Behold the lamb of God" | — | ||
| 13-17 | Messiah: Part II. Air "He was despised and rejected of men" | — | ||
| 13-18 | Messiah: Part II. Chorus "Surely He hath borne our griefs" - Chorus "All we like sheep have gone astray" | — | ||
| 14-1 | Messiah: Part II. Recitative "All they that see Him laugh Him to scorn" - Chorus "He trusted in God that He would deliver Him" | — | ||
| 14-2 | Messiah: Part II. Recitative "Thy rebuke hath broken His heart" - Air "Behold and see if there be any sorrow" - Recitative "He was cut off out of the land of the living" | — | ||
| 14-3 | Messiah: Part II. Air "But Thou didst not leave His soul in hell" | — | ||
| 14-4 | Messiah: Part II. Chorus "Lift up your heads, O ye gates" | — | ||
| 14-5 | Messiah: Part II. Recitative "Unto which of the angels said He at any time" - Chorus "Let all the angels of God worship Him" | — | ||
| 14-6 | Messiah: Part II. Air "Thou art gone up on high" | — | ||
| 14-7 | Messiah: Part II. Chorus "The Lord gave the world" | — | ||
| 14-8 | Messiah: Part II. Air "How beautiful are the feet of them" | — | ||
| 14-9 | Messiah: Part II. Chorus "Their sound is gone out into all lands" | — | ||
| 14-10 | Messiah: Part II. Air "Why do the nations so furiously rage together" | — | ||
| 14-11 | Messiah: Part II. Chorus "Let us break their bonds asunder" | — | ||
| 14-12 | Messiah: Part II. Recitative "He that dwelleth in heaven shall laugh them to scorn" - Air "Thou shalt break them with a rod of iron" | — | ||
| 14-13 | Messiah: Part II. Chorus "Hallelujah!" | — | ||
| 14-14 | Messiah: Part III. Air "I know that my redeemer liveth" | — | ||
| 14-15 | Messiah: Part III. Chorus "Since by man came death" | — | ||
| 14-16 | Messiah: Part III. Recitative "Behold, I tell you a mystery" - Air "The trumpet shall sound" | — | ||
| 14-17 | Messiah: Part III. Recitative "Then shall be brought to pass the saying that is written" - Duet "O Death, where is thy sting?" - Chorus "But thanks be to God who giveth us the victory" | — | ||
| 14-18 | Messiah: Part III. Air "If God be for us, who can be against us?" | — | ||
| 14-19 | Messiah: Part III. Chorus "Worthy is the Lamb that was slain" | — | ||
| 14-20 | Messiah: Part III. Chorus "Amen" | — | ||
| 15-1 | Paulus, Op. 36: Erster Teil. Ouvertüre | — | ||
| 15-2 | Paulus, Op. 36: Erster Teil. Chor "Herr, der du bist der Gott" | — | ||
| 15-3 | Paulus, Op. 36: Erster Teil. Choral "Allein Gott in der Höh’ sei Ehr" | — | ||
| 15-4 | Paulus, Op. 36: Erster Teil. Rezitativ "Die Menge der Gläubigen" | — | ||
| 15-5 | Paulus, Op. 36: Erster Teil. Chor "Dieser Mensch hört nicht auf" | — | ||
| 15-6 | Paulus, Op. 36: Erster Teil. Rezitativ und Chor "Und sie sahen auf ihn alle. Weg mit dem!" | — | ||
| 15-7 | Paulus, Op. 36: Erster Teil. Aria "Jerusalem, die du tödtest die Propheten" | — | ||
| 15-8 | Paulus, Op. 36: Erster Teil. Rezitativ und Chor "Sie aber stürmten auf ihn ein. Steiniget ihn!" | — | ||
| 15-9 | Paulus, Op. 36: Erster Teil. Rezitativ und Choral "Und sie steinigten ihn" - "Dir, Herr, will ich mich ergeben" | — | ||
| 15-10 | Paulus, Op. 36: Erster Teil. Rezitativ "Und die Zeugen legten ab ihre Kleider" | — | ||
| 15-11 | Paulus, Op. 36: Erster Teil. Chor "Siehe, wir preisen selig die erdultet haben" | — | ||
| 15-12 | Paulus, Op. 36: Erster Teil. Rezitativ und Aria "Saulus aber zerstörte die Gemeinde" - "Vertilge sie, Herr Zebaoth" | — | ||
| 15-13 | Paulus, Op. 36: Erster Teil. Rezitativ und Arioso "Und zog mit einer Schaar gen Damaskus" | — | ||
| 15-14 | Paulus, Op. 36: Erster Teil. Rezitativ mit Chor "Und als er auf dem Wege war" | — | ||
| 15-15 | Paulus, Op. 36: Erster Teil. Chor "Mache dich auf!" | — | ||
| 15-16 | Paulus, Op. 36: Erster Teil. Choral "Wachet auf, ruft uns die Stimme" | — | ||
| 15-17 | Paulus, Op. 36: Erster Teil. Rezitativ "Die Männer aber" | — | ||
| 15-18 | Paulus, Op. 36: Erster Teil. Aria "Gott, sei mir gnädig" | — | ||
| 15-19 | Paulus, Op. 36: Erster Teil. Rezitativ "Es war aber ein Jünger zu Damaskus" | — | ||
| 15-20 | Paulus, Op. 36: Erster Teil. Aria mit Chor "Ich danke dir, Herr, mein Gott" | — | ||
| 15-21 | Paulus, Op. 36: Erster Teil. Rezitativ "Und Ananias ging hin" | — | ||
| 15-22 | Paulus, Op. 36: Erster Teil. Chor "O welch eine Tiefe" | — | ||
| 16-1 | Paulus, Op. 36: Zweiter Teil. Chor "Der Erdkreis ist nun des Herren" | — | ||
| 16-2 | Paulus, Op. 36: Zweiter Teil. Rezitativ "Und Paulus kam zu der Gemeinde" | — | ||
| 16-3 | Paulus, Op. 36: Zweiter Teil. Duettino "So sind wir nun Botschafter" | — | ||
| 16-4 | Paulus, Op. 36: Zweiter Teil. Chor "Wie lieblich sind die Boten" | — | ||
| 16-5 | Paulus, Op. 36: Zweiter Teil. Rezitativ und Arioso "Und wie sie ausgesandt" | — | ||
| 16-6 | Paulus, Op. 36: Zweiter Teil. Rezitativ "Da aber die Juden das Volk sahn" - Chor "So spricht des Herr" | — | ||
| 16-7 | Paulus, Op. 36: Zweiter Teil. Chor "Ist das nicht der zu Jerusalem verstörte alle" - Choral "O Jesu Christe, wahres Licht" | — | ||
| 16-8 | Paulus, Op. 36: Zweiter Teil. Rezitativ "Paulus aber und Barnabas sprachen" | — | ||
| 16-9 | Paulus, Op. 36: Zweiter Teil. Duetto "Denn also hat uns der Herr geboten" | — | ||
| 16-10 | Paulus, Op. 36: Zweiter Teil. Rezitativ "Und es war ein Mann zu Lystra" | — | ||
| 16-11 | Paulus, Op. 36: Zweiter Teil. Chor "Die Götter sind den Menschen gleich geworden" | — | ||
| 16-12 | Paulus, Op. 36: Zweiter Teil. Rezitativ "Und nannten Barnabas Jupiter" | — | ||
| 16-13 | Paulus, Op. 36: Zweiter Teil. Chor "Seid uns gnädig, hohe Götter" | — | ||
| 16-14 | Paulus, Op. 36: Zweiter Teil. Rezitativ und Aria "Da das die Apostel hörten. Ihr Männer" - Chor "Aber unser Gott ist im Himmel" | — | ||
| 16-15 | Paulus, Op. 36: Zweiter Teil. Rezitativ "Da ward das Volk erreget wider sie" | — | ||
| 16-16 | Paulus, Op. 36: Zweiter Teil. Chor "Hier ist des Herren Tempel!" | — | ||
| 16-17 | Paulus, Op. 36: Zweiter Teil. Rezitativ "Und sie alle verfolgten Paulus" | — | ||
| 16-18 | Paulus, Op. 36: Zweiter Teil. Cavatine "Sei getreu bis in den Tod" | — | ||
| 16-19 | Paulus, Op. 36: Zweiter Teil. Rezitativ "Paulus sandte hin" | — | ||
| 16-20 | Paulus, Op. 36: Zweiter Teil. Chor und Rezitativ "Schone doch deiner selbst! Was machet ihr" | — | ||
| 16-21 | Paulus, Op. 36: Zweiter Teil. Chor "Sehet, welch eine Liebe" | — | ||
| 16-22 | Paulus, Op. 36: Zweiter Teil. Rezitativ "Und wenn er gleich geopfert wird" | — | ||
| 16-23 | Paulus, Op. 36: Zweiter Teil. Schlußchor "Nicht aber ihm allein" | — | ||
| 17-1 | Tant que vivray en aege florissant (2, 3, 4, 7) | — | ||
| 17-2 | Estans assis aux rives aquatiques (Psaume 137) | — | ||
| 17-3 | 9 Psalm Tunes for Archbishop Parker’s Psalter: First Tune. Man blest no doubt | — | ||
| 17-4 | 9 Psalm Tunes for Archbishop Parker’s Psalter: Second Tune. Let God arise | — | ||
| 17-5 | 9 Psalm Tunes for Archbishop Parker’s Psalter: Third Tune. Why fum’th in fight | — | ||
| 17-6 | 9 Psalm Tunes for Archbishop Parker’s Psalter: Fourth Tune. O come in one to praise the Lord | — | ||
| 17-7 | 9 Psalm Tunes for Archbishop Parker’s Psalter: Fifth Tune. E’en like the hunted hind | — | ||
| 17-8 | 9 Psalm Tunes for Archbishop Parker’s Psalter: Sixth Tune. Expend, O Lord | — | ||
| 17-9 | 9 Psalm Tunes for Archbishop Parker’s Psalter: Seventh Tune. Why brag’st in malice | — | ||
| 17-10 | 9 Psalm Tunes for Archbishop Parker’s Psalter: Eighth Tune. God grant with grace | — | ||
| 17-11 | 9 Psalm Tunes for Archbishop Parker’s Psalter: Veni creator. Come Holy Ghost | — | ||
| 17-12 | Full anthem, Z 50: Remember not, Lord, our offences | — | ||
| 17-13 | Concert in Form einer teutschen Begräbnis | — | ||
| 17-14 | Hemmt eure Tränenflut: I. Hemmt eure Tränenflut | — | ||
| 17-15 | Hemmt eure Tränenflut: II. Der Stein war allzu groß | — | ||
| 17-16 | Hemmt eure Tränenflut: III. Die Christi Grab bewacht sind weg | — | ||
| 17-17 | Hemmt eure Tränenflut: IV. Verlaß ich gleich die Welt | — | ||
| 17-18 | Hemmt eure Tränenflut: V. Amen | — | ||
| 17-19 | Missa brevis in F-dur, BWV 233: I. Kyrie | — | ||
| 17-20 | Missa brevis in F-dur, BWV 233: II. Gloria | — | ||
| 17-21 | Missa brevis in F-dur, BWV 233: III. Domine Deus | — | ||
| 17-22 | Missa brevis in F-dur, BWV 233: IV. Qui tollis | — | ||
| 17-23 | Missa brevis in F-dur, BWV 233: V. Quoniam | — | ||
| 17-24 | Missa brevis in F-dur, BWV 233: VI. Cum Sancto Spiritu | — | ||
| 18-1 | Weihnachts-Oratorium, BWV 248: I. For the First Day of Christmas, I. Chorus: "Jauchzet, frohlocket, auf, preiset die Tage" | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-2 | Weihnachts-Oratorium, BWV 248: I. For the First Day of Christmas, II. Recit (E) "Es begab sich aber zu der Zeit" | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-3 | Weihnachts-Oratorium, BWV 248: I. For the First Day of Christmas, III. Recit (A) "Nun wird mein liebster Bräutigam" | RIAS Kammerchor, Andreas Scholl, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-4 | Weihnachts-Oratorium, BWV 248: I. For the First Day of Christmas, IV. Aria (A) "Bereite dich, Zion, mit zärtlichen Trieben" | RIAS Kammerchor, Andreas Scholl, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-5 | Weihnachts-Oratorium, BWV 248: I. For the First Day of Christmas, V. Chorale "Wie soll ich dich empfangen" | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-6 | Weihnachts-Oratorium, BWV 248: I. For the First Day of Christmas, VI. Recit (E) "Und sie gebar ihren ersten Sohn" | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-7 | Weihnachts-Oratorium, BWV 248: I. For the First Day of Christmas, VII. Chorale (S) "Er ist auf Erden kommen arm / Recit (B) "Wer will die Liebe recht erhöhn" | Klaus Häger, RIAS Kammerchor, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-8 | Weihnachts-Oratorium, BWV 248: I. For the First Day of Christmas, VIII. Aria (B) "Großer Herr und starker König" | Klaus Häger, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-9 | Weihnachts-Oratorium, BWV 248: I. For the First Day of Christmas, IX. Chorale "Ach mein Herzliebes Jesulein" | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-10 | Weihnachts-Oratorium, BWV 248: II. For the Second Day of Christmas, X. Sinfonia | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-11 | Weihnachts-Oratorium, BWV 248: II. For the Second Day of Christmas, XI. Recit (E) "Und es waren Hirten in derselben Gegend" | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-12 | Weihnachts-Oratorium, BWV 248: II. For the Second Day of Christmas, XII. Chorale "Brich an, o schönes Morgenlicht" | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-13 | Weihnachts-Oratorium, BWV 248: II. For the Second Day of Christmas, XIII. Recit (E, S) "Und der Engel sprach zu ihnen" / "Furchtet euch nicht" | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-14 | Weihnachts-Oratorium, BWV 248: II. For the Second Day of Christmas, XIV. Recit (B) "Was Gott dem Abraham verheißen" | Klaus Häger, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-15 | Weihnachts-Oratorium, BWV 248: II. For the Second Day of Christmas, XV. Aria (T) "Frohe Hirten, eilt, acht eilet" | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-16 | Weihnachts-Oratorium, BWV 248: II. For the Second Day of Christmas, XVI. Recit (S) "Und das habt zum Zeichen" | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-17 | Weihnachts-Oratorium, BWV 248: II. For the Second Day of Christmas, XVII. Chorale "Schaut hin, dort liegt im finstern Stall" | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-18 | Weihnachts-Oratorium, BWV 248: II. For the Second Day of Christmas, XVIII. Recit (B) "So geht denn hin, ihr Hirten, geht" | Klaus Häger, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-19 | Weihnachts-Oratorium, BWV 248: II. For the Second Day of Christmas, XIX. Aria (A) "Schlafe, mein Liebster, genieße der Ruh" | RIAS Kammerchor, Andreas Scholl, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-20 | Weihnachts-Oratorium, BWV 248: II. For the Second Day of Christmas, XX. Recit (E) "Und alsobald war da bei dem Engel" | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-21 | Weihnachts-Oratorium, BWV 248: II. For the Second Day of Christmas, XXI. Chorus "Ehre sei Gott in der Höhe" | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-22 | Weihnachts-Oratorium, BWV 248: II. For the Second Day of Christmas, XXII. Recit (B) "So recht, ihr Engel, jauchzet und singet" | Klaus Häger, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-23 | Weihnachts-Oratorium, BWV 248: II. For the Second Day of Christmas, XXIII. Chorale "Wir singen dir in deinem Heer" | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-24 | Weihnachts-Oratorium, BWV 248: III. For the Third Day of Christmas, XXIV. Chorus "Herrscher des Himmels, erhöre das Lallen" | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-25 | Weihnachts-Oratorium, BWV 248: III. For the Third Day of Christmas, XXV. Recit (E) "Und da die Engel von ihnen gen Himmel fuhren" | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-26 | Weihnachts-Oratorium, BWV 248: III. For the Third Day of Christmas, XXVI. Chorus "Lasset uns nun gehen gen Bethlehem" | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-27 | Weihnachts-Oratorium, BWV 248: III. For the Third Day of Christmas, XXVII. Recit (B) "Er hat sein Volk getröst'" | Klaus Häger, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-28 | Weihnachts-Oratorium, BWV 248: III. For the Third Day of Christmas, XXVIII. Chorale "Dies hat er alles uns getan" | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-29 | Weihnachts-Oratorium, BWV 248: III. For the Third Day of Christmas, XXIX. Duet (S, B) "Herr, dein Mitleid, dein Erbarmen" | Klaus Häger, RIAS Kammerchor, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-30 | Weihnachts-Oratorium, BWV 248: III. For the Third Day of Christmas, XXX. Recit (E) "Und sie kamen eilend und fanden beide" | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-31 | Weihnachts-Oratorium, BWV 248: III. For the Third Day of Christmas, XXXI. Aria (A) "Schließe, Mein Herze, dies selige Wunder" | RIAS Kammerchor, Andreas Scholl, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-32 | Weihnachts-Oratorium, BWV 248: III. For the Third Day of Christmas, XXXII. Recit (A) "Ja, ja, mein Herz soll es bewahren" | RIAS Kammerchor, Andreas Scholl, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 18-33 | Weihnachts-Oratorium, BWV 248: III. For the Third Day of Christmas, XXXIII. Chorale "Ich will dich mit Fleiß bewahren" | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-1 | Weihnachts-Oratorium, BWV 248: III. For the Third Day of Christmas: Rezitativ (E): Und die Hirten kehrten wieder um | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-2 | Weihnachts-Oratorium, BWV 248: III. For the Third Day of Christmas: Choral: Seid froh | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-3 | Weihnachts-Oratorium, BWV 248: III. For the Third Day of Christmas: Chor (da capo 24): Herrscher des Himmels, erhöre das Lallen | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-4 | Weihnachts-Oratorium, BWV 248: IV. For the Feast of the Circumcision of Christ: Chor: Fallt mit Danken, fallt mit Loben | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-5 | Weihnachts-Oratorium, BWV 248: IV. For the Feast of the Circumcision of Christ: Rezitativ (E): Und da acht Tage um waren | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-6 | Weihnachts-Oratorium, BWV 248: IV. For the Feast of the Circumcision of Christ: Rezitativ (B) und Choral (S): Imanuel, o süßes Wort! | Klaus Häger, RIAS Kammerchor, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-7 | Weihnachts-Oratorium, BWV 248: IV. For the Feast of the Circumcision of Christ: Arie (S/Echo): Flößt, mein Heiland, flößt dein Namen | RIAS Kammerchor, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-8 | Weihnachts-Oratorium, BWV 248: IV. For the Feast of the Circumcision of Christ: Rezitativ (B) und Choral (S): Wohlan, dein Name soll allein | Klaus Häger, RIAS Kammerchor, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-9 | Weihnachts-Oratorium, BWV 248: IV. For the Feast of the Circumcision of Christ: Arie (T): Ich will nur dir zu Ehren leben | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-10 | Weihnachts-Oratorium, BWV 248: IV. For the Feast of the Circumcision of Christ: Choral: Jesus richte mein Beginnen | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-11 | Weihnachts-Oratorium, BWV 248: V. For the Sunday after New Year: Chor: Ehre sei dir, Gott, gesungen | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-12 | Weihnachts-Oratorium, BWV 248: V. For the Sunday after New Year: Rezitativ (E): Da Jesus geboren war zu Bethlehem | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-13 | Weihnachts-Oratorium, BWV 248: V. For the Sunday after New Year: Chor und Rezitativ (A): Wo ist der neugeborne König der Juden? | RIAS Kammerchor, Andreas Scholl, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-14 | Weihnachts-Oratorium, BWV 248: V. For the Sunday after New Year: Choral: Dein Glanz all Finsternis verzehrt | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-15 | Weihnachts-Oratorium, BWV 248: V. For the Sunday after New Year: Arie (B): Erleucht auch meine finstre Stimme | Klaus Häger, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-16 | Weihnachts-Oratorium, BWV 248: V. For the Sunday after New Year: Rezitativ (E): Da das der König Herodes hörte | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-17 | Weihnachts-Oratorium, BWV 248: V. For the Sunday after New Year: Rezitativ (A): Warum wollt ihr erschrecken? | RIAS Kammerchor, Andreas Scholl, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-18 | Weihnachts-Oratorium, BWV 248: V. For the Sunday after New Year: Rezitativ (E): Und ließ versammeln alle Hohepriester | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-19 | Weihnachts-Oratorium, BWV 248: V. For the Sunday after New Year: Terzett (SAT): Ach, wenn wird die Zeit erscheinen? | Werner Güra, RIAS Kammerchor, Dorothea Röschmann, Andreas Scholl, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-20 | Weihnachts-Oratorium, BWV 248: V. For the Sunday after New Year: Rezitativ (A): Mein Liebster herrschet schon | RIAS Kammerchor, Andreas Scholl, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-21 | Weihnachts-Oratorium, BWV 248: V. For the Sunday after New Year: Choral: Zwar ist solche Herzensstube | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-22 | Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Chor: Herr, wenn die stolzen Feinde schnauben | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-23 | Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Rezitativ (E) und Rezitativ (H): Da berief Herodes die Weisen heimlich | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-24 | Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Rezitativ (S): Du Falscher, suche nur den Herrn zu fällen | RIAS Kammerchor, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-25 | Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Arie (S): Nur ein Wink von seinen Händen | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-26 | Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Rezitativ (E): Als sie nun den König gehöret hatten | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-27 | Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Choral: Ich steh an deiner Krippen hier | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-28 | Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Rezitativ (E): Und Gott befahl ihnen im Traum | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-29 | Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Rezitativ (T): So geht! Genug, mein Schatz geht nicht von hier | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-30 | Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Arie (T): Nun mögt ihr stolzen Feinde schrecken | Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-31 | Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Rezitativ (SATB): Was will der Höllen Schrecken nun | Werner Güra, Klaus Häger, RIAS Kammerchor, Dorothea Röschmann, Andreas Scholl, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 19-32 | Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Choral: Nun seid ihr wohl gerochen | RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 20-1 | Stabat Mater: Duo "Stabat Mater Dolorosa" | — | ||
| 20-2 | Stabat Mater: Aria "Cuius animam gementem" | — | ||
| 20-3 | Stabat Mater: Duo "O quam tristis et afflicta" | — | ||
| 20-4 | Stabat Mater: Aria "Quæ moerebat et dolebat" | — | ||
| 20-5 | Stabat Mater: Duo "Quis est homo, qui non fleret" | — | ||
| 20-6 | Stabat Mater: Aria "Vidit suum dulcem natum" | — | ||
| 20-7 | Stabat Mater: Aria "Eja, Mater, fons amoris" | — | ||
| 20-8 | Stabat Mater: Duo "Fac, ut ardeat cor meum" | — | ||
| 20-9 | Stabat Mater: Duo "Sancta Mater, istud agas" | — | ||
| 20-10 | Stabat Mater: Aria "Fac, ut portem Christi mortem" | — | ||
| 20-11 | Stabat Mater: Duo "Inflammatus et accensus" | — | ||
| 20-12 | Stabat Mater: Duo "Quando corpus morietur" - Duo "Amen" | — | ||
| 20-13 | Stabat Mater, G 532: I. Grave assai "Stabat Mater dolorosa" | — | ||
| 20-14 | Stabat Mater, G 532: II. Allegro "Cujus animam gementem" | — | ||
| 20-15 | Stabat Mater, G 532: III. Allegretto con moto "Quae moerebat et dolebat" | — | ||
| 20-16 | Stabat Mater, G 532: IV. Adagio assai. Recitativo "Quis est homo" | — | ||
| 20-17 | Stabat Mater, G 532: V. Allegretto "Pro peccatis suae gentis" | — | ||
| 20-18 | Stabat Mater, G 532: VI. Larghetto non tanto "Eja mater, fons amoris" | — | ||
| 20-19 | Stabat Mater, G 532: VII. Allegro vivo "Tui nati vulnerati" | — | ||
| 20-20 | Stabat Mater, G 532: VIII. Andantino "Virgo virginum praeclara" | — | ||
| 20-21 | Stabat Mater, G 532: IX. Larghetto "Fac ut portem Christi mortem" | — | ||
| 20-22 | Stabat Mater, G 532: X. Allegro commodo "Fac me plagis vulnerari" | — | ||
| 20-23 | Stabat Mater, G 532: XI. Andante lento "Quando corpus morietur" | — | ||
| 21-1 | Stabat Mater, RV 621: I. Stabat mater dolorosa. Largo | Andreas Scholl, Ensemble 415, Chiara Banchini | — | |
| 21-2 | Stabat Mater, RV 621: II. Cujus animam gementem. Adagio | Andreas Scholl, Ensemble 415, Chiara Banchini | — | |
| 21-3 | Stabat Mater, RV 621: III. O quam tristis. Andante | Andreas Scholl, Ensemble 415, Chiara Banchini | — | |
| 21-4 | Stabat Mater, RV 621: IV. Quis est homo. Largo | Andreas Scholl, Ensemble 415, Chiara Banchini | — | |
| 21-5 | Stabat Mater, RV 621: V. Quis non posset. Adagio | Andreas Scholl, Ensemble 415, Chiara Banchini | — | |
| 21-6 | Stabat Mater, RV 621: VI. Pro peccatis suae gentis. Andante | Andreas Scholl, Ensemble 415, Chiara Banchini | — | |
| 21-7 | Stabat Mater, RV 621: VII. Eja mater, fons amoris. Largo | Andreas Scholl, Ensemble 415, Chiara Banchini | — | |
| 21-8 | Stabat Mater, RV 621: VIII. Fac ut ardeat. Lento | Andreas Scholl, Ensemble 415, Chiara Banchini | — | |
| 21-9 | Stabat Mater, RV 621: IX. Amen. Allegro | Andreas Scholl, Ensemble 415, Chiara Banchini | T-915.927.200-1 | |
| 21-10 | Stabat Mater: I. Introduzione "Stabat Mater dolorosa" | — | ||
| 21-11 | Stabat Mater: II. Aria "Cujus animam gementem" | — | ||
| 21-12 | Stabat Mater: III. Duetto "Quis est homo, qui non fleret" | — | ||
| 21-13 | Stabat Mater: IV. Aria "Pro peccatis suae gentis" | — | ||
| 21-14 | Stabat Mater: V. Coro e Recitativo "Eja Mater, fons amoris" | — | ||
| 21-15 | Stabat Mater: VI. Quartetto "Sancta Mater, istud agas" | — | ||
| 21-16 | Stabat Mater: VII. Cavatina "Fac, ut portem Christi mortem" | — | ||
| 21-17 | Stabat Mater: VIII. Aria e Coro "Inflammatus et accensus" | — | ||
| 21-18 | Stabat Mater: IX. Quartetto "Quando corpus morietur" | — | ||
| 21-19 | Stabat Mater: X. Finale "In sempiterna saecula. Amen" | — | ||
| 22-1 | Requiem, K 626: I. Introitus: "Requiem aeternam" | — | ||
| 22-2 | Requiem, K 626: II. "Kyrie" | — | ||
| 22-3 | Requiem, K 626: IIIa. Sequenz: "Dies Irae" | — | ||
| 22-4 | Requiem, K 626: IIIb. Sequenz: "Tuba mirum" | — | ||
| 22-5 | Requiem, K 626: IIIc. Sequenz: "Rex tremendae" | — | ||
| 22-6 | Requiem, K 626: IIId. Sequenz: "Recordare" | — | ||
| 22-7 | Requiem, K 626: IIIe. Sequenz: "Confutatis" | — | ||
| 22-8 | Requiem, K 626: IIIf.Sequenz: "Lacrimosa" | — | ||
| 22-9 | Requiem, K 626: IVa. Offertorium: "Domine Jesu" | — | ||
| 22-10 | Requiem, K 626: IVb. Offertorium: "Hostias" | — | ||
| 22-11 | Requiem, K 626: V. "Sanctus" | — | ||
| 22-12 | Requiem, K 626: VI. "Benedictus" | — | ||
| 22-13 | Requiem, K 626: VII. "Agnus Dei" | — | ||
| 22-14 | Requiem, K 626: VIII. Communio: "Lux aeterna" | — | ||
| 22-15 | Kyrie, K 341 | — | ||
| 23-1 | Ein deutsches Requiem, Op. 45: I.Selig sind, die da Leid tragen | — | ||
| 23-2 | Ein deutsches Requiem, Op. 45: II. Denn alles Fleisch, es ist wie Gras | — | ||
| 23-3 | Ein deutsches Requiem, op. 45: III. Herr, lehre doch mich, daß ein Ende mit mir haben muß | La Chapelle Royale, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | — | |
| 23-4 | Ein deutsches Requiem, Op. 45: IV. Wie lieblich sind deine Wohnungen, Herr Zebaoth | — | ||
| 23-5 | Ein deutsches Requiem, Op. 45: V. Ihr habt nur Traurigkeit | — | ||
| 23-6 | Ein deutsches Requiem, Op. 45: VI. Denn wir haben hie keine bleibende Statt | — | ||
| 23-7 | Ein deutsches Requiem, Op. 45: VII. Selig sind die Toten, die in dem Herren sterben | — | ||
| 24-1 | Requiem, Op. 48: I. Introït | — | ||
| 24-2 | Requiem, Op. 48: II. Offertoire | — | ||
| 24-3 | Requiem, Op. 48: III. Sanctus | — | ||
| 24-4 | Requiem, Op. 48: IV. Pie Jesu | — | ||
| 24-5 | Requiem, Op. 48: V. Agnus Dei | — | ||
| 24-6 | Requiem, Op. 48: VI. Libera me | — | ||
| 24-7 | Requiem, Op. 48: VII. In Paradisum | — | ||
| 25-1 | Missa solemnis in D major, Op. 123: I. Kyrie | — | ||
| 25-2 | Missa solemnis in D major, Op. 123: II. Gloria | — | ||
| 25-3 | Missa solemnis in D major, Op. 123: III. Credo | — | ||
| 25-4 | Missa solemnis in D major, Op. 123: IV. Sanctus | — | ||
| 25-5 | Missa solemnis in D major, Op. 123: V. Benedictus | — | ||
| 25-6 | Missa solemnis in D major, Op. 123: VI. Agnus Dei | — | ||
| 26-1 | Psalm 100 "Jauchzet dem Herrn alle Welt" | — | ||
| 26-2 | Psalm 2, Op. 78 No. 1 "Warum toben die Heiden" | — | ||
| 26-3 | Psalm 43, Op. 78 No. 2 "Richte mich, Gott" | — | ||
| 26-4 | Psalm 22, Op. 78 No. 3 "Mein Gott, warum hast du mich verlassen?" | — | ||
| 26-5 | Choralmotette, Op. 23 No. 3 "Mitten wir im Leben sind" | — | ||
| 26-6 | Motette, Op. 69 No. 1 "Herr, nun lässest du deinen Diener in Frieden fahren" | — | ||
| 26-7 | Motette, Op. 69 No. 2 "Jauchzet dem Herrn alle Welt" | — | ||
| 26-8 | Motette, Op. 69 No. 3 "Mein Herz erhebet Gott, den Herrn" | — | ||
| 26-9 | Missa breve: "Kyrie eleison" - "Ehre sei Gott in der Höhe" - "Heilig, heilig, heilig" | — | ||
| 26-10 | Zum Abendsegen: "Herr, sei gnädig unserm Flehn" | — | ||
| 26-11 | Motets: Ave Maria | — | ||
| 26-12 | Motets: Christus factus est, WAB 10 | — | ||
| 26-13 | Motets: Os justi, WAB 30 | — | ||
| 26-14 | Motets: Locus iste, WAB 23 | — | ||
| 26-15 | Motets: Vexilla regis, WAB 51 | — | ||
| 27-1 | Quatre motets pour un temps de pénitence: No. 1. Timor et tremor | — | ||
| 27-2 | Quatre motets pour un temps de pénitence: No. 2. Vinea mea electa | — | ||
| 27-3 | Quatre motets pour un temps de pénitence: No. 3. Tenebræ factæ sunt | — | ||
| 27-4 | Quatre motets pour un temps de pénitence: No. 4. Tristis est anima mea | — | ||
| 27-5 | Quatre motets pour le temps de Noël: No. 1. O magnum mysterium | — | ||
| 27-6 | Quatre motets pour le temps de Noël: No. 2. Quem vidistis pastores dicite | — | ||
| 27-7 | Quatre motets pour le temps de Noël: No. 3. Videntes stellam | — | ||
| 27-8 | Quatre motets pour le temps de Noël: No. 4. Hodie Christus natus est | — | ||
| 27-9 | Messe en Sol majeur: I. Kyrie | — | ||
| 27-10 | Messe en Sol majeur: II. Gloria | — | ||
| 27-11 | Messe en Sol majeur: III. Sanctus | — | ||
| 27-12 | Messe en Sol majeur: IV. Benedictus | — | ||
| 27-13 | Messe en Sol majeur: V. Agnus Dei | — | ||
| 27-14 | "Mass": I. Devotions before Mass: 1. Antiphon: Kyrie eleison | — | ||
| 27-15 | "Mass": I. Devotions before Mass: 2. Hymn and Psalm: "A Simple Song" | — | ||
| 27-16 | "Mass": I. Devotions before Mass: 3. Responsory: Alleluia | — | ||
| 27-17 | "Mass": II. First Introit (Rondo): 1. Prefatory Prayers | — | ||
| 27-18 | "Mass": II. First Introit (Rondo): 2. Thrice-Triple Canon: Dominus vobiscum | — | ||
| 27-19 | "Mass": III. Second Introit: 1. In nomine Patris | — | ||
| 27-20 | "Mass": III. Second Introit: 2. Prayer for the Congregation (Chorale: "Almighty Father") | — | ||
| 27-21 | "Mass": III. Second Introit: 3. Epiphany | — | ||
| 27-22 | "Mass": IV. Confession: 1. Confiteor | — | ||
| 27-23 | "Mass": IV. Confession: 2. Trope: "I Don't Know" | — | ||
| 27-24 | "Mass": IV. Confession: 3. Trope: "Easy" | — | ||
| 28-1 | "Mass": V. Meditation No. 1 | — | ||
| 28-2 | "Mass": VI. Gloria: 1. Gloria tibi | — | ||
| 28-3 | "Mass": VI. Gloria: 2. Gloria in excelsis | — | ||
| 28-4 | "Mass": VI. Gloria: 3. Trope: "Half of the People | — | ||
| 28-5 | "Mass": VI. Gloria: 4. Trope: "Thank You" | — | ||
| 28-6 | "Mass": VII. Meditation No. 2 | — | ||
| 28-7 | "Mass": VIII. Epistle: "The Word of the Lord" | — | ||
| 28-8 | "Mass": IX. Gospel-Sermon: "God Said" | — | ||
| 28-9 | "Mass": X. Credo: 1. Credo in unum Deum | — | ||
| 28-10 | "Mass": X. Credo: 2. Trope: "Non Credo" | — | ||
| 28-11 | "Mass": X. Credo: 3. Trope: "Hurry" | — | ||
| 28-12 | "Mass": X. Credo: 4. Trope: "World Without End" | — | ||
| 28-13 | "Mass": X. Credo: 5. Trope: "I Believe In God" | — | ||
| 28-14 | "Mass": XI. Meditation No. 3: (De profundis, part 1) | — | ||
| 28-15 | "Mass": XII. Offertory: (De profundis, part 2) | — | ||
| 28-16 | "Mass": XIII. The Lord's Prayer: 1. Our Father | — | ||
| 28-17 | "Mass": XIII. The Lord's Prayer: 2. Trope: "I Go On" | — | ||
| 28-18 | "Mass": XIV. Sanctus: "Holy! Holy! Holy!..." | — | ||
| 28-19 | "Mass": XV. Agnus Dei | — | ||
| 28-20 | "Mass": XVI. Fraction: "Things Get Broken" | — | ||
| 28-21 | "Mass": XVII. Pax: Communion: "Secret Songs" | — | ||
| 29-1 | Orthodox Chant: Da ispravitsia molitva moia (Let My Prayer Arise) No. 2 | — | ||
| 29-2 | Orthodox Chant: Nyne sily nebesnyia (Now the Powers of Heaven) | — | ||
| 29-3 | Orthodox Chant: Kheruvimskaia pesn (The Cherubic Hymn) No. 7 | — | ||
| 29-4 | Orthodox Chant: Slava (Glory) - Yedinorodnyi Syne (Only-begotten Son) | — | ||
| 29-5 | Orthodox Chant: Plotiyu usnuv (In the flesh Thou didst fall asleep) | — | ||
| 29-6 | Orthodox Chant, Choral Concerto No. 24: Vozvedokh ochi moyi v gory (I lift up my eyes to the mountains) | — | ||
| 29-7 | Orthodox Chant: Khvalite imia Gospodne (Praise the Name of the Lord) | — | ||
| 29-8 | Orthodox Chant, Choral Concerto No. 27: Glasom moim ko Gospodu vozzvakh (With my voice I cried out to the Lord) | — | ||
| 29-9 | Orthodox Chant: Na rekakh vavilonskikh (By the rivers of Babylon) | — | ||
| 29-10 | Orthodox Chant, Choral Concerto No. 32: Skazhi mi, Gospodi, konchinu moyu (Lord, make me to know my end) | — | ||
| 29-11 | All-Night Vigil, op. 37: Vespers: I. Come, Let Us Worship | Eesti Filharmoonia Kammerkoor, Paul Hillier | — | |
| 29-12 | All-Night Vigil, op. 37: Vespers: II. Praise the Lord, o My Soul | Eesti Filharmoonia Kammerkoor, Paul Hillier | — | |
| 29-13 | All-Night Vigil, op. 37: Vespers: III. Blessed Is the Man | Eesti Filharmoonia Kammerkoor, Paul Hillier | — | |
| 29-14 | All-Night Vigil, op. 37: Vespers: IV. O Gentle Light | Eesti Filharmoonia Kammerkoor, Paul Hillier | — | |
| 29-15 | All-Night Vigil, op. 37: Vespers: V. Lord, Now Lettest Thou | Eesti Filharmoonia Kammerkoor, Paul Hillier | — | |
| 29-16 | All-Night Vigil, op. 37: Vespers: VI. Rejoice, o Virgin | Eesti Filharmoonia Kammerkoor, Paul Hillier | — |
