Earl Hines in New Orleans

UPC · Release

Earl Hines in New Orleans

Earl Hines, Wallace Davenport, Orange Kellin

8004883531974
18 tracksReleased 1998-01-01Giants Of Jazz

Last verified:

8004883531974 is the Universal Product Code (UPC barcode) for the release Earl Hines in New Orleans by Earl Hines, Wallace Davenport, Orange Kellin, released 1998-01-01 on Giants Of Jazz. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 18 tracks, each with its own ISRC.

Format

800GS1 prefix
4883Company prefix
53197Product
4Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCEarl Hines in New Orleans
ISWC7 works
IPI1 songwriter

Track List (18)

My Monday Date, Parts 1 & 2 (Hines)
My Monday Date, Parts 1 & 2 (Hines)
Song of the Islands (King)
Song of the Islands (King)
There'll Be Some Changes Made (Donaldson, Overstreet)
There'll Be Some Changes Made (Donaldson, Overstreet)
Jelly Roll (Williams)
Jelly Roll (Williams)
Tishomingo Blues (Williams)
Tishomingo Blues (Williams)
The One I Love (Belongs to Somebody Else) (Jones, Kahn)
The One I Love (Belongs to Somebody Else) (Jones, Kahn)
Rosetta (Hines, Woode)
Rosetta (Hines, Woode)
Way Down Yonder in New Orleans (Creamer, Layton)
Way Down Yonder in New Orleans (Creamer, Layton)
Someday, Sweetheart (Spikes, Spikes)
Someday, Sweetheart (Spikes, Spikes)
Playing With Fire (Kellin)
Playing With Fire (Kellin)
Do You Know What It Means to Miss New Orleans? (Alter, DeLange)
Do You Know What It Means to Miss New Orleans? (Alter, DeLange)
Bouncing for Panassie (Davenport)
Bouncing for Panassie (Davenport)
Blues My Naughty Sweetie Gives to Me (McCarron, Morgan, Swanstrom)
Blues My Naughty Sweetie Gives to Me (McCarron, Morgan, Swanstrom)
Sugar Babe (Melrose)
Sugar Babe (Melrose)
If I Could Be With You (One Hour Tonight) (Creamer, Johnson)
If I Could Be With You (One Hour Tonight) (Creamer, Johnson)
Someday You'll Be Sorry (Armstrong)
Someday You'll Be Sorry (Armstrong)
Moonglow (DeLange, Hudson, Mills)
Moonglow (DeLange, Hudson, Mills)
Elephant Stomp (Minerbi)
Elephant Stomp (Minerbi)

What other identifiers does this connect to?

Musical Works (ISWC)

Songwriters/Publishers (IPI)

Creative Contributors (ISNI)

Credits Graph

People also ask

What is UPC 8004883531974?
UPC 8004883531974 is the Universal Product Code (barcode) for "Earl Hines in New Orleans" by Earl Hines, Wallace Davenport, Orange Kellin, released on Giants Of Jazz.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 8004883531974?
UPC 8004883531974 contains 18 tracks.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 8004883531974?

8004883531974 is a Universal Product Code (UPC) assigned to Earl Hines in New Orleans by Earl Hines, Wallace Davenport, Orange Kellin. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 18 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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