UPC · Release
Nicolò Paganini Complete Edition
Niccolò Paganini
8007144077341
746 tracksReleased 2018-01-01Dynamic (4)
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8007144077341 is the Universal Product Code (UPC barcode) for the release “Nicolò Paganini Complete Edition” by Niccolò Paganini, released 2018-01-01 on Dynamic (4). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 746 tracks, each with its own ISRC. Tracks include ITN320922001, ITN320922002, ITN320922003.
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UPCNicolò Paganini Complete Edition
ISRC115 recordings
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Track List (746)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto no. 1. Allegro maestoso | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 2 | Concerto no. 1. Adagio espressivo | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 3 | Concerto no. 1. Rondò: Allegretto spiritoso | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 4 | Concerto no. 2. Allegro maestoso | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 5 | Concerto no. 2. Adagio | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 6 | Concerto no. 2. Rondò: Andantino - Allegretto moderato | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 2-1 | Concerto No. 3 » Andante - Allegro Marziale | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 2-2 | Concerto No. 3 » Adagio | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 2-3 | Concerto No. 3 » Polacca. Andantino - Vivace | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 2-4 | Concerto No. 5 » Allegro Maestoso | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 2-5 | Concerto No. 5 » Andante un poco sostenuto | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 2-6 | Concerto No. 5 » Rondò. Andante - Allegretto | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 3-1 | Grand Concerto in E minor » Risoluto | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 3-2 | Grand Concerto in E minor » Adagio | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 3-3 | Grand Concerto in E minor » Rondò ossia Polonese | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 3-4 | Concerto No. 4 » Allegro maestoso | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 3-5 | Concerto No. 4 » Adagio flebile con sentimento | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 3-6 | Concerto No. 4 » Rondò galante | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 3-7 | Adagio in E major, M.S. 49 | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 4-1 | Le Streghe, M.S. 19 | Mario Hossen, Vienna Classical Players | — | |
| 4-2 | Suonata con Variazioni, M.S. 47 | Mario Hossen, Vienna Classical Players | — | |
| 4-3 | Non più mesta, M.S. 22 | Mario Hossen, Vienna Classical Players | — | |
| 4-4 | I Palpiti, M.S. 77 | Mario Hossen, Vienna Classical Players | — | |
| 4-5 | Religiosa introduzione al Rondò del Campanello, M.S. 67/1: I. Andante sonnolento | Mario Hossen, Vienna Classical Players, Wiener Singverein | — | |
| 4-6 | Religiosa introduzione al Rondò del Campanello, M.S. 67/1: II. Minuetto | Mario Hossen, Vienna Classical Players | — | |
| 4-7 | Religiosa introduzione al Rondò del Campanello, M.S. 67/1: III. Rondò della Campanella | Mario Hossen, Vienna Classical Players | — | |
| 5-1 | Sonata Varsavia | Salvatore Accardo, Chamber Orchestra of Europe | — | |
| 5-2 | Sonata maria Luisa sul Sol | Salvatore Accardo, Chamber Orchestra of Europe | — | |
| 5-3 | Polacca con Variazioni | Salvatore Accardo, Chamber Orchestra of Europe | — | |
| 5-4 | Balletto Campestre - Variazioni su un Tema Comico | Salvatore Accardo, Chamber Orchestra of Europe | — | |
| 5-5 | Variazioni su "Il Carnevale di Venezia" | Salvatore Accardo, Chamber Orchestra of Europe | — | |
| 6-1 | Napoléon M.S. 5 (original guitar accompaniment by Paganini) | Mario Hossen, Alexander Swete | — | |
| 6-2 | La Primavera M.S. 73 (piano accompaniment by Giusto Dacci) | Mario Hossen, Nadja Hoebarth | — | |
| 6-3 | Sonata movimento perpetuo M.S. 66, with Piano (original piano accompaniment by Paganini): I. Andante amoroso | Mario Hossen, Nadja Hoebarth | — | |
| 6-4 | Sonata movimento perpetuo M.S. 66, with Piano (original piano accompaniment by Paganini): II. Moto perpetuo - Allegro vivace | Mario Hossen, Nadja Hoebarth | T-905.126.392-4 | |
| 6-5 | Maestosa Suonata Sentimentale M.S. 51 | Mario Hossen, Camerata Orphica | — | |
| 7-1 | Tarantella M.S. 76 | Franco Mezzena, Orchestra da Camera di Genova | — | |
| 7-2 | Le Couvent du Mont St. Bernard M.S. 67: I. Andante sonnolento | Franco Mezzena, Orchestra da Camera di Genova, Coro Januensis | — | |
| 7-3 | Le Couvent du Mont St. Bernard M.S. 67: II. Pendule, Lento | Franco Mezzena, Orchestra da Camera di Genova | — | |
| 7-4 | Le Couvent du Mont St. Bernard M.S. 67: III. Minuetto, Moderato | Franco Mezzena, Orchestra da Camera di Genova | — | |
| 7-5 | Le Couvent du Mont St. Bernard M.S. 67: IV. L'Aurora, Lento, Maestoso | Franco Mezzena, Orchestra da Camera di Genova, Coro Januensis | — | |
| 7-6 | Le Couvent du Mont St. Bernard M.S. 67: V. Rondò del campanello | Franco Mezzena, Orchestra da Camera di Genova | — | |
| 7-7 | Niccolò Paganini a Mr. Henry M.S. 65: I. Larghetto | Franco Traverso, Rino Vernizzi, Orchestra da Camera di Genova | — | |
| 7-8 | Niccolò Paganini a Mr. Henry M.S. 65: II. Allegro moderato | Franco Traverso, Rino Vernizzi, Orchestra da Camera di Genova | — | |
| 7-9 | Sonata per la grand viola M.S. 70 | Luigi Alberto Bianchi, Deutsches Symphonie-Orchester Berlin | T-910.773.331-3 | |
| 8-1 | Quartet no. 1 in A minor, op. 4 no. 1, M.S. 28, dedicated to "amateur ladies": I. Introduzione - Andante marcato, Vivace | — | ||
| 8-2 | Quartet no. 1 in A minor, op. 4 no. 1, M.S. 28, dedicated to "amateur ladies": II. Minuetto alla marsigliese - Andantino | — | ||
| 8-3 | Quartet no. 1 in A minor, op. 4 no. 1, M.S. 28, dedicated to "amateur ladies": III. Tema con variazioni - Adagetto cantabile | — | ||
| 8-4 | Quartet no. 9 in D major, M.S. 36, dedicated to L. G. Germi: I. Allegro moderato | — | ||
| 8-5 | Quartet no. 9 in D major, M.S. 36, dedicated to L. G. Germi: II. Minuetto alla Valtz | — | ||
| 8-6 | Quartet no. 9 in D major, M.S. 36, dedicated to L. G. Germi: III. Adagio sostenuto appassionatamente | — | ||
| 8-7 | Quartet no. 9 in D major, M.S. 36, dedicated to L. G. Germi: IV. Allegro vivace | — | ||
| 8-8 | Quartet no. 10 in A major, M.S. 37, dedicated to L. G. Germi: I. Allegretto | — | ||
| 8-9 | Quartet no. 10 in A major, M.S. 37, dedicated to L. G. Germi: II. Minuetto - Scherzo (Allegretto mosso) | — | ||
| 8-10 | Quartet no. 10 in A major, M.S. 37, dedicated to L. G. Germi: III. Adagio cantabile | — | ||
| 8-11 | Quartet no. 10 in A major, M.S. 37, dedicated to L. G. Germi: IV. Rondo (Andantino con brio) | — | ||
| 9-1 | Quartet no. 11 in B major, M.S. 38, dedicated to L. G. Germi: I. Allegro moderato | — | ||
| 9-2 | Quartet no. 11 in B major, M.S. 38, dedicated to L. G. Germi: II. Minuetto (Allegretto) | — | ||
| 9-3 | Quartet no. 11 in B major, M.S. 38, dedicated to L. G. Germi: III. Larghetto, con passione | — | ||
| 9-4 | Quartet no. 11 in B major, M.S. 38, dedicated to L. G. Germi: IV. Polacca (Andante mosso) | — | ||
| 9-5 | Quartet no. 12 in A minor, M.S. 39, dedicated to L. G. Germi: I. Allegro giusto | — | ||
| 9-6 | Quartet no. 12 in A minor, M.S. 39, dedicated to L. G. Germi: II. Tenuto con precisione | — | ||
| 9-7 | Quartet no. 12 in A minor, M.S. 39, dedicated to L. G. Germi: III. Minuetto (Allegretto mosso) | — | ||
| 9-8 | Quartet no. 13 in F major, M.S. 40, dedicated to L. G. Germi: I. Allegro con brio | — | ||
| 9-9 | Quartet no. 13 in F major, M.S. 40, dedicated to L. G. Germi: II. Minuetto (Allegretto) | — | ||
| 9-10 | Quartet no. 13 in F major, M.S. 40, dedicated to L. G. Germi: III. Larghetto, tenuto con anima | — | ||
| 9-11 | Quartet no. 13 in F major, M.S. 40, dedicated to L. G. Germi: IV. Finale - Prestissimo | — | ||
| 10-1 | Quartet no. 3 in A major, op. 4 no. 3, M.S. 30, dedicated to "amateur ladies": I. Pot-pourri - Allegro | — | ||
| 10-2 | Quartet no. 3 in A major, op. 4 no. 3, M.S. 30, dedicated to "amateur ladies": II. Minuetto alla Spagnola - Andantino | — | ||
| 10-3 | Quartet no. 3 in A major, op. 4 no. 3, M.S. 30, dedicated to "amateur ladies": III. Romance - Adagio non tanto | — | ||
| 10-4 | Quartet no. 3 in A major, op. 4 no. 3, M.S. 30, dedicated to "amateur ladies": IV. Rondò - Allegretto | — | ||
| 10-5 | Quartet no. 7 in E major, M.S. 34, dedicated to the Marchesa Caterina Raggi Pallavicini: I. Allegro moderato | — | ||
| 10-6 | Quartet no. 7 in E major, M.S. 34, dedicated to the Marchesa Caterina Raggi Pallavicini: II. Minuetto - Allegretto | — | ||
| 10-7 | Quartet no. 7 in E major, M.S. 34, dedicated to the Marchesa Caterina Raggi Pallavicini: III. Adagio cantabile - Sostenuto con passione | — | ||
| 10-8 | Quartet no. 7 in E major, M.S. 34, dedicated to the Marchesa Caterina Raggi Pallavicini: IV. Rondò vivace | — | ||
| 10-9 | Quartet no. 14 in A major, M.S. 41, dedicated to L. G. Germi: I. Allegro maestoso | — | ||
| 10-10 | Quartet no. 14 in A major, M.S. 41, dedicated to L. G. Germi: II. Minuetto Scherzo - Allegretto | — | ||
| 10-11 | Quartet no. 14 in A major, M.S. 41, dedicated to L. G. Germi: III. Largo con sentimento | — | ||
| 10-12 | Quartet no. 14 in A major, M.S. 41, dedicated to L. G. Germi: IV. Finale - Allegro vivace | — | ||
| 11-1 | Quartet no. 2 in C major, op. 4 no. 2, M.S. 29, dedicated to "amateur ladies": I. Moderato | — | ||
| 11-2 | Quartet no. 2 in C major, op. 4 no. 2, M.S. 29, dedicated to "amateur ladies": II. Minuetto, Andante | — | ||
| 11-3 | Quartet no. 2 in C major, op. 4 no. 2, M.S. 29, dedicated to "amateur ladies": III. Larghetto in Fa | — | ||
| 11-4 | Quartet no. 2 in C major, op .4 no. 2, M.S. 29, dedicated to "amateur ladies": IV. Rondò, Allegretto | — | ||
| 11-5 | Quartet no. 8 in A major M.S. 35, dedicated to the Marchese Filippo Carrega: I. Allegro | — | ||
| 11-6 | Quartet no. 8 in A major M.S. 35, dedicated to the Marchese Filippo Carrega: II. Minuetto, Andantino | — | ||
| 11-7 | Quartet no. 8 in A major M.S. 35, dedicated to the Marchese Filippo Carrega: III. Cantabile molto adagio | — | ||
| 11-8 | Quartet no. 8 in A major M.S. 35, dedicated to the Marchese Filippo Carrega: IV. Rondò, Allegretto | — | ||
| 11-9 | Quartet no. 15 in A minor M.S. 42, dedicated to L. G. Germi: I. Maestoso | — | ||
| 11-10 | Quartet no. 15 in A minor M.S. 42, dedicated to L. G. Germi: II. Minuetto a canone, Andantino | — | ||
| 11-11 | Quartet no. 15 in A minor M.S. 42, dedicated to L. G. Germi: III. Recitativo, Andante sostenuto con sentimento | — | ||
| 11-12 | Quartet no. 15 in A minor M.S. 42, dedicated to L. G. Germi: IV. Adagio cantabile | — | ||
| 11-13 | Quartet no. 15 in A minor M.S. 42, dedicated to L. G. Germi: V. Rondò, Allegretto cantabile | — | ||
| 12-1 | Quartet no. 4 in D major, op. 5 no. 1, M.S. 31, dedicated to "amateur ladies": I. Presto | — | ||
| 12-2 | Quartet no. 4 in D major, op. 5 no. 1, M.S. 31, dedicated to "amateur ladies": II. Andante | — | ||
| 12-3 | Quartet no. 4 in D major, op. 5 no. 1, M.S. 31, dedicated to "amateur ladies": III. Cantabile quasi larghetto | — | ||
| 12-4 | Quartet no. 5 in D major, op. 5 no. 2, M.S. 32, dedicated to "amateur ladies": I. Allegro | — | ||
| 12-5 | Quartet no. 5 in D major, op. 5 no. 2, M.S. 32, dedicated to "amateur ladies": II. Minuetto, Allegretto | — | ||
| 12-6 | Quartet no. 5 in D major, op. 5 no. 2, M.S. 32, dedicated to "amateur ladies": III. Cantabile, Larghetto | — | ||
| 12-7 | Quartet no. 5 in D major, op. 5 no. 2, M.S. 32, dedicated to "amateur ladies": IV. Polacca, quasi presto | — | ||
| 12-8 | Quartet no. 6 in D minor, op. 5 no. 3, M.S. 33, dedicated to "amateur ladies": I. Allegro | — | ||
| 12-9 | Quartet no. 6 in D minor, op. 5 no. 3, M.S. 33, dedicated to "amateur ladies": II. Moderato | — | ||
| 12-10 | Quartet no. 6 in D minor, op. 5 no. 3, M.S. 33, dedicated to "amateur ladies": III. Tema cantabile, quasi larghetto | — | ||
| 12-11 | Quartet no. 6 in D minor, op. 5 no. 3, M.S. 33, dedicated to "amateur ladies": IV. Polacchetta, Allegro con brio | — | ||
| 13-1 | Serenata in C major M.S. 17 for viola, cello and guitar: I. Allegretto spiritoso | — | ||
| 13-2 | Serenata in C major M.S. 17 for viola, cello and guitar: II. Minuetto (Andantino - Amorosamente) | — | ||
| 13-3 | Serenata in C major M.S. 17 for viola, cello and guitar: III. Adagio non tanto (Unione con anima) | — | ||
| 13-4 | Serenata in C major M.S. 17 for viola, cello and guitar: IV. Rondò con maestria e grazia (Canzonetta genovese) | — | ||
| 13-5 | Serenata in C major M.S. 17 for viola, cello and guitar: V. Andantino alla polacca | — | ||
| 13-6 | Terzetto Concertante in D major M.S. 114 for viola, cello and guitar: I. Allegro | — | ||
| 13-7 | Terzetto Concertante in D major M.S. 114 for viola, cello and guitar: II. Minuetto | — | ||
| 13-8 | Terzetto Concertante in D major M.S. 114 for viola, cello and guitar: III. Adagio cantabile | — | ||
| 13-9 | Terzetto Concertante in D major M.S. 114 for viola, cello and guitar: IV. Waltz a rondò (Allegretto con energia) | — | ||
| 13-10 | Terzetto in D major M.S. 69 for violin, cello and guitar: I. Allegro con brio | — | ||
| 13-11 | Terzetto in D major M.S. 69 for violin, cello and guitar: II. Minuetto (Allegro vivace) | — | ||
| 13-12 | Terzetto in D major M.S. 69 for violin, cello and guitar: III. Andante, Larghetto (Cavate) | — | ||
| 13-13 | Terzetto in D major M.S. 69 for violin, cello and guitar: IV. Rondò (Allegretto) | — | ||
| 13-14 | Terzetto in A minor M.S. 116 for two violins and guitar: I. Andante sostenuto | — | ||
| 13-15 | Terzetto in A minor M.S. 116 for two violins and guitar: II. Tempo di minuetto | — | ||
| 13-16 | Terzetto in A minor M.S. 116 for two violins and guitar: III. Andantino - Allegro | — | ||
| 13-17 | Serenata in F major M.S. 115 for two violins and guitar: I. Introduzione, Largo | — | ||
| 13-18 | Serenata in F major M.S. 115 for two violins and guitar: II. Tempo di minuetto - Amoroso | — | ||
| 13-19 | Serenata in F major M.S. 115 for two violins and guitar: III. Andantino scherzando | — | ||
| 14-1 | Quartet no. 1, M.S. 20: I. Allegro maestroso | — | ||
| 14-2 | Quartet no. 1, M.S. 20: II. Minuetto, Allegretto | — | ||
| 14-3 | Quartet no. 1, M.S. 20: III. Adagio, con anima | — | ||
| 14-4 | Quartet no. 1, M.S. 20: IV. Rondò, Allegretto con brio | — | ||
| 14-5 | Quartet no. 2, M.S. 20: I. Moderato | — | ||
| 14-6 | Quartet no. 2, M.S. 20: II. Minuetto, Allegretto | — | ||
| 14-7 | Quartet no. 2, M.S. 20: III. Adagio, con trasporto | — | ||
| 14-8 | Quartet no. 2, M.S. 20: IV. Finale, Prestissimo | — | ||
| 14-9 | Quartet no. 3, M.S. 20: I. Largo, Allegro | — | ||
| 14-10 | Quartet no. 3, M.S. 20: II. Minuetto, Andantino | — | ||
| 14-11 | Quartet no. 3, M.S. 20: III. Andante con variozioni | — | ||
| 14-12 | Quartet no. 3, M.S. 20: IV. Finale, Presto | — | ||
| 15-1 | In cor più non mi sento, Theme and variations for two violins and cello, M.S. 117: Theme | — | ||
| 15-2 | In cor più non mi sento, Theme and variations for two violins and cello, M.S. 117: Variation I | — | ||
| 15-3 | In cor più non mi sento, Theme and variations for two violins and cello, M.S. 117: Variation II | — | ||
| 15-4 | In cor più non mi sento, Theme and variations for two violins and cello, M.S. 117: Variation III | — | ||
| 15-5 | In cor più non mi sento, Theme and variations for two violins and cello, M.S. 117: Variation IV | — | ||
| 15-6 | In cor più non mi sento, Theme and variations for two violins and cello, M.S. 117: Variation V | — | ||
| 15-7 | In cor più non mi sento, Theme and variations for two violins and cello, M.S. 117: Variation VI | — | ||
| 15-8 | In cor più non mi sento, Theme and variations for two violins and cello, M.S. 117: Variation VII | — | ||
| 15-9 | In cor più non mi sento, Theme and variations for two violins and cello, M.S. 117: Variation VIII | — | ||
| 15-10 | Three Duets for violin and cello, M.S. 107, Duet no. 1: Allegro | — | ||
| 15-11 | Three Duets for violin and cello, M.S. 107, Duet no. 1: Rondò, Allegretto | — | ||
| 15-12 | Three Duets for violin and cello, M.S. 107, Duet no. 2: Allegro | — | ||
| 15-13 | Three Duets for violin and cello, M.S. 107, Duet no. 2: Rondò, Presto | — | ||
| 15-14 | Three Duets for violin and cello, M.S. 107, Duet no. 3: Allegro | — | ||
| 15-15 | Three Duets for violin and cello, M.S. 107, Duet no. 3: Polonese, Andante con brio | — | ||
| 15-16 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Minuetto | — | ||
| 15-17 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Allesandrina I | — | ||
| 15-18 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Allesandrina II | — | ||
| 15-19 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Allesandrina III | — | ||
| 15-20 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Allesandrina IV | — | ||
| 15-21 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Allesandrina V | — | ||
| 15-22 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Allesandrina VI | — | ||
| 15-23 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Perigordino I | — | ||
| 15-24 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Perigordino II | — | ||
| 15-25 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Valzer I | — | ||
| 15-26 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Valzer II | — | ||
| 15-27 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Valzer III | — | ||
| 15-28 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Valzer IV | — | ||
| 15-29 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Scozzese | — | ||
| 15-30 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Inglese I | — | ||
| 15-31 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Inglese II | — | ||
| 15-32 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Inglese III | — | ||
| 15-33 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Inglese IV | — | ||
| 15-34 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Inglese V | — | ||
| 15-35 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Inglese VI | — | ||
| 15-36 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Variazioni | — | ||
| 16-1 | Three Duets for Violin and Bassoon, M.S. 130, Duet no. 1: I. Largo - Allegro moderato | — | ||
| 16-2 | Three Duets for Violin and Bassoon, M.S. 130, Duet no. 1: II. Rondò (Allgretto vivo) | — | ||
| 16-3 | Three Duets for Violin and Bassoon, M.S. 130, Duet no. 2: I. Largo - Allegro moderato | — | ||
| 16-4 | Three Duets for Violin and Bassoon, M.S. 130, Duet no. 2: II. Rondò (Allegro moderato) | — | ||
| 16-5 | Three Duets for Violin and Bassoon, M.S. 130, Duet no. 3: I. Allegro con brio poco scherzando - Tempesta | — | ||
| 16-6 | Three Duets for Violin and Bassoon, M.S. 130, Duet no. 3: II. Petite romance, Larghetto | — | ||
| 16-7 | Three Duets for Violin and Bassoon, M.S. 130, Duet no. 3: III. Polacchina, Andantino con grazia | — | ||
| 17-1 | Quattro Notturni a quartetto M.S. 15, Notturno no. 1: I. Adagio | — | ||
| 17-2 | Quattro Notturni a quartetto M.S. 15, Notturno no. 1: II. Allegretto | — | ||
| 17-3 | Quattro Notturni a quartetto M.S. 15, Notturno no. 2: I. Adagio | — | ||
| 17-4 | Quattro Notturni a quartetto M.S. 15, Notturno no. 2: II. Polonse - Andante | — | ||
| 17-5 | Quattro Notturni a quartetto M.S. 15, Notturno no. 3: I. Cantabile - Andante | — | ||
| 17-6 | Quattro Notturni a quartetto M.S. 15, Notturno no. 3: II. Andante - Tempo di Valzer | — | ||
| 17-7 | Quattro Notturni a quartetto M.S. 15, Notturno no. 4: I. Largo - Andante sostenuto | — | ||
| 17-8 | Quattro Notturni a quartetto M.S. 15, Notturno no. 4: II. Andante brillante | — | ||
| 17-9 | Quartet no. 7 in E major, M.S. 34: I. Allegro moderato | — | ||
| 17-10 | Quartet no. 7 in E major, M.S. 34: II. Minuetto, Allegretto | — | ||
| 17-11 | Quartet no. 7 in E major, M.S. 34: III. Adagio cantabile, Sostenuto con passione | — | ||
| 17-12 | Quartet no. 7 in E major, M.S. 34: IV. Rondò, Vivace | — | ||
| 17-13 | Sonata per Rovenefor mandolin and guitar, M.S. 14: I. Arietta, Introduzione - Andante sostenuto | — | ||
| 17-14 | Sonata per Rovenefor mandolin and guitar, M.S. 14: II. Andantino brillane | — | ||
| 17-15 | Serenata for mandolin and guitar, M.S. 16: I. Larghetto | — | ||
| 17-16 | Serenata for mandolin and guitar, M.S. 16: II. Andantino | — | ||
| 17-17 | Minuetto per l'amandorlino, M.S. 106: I. Minuetto | — | ||
| 17-18 | Minuetto per l'amandorlino, M.S. 106: II. Andantino | — | ||
| 17-19 | Minuetto per l'amandorlino, M.S. 106: III. Allegro moderato | — | ||
| 18-1 | Sonata no. 1 in A minor: I. Introduzione - Larghetto, Allegro Maestoso - Tempo di marcia | — | ||
| 18-2 | Sonata no. 1 in A minor: II. Rondoncino - Allegro | — | ||
| 18-3 | Sonata no. 2 in D major: I. Adagio cantabile | — | ||
| 18-4 | Sonata no. 2 in D major: II. Rondoncino - Andantino, Tempo di Polacca | — | ||
| 18-5 | Sonata no. 3 in C major: Introduzione - Prestissimo, Larghetto cantabile | — | ||
| 18-6 | Sonata no. 4 in A major: I. Adagio cantabile | — | ||
| 18-7 | Sonata no. 4 in A major: II. Rondò - Andantino, Allegretto | — | ||
| 18-8 | Sonata no. 5 in E major: I. Allegro assai | — | ||
| 18-9 | Sonata no. 5 in E major: II. Andantino vivace, tre variazioni | — | ||
| 18-10 | Sonata no. 6 in A major: I. Larghetto cantabile | — | ||
| 18-11 | Sonata no. 6 in A major: II. Rondò - Allegro assai | — | ||
| 18-12 | Cantabile in D major, M.S. 109 | — | ||
| 19-1 | Sonata no. 1 in F major: I. Allegro giusto - Buonamente | — | ||
| 19-2 | Sonata no. 1 in F major: II. Polacca - Andantino, Allegretto | — | ||
| 19-3 | Sonata no. 2 in G major: I. Andante cantabile | — | ||
| 19-4 | Sonata no. 2 in G major: II. Rondò - Allegretto | — | ||
| 19-5 | Sonata no. 3 in A major: I. Allegro maestoso - Tempo di marcia | — | ||
| 19-6 | Sonata no. 3 in A major: II. Tema - Andante placido | — | ||
| 19-7 | Sonata no. 3 in A major: III. Variazione I | — | ||
| 19-8 | Sonata no. 3 in A major: IV. Variazione II | — | ||
| 19-9 | Sonata no. 3 in A major: V. Variazione III - Più mosso | — | ||
| 19-10 | Sonata no. 4 in C major: I. Allegro risoluto | — | ||
| 19-11 | Sonata no. 4 in C major: II. Rondò - Andantino vivace (Tempo di Pastorale) | — | ||
| 19-12 | Sonata no. 5 in A minor: I. Cantabile - Andante appassionato, con flessibilita | — | ||
| 19-13 | Sonata no. 5 in A minor: II. Tema - Allegro moderato | — | ||
| 19-14 | Sonata no. 5 in A minor: III. Variazione I | — | ||
| 19-15 | Sonata no. 5 in A minor: IV. Variazione II | — | ||
| 19-16 | Sonata no. 5 in A minor: V. Finale - Tempo di Valz | — | ||
| 19-17 | Sonata no. 6 in D major: I. Andante cantabile | — | ||
| 19-18 | Sonata no. 6 in D major: II. Rondò - Allegretto | — | ||
| 20-1 | Sonata no. 1 in E major: I. Introduzione - Maestoso | — | ||
| 20-2 | Sonata no. 1 in E major: II. Larghetto - Cantabile | — | ||
| 20-3 | Sonata no. 1 in E major: III. Rondò Allegretto - Con brio | — | ||
| 20-4 | Sonata no. 2 in G major: I. Andante Adagetto | — | ||
| 20-5 | Sonata no. 2 in G major: II. Rondò - Allegro molto vivace | — | ||
| 20-6 | Sonata no. 3 in A major: I. Introduzione - Maestoso | — | ||
| 20-7 | Sonata no. 3 in A major: II. Tema - Andante moderato | — | ||
| 20-8 | Sonata no. 3 in A major: III. Variazione I | — | ||
| 20-9 | Sonata no. 3 in A major: IV. Minore (Variazione II) | — | ||
| 20-10 | Sonata no. 3 in A major: V. Maggiore (Variazione III) | — | ||
| 20-11 | Sonata no. 3 in A major: VI. Rondò - Allegretto | — | ||
| 20-12 | Sonata no. 4 in E major: I. Allegro vivace | — | ||
| 20-13 | Sonata no. 4 in E major: II. Minuetto a Valtz - Allegro vivo | — | ||
| 20-14 | Sonata no. 5 in A major: I. introduzione - Andante, Corrente | — | ||
| 20-15 | Sonata no. 5 in A major: II. Andante - Cantabile | — | ||
| 20-16 | Sonata no. 5 in A major: III. Rondò - Allegro vivo | — | ||
| 20-17 | Sonata no. 6 in C major: I. Allegro - Presto | — | ||
| 20-18 | Sonata no. 6 in C major: II. Rondò, Balletto - Allegro vivissimo | — | ||
| 21-1 | Sonatas op. 1, M.S. 9 dedicated to Madama Frassinet: Sonata no. 1 (Amoroso, Andantino) | — | ||
| 21-2 | Sonatas op. 1, M.S. 9 dedicated to Madama Frassinet: Sonata no. 2 (Larghetto, Allegretto) | — | ||
| 21-3 | Sonatas op. 1, M.S. 9 dedicated to Madama Frassinet: Sonata no. 3 (Andante, Allegro) | — | ||
| 21-4 | Sonatas op. 1, M.S. 9 dedicated to Madama Frassinet: Sonata no. 4 (Introduzione, Andantino) | — | ||
| 21-5 | Sonatas op. 1, M.S. 9 dedicated to Madama Frassinet: Sonata no. 5 (Quasi adagio, Polonese - Andantino) | — | ||
| 21-6 | Sonatas op. 1, M.S. 9 dedicated to Madama Frassinet: Sonata no. 6 (Maestoso, Valzer) | — | ||
| 21-7 | Sonatas op. 2, M.S. 10, dedicated to Madama Frassinet: Sonata no. 1 (Larghetto - Allegretto Perigordino con due variazioni) | — | ||
| 21-8 | Sonatas op. 2, M.S. 10, dedicated to Madama Frassinet: Sonata no. 2 (Introduzione, Andante) | — | ||
| 21-9 | Sonatas op. 2, M.S. 10, dedicated to Madama Frassinet: Sonata no. 3 (Cantabile appassionatamente, Andantino scherzando) | — | ||
| 21-10 | Sonatas op. 2, M.S. 10, dedicated to Madama Frassinet: Sonata no. 4 (Quasi adagio amorosamente, Allegro) | — | ||
| 21-11 | Sonatas op. 2, M.S. 10, dedicated to Madama Frassinet: Sonata no. 5 (Introduzione - Adagio assai, Allegretto | — | ||
| 21-12 | Sonatas op. 2, M.S. 10, dedicated to Madama Frassinet: Sonata no. 6 (Adagio con sentimento, Andantino) | — | ||
| 21-13 | Sonatas op. 4, M.S. 11, dedicated to Felice I, Prince of Lucca and Piombino: Sonata no. 1 (Adagio amorosamente, Quasi allegretto) | — | ||
| 21-14 | Sonatas op. 4, M.S. 11, dedicated to Felice I, Prince of Lucca and Piombino: Sonata no. 2 (Adagio espressivo, Andantino innocentemente) | — | ||
| 21-15 | Sonatas op. 4, M.S. 11, dedicated to Felice I, Prince of Lucca and Piombino: Sonata no. 3 (Adagio con zelo, Allegretto con moto) | — | ||
| 22-1 | Sonatas op. 4, M.S. 11, dedicated to Felice I, Prince of Lucca and Piombino: Sonata no. 4 (Adagio con grazia e trasporto, Andantino scherzando) | — | ||
| 22-2 | Sonatas op. 4, M.S. 11, dedicated to Felice I, Prince of Lucca and Piombino: Sonata no. 5 (Adagio con sentimento, Rondò alla Turca - Antantemente) | — | ||
| 22-3 | Sonatas op. 4, M.S. 11, dedicated to Felice I, Prince of Lucca and Piombino: Sonata no. 6 (Adagio appassionatissimamente, Allegretto con piacere) | — | ||
| 22-4 | Sonatas op. 5, M.S. 12, dedicated to Madama T.: Sonata no. 1 (Adagio con passione, Andante smorfiosamente) | — | ||
| 22-5 | Sonatas op. 5, M.S. 12, dedicated to Madama T.: Sonata no. 2 (Adagio con amore, Andante con semplizità) | — | ||
| 22-6 | Sonatas op. 5, M.S. 12, dedicated to Madama T.: Sonata no. 3 (Adagio con anima, Andantino galante) | — | ||
| 22-7 | Sonatas op. 5, M.S. 12, dedicated to Madama T.: Sonata no. 4 (Adagio con sentimento, Corrente con motteggio) | — | ||
| 22-8 | Sonatas op. 5, M.S. 12, dedicated to Madama T.: Sonata no. 5 (Adagio con grazia, Allegro con brio) | — | ||
| 22-9 | Sonatas op. 5, M.S. 12, dedicated to Madama T.: Sonata no. 6 (Adagio con trasporto, Pollonese brillante) | — | ||
| 22-10 | Sonatas op. 6, M.S. 13, dedicated to Principessina Napoleone: Sonata no. 1 (Adagio seducemente, Andantino con grazia) | — | ||
| 22-11 | Sonatas op. 6, M.S. 13, dedicated to Principessina Napoleone: Sonata no. 2 (Adagio maestoso, Allegretto con energia) | — | ||
| 22-12 | Sonatas op. 6, M.S. 13, dedicated to Principessina Napoleone: Sonata no. 3 (Adagio con espressione, Rondò alla napoletana - Andante) | — | ||
| 22-13 | Sonatas op. 6, M.S. 13, dedicated to Principessina Napoleone: Sonata no. 4 (Adagio amorosamente, Allegro con gentilezza) | — | ||
| 22-14 | Sonatas op. 6, M.S. 13, dedicated to Principessina Napoleone: Sonata no. 5 (Adagio con trasporto, Rondò - Andante alla Frassinet) | — | ||
| 22-15 | Sonatas op. 6, M.S. 13, dedicated to Principessina Napoleone: Sonata no. 6 (Adagio con affizione, Valtz galante) | — | ||
| 23-1 | 6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 1: I. Amoroso | — | ||
| 23-2 | 6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 1: II. Andantino | — | ||
| 23-3 | 6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 2: I. Larghetto compassionevolmente | — | ||
| 23-4 | 6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 2: II. Allegretto scherzando | — | ||
| 23-5 | 6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 3: I. Lento e con grazia | — | ||
| 23-6 | 6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 3: II. Andantino brillante | — | ||
| 23-7 | 6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 4: I. Quasi Andante con sentimento | — | ||
| 23-8 | 6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 4: II. Allegro | — | ||
| 23-9 | 6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 5: I. Con anima e trasporto | — | ||
| 23-10 | 6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 5: II. Andantino con brio | — | ||
| 23-11 | 6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 6: I. Quasi Larghetto e con enfasi | — | ||
| 23-12 | 6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 6: II. Andantino motteggiando | — | ||
| 23-13 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 1: I. Allegro | — | ||
| 23-14 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 1: II. Adagio con espressione | — | ||
| 23-15 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 1: III. Allegro con brio | — | ||
| 23-16 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 2: I. Introduzione: Largo - Andante con grazia | — | ||
| 23-17 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 2: II. Andantino Scherzando - Variazione I - Minore - Variazione II | — | ||
| 23-18 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 3: I. Larghetto sentimentalmete | — | ||
| 23-19 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 3: II. Polonese, Andantino brillante | — | ||
| 23-20 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 4: I. Adagio, non tanto | — | ||
| 23-21 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 4: II. Grazioso, Allegretto | — | ||
| 23-22 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 5: I. Adagio affettuoso | — | ||
| 23-23 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 5: II. Andantino corrente - Variazione I - Minore - Variazione II | — | ||
| 23-24 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 6: I. Adagio con amore | — | ||
| 23-25 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 6: II. Polonese, Allegro con energia | — | ||
| 23-26 | Duetto amoroso, M.S. 111: I. Principio, Allegretto | — | ||
| 23-27 | Duetto amoroso, M.S. 111: II. Preghiera, Andante | — | ||
| 23-28 | Duetto amoroso, M.S. 111: III. Acconsentito, Allegretto | — | ||
| 23-29 | Duetto amoroso, M.S. 111: IV. Timidezza, Allegro | — | ||
| 23-30 | Duetto amoroso, M.S. 111: V. Contentezza, Andantino | — | ||
| 23-31 | Duetto amoroso, M.S. 111: VI. Lite, Allegro assai | — | ||
| 23-32 | Duetto amoroso, M.S. 111: VII. Pace, Comodo | — | ||
| 23-33 | Duetto amoroso, M.S. 111: VIII. Segnale d'amore, Allegretto | — | ||
| 23-34 | Duetto amoroso, M.S. 111: IX. Notizia dela partenza, Allegro moderato | — | ||
| 23-35 | Duetto amoroso, M.S. 111: X. Distacco, Allegro | — | ||
| 24-1 | Entrata d'Adone nella reggia di Venere, M.S. 8 | — | ||
| 24-2 | 6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 1 in A major: I. Minuetto - Adagio | — | ||
| 24-3 | 6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 1 in A major: II. Polonese - Quasi allegro | — | ||
| 24-4 | 6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 2 in C major: I. Adagio - Maestoso | — | ||
| 24-5 | 6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 2 in C major: II. Andantino - Galantemente | — | ||
| 24-6 | 6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 3 in D minor: I. Adagio - Maestoso | — | ||
| 24-7 | 6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 3 in D minor: II. Andantino - Galantemente | — | ||
| 24-8 | 6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 4 in A major: I. La Sinagoga - Andante calcando | — | ||
| 24-9 | 6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 4 in A major: II. Andantino con brio | — | ||
| 24-10 | 6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 5 in D major: I. Andante - Moderato impostatamente | — | ||
| 24-11 | 6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 5 in D major: II: Allegro spiritoso | — | ||
| 24-12 | 6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 6 in A minor: I. Largo, con precisione | — | ||
| 24-13 | 6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 6 in A minor: II. Tempo di Valtz | — | ||
| 24-14 | 6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 1 in A major: I. Larghetto | — | ||
| 24-15 | 6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 1 in A major: II. Presto, Variato | — | ||
| 24-16 | 6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 2 in G major: I. Adagio | — | ||
| 24-17 | 6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 2 in G major: II. Andantino scherzoso | — | ||
| 24-18 | 6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 3 in D major: I. Andante sostenuto | — | ||
| 24-19 | 6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 3 in D major: II. Rondò - Molto allegro | — | ||
| 24-20 | 6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 4 in A minor: I. Andante - Largo | — | ||
| 24-21 | 6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 4 in A minor: II. Allegretto - Motteggiando | — | ||
| 24-22 | 6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 5 in A major: I. Adagio amoroso | — | ||
| 24-23 | 6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 5 in A major: II. Allegretto - Energicamente | — | ||
| 24-24 | 6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 6 in E minor: I. Andante - Innocentemente | — | ||
| 24-25 | 6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 6 in E minor: II. Allegro vivo e spiritoso | — | ||
| 24-26 | Allegro vivace a movimento perpetuo, M.S. 72 | — | ||
| 25-1 | Sonata concertata, M.S. 2 for Guitar and Violin: I. Allegro spiritoso | — | ||
| 25-2 | Sonata concertata, M.S. 2 for Guitar and Violin: II. Adagio, assai espressivo | — | ||
| 25-3 | Sonata concertata, M.S. 2 for Guitar and Violin: III. Allegretto con brio, scherzando | — | ||
| 25-4 | Cantabile e Valtz, M.S. 45 | — | ||
| 25-5 | Variations on Barucabà, M.S. 71: Group 1 - Tema | — | ||
| 25-6 | Variations on Barucabà, M.S. 71: Group 1 - Variation 1 | — | ||
| 25-7 | Variations on Barucabà, M.S. 71: Group 1 - Variation 2 | — | ||
| 25-8 | Variations on Barucabà, M.S. 71: Group 1 - Variation 3 | — | ||
| 25-9 | Variations on Barucabà, M.S. 71: Group 1 - Variation 4 | — | ||
| 25-10 | Variations on Barucabà, M.S. 71: Group 1 - Variation 5 | — | ||
| 25-11 | Variations on Barucabà, M.S. 71: Group 1 - Variation 6 | — | ||
| 25-12 | Variations on Barucabà, M.S. 71: Group 1 - Variation 7 | — | ||
| 25-13 | Variations on Barucabà, M.S. 71: Group 1 - Variation 8 | — | ||
| 25-14 | Variations on Barucabà, M.S. 71: Group 1 - Variation 9 | — | ||
| 25-15 | Variations on Barucabà, M.S. 71: Group 1 - Variation 10 | — | ||
| 25-16 | Variations on Barucabà, M.S. 71: Group 1 - Variation 11 | — | ||
| 25-17 | Variations on Barucabà, M.S. 71: Group 1 - Variation 12 | — | ||
| 25-18 | Variations on Barucabà, M.S. 71: Group 1 - Variation 13 | — | ||
| 25-19 | Variations on Barucabà, M.S. 71: Group 1 - Variation 14 | — | ||
| 25-20 | Variations on Barucabà, M.S. 71: Group 1 - Variation 15 | — | ||
| 25-21 | Variations on Barucabà, M.S. 71: Group 1 - Variation 16 | — | ||
| 25-22 | Variations on Barucabà, M.S. 71: Group 1 - Variation 17 | — | ||
| 25-23 | Variations on Barucabà, M.S. 71: Group 1 - Variation 18 | — | ||
| 25-24 | Variations on Barucabà, M.S. 71: Group 1 - Variation 19 | — | ||
| 25-25 | Variations on Barucabà, M.S. 71: Group 1 - Variation 20 | — | ||
| 25-26 | Variations on Barucabà, M.S. 71: Group 2 - Tema | — | ||
| 25-27 | Variations on Barucabà, M.S. 71: Group 2 - Variation 1 | — | ||
| 25-28 | Variations on Barucabà, M.S. 71: Group 2 - Variation 2 | — | ||
| 25-29 | Variations on Barucabà, M.S. 71: Group 2 - Variation 3 | — | ||
| 25-30 | Variations on Barucabà, M.S. 71: Group 2 - Variation 4 | — | ||
| 25-31 | Variations on Barucabà, M.S. 71: Group 2 - Variation 5 | — | ||
| 25-32 | Variations on Barucabà, M.S. 71: Group 2 - Variation 6 | — | ||
| 25-33 | Variations on Barucabà, M.S. 71: Group 2 - Variation 7 | — | ||
| 25-34 | Variations on Barucabà, M.S. 71: Group 2 - Variation 8 | — | ||
| 25-35 | Variations on Barucabà, M.S. 71: Group 2 - Variation 9 | — | ||
| 25-36 | Variations on Barucabà, M.S. 71: Group 2 - Variation 10 | — | ||
| 25-37 | Variations on Barucabà, M.S. 71: Group 2 - Variation 11 | — | ||
| 25-38 | Variations on Barucabà, M.S. 71: Group 2 - Variation 12 | — | ||
| 25-39 | Variations on Barucabà, M.S. 71: Group 2 - Variation 13 | — | ||
| 25-40 | Variations on Barucabà, M.S. 71: Group 2 - Variation 14 | — | ||
| 25-41 | Variations on Barucabà, M.S. 71: Group 2 - Variation 15 | — | ||
| 25-42 | Variations on Barucabà, M.S. 71: Group 2 - Variation 16 | — | ||
| 25-43 | Variations on Barucabà, M.S. 71: Group 2 - Variation 17 | — | ||
| 25-44 | Variations on Barucabà, M.S. 71: Group 2 - Variation 18 | — | ||
| 25-45 | Variations on Barucabà, M.S. 71: Group 2 - Variation 19 | — | ||
| 25-46 | Variations on Barucabà, M.S. 71: Group 2 - Variation 20 | — | ||
| 25-47 | Variations on Barucabà, M.S. 71: Group 3 - Tema | — | ||
| 25-48 | Variations on Barucabà, M.S. 71: Group 3 - Variation 1 | — | ||
| 25-49 | Variations on Barucabà, M.S. 71: Group 3 - Variation 2 | — | ||
| 25-50 | Variations on Barucabà, M.S. 71: Group 3 - Variation 3 | — | ||
| 25-51 | Variations on Barucabà, M.S. 71: Group 3 - Variation 4 | — | ||
| 25-52 | Variations on Barucabà, M.S. 71: Group 3 - Variation 5 | — | ||
| 25-53 | Variations on Barucabà, M.S. 71: Group 3 - Variation 6 | — | ||
| 25-54 | Variations on Barucabà, M.S. 71: Group 3 - Variation 7 | — | ||
| 25-55 | Variations on Barucabà, M.S. 71: Group 3 - Variation 8 | — | ||
| 25-56 | Variations on Barucabà, M.S. 71: Group 3 - Variation 9 | — | ||
| 25-57 | Variations on Barucabà, M.S. 71: Group 3 - Variation 10 | — | ||
| 25-58 | Variations on Barucabà, M.S. 71: Group 3 - Variation 11 | — | ||
| 25-59 | Variations on Barucabà, M.S. 71: Group 3 - Variation 12 | — | ||
| 25-60 | Variations on Barucabà, M.S. 71: Group 3 - Variation 13 | — | ||
| 25-61 | Variations on Barucabà, M.S. 71: Group 3 - Variation 14 | — | ||
| 25-62 | Variations on Barucabà, M.S. 71: Group 3 - Variation 15 | — | ||
| 25-63 | Variations on Barucabà, M.S. 71: Group 3 - Variation 16 | — | ||
| 25-64 | Variations on Barucabà, M.S. 71: Group 3 - Variation 17 | — | ||
| 25-65 | Variations on Barucabà, M.S. 71: Group 3 - Variation 18 | — | ||
| 25-66 | Variations on Barucabà, M.S. 71: Group 3 - Variation 19 | — | ||
| 25-67 | Variations on Barucabà, M.S. 71: Group 3 - Variation 20 | — | ||
| 26-1 | Six Duets, M.S. 110, Duet no. 1: I. Amoroso espressivo | — | ||
| 26-2 | Six Duets, M.S. 110, Duet no. 1: II. Andantino scherzando | — | ||
| 26-3 | Six Duets, M.S. 110, Duet no. 2: I. Cantabile con anima | — | ||
| 26-4 | Six Duets, M.S. 110, Duet no. 2: II. Rondò brillante | — | ||
| 26-5 | Six Duets, M.S. 110, Duet no. 3: I. Romance - Larghetto amabile | — | ||
| 26-6 | Six Duets, M.S. 110, Duet no. 3: II. Polacca - Mosso | — | ||
| 26-7 | Six Duets, M.S. 110, Duet no. 4: I. Placidamente con grazia | — | ||
| 26-8 | Six Duets, M.S. 110, Duet no. 4: II. Andantino trescando | — | ||
| 26-9 | Six Duets, M.S. 110, Duet no. 5: I. Andante sostenuto con aspirazione | — | ||
| 26-10 | Six Duets, M.S. 110, Duet no. 5: II. Allegro spiritoso con energia | — | ||
| 26-11 | Six Duets, M.S. 110, Duet no. 6: I. Cantabile pacificamente | — | ||
| 26-12 | Six Duets, M.S. 110, Duet no. 6: II. Buonamente - Rondò quasi allegro | — | ||
| 26-13 | Carmagnola with variations, M.S. 1: Largo - Allegro | — | ||
| 26-14 | Carmagnola with variations, M.S. 1: Variation 1 | — | ||
| 26-15 | Carmagnola with variations, M.S. 1: Variation 2 | — | ||
| 26-16 | Carmagnola with variations, M.S. 1: Variation 3 | — | ||
| 26-17 | Carmagnola with variations, M.S. 1: Variation 4 | — | ||
| 26-18 | Carmagnola with variations, M.S. 1: Variation 5 | — | ||
| 26-19 | Carmagnola with variations, M.S. 1: Variation 6 | — | ||
| 26-20 | Carmagnola with variations, M.S. 1: Variation 7 | — | ||
| 26-21 | Carmagnola with variations, M.S. 1: Variation 8 | — | ||
| 26-22 | Carmagnola with variations, M.S. 1: Variation 9 | — | ||
| 26-23 | Carmagnola with variations, M.S. 1: Variation 10 | — | ||
| 26-24 | Carmagnola with variations, M.S. 1: Variation 11 | — | ||
| 26-25 | Carmagnola with variations, M.S. 1: Variation 12 | — | ||
| 26-26 | Carmagnola with variations, M.S. 1: Variation 13 | — | ||
| 26-27 | Carmagnola with variations, M.S. 1: Variation 14 | — | ||
| 26-28 | Grand Sonata for guitar and violin, M.S. 3: I. Allegro risoluto | — | ||
| 26-29 | Grand Sonata for guitar and violin, M.S. 3: II. Romance - Più tosto largo - Amorosamente | — | ||
| 26-30 | Grand Sonata for guitar and violin, M.S. 3: III. Andantino variato - Scherzando | — | ||
| 27-1 | 24 Capricci op. 1, M.S. 25, Capriccio no. 1 in E major - Andante | — | ||
| 27-2 | 24 Capricci op. 1, M.S. 25, Capriccio no. 2 in B minor - Moderato | — | ||
| 27-3 | 24 Capricci op. 1, M.S. 25, Capriccio no. 3 in E minor - Sostenuto, Presto | — | ||
| 27-4 | 24 Capricci op. 1, M.S. 25, Capriccio no. 4 in C minor - Maestoso | — | ||
| 27-5 | 24 Capricci op. 1, M.S. 25, Capriccio no. 5 in A minor - Agitato | — | ||
| 27-6 | 24 Capricci op. 1, M.S. 25, Capriccio no. 6 in G minor - Adagio | — | ||
| 27-7 | 24 Capricci op. 1, M.S. 25, Capriccio no. 7 in A minor - Posato | — | ||
| 27-8 | 24 Capricci op. 1, M.S. 25, Capriccio no. 8 in E-flat major - Maestoso | — | ||
| 27-9 | 24 Capricci op. 1, M.S. 25, Capriccio no. 9 in E major - Allegretto | — | ||
| 27-10 | 24 Capricci op. 1, M.S. 25, Capriccio no. 10 in C major - Vivace | — | ||
| 27-11 | 24 Capricci op. 1, M.S. 25, Capriccio no. 11 in C major - Andante, Presto | — | ||
| 27-12 | 24 Capricci op. 1, M.S. 25, Capriccio no. 12 in A-flat major - Allegro | — | ||
| 27-13 | 24 Capricci op. 1, M.S. 25, Capriccio no. 13 in B-flat major - Moderato | — | ||
| 27-14 | 24 Capricci op. 1, M.S. 25, Capriccio no. 14 in E-flat major - Moderato | — | ||
| 27-15 | 24 Capricci op. 1, M.S. 25, Capriccio no. 15 in E minor - Posato | — | ||
| 27-16 | 24 Capricci op. 1, M.S. 25, Capriccio no. 16 in G minor - Presto | — | ||
| 27-17 | 24 Capricci op. 1, M.S. 25, Capriccio no. 17 in E-flat major - Sostenuto, Andante | — | ||
| 27-18 | 24 Capricci op. 1, M.S. 25, Capriccio no. 18 in C major - Corrente, Allegro | — | ||
| 27-19 | 24 Capricci op. 1, M.S. 25, Capriccio no. 19 in E-flat major - Lento, Allegro assai | — | ||
| 27-20 | 24 Capricci op. 1, M.S. 25, Capriccio no. 20 in D major - Allegretto | — | ||
| 27-21 | 24 Capricci op. 1, M.S. 25, Capriccio no. 21 in A major - Amoroso, Presto | — | ||
| 27-22 | 24 Capricci op. 1, M.S. 25, Capriccio no. 22 in F major - Marcato | — | ||
| 27-23 | 24 Capricci op. 1, M.S. 25, Capriccio no. 23 in E-flat major - Posato | — | ||
| 27-24 | 24 Capricci op. 1, M.S. 25, Capriccio no. 24 in A minor - Tema, Quasi Presto | — | ||
| 28-1 | Sonata a violino solo, M.S. 83: Without tempo indication | — | ||
| 28-2 | Sonata a violino solo, M.S. 83: Adagio non tanto | — | ||
| 28-3 | Sonata a violino solo, M.S. 83: Polonaise with variations | — | ||
| 28-4 | Sonata a violino solo, M.S. 83: Variation I | — | ||
| 28-5 | Sonata a violino solo, M.S. 83: Variation II | — | ||
| 28-6 | Sonata a violino solo, M.S. 83: Variation III | — | ||
| 28-7 | Sonata a violino solo, M.S. 83: Variation IV | — | ||
| 28-8 | Sonata a violino solo, M.S. 83: Variation V | — | ||
| 28-9 | Sonata a violino solo, M.S. 83: Variation VI | — | ||
| 28-10 | Sonata a violino solo, M.S. 83: Variation VII | — | ||
| 28-11 | Caprice d'adieu, M.S. 68: Allegro moderato | — | ||
| 28-12 | Capriccio a violino solo "Nel cor più non mi sento", M.S. 44: Capriccio ad Lib. - Tema | — | ||
| 28-13 | Capriccio a violino solo "Nel cor più non mi sento", M.S. 44: Variation I | — | ||
| 28-14 | Capriccio a violino solo "Nel cor più non mi sento", M.S. 44: Variation II | — | ||
| 28-15 | Capriccio a violino solo "Nel cor più non mi sento", M.S. 44: Variation III | — | ||
| 28-16 | Capriccio a violino solo "Nel cor più non mi sento", M.S. 44: Variation IV | — | ||
| 28-17 | Capriccio a violino solo "Nel cor più non mi sento", M.S. 44: Variation V | — | ||
| 28-18 | Capriccio a violino solo "Nel cor più non mi sento", M.S. 44: Variation VI | — | ||
| 28-19 | Capriccio a violino solo "Nel cor più non mi sento", M.S. 44: Variation VII | — | ||
| 28-20 | God Save the King per violino solo, M.S. 56: Tema - Andante sostenuto | — | ||
| 28-21 | God Save the King per violino solo, M.S. 56: Variation I | — | ||
| 28-22 | God Save the King per violino solo, M.S. 56: Variation II | — | ||
| 28-23 | God Save the King per violino solo, M.S. 56: Variation III | — | ||
| 28-24 | God Save the King per violino solo, M.S. 56: Variation IV | — | ||
| 28-25 | Inno patriottico per violino, M.S. 81: Tema - Allegro | — | ||
| 28-26 | Inno patriottico per violino, M.S. 81: Variation I | — | ||
| 28-27 | Inno patriottico per violino, M.S. 81: Variation II | — | ||
| 28-28 | Inno patriottico per violino, M.S. 81: Variation III | — | ||
| 28-29 | Inno patriottico per violino, M.S. 81: Variation IV | — | ||
| 28-30 | Inno patriottico per violino, M.S. 81: Variation V | — | ||
| 28-31 | Inno patriottico per violino, M.S. 81: Variation VI | — | ||
| 28-32 | Sonata a violino solo, M.S. 6: I. Adagio | — | ||
| 28-33 | Sonata a violino solo, M.S. 6: II. Allegro molto | — | ||
| 28-34 | Tema variato per violino, M.S. 82: Tema | — | ||
| 28-35 | Tema variato per violino, M.S. 82: Variation I | — | ||
| 28-36 | Tema variato per violino, M.S. 82: Variation II | — | ||
| 28-37 | Tema variato per violino, M.S. 82: Variation III | — | ||
| 28-38 | Tema variato per violino, M.S. 82: Variation IV | — | ||
| 28-39 | Tema variato per violino, M.S. 82: Variation V | — | ||
| 28-40 | Tema variato per violino, M.S. 82: Variation VI | — | ||
| 28-41 | Tema variato per violino, M.S. 82: Variation VII | — | ||
| 29-1 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 1: I. Minuetto | — | ||
| 29-2 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 1: II. Andantino | — | ||
| 29-3 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 2: I. (Minuetto) | — | ||
| 29-4 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 2: II. Allegretto ossia Rondoncino | — | ||
| 29-5 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 3: I. (Minuetto) | — | ||
| 29-6 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 3: II. Valtz | — | ||
| 29-7 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 4: I. (Minuetto) | — | ||
| 29-8 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 4: II. Rondoncino | — | ||
| 29-9 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 5: I. Minuetto | — | ||
| 29-10 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 5: II. Andantino | — | ||
| 29-11 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 6: I. Minuetto | — | ||
| 29-12 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 6: II. Allegretto | — | ||
| 29-13 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 7: I. Minuetto | — | ||
| 29-14 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 7: II. Valtz | — | ||
| 29-15 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 8: I. Minuetto | — | ||
| 29-16 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 8: II. Allegretto scherzando | — | ||
| 29-17 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 9: I. Minuetto | — | ||
| 29-18 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 9: II. Valtz | — | ||
| 29-19 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 10: I. Minuetto | — | ||
| 29-20 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 10: II. Valtz | — | ||
| 29-21 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 11: Minuetto | — | ||
| 29-22 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 12: I. (Minuetto) | — | ||
| 29-23 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 12: II. Allegretto | — | ||
| 29-24 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 13: I. Minuetto | — | ||
| 29-25 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 13: II. Andantino | — | ||
| 29-26 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 14: I. Minuetto, Valtz | — | ||
| 29-27 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 14: II. Allegretto | — | ||
| 29-28 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 15: I. Minuetto, Perigordino | — | ||
| 29-29 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 15: II. Allegretto | — | ||
| 29-30 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 16: I. Minuetto | — | ||
| 29-31 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 16: II. Allegretto | — | ||
| 30-1 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 17: I. Minuetto | — | ||
| 30-2 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 17: II. Perigordino | — | ||
| 30-3 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 18: I. (Minuetto) | — | ||
| 30-4 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 18: II. Allegretto | — | ||
| 30-5 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 19: I. Minuetto | — | ||
| 30-6 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 19: II. Allegretto | — | ||
| 30-7 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 20: I. (Minuetto) | — | ||
| 30-8 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 20: II. Valtz | — | ||
| 30-9 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 21: I. Minuetto | — | ||
| 30-10 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 21: II. Valtz | — | ||
| 30-11 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 22: I. Minuetto | — | ||
| 30-12 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 22: II. Andantino | — | ||
| 30-13 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 23: I. Minuetto detto il Matto | — | ||
| 30-14 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 23: II. Allegretto | — | ||
| 30-15 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 23: III. Allegretto | — | ||
| 30-16 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 24: I. Minuetto | — | ||
| 30-17 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 24: II: Andantino | — | ||
| 30-18 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 25: I. Minuetto | — | ||
| 30-19 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 25: II. Valtz | — | ||
| 30-20 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 26: I. Minuetto per la Signora Marina | — | ||
| 30-21 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 26: II: Allegretto | — | ||
| 30-22 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 27: I. Minuetto per la Signora Marina | — | ||
| 30-23 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 27: II: Valtz | — | ||
| 30-24 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 28: I. Minuetto | — | ||
| 30-25 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 28: II: Allegretto | — | ||
| 30-26 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 29: I: Minuetto | — | ||
| 30-27 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 29: II. Andantino | — | ||
| 30-28 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 30: I. Minuetto | — | ||
| 30-29 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 30: II. Allegro | — | ||
| 30-30 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 31: I. Minuetto - Rondoncino | — | ||
| 30-31 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 31: II. Valtz | — | ||
| 30-32 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 32: I. Minuetto | — | ||
| 30-33 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 32: II. Valtz | — | ||
| 30-34 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 33: I. Minuetto | — | ||
| 30-35 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 33: II. Andantino | — | ||
| 30-36 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 34: Minuetto | — | ||
| 30-37 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 35: (Minuetto) | — | ||
| 30-38 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 36: Minuetto | — | ||
| 30-39 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 37: Minuetto | — | ||
| 31-1 | Cinque Sonatine, M.S. 85, Sonatina no. 1: Allegro | Guido Fichtner | — | |
| 31-2 | Cinque Sonatine, M.S. 85, Sonatina no. 2: I. Marcia | Guido Fichtner | — | |
| 31-3 | Cinque Sonatine, M.S. 85, Sonatina no. 2: II. Passo doppio (Corrente con Trio) | Guido Fichtner | — | |
| 31-4 | Cinque Sonatine, M.S. 85, Sonatina no. 3: Andante | Guido Fichtner | — | |
| 31-5 | Cinque Sonatine, M.S. 85, Sonatina no. 4: (Allegro) | Guido Fichtner | — | |
| 31-6 | Cinque Sonatine, M.S. 85, Sonatina no. 5: I. (Allegro) | Guido Fichtner | — | |
| 31-7 | Cinque Sonatine, M.S. 85, Sonatina no. 5: II. Allegretto | Guido Fichtner | — | |
| 31-8 | Allegretto, M.S. 86 | Guido Fichtner | — | |
| 31-9 | Sonata, M.S. 87: I. Minuetto | Guido Fichtner | — | |
| 31-10 | Sonata, M.S. 87: II. Rondò, Allegro | Guido Fichtner | — | |
| 31-11 | Andantino, M.S. 88 | Guido Fichtner | — | |
| 31-12 | Andantino, M.S. 89 | Guido Fichtner | — | |
| 31-13 | Allegretto, M.S. 90 | Guido Fichtner | — | |
| 31-14 | Allegretto, M.S. 91 | Guido Fichtner | — | |
| 31-15 | Valtz, M.S. 92 | Guido Fichtner | — | |
| 31-16 | Rondoncino, M.S. 94 | Guido Fichtner | — | |
| 31-17 | Valtz, M.S. 96 | Guido Fichtner | — | |
| 31-18 | Andantino, M.S. 97 | Guido Fichtner | — | |
| 31-19 | Andantino, M.S. 99 | Guido Fichtner | — | |
| 31-20 | Valtz e Trio, M.S. 100/101 | Guido Fichtner | — | |
| 31-21 | Andantino, M.S. 102 | Guido Fichtner | — | |
| 31-22 | Marcia, M.S. 103 | Guido Fichtner | — | |
| 31-23 | Minuetto e Perigordino, M.S. 104: I. Minuetto | Guido Fichtner | — | |
| 31-24 | Minuetto e Perigordino, M.S. 104: II. Perigordino | Guido Fichtner | — | |
| 31-25 | Marziale, M.S. 105 | Guido Fichtner | — | |
| 31-26 | Sinfonia della Lodovisca, M.S. 98 | Guido Fichtner | — | |
| 32-1 | Ghiribizzi, M.S. 43: Allegretto in A major | — | ||
| 32-2 | Ghiribizzi, M.S. 43: Andantino in C major | — | ||
| 32-3 | Ghiribizzi, M.S. 43: Valtz in C major | — | ||
| 32-4 | Ghiribizzi, M.S. 43: Allegretto in A major | — | ||
| 32-5 | Ghiribizzi, M.S. 43: Moderato in D major | — | ||
| 32-6 | Ghiribizzi, M.S. 43: Andantino in G major | — | ||
| 32-7 | Ghiribizzi, M.S. 43: Valtz in E major | — | ||
| 32-8 | Ghiribizzi, M.S. 43: Andante in C major | — | ||
| 32-9 | Ghiribizzi, M.S. 43: Andantino in C major | — | ||
| 32-10 | Ghiribizzi, M.S. 43: (Allegretto) in C major | — | ||
| 32-11 | Ghiribizzi, M.S. 43: Allegretto in A major | — | ||
| 32-12 | Ghiribizzi, M.S. 43: Andante in C major | — | ||
| 32-13 | Ghiribizzi, M.S. 43: Allegro in C major | — | ||
| 32-14 | Ghiribizzi, M.S. 43: (Allegro assai) in C major | — | ||
| 32-15 | Ghiribizzi, M.S. 43: Allegro in G major | — | ||
| 32-16 | Ghiribizzi, M.S. 43: In cor più non mi sento - Larghetto in G major | — | ||
| 32-17 | Ghiribizzi, M.S. 43: Le Streghe - Andantino in D major | — | ||
| 32-18 | Ghiribizzi, M.S. 43: Andantino in D minor | — | ||
| 32-19 | Ghiribizzi, M.S. 43: Corrente in G major | — | ||
| 32-20 | Ghiribizzi, M.S. 43: Là ci darem la mano - Andante in C major | — | ||
| 32-21 | Ghiribizzi, M.S. 43: (Allegretto) in A major | — | ||
| 32-22 | Ghiribizzi, M.S. 43: Larghetto in A major | — | ||
| 32-23 | Ghiribizzi, M.S. 43: (Allegro) in A major | — | ||
| 32-24 | Ghiribizzi, M.S. 43: Andante in A major | — | ||
| 32-25 | Ghiribizzi, M.S. 43: Andante in C major | — | ||
| 32-26 | Ghiribizzi, M.S. 43: Arietta in D major | — | ||
| 32-27 | Ghiribizzi, M.S. 43: Andantino in D major | — | ||
| 32-28 | Ghiribizzi, M.S. 43: (Valtz) in D major | — | ||
| 32-29 | Ghiribizzi, M.S. 43: Marcia in D major | — | ||
| 32-30 | Ghiribizzi, M.S. 43: Allegretto in D major | — | ||
| 32-31 | Ghiribizzi, M.S. 43: Minuetto - Andante in A major | — | ||
| 32-32 | Ghiribizzi, M.S. 43: Allegretto in A major | — | ||
| 32-33 | Ghiribizzi, M.S. 43: Allegretto in A major | — | ||
| 32-34 | Ghiribizzi, M.S. 43: Valtz in A major | — | ||
| 32-35 | Ghiribizzi, M.S. 43: Valtz in D major | — | ||
| 32-36 | Ghiribizzi, M.S. 43: (Allegretto) in C major | — | ||
| 32-37 | Ghiribizzi, M.S. 43: Adagetto con espressione - Rossini-Paganini in A major | — | ||
| 32-38 | Ghiribizzi, M.S. 43: Vivace in A major | — | ||
| 32-39 | Ghiribizzi, M.S. 43: Allegretto in D major | — | ||
| 32-40 | Ghiribizzi, M.S. 43: Andante in A major | — | ||
| 32-41 | Ghiribizzi, M.S. 43: Allegro in C major | — | ||
| 32-42 | Ghiribizzi, M.S. 43: Valtz in E major | — | ||
| 32-43 | Ghiribizzi, M.S. 43: (Andantino) in A minor | — | ||
| 33-1 | 6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Sonatina no. 1, M.S. 124: I. Andante cantabile | Niccolò Paganini | — | |
| 33-2 | 6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Sonatina no. 1, M.S. 124: II. Valtz. Andantino | Niccolò Paganini | — | |
| 33-3 | 6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Sonatina no. 2, M.S. 125: I. Minuetto cantabile - Andante un poco sostenuto | Niccolò Paganini | — | |
| 33-4 | 6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Sonatina no. 2, M.S. 125: II. Valtz. Andantino | Niccolò Paganini | — | |
| 33-5 | 6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Cantabile a Minuetto e Valtz no. 3, M.S. 126: I. Andante sostenuto | Niccolò Paganini | — | |
| 33-6 | 6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Cantabile a Minuetto e Valtz no. 3, M.S. 126: II. Valtz. Andantino | Niccolò Paganini | — | |
| 33-7 | 6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Cantabile e Valtz no. 4, M.S. 127: I. Andante moderato | Niccolò Paganini | — | |
| 33-8 | 6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Cantabile e Valtz no. 4, M.S. 127: II. Valtz. Andantino | Niccolò Paganini | — | |
| 33-9 | 6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Cantabile e Valtz no. 5, M.S. 128: I. Andante sostenuto | Niccolò Paganini | — | |
| 33-10 | 6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Cantabile e Valtz no. 5, M.S. 128: II. Valtz. Andantino | Niccolò Paganini | — | |
| 33-11 | 6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Cantabile e Valtz no. 6, M.S. 129: I. Andante | Niccolò Paganini | — | |
| 33-12 | 6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Cantabile e Valtz no. 6, M.S. 129: II. Valtz. Andantino | Niccolò Paganini | — | |
| 33-13 | Sonata with Variations for violin, viola, cello and guitar, M.S. 132: Introduzione | Stefano delle Donne, Damiano Puliti, Adriano Sebastiani, Marco Seieli | — | |
| 33-14 | Sonata with Variations for violin, viola, cello and guitar, M.S. 132: Tema. Andantino | Stefano delle Donne, Damiano Puliti, Adriano Sebastiani, Marco Seieli | — | |
| 33-15 | Sonata with Variations for violin, viola, cello and guitar, M.S. 132: Variazione no. 1 | Stefano delle Donne, Damiano Puliti, Adriano Sebastiani, Marco Seieli | — | |
| 33-16 | Sonata with Variations for violin, viola, cello and guitar, M.S. 132: Variazione no. 2 | Stefano delle Donne, Damiano Puliti, Adriano Sebastiani, Marco Seieli | — | |
| 33-17 | Sonata with Variations for violin, viola, cello and guitar, M.S. 132: Variazione no. 3 | Stefano delle Donne, Damiano Puliti, Adriano Sebastiani, Marco Seieli | — | |
| 33-18 | 4 Studies for solo violin: Studio no. 1 | Niccolò Paganini | — | |
| 33-19 | 4 Studies for solo violin: Studio no. 2 | Niccolò Paganini | — | |
| 33-20 | 4 Studies for solo violin: Studio no. 3 | Niccolò Paganini | — | |
| 33-21 | 4 Studies for solo violin: Studio no. 4 | Niccolò Paganini | — | |
| 34-1 | Sonata a Preghiera, M.S. 23: Maestoso - Recitativo - Allegro molto - Preghiera - Tema e Variazioni | Luca Ballerini, Luca Fanfoni | — | |
| 34-2 | Three Ritornelli for two violins and cello, M.S. 113: Allegro | Daniele Fanfoni, Luca Fanfoni, Luca Simoncini | — | |
| 34-3 | Three Ritornelli for two violins and cello, M.S. 113: Allegro | Daniele Fanfoni, Luca Fanfoni, Luca Simoncini | — | |
| 34-4 | Three Ritornelli for two violins and cello, M.S. 113: Allegro assai | Daniele Fanfoni, Luca Fanfoni, Luca Simoncini | — | |
| 34-5 | Six Preludes for solo violin, no. 1 | Luca Fanfoni | — | |
| 34-6 | Six Preludes for solo violin, no. 2 | Luca Fanfoni | — | |
| 34-7 | Six Preludes for solo violin, no. 3 | Luca Fanfoni | — | |
| 34-8 | Six Preludes for solo violin, no. 4 | Luca Fanfoni | — | |
| 34-9 | Six Preludes for solo violin, no. 5 | Luca Fanfoni | — | |
| 34-10 | Six Preludes for solo violin, no. 6 | Luca Fanfoni | — | |
| 34-11 | Rondò for violin and cello, M.S. 63 | Luca Fanfoni, Luca Simoncini | — | |
| 34-12 | Capriccio (Andante) for solo violin, M.S. 54 | Luca Fanfoni | — | |
| 34-13 | Grande Concerto in E minor, M.S. 75: I. Risoluto | Luca Fanfoni, Fabrizio Giudice | — | |
| 34-14 | Grande Concerto in E minor, M.S. 75: II. Adagio | Luca Fanfoni, Fabrizio Giudice | — | |
| 34-15 | Grande Concerto in E minor, M.S. 75: III. Rondò ossia Polonese | Luca Fanfoni, Fabrizio Giudice | — | |
| 35-1 | Ghiribizzo vocale, M.S. 120 | Lucia Cortese, Fabrizio Giudice, Bin Huang | — | |
| 35-2 | Sul margine d'un rio, M.S. 119 | Lucia Cortese, Fabio Macelloni | — | |
| 35-3 | È pur amabile, M.S. 53 | Lucia Cortese, Fabio Macelloni | — | |
| 35-4 | Chant Patriorique, M.S. 62 | Choir of the Vocal Technique class of the Paganini Conservatory of Genua, Fabio Macelloni | — | |
| 35-5 | Guitar Sonata, M.S. 84 | Fabrizio Giudice | — | |
| 35-6 | Valtz, M.S. 80 | Bin Huang | — | |
| 35-7 | Canzonetta, M.S. 121 | Fabrizio Giudice, Bin Huang | — | |
| 35-8 | Duet for Violin and Guitar, M.S. 122 | Nicholas Goluses, Bin Huang | — | |
| 36-1 | Cappriccio no. 1 in E major - Andante | — | ||
| 36-2 | Cappriccio no. 2 in B minor - Moderato | — | ||
| 36-3 | Cappriccio no. 3 in E minor - Sostenuto, Presto | — | ||
| 36-4 | Cappriccio no. 4 in C minor - Maestoto | — | ||
| 36-5 | Cappriccio no. 5 in A minor - Agitato | — | ||
| 36-6 | Cappriccio no. 6 in G minor - Adagio | — | ||
| 36-7 | Cappriccio no. 7 in A minor - Posato | — | ||
| 36-8 | Cappriccio no. 8 in E-flat major - Maestoso | — | ||
| 36-9 | Cappriccio no. 9 in E major - Allegretto | — | ||
| 36-10 | Cappriccio no. 10 in G minor - Vivace | — | ||
| 36-11 | Cappriccio no. 11 in C major - Andante, Presto | — | ||
| 36-12 | Cappriccio no. 12 in A-flat major - Allegro | — | ||
| 36-13 | Cappriccio no. 13 in B-flat major - Moderato | — | ||
| 36-14 | Cappriccio no. 14 in E-flat major - Moderato | — | ||
| 36-15 | Cappriccio no. 15 in E minor - Posato | — | ||
| 36-16 | Cappriccio no. 16 in G minor - Presto | — | ||
| 36-17 | Cappriccio no. 17 in E-flat major - Sostenuto, Andante | — | ||
| 36-18 | Cappriccio no. 18 in C major - Corrente, Allegro | — | ||
| 36-19 | Cappriccio no. 19 in E-flat major - Lento, Allegro assai | — | ||
| 36-20 | Cappriccio no. 20 in D major - Allegretto | — | ||
| 36-21 | Cappriccio no. 21 in A major - Amoroso, Presto | — | ||
| 36-22 | Cappriccio no. 22 in F major - Marcato | — | ||
| 36-23 | Cappriccio no. 23 in E-flat major - Posato | — | ||
| 36-24 | Cappriccio no. 24 in A minor - Tema, Quasi presto | — | ||
| 37-1 | 60 Variations on the Barucabà Theme, M.S. 71: First group - A major | — | ||
| 37-2 | 60 Variations on the Barucabà Theme, M.S. 71: Second group - C major | — | ||
| 37-3 | 60 Variations on the Barucabà Theme, M.S. 71: Third group - D major | — | ||
| 37-4 | Variations on God Save the King, op. 9, M.S. 56 | — | ||
| 37-5 | Violin Concerto no. 2 in B minor, op. 7, M.S. 48: I. Allegro maestoso | — | ||
| 37-6 | Violin Concerto no. 2 in B minor, op. 7, M.S. 48: II. Adagio | — | ||
| 37-7 | Violin Concerto no. 2 in B minor, op. 7, M.S. 48: III. Rondo: Allegro moderato | — | ||
| 38-1 | Violin Concerto no. 4 in D minor, M.S. 60: I. Allegro maestoso | — | ||
| 38-2 | Violin Concerto no. 4 in D minor, M.S. 60: II. Adagio flebile con sentimento | — | ||
| 38-3 | Violin Concerto no. 4 in D minor, M.S. 60: III. Rondò galante | — | ||
| 38-4 | Variations on "Di Tanti Palpiti" from Rossini's Tancredi, M.S. 77 | — | ||
| 38-5 | Cantabile in D major, M.S. 109 | — | ||
| 38-6 | Violin Concerto no. 1 in D major, op. 6: I. Allegro maestoso | — | ||
| 38-7 | Violin Concerto no. 1 in D major, op. 6: II. Adagio | — | ||
| 38-8 | Violin Concerto no. 1 in D major, op. 6: III. Rondò, Allegro Spiritoso | — | ||
| 39-1 | Johann N. Hummel, Recollections of Paganini, Fantasia for the piano | — | ||
| 39-2 | Ignaz Mosheles, Gems à la Paganini, Fantasia no. 1 | — | ||
| 39-3 | Ignaz Mosheles, Gems à la Paganini, Fantasia no. 2 | — | ||
| 39-4 | Friedrich Kuhlau, La Clochette, Rondeau Brillante pour le pianoforte | — | ||
| 39-5 | Franz Liszt, Grandes Etudes de Paganini (1851) no. 1 in G minor | — | ||
| 39-6 | Franz Liszt, Grandes Etudes de Paganini (1851) no. 2 in E-flat major | — | ||
| 39-7 | Franz Liszt, Grandes Etudes de Paganini (1851) no. 3 in G-sharp minor "La Campanella" | — | ||
| 39-8 | Franz Liszt, Grandes Etudes de Paganini (1851) no. 4 in E major | — | ||
| 39-9 | Franz Liszt, Grandes Etudes de Paganini (1851) no. 5 in E major | — | ||
| 39-10 | Franz Liszt, Grandes Etudes de Paganini (1851) no. 6 in A minor | — | ||
| 39-11 | Ferruccio Busoni, Introduzione e Capriccio Paganinesco | — | ||
| 39-12 | Luigi Dallapiccola, Sonatina Canonica su Capricci di N. Paganini I | — | ||
| 39-13 | Luigi Dallapiccola, Sonatina Canonica su Capricci di N. Paganini II | — | ||
| 39-14 | Luigi Dallapiccola, Sonatina Canonica su Capricci di N. Paganini III | — | ||
| 39-15 | Luigi Dallapiccola, Sonatina Canonica su Capricci di N. Paganini IV | — | ||
| 40-1 | Ignaz Mosheles, Gems à la Paganini, Fantasia no. 3 | — | ||
| 40-2 | Robert Schumann, Etudes pour le pianoforte d'après des caprices de Paganini, op. 3 no. 1 in A minor | — | ||
| 40-3 | Robert Schumann, Etudes pour le pianoforte d'après des caprices de Paganini, op. 3 no. 2 in E major | — | ||
| 40-4 | Robert Schumann, Etudes pour le pianoforte d'après des caprices de Paganini, op. 3 no. 3 in C major | — | ||
| 40-5 | Robert Schumann, Etudes pour le pianoforte d'après des caprices de Paganini, op. 3 no. 4 in B-flat major | — | ||
| 40-6 | Robert Schumann, Etudes pour le pianoforte d'après des caprices de Paganini, op. 3 no. 5 in E-flat major | — | ||
| 40-7 | Robert Schumann, Etudes pour le pianoforte d'après des caprices de Paganini, op. 3 no. 6 in G minor | — | ||
| 40-8 | Henri Herz, Paganini's Last Waltz | — | ||
| 40-9 | Henri Herz, Rondò de Paganini | — | ||
| 40-10 | Johann Strauss, Walzer à la Paganini, op. 11 | — | ||
| 40-11 | Johannes Brahms, Variationen über ein Thema von Paganini, op. 35, Heft I | — | ||
| 40-12 | Johannes Brahms, Variationen über ein Thema von Paganini, op. 35, Heft II | — |
Concerto no. 1. Allegro maestoso
Massimo Quarta, Orchestra del teatro Carlo Felice di Genova
—
Concerto no. 1. Adagio espressivo
Massimo Quarta, Orchestra del teatro Carlo Felice di Genova
—
Concerto no. 1. Rondò: Allegretto spiritoso
Massimo Quarta, Orchestra del teatro Carlo Felice di Genova
—
Concerto no. 2. Allegro maestoso
Massimo Quarta, Orchestra del teatro Carlo Felice di Genova
—
Concerto no. 2. Adagio
Massimo Quarta, Orchestra del teatro Carlo Felice di Genova
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Concerto no. 2. Rondò: Andantino - Allegretto moderato
Massimo Quarta, Orchestra del teatro Carlo Felice di Genova
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Concerto No. 3 » Andante - Allegro Marziale
Massimo Quarta, Orchestra del teatro Carlo Felice di Genova
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Concerto No. 3 » Adagio
Massimo Quarta, Orchestra del teatro Carlo Felice di Genova
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Concerto No. 3 » Polacca. Andantino - Vivace
Massimo Quarta, Orchestra del teatro Carlo Felice di Genova
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Concerto No. 5 » Allegro Maestoso
Massimo Quarta, Orchestra del teatro Carlo Felice di Genova
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Concerto No. 5 » Andante un poco sostenuto
Massimo Quarta, Orchestra del teatro Carlo Felice di Genova
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Concerto No. 5 » Rondò. Andante - Allegretto
Massimo Quarta, Orchestra del teatro Carlo Felice di Genova
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Grand Concerto in E minor » Risoluto
Massimo Quarta, Orchestra del teatro Carlo Felice di Genova
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Grand Concerto in E minor » Adagio
Massimo Quarta, Orchestra del teatro Carlo Felice di Genova
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Grand Concerto in E minor » Rondò ossia Polonese
Massimo Quarta, Orchestra del teatro Carlo Felice di Genova
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Concerto No. 4 » Allegro maestoso
Massimo Quarta, Orchestra del teatro Carlo Felice di Genova
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Concerto No. 4 » Adagio flebile con sentimento
Massimo Quarta, Orchestra del teatro Carlo Felice di Genova
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Concerto No. 4 » Rondò galante
Massimo Quarta, Orchestra del teatro Carlo Felice di Genova
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Adagio in E major, M.S. 49
Massimo Quarta, Orchestra del teatro Carlo Felice di Genova
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Le Streghe, M.S. 19
Mario Hossen, Vienna Classical Players
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Suonata con Variazioni, M.S. 47
Mario Hossen, Vienna Classical Players
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Non più mesta, M.S. 22
Mario Hossen, Vienna Classical Players
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I Palpiti, M.S. 77
Mario Hossen, Vienna Classical Players
—
Religiosa introduzione al Rondò del Campanello, M.S. 67/1: I. Andante sonnolento
Mario Hossen, Vienna Classical Players, Wiener Singverein
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Religiosa introduzione al Rondò del Campanello, M.S. 67/1: II. Minuetto
Mario Hossen, Vienna Classical Players
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Religiosa introduzione al Rondò del Campanello, M.S. 67/1: III. Rondò della Campanella
Mario Hossen, Vienna Classical Players
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Sonata Varsavia
Salvatore Accardo, Chamber Orchestra of Europe
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Sonata maria Luisa sul Sol
Salvatore Accardo, Chamber Orchestra of Europe
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Polacca con Variazioni
Salvatore Accardo, Chamber Orchestra of Europe
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Balletto Campestre - Variazioni su un Tema Comico
Salvatore Accardo, Chamber Orchestra of Europe
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Variazioni su "Il Carnevale di Venezia"
Salvatore Accardo, Chamber Orchestra of Europe
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Napoléon M.S. 5 (original guitar accompaniment by Paganini)
Mario Hossen, Alexander Swete
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La Primavera M.S. 73 (piano accompaniment by Giusto Dacci)
Mario Hossen, Nadja Hoebarth
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Sonata movimento perpetuo M.S. 66, with Piano (original piano accompaniment by Paganini): I. Andante amoroso
Mario Hossen, Nadja Hoebarth
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Mario Hossen, Nadja Hoebarth
Maestosa Suonata Sentimentale M.S. 51
Mario Hossen, Camerata Orphica
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Tarantella M.S. 76
Franco Mezzena, Orchestra da Camera di Genova
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Le Couvent du Mont St. Bernard M.S. 67: I. Andante sonnolento
Franco Mezzena, Orchestra da Camera di Genova, Coro Januensis
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Le Couvent du Mont St. Bernard M.S. 67: II. Pendule, Lento
Franco Mezzena, Orchestra da Camera di Genova
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Le Couvent du Mont St. Bernard M.S. 67: III. Minuetto, Moderato
Franco Mezzena, Orchestra da Camera di Genova
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Le Couvent du Mont St. Bernard M.S. 67: IV. L'Aurora, Lento, Maestoso
Franco Mezzena, Orchestra da Camera di Genova, Coro Januensis
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Le Couvent du Mont St. Bernard M.S. 67: V. Rondò del campanello
Franco Mezzena, Orchestra da Camera di Genova
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Niccolò Paganini a Mr. Henry M.S. 65: I. Larghetto
Franco Traverso, Rino Vernizzi, Orchestra da Camera di Genova
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Niccolò Paganini a Mr. Henry M.S. 65: II. Allegro moderato
Franco Traverso, Rino Vernizzi, Orchestra da Camera di Genova
—
Luigi Alberto Bianchi, Deutsches Symphonie-Orchester Berlin
Quartet no. 1 in A minor, op. 4 no. 1, M.S. 28, dedicated to "amateur ladies": I. Introduzione - Andante marcato, Vivace
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Quartet no. 1 in A minor, op. 4 no. 1, M.S. 28, dedicated to "amateur ladies": II. Minuetto alla marsigliese - Andantino
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Quartet no. 1 in A minor, op. 4 no. 1, M.S. 28, dedicated to "amateur ladies": III. Tema con variazioni - Adagetto cantabile
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Quartet no. 9 in D major, M.S. 36, dedicated to L. G. Germi: I. Allegro moderato
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Quartet no. 9 in D major, M.S. 36, dedicated to L. G. Germi: II. Minuetto alla Valtz
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Quartet no. 9 in D major, M.S. 36, dedicated to L. G. Germi: III. Adagio sostenuto appassionatamente
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Quartet no. 9 in D major, M.S. 36, dedicated to L. G. Germi: IV. Allegro vivace
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Quartet no. 10 in A major, M.S. 37, dedicated to L. G. Germi: I. Allegretto
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Quartet no. 10 in A major, M.S. 37, dedicated to L. G. Germi: II. Minuetto - Scherzo (Allegretto mosso)
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Quartet no. 10 in A major, M.S. 37, dedicated to L. G. Germi: III. Adagio cantabile
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Quartet no. 10 in A major, M.S. 37, dedicated to L. G. Germi: IV. Rondo (Andantino con brio)
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Quartet no. 11 in B major, M.S. 38, dedicated to L. G. Germi: I. Allegro moderato
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Quartet no. 11 in B major, M.S. 38, dedicated to L. G. Germi: II. Minuetto (Allegretto)
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Quartet no. 11 in B major, M.S. 38, dedicated to L. G. Germi: III. Larghetto, con passione
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Quartet no. 11 in B major, M.S. 38, dedicated to L. G. Germi: IV. Polacca (Andante mosso)
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Quartet no. 12 in A minor, M.S. 39, dedicated to L. G. Germi: I. Allegro giusto
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Quartet no. 12 in A minor, M.S. 39, dedicated to L. G. Germi: II. Tenuto con precisione
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Quartet no. 12 in A minor, M.S. 39, dedicated to L. G. Germi: III. Minuetto (Allegretto mosso)
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Quartet no. 13 in F major, M.S. 40, dedicated to L. G. Germi: I. Allegro con brio
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Quartet no. 13 in F major, M.S. 40, dedicated to L. G. Germi: II. Minuetto (Allegretto)
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Quartet no. 13 in F major, M.S. 40, dedicated to L. G. Germi: III. Larghetto, tenuto con anima
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Quartet no. 13 in F major, M.S. 40, dedicated to L. G. Germi: IV. Finale - Prestissimo
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Quartet no. 3 in A major, op. 4 no. 3, M.S. 30, dedicated to "amateur ladies": I. Pot-pourri - Allegro
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Quartet no. 3 in A major, op. 4 no. 3, M.S. 30, dedicated to "amateur ladies": II. Minuetto alla Spagnola - Andantino
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Quartet no. 3 in A major, op. 4 no. 3, M.S. 30, dedicated to "amateur ladies": III. Romance - Adagio non tanto
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Quartet no. 3 in A major, op. 4 no. 3, M.S. 30, dedicated to "amateur ladies": IV. Rondò - Allegretto
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Quartet no. 7 in E major, M.S. 34, dedicated to the Marchesa Caterina Raggi Pallavicini: I. Allegro moderato
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Quartet no. 7 in E major, M.S. 34, dedicated to the Marchesa Caterina Raggi Pallavicini: II. Minuetto - Allegretto
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Quartet no. 7 in E major, M.S. 34, dedicated to the Marchesa Caterina Raggi Pallavicini: III. Adagio cantabile - Sostenuto con passione
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Quartet no. 7 in E major, M.S. 34, dedicated to the Marchesa Caterina Raggi Pallavicini: IV. Rondò vivace
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Quartet no. 14 in A major, M.S. 41, dedicated to L. G. Germi: I. Allegro maestoso
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Quartet no. 14 in A major, M.S. 41, dedicated to L. G. Germi: II. Minuetto Scherzo - Allegretto
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Quartet no. 14 in A major, M.S. 41, dedicated to L. G. Germi: III. Largo con sentimento
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Quartet no. 14 in A major, M.S. 41, dedicated to L. G. Germi: IV. Finale - Allegro vivace
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Quartet no. 2 in C major, op. 4 no. 2, M.S. 29, dedicated to "amateur ladies": I. Moderato
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Quartet no. 2 in C major, op. 4 no. 2, M.S. 29, dedicated to "amateur ladies": II. Minuetto, Andante
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Quartet no. 2 in C major, op. 4 no. 2, M.S. 29, dedicated to "amateur ladies": III. Larghetto in Fa
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Quartet no. 2 in C major, op .4 no. 2, M.S. 29, dedicated to "amateur ladies": IV. Rondò, Allegretto
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Quartet no. 8 in A major M.S. 35, dedicated to the Marchese Filippo Carrega: I. Allegro
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Quartet no. 8 in A major M.S. 35, dedicated to the Marchese Filippo Carrega: II. Minuetto, Andantino
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Quartet no. 8 in A major M.S. 35, dedicated to the Marchese Filippo Carrega: III. Cantabile molto adagio
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Quartet no. 8 in A major M.S. 35, dedicated to the Marchese Filippo Carrega: IV. Rondò, Allegretto
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Quartet no. 15 in A minor M.S. 42, dedicated to L. G. Germi: I. Maestoso
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Quartet no. 15 in A minor M.S. 42, dedicated to L. G. Germi: II. Minuetto a canone, Andantino
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Quartet no. 15 in A minor M.S. 42, dedicated to L. G. Germi: III. Recitativo, Andante sostenuto con sentimento
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Quartet no. 15 in A minor M.S. 42, dedicated to L. G. Germi: IV. Adagio cantabile
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Quartet no. 15 in A minor M.S. 42, dedicated to L. G. Germi: V. Rondò, Allegretto cantabile
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Quartet no. 4 in D major, op. 5 no. 1, M.S. 31, dedicated to "amateur ladies": I. Presto
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Quartet no. 4 in D major, op. 5 no. 1, M.S. 31, dedicated to "amateur ladies": II. Andante
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Quartet no. 4 in D major, op. 5 no. 1, M.S. 31, dedicated to "amateur ladies": III. Cantabile quasi larghetto
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Quartet no. 5 in D major, op. 5 no. 2, M.S. 32, dedicated to "amateur ladies": I. Allegro
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Quartet no. 5 in D major, op. 5 no. 2, M.S. 32, dedicated to "amateur ladies": II. Minuetto, Allegretto
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Quartet no. 5 in D major, op. 5 no. 2, M.S. 32, dedicated to "amateur ladies": III. Cantabile, Larghetto
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Quartet no. 5 in D major, op. 5 no. 2, M.S. 32, dedicated to "amateur ladies": IV. Polacca, quasi presto
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Quartet no. 6 in D minor, op. 5 no. 3, M.S. 33, dedicated to "amateur ladies": I. Allegro
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Quartet no. 6 in D minor, op. 5 no. 3, M.S. 33, dedicated to "amateur ladies": II. Moderato
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Quartet no. 6 in D minor, op. 5 no. 3, M.S. 33, dedicated to "amateur ladies": III. Tema cantabile, quasi larghetto
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Quartet no. 6 in D minor, op. 5 no. 3, M.S. 33, dedicated to "amateur ladies": IV. Polacchetta, Allegro con brio
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Serenata in C major M.S. 17 for viola, cello and guitar: I. Allegretto spiritoso
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Serenata in C major M.S. 17 for viola, cello and guitar: II. Minuetto (Andantino - Amorosamente)
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Serenata in C major M.S. 17 for viola, cello and guitar: III. Adagio non tanto (Unione con anima)
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Serenata in C major M.S. 17 for viola, cello and guitar: IV. Rondò con maestria e grazia (Canzonetta genovese)
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Serenata in C major M.S. 17 for viola, cello and guitar: V. Andantino alla polacca
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Terzetto Concertante in D major M.S. 114 for viola, cello and guitar: I. Allegro
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Terzetto Concertante in D major M.S. 114 for viola, cello and guitar: II. Minuetto
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Terzetto Concertante in D major M.S. 114 for viola, cello and guitar: III. Adagio cantabile
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Terzetto Concertante in D major M.S. 114 for viola, cello and guitar: IV. Waltz a rondò (Allegretto con energia)
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Terzetto in D major M.S. 69 for violin, cello and guitar: I. Allegro con brio
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Terzetto in D major M.S. 69 for violin, cello and guitar: II. Minuetto (Allegro vivace)
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Terzetto in D major M.S. 69 for violin, cello and guitar: III. Andante, Larghetto (Cavate)
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Terzetto in D major M.S. 69 for violin, cello and guitar: IV. Rondò (Allegretto)
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Terzetto in A minor M.S. 116 for two violins and guitar: I. Andante sostenuto
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Terzetto in A minor M.S. 116 for two violins and guitar: II. Tempo di minuetto
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Terzetto in A minor M.S. 116 for two violins and guitar: III. Andantino - Allegro
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Serenata in F major M.S. 115 for two violins and guitar: I. Introduzione, Largo
—
Serenata in F major M.S. 115 for two violins and guitar: II. Tempo di minuetto - Amoroso
—
Serenata in F major M.S. 115 for two violins and guitar: III. Andantino scherzando
—
Quartet no. 1, M.S. 20: I. Allegro maestroso
—
Quartet no. 1, M.S. 20: II. Minuetto, Allegretto
—
Quartet no. 1, M.S. 20: III. Adagio, con anima
—
Quartet no. 1, M.S. 20: IV. Rondò, Allegretto con brio
—
Quartet no. 2, M.S. 20: I. Moderato
—
Quartet no. 2, M.S. 20: II. Minuetto, Allegretto
—
Quartet no. 2, M.S. 20: III. Adagio, con trasporto
—
Quartet no. 2, M.S. 20: IV. Finale, Prestissimo
—
Quartet no. 3, M.S. 20: I. Largo, Allegro
—
Quartet no. 3, M.S. 20: II. Minuetto, Andantino
—
Quartet no. 3, M.S. 20: III. Andante con variozioni
—
Quartet no. 3, M.S. 20: IV. Finale, Presto
—
In cor più non mi sento, Theme and variations for two violins and cello, M.S. 117: Theme
—
In cor più non mi sento, Theme and variations for two violins and cello, M.S. 117: Variation I
—
In cor più non mi sento, Theme and variations for two violins and cello, M.S. 117: Variation II
—
In cor più non mi sento, Theme and variations for two violins and cello, M.S. 117: Variation III
—
In cor più non mi sento, Theme and variations for two violins and cello, M.S. 117: Variation IV
—
In cor più non mi sento, Theme and variations for two violins and cello, M.S. 117: Variation V
—
In cor più non mi sento, Theme and variations for two violins and cello, M.S. 117: Variation VI
—
In cor più non mi sento, Theme and variations for two violins and cello, M.S. 117: Variation VII
—
In cor più non mi sento, Theme and variations for two violins and cello, M.S. 117: Variation VIII
—
Three Duets for violin and cello, M.S. 107, Duet no. 1: Allegro
—
Three Duets for violin and cello, M.S. 107, Duet no. 1: Rondò, Allegretto
—
Three Duets for violin and cello, M.S. 107, Duet no. 2: Allegro
—
Three Duets for violin and cello, M.S. 107, Duet no. 2: Rondò, Presto
—
Three Duets for violin and cello, M.S. 107, Duet no. 3: Allegro
—
Three Duets for violin and cello, M.S. 107, Duet no. 3: Polonese, Andante con brio
—
Divertimenti carnevaleschi for two violins and cello, M.S. 4: Minuetto
—
Divertimenti carnevaleschi for two violins and cello, M.S. 4: Allesandrina I
—
Divertimenti carnevaleschi for two violins and cello, M.S. 4: Allesandrina II
—
Divertimenti carnevaleschi for two violins and cello, M.S. 4: Allesandrina III
—
Divertimenti carnevaleschi for two violins and cello, M.S. 4: Allesandrina IV
—
Divertimenti carnevaleschi for two violins and cello, M.S. 4: Allesandrina V
—
Divertimenti carnevaleschi for two violins and cello, M.S. 4: Allesandrina VI
—
Divertimenti carnevaleschi for two violins and cello, M.S. 4: Perigordino I
—
Divertimenti carnevaleschi for two violins and cello, M.S. 4: Perigordino II
—
Divertimenti carnevaleschi for two violins and cello, M.S. 4: Valzer I
—
Divertimenti carnevaleschi for two violins and cello, M.S. 4: Valzer II
—
Divertimenti carnevaleschi for two violins and cello, M.S. 4: Valzer III
—
Divertimenti carnevaleschi for two violins and cello, M.S. 4: Valzer IV
—
Divertimenti carnevaleschi for two violins and cello, M.S. 4: Scozzese
—
Divertimenti carnevaleschi for two violins and cello, M.S. 4: Inglese I
—
Divertimenti carnevaleschi for two violins and cello, M.S. 4: Inglese II
—
Divertimenti carnevaleschi for two violins and cello, M.S. 4: Inglese III
—
Divertimenti carnevaleschi for two violins and cello, M.S. 4: Inglese IV
—
Divertimenti carnevaleschi for two violins and cello, M.S. 4: Inglese V
—
Divertimenti carnevaleschi for two violins and cello, M.S. 4: Inglese VI
—
Divertimenti carnevaleschi for two violins and cello, M.S. 4: Variazioni
—
Three Duets for Violin and Bassoon, M.S. 130, Duet no. 1: I. Largo - Allegro moderato
—
Three Duets for Violin and Bassoon, M.S. 130, Duet no. 1: II. Rondò (Allgretto vivo)
—
Three Duets for Violin and Bassoon, M.S. 130, Duet no. 2: I. Largo - Allegro moderato
—
Three Duets for Violin and Bassoon, M.S. 130, Duet no. 2: II. Rondò (Allegro moderato)
—
Three Duets for Violin and Bassoon, M.S. 130, Duet no. 3: I. Allegro con brio poco scherzando - Tempesta
—
Three Duets for Violin and Bassoon, M.S. 130, Duet no. 3: II. Petite romance, Larghetto
—
Three Duets for Violin and Bassoon, M.S. 130, Duet no. 3: III. Polacchina, Andantino con grazia
—
Quattro Notturni a quartetto M.S. 15, Notturno no. 1: I. Adagio
—
Quattro Notturni a quartetto M.S. 15, Notturno no. 1: II. Allegretto
—
Quattro Notturni a quartetto M.S. 15, Notturno no. 2: I. Adagio
—
Quattro Notturni a quartetto M.S. 15, Notturno no. 2: II. Polonse - Andante
—
Quattro Notturni a quartetto M.S. 15, Notturno no. 3: I. Cantabile - Andante
—
Quattro Notturni a quartetto M.S. 15, Notturno no. 3: II. Andante - Tempo di Valzer
—
Quattro Notturni a quartetto M.S. 15, Notturno no. 4: I. Largo - Andante sostenuto
—
Quattro Notturni a quartetto M.S. 15, Notturno no. 4: II. Andante brillante
—
Quartet no. 7 in E major, M.S. 34: I. Allegro moderato
—
Quartet no. 7 in E major, M.S. 34: II. Minuetto, Allegretto
—
Quartet no. 7 in E major, M.S. 34: III. Adagio cantabile, Sostenuto con passione
—
Quartet no. 7 in E major, M.S. 34: IV. Rondò, Vivace
—
Sonata per Rovenefor mandolin and guitar, M.S. 14: I. Arietta, Introduzione - Andante sostenuto
—
Sonata per Rovenefor mandolin and guitar, M.S. 14: II. Andantino brillane
—
Serenata for mandolin and guitar, M.S. 16: I. Larghetto
—
Serenata for mandolin and guitar, M.S. 16: II. Andantino
—
Minuetto per l'amandorlino, M.S. 106: I. Minuetto
—
Minuetto per l'amandorlino, M.S. 106: II. Andantino
—
Minuetto per l'amandorlino, M.S. 106: III. Allegro moderato
—
Sonata no. 1 in A minor: I. Introduzione - Larghetto, Allegro Maestoso - Tempo di marcia
—
Sonata no. 1 in A minor: II. Rondoncino - Allegro
—
Sonata no. 2 in D major: I. Adagio cantabile
—
Sonata no. 2 in D major: II. Rondoncino - Andantino, Tempo di Polacca
—
Sonata no. 3 in C major: Introduzione - Prestissimo, Larghetto cantabile
—
Sonata no. 4 in A major: I. Adagio cantabile
—
Sonata no. 4 in A major: II. Rondò - Andantino, Allegretto
—
Sonata no. 5 in E major: I. Allegro assai
—
Sonata no. 5 in E major: II. Andantino vivace, tre variazioni
—
Sonata no. 6 in A major: I. Larghetto cantabile
—
Sonata no. 6 in A major: II. Rondò - Allegro assai
—
Cantabile in D major, M.S. 109
—
Sonata no. 1 in F major: I. Allegro giusto - Buonamente
—
Sonata no. 1 in F major: II. Polacca - Andantino, Allegretto
—
Sonata no. 2 in G major: I. Andante cantabile
—
Sonata no. 2 in G major: II. Rondò - Allegretto
—
Sonata no. 3 in A major: I. Allegro maestoso - Tempo di marcia
—
Sonata no. 3 in A major: II. Tema - Andante placido
—
Sonata no. 3 in A major: III. Variazione I
—
Sonata no. 3 in A major: IV. Variazione II
—
Sonata no. 3 in A major: V. Variazione III - Più mosso
—
Sonata no. 4 in C major: I. Allegro risoluto
—
Sonata no. 4 in C major: II. Rondò - Andantino vivace (Tempo di Pastorale)
—
Sonata no. 5 in A minor: I. Cantabile - Andante appassionato, con flessibilita
—
Sonata no. 5 in A minor: II. Tema - Allegro moderato
—
Sonata no. 5 in A minor: III. Variazione I
—
Sonata no. 5 in A minor: IV. Variazione II
—
Sonata no. 5 in A minor: V. Finale - Tempo di Valz
—
Sonata no. 6 in D major: I. Andante cantabile
—
Sonata no. 6 in D major: II. Rondò - Allegretto
—
Sonata no. 1 in E major: I. Introduzione - Maestoso
—
Sonata no. 1 in E major: II. Larghetto - Cantabile
—
Sonata no. 1 in E major: III. Rondò Allegretto - Con brio
—
Sonata no. 2 in G major: I. Andante Adagetto
—
Sonata no. 2 in G major: II. Rondò - Allegro molto vivace
—
Sonata no. 3 in A major: I. Introduzione - Maestoso
—
Sonata no. 3 in A major: II. Tema - Andante moderato
—
Sonata no. 3 in A major: III. Variazione I
—
Sonata no. 3 in A major: IV. Minore (Variazione II)
—
Sonata no. 3 in A major: V. Maggiore (Variazione III)
—
Sonata no. 3 in A major: VI. Rondò - Allegretto
—
Sonata no. 4 in E major: I. Allegro vivace
—
Sonata no. 4 in E major: II. Minuetto a Valtz - Allegro vivo
—
Sonata no. 5 in A major: I. introduzione - Andante, Corrente
—
Sonata no. 5 in A major: II. Andante - Cantabile
—
Sonata no. 5 in A major: III. Rondò - Allegro vivo
—
Sonata no. 6 in C major: I. Allegro - Presto
—
Sonata no. 6 in C major: II. Rondò, Balletto - Allegro vivissimo
—
Sonatas op. 1, M.S. 9 dedicated to Madama Frassinet: Sonata no. 1 (Amoroso, Andantino)
—
Sonatas op. 1, M.S. 9 dedicated to Madama Frassinet: Sonata no. 2 (Larghetto, Allegretto)
—
Sonatas op. 1, M.S. 9 dedicated to Madama Frassinet: Sonata no. 3 (Andante, Allegro)
—
Sonatas op. 1, M.S. 9 dedicated to Madama Frassinet: Sonata no. 4 (Introduzione, Andantino)
—
Sonatas op. 1, M.S. 9 dedicated to Madama Frassinet: Sonata no. 5 (Quasi adagio, Polonese - Andantino)
—
Sonatas op. 1, M.S. 9 dedicated to Madama Frassinet: Sonata no. 6 (Maestoso, Valzer)
—
Sonatas op. 2, M.S. 10, dedicated to Madama Frassinet: Sonata no. 1 (Larghetto - Allegretto Perigordino con due variazioni)
—
Sonatas op. 2, M.S. 10, dedicated to Madama Frassinet: Sonata no. 2 (Introduzione, Andante)
—
Sonatas op. 2, M.S. 10, dedicated to Madama Frassinet: Sonata no. 3 (Cantabile appassionatamente, Andantino scherzando)
—
Sonatas op. 2, M.S. 10, dedicated to Madama Frassinet: Sonata no. 4 (Quasi adagio amorosamente, Allegro)
—
Sonatas op. 2, M.S. 10, dedicated to Madama Frassinet: Sonata no. 5 (Introduzione - Adagio assai, Allegretto
—
Sonatas op. 2, M.S. 10, dedicated to Madama Frassinet: Sonata no. 6 (Adagio con sentimento, Andantino)
—
Sonatas op. 4, M.S. 11, dedicated to Felice I, Prince of Lucca and Piombino: Sonata no. 1 (Adagio amorosamente, Quasi allegretto)
—
Sonatas op. 4, M.S. 11, dedicated to Felice I, Prince of Lucca and Piombino: Sonata no. 2 (Adagio espressivo, Andantino innocentemente)
—
Sonatas op. 4, M.S. 11, dedicated to Felice I, Prince of Lucca and Piombino: Sonata no. 3 (Adagio con zelo, Allegretto con moto)
—
Sonatas op. 4, M.S. 11, dedicated to Felice I, Prince of Lucca and Piombino: Sonata no. 4 (Adagio con grazia e trasporto, Andantino scherzando)
—
Sonatas op. 4, M.S. 11, dedicated to Felice I, Prince of Lucca and Piombino: Sonata no. 5 (Adagio con sentimento, Rondò alla Turca - Antantemente)
—
Sonatas op. 4, M.S. 11, dedicated to Felice I, Prince of Lucca and Piombino: Sonata no. 6 (Adagio appassionatissimamente, Allegretto con piacere)
—
Sonatas op. 5, M.S. 12, dedicated to Madama T.: Sonata no. 1 (Adagio con passione, Andante smorfiosamente)
—
Sonatas op. 5, M.S. 12, dedicated to Madama T.: Sonata no. 2 (Adagio con amore, Andante con semplizità)
—
Sonatas op. 5, M.S. 12, dedicated to Madama T.: Sonata no. 3 (Adagio con anima, Andantino galante)
—
Sonatas op. 5, M.S. 12, dedicated to Madama T.: Sonata no. 4 (Adagio con sentimento, Corrente con motteggio)
—
Sonatas op. 5, M.S. 12, dedicated to Madama T.: Sonata no. 5 (Adagio con grazia, Allegro con brio)
—
Sonatas op. 5, M.S. 12, dedicated to Madama T.: Sonata no. 6 (Adagio con trasporto, Pollonese brillante)
—
Sonatas op. 6, M.S. 13, dedicated to Principessina Napoleone: Sonata no. 1 (Adagio seducemente, Andantino con grazia)
—
Sonatas op. 6, M.S. 13, dedicated to Principessina Napoleone: Sonata no. 2 (Adagio maestoso, Allegretto con energia)
—
Sonatas op. 6, M.S. 13, dedicated to Principessina Napoleone: Sonata no. 3 (Adagio con espressione, Rondò alla napoletana - Andante)
—
Sonatas op. 6, M.S. 13, dedicated to Principessina Napoleone: Sonata no. 4 (Adagio amorosamente, Allegro con gentilezza)
—
Sonatas op. 6, M.S. 13, dedicated to Principessina Napoleone: Sonata no. 5 (Adagio con trasporto, Rondò - Andante alla Frassinet)
—
Sonatas op. 6, M.S. 13, dedicated to Principessina Napoleone: Sonata no. 6 (Adagio con affizione, Valtz galante)
—
6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 1: I. Amoroso
—
6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 1: II. Andantino
—
6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 2: I. Larghetto compassionevolmente
—
6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 2: II. Allegretto scherzando
—
6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 3: I. Lento e con grazia
—
6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 3: II. Andantino brillante
—
6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 4: I. Quasi Andante con sentimento
—
6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 4: II. Allegro
—
6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 5: I. Con anima e trasporto
—
6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 5: II. Andantino con brio
—
6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 6: I. Quasi Larghetto e con enfasi
—
6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 6: II. Andantino motteggiando
—
6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 1: I. Allegro
—
6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 1: II. Adagio con espressione
—
6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 1: III. Allegro con brio
—
6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 2: I. Introduzione: Largo - Andante con grazia
—
6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 2: II. Andantino Scherzando - Variazione I - Minore - Variazione II
—
6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 3: I. Larghetto sentimentalmete
—
6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 3: II. Polonese, Andantino brillante
—
6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 4: I. Adagio, non tanto
—
6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 4: II. Grazioso, Allegretto
—
6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 5: I. Adagio affettuoso
—
6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 5: II. Andantino corrente - Variazione I - Minore - Variazione II
—
6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 6: I. Adagio con amore
—
6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 6: II. Polonese, Allegro con energia
—
Duetto amoroso, M.S. 111: I. Principio, Allegretto
—
Duetto amoroso, M.S. 111: II. Preghiera, Andante
—
Duetto amoroso, M.S. 111: III. Acconsentito, Allegretto
—
Duetto amoroso, M.S. 111: IV. Timidezza, Allegro
—
Duetto amoroso, M.S. 111: V. Contentezza, Andantino
—
Duetto amoroso, M.S. 111: VI. Lite, Allegro assai
—
Duetto amoroso, M.S. 111: VII. Pace, Comodo
—
Duetto amoroso, M.S. 111: VIII. Segnale d'amore, Allegretto
—
Duetto amoroso, M.S. 111: IX. Notizia dela partenza, Allegro moderato
—
Duetto amoroso, M.S. 111: X. Distacco, Allegro
—
Entrata d'Adone nella reggia di Venere, M.S. 8
—
6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 1 in A major: I. Minuetto - Adagio
—
6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 1 in A major: II. Polonese - Quasi allegro
—
6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 2 in C major: I. Adagio - Maestoso
—
6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 2 in C major: II. Andantino - Galantemente
—
6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 3 in D minor: I. Adagio - Maestoso
—
6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 3 in D minor: II. Andantino - Galantemente
—
6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 4 in A major: I. La Sinagoga - Andante calcando
—
6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 4 in A major: II. Andantino con brio
—
6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 5 in D major: I. Andante - Moderato impostatamente
—
6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 5 in D major: II: Allegro spiritoso
—
6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 6 in A minor: I. Largo, con precisione
—
6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 6 in A minor: II. Tempo di Valtz
—
6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 1 in A major: I. Larghetto
—
6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 1 in A major: II. Presto, Variato
—
6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 2 in G major: I. Adagio
—
6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 2 in G major: II. Andantino scherzoso
—
6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 3 in D major: I. Andante sostenuto
—
6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 3 in D major: II. Rondò - Molto allegro
—
6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 4 in A minor: I. Andante - Largo
—
6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 4 in A minor: II. Allegretto - Motteggiando
—
6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 5 in A major: I. Adagio amoroso
—
6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 5 in A major: II. Allegretto - Energicamente
—
6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 6 in E minor: I. Andante - Innocentemente
—
6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 6 in E minor: II. Allegro vivo e spiritoso
—
Allegro vivace a movimento perpetuo, M.S. 72
—
Sonata concertata, M.S. 2 for Guitar and Violin: I. Allegro spiritoso
—
Sonata concertata, M.S. 2 for Guitar and Violin: II. Adagio, assai espressivo
—
Sonata concertata, M.S. 2 for Guitar and Violin: III. Allegretto con brio, scherzando
—
Cantabile e Valtz, M.S. 45
—
Variations on Barucabà, M.S. 71: Group 1 - Tema
—
Variations on Barucabà, M.S. 71: Group 1 - Variation 1
—
Variations on Barucabà, M.S. 71: Group 1 - Variation 2
—
Variations on Barucabà, M.S. 71: Group 1 - Variation 3
—
Variations on Barucabà, M.S. 71: Group 1 - Variation 4
—
Variations on Barucabà, M.S. 71: Group 1 - Variation 5
—
Variations on Barucabà, M.S. 71: Group 1 - Variation 6
—
Variations on Barucabà, M.S. 71: Group 1 - Variation 7
—
Variations on Barucabà, M.S. 71: Group 1 - Variation 8
—
Variations on Barucabà, M.S. 71: Group 1 - Variation 9
—
Variations on Barucabà, M.S. 71: Group 1 - Variation 10
—
Variations on Barucabà, M.S. 71: Group 1 - Variation 11
—
Variations on Barucabà, M.S. 71: Group 1 - Variation 12
—
Variations on Barucabà, M.S. 71: Group 1 - Variation 13
—
Variations on Barucabà, M.S. 71: Group 1 - Variation 14
—
Variations on Barucabà, M.S. 71: Group 1 - Variation 15
—
Variations on Barucabà, M.S. 71: Group 1 - Variation 16
—
Variations on Barucabà, M.S. 71: Group 1 - Variation 17
—
Variations on Barucabà, M.S. 71: Group 1 - Variation 18
—
Variations on Barucabà, M.S. 71: Group 1 - Variation 19
—
Variations on Barucabà, M.S. 71: Group 1 - Variation 20
—
Variations on Barucabà, M.S. 71: Group 2 - Tema
—
Variations on Barucabà, M.S. 71: Group 2 - Variation 1
—
Variations on Barucabà, M.S. 71: Group 2 - Variation 2
—
Variations on Barucabà, M.S. 71: Group 2 - Variation 3
—
Variations on Barucabà, M.S. 71: Group 2 - Variation 4
—
Variations on Barucabà, M.S. 71: Group 2 - Variation 5
—
Variations on Barucabà, M.S. 71: Group 2 - Variation 6
—
Variations on Barucabà, M.S. 71: Group 2 - Variation 7
—
Variations on Barucabà, M.S. 71: Group 2 - Variation 8
—
Variations on Barucabà, M.S. 71: Group 2 - Variation 9
—
Variations on Barucabà, M.S. 71: Group 2 - Variation 10
—
Variations on Barucabà, M.S. 71: Group 2 - Variation 11
—
Variations on Barucabà, M.S. 71: Group 2 - Variation 12
—
Variations on Barucabà, M.S. 71: Group 2 - Variation 13
—
Variations on Barucabà, M.S. 71: Group 2 - Variation 14
—
Variations on Barucabà, M.S. 71: Group 2 - Variation 15
—
Variations on Barucabà, M.S. 71: Group 2 - Variation 16
—
Variations on Barucabà, M.S. 71: Group 2 - Variation 17
—
Variations on Barucabà, M.S. 71: Group 2 - Variation 18
—
Variations on Barucabà, M.S. 71: Group 2 - Variation 19
—
Variations on Barucabà, M.S. 71: Group 2 - Variation 20
—
Variations on Barucabà, M.S. 71: Group 3 - Tema
—
Variations on Barucabà, M.S. 71: Group 3 - Variation 1
—
Variations on Barucabà, M.S. 71: Group 3 - Variation 2
—
Variations on Barucabà, M.S. 71: Group 3 - Variation 3
—
Variations on Barucabà, M.S. 71: Group 3 - Variation 4
—
Variations on Barucabà, M.S. 71: Group 3 - Variation 5
—
Variations on Barucabà, M.S. 71: Group 3 - Variation 6
—
Variations on Barucabà, M.S. 71: Group 3 - Variation 7
—
Variations on Barucabà, M.S. 71: Group 3 - Variation 8
—
Variations on Barucabà, M.S. 71: Group 3 - Variation 9
—
Variations on Barucabà, M.S. 71: Group 3 - Variation 10
—
Variations on Barucabà, M.S. 71: Group 3 - Variation 11
—
Variations on Barucabà, M.S. 71: Group 3 - Variation 12
—
Variations on Barucabà, M.S. 71: Group 3 - Variation 13
—
Variations on Barucabà, M.S. 71: Group 3 - Variation 14
—
Variations on Barucabà, M.S. 71: Group 3 - Variation 15
—
Variations on Barucabà, M.S. 71: Group 3 - Variation 16
—
Variations on Barucabà, M.S. 71: Group 3 - Variation 17
—
Variations on Barucabà, M.S. 71: Group 3 - Variation 18
—
Variations on Barucabà, M.S. 71: Group 3 - Variation 19
—
Variations on Barucabà, M.S. 71: Group 3 - Variation 20
—
Six Duets, M.S. 110, Duet no. 1: I. Amoroso espressivo
—
Six Duets, M.S. 110, Duet no. 1: II. Andantino scherzando
—
Six Duets, M.S. 110, Duet no. 2: I. Cantabile con anima
—
Six Duets, M.S. 110, Duet no. 2: II. Rondò brillante
—
Six Duets, M.S. 110, Duet no. 3: I. Romance - Larghetto amabile
—
Six Duets, M.S. 110, Duet no. 3: II. Polacca - Mosso
—
Six Duets, M.S. 110, Duet no. 4: I. Placidamente con grazia
—
Six Duets, M.S. 110, Duet no. 4: II. Andantino trescando
—
Six Duets, M.S. 110, Duet no. 5: I. Andante sostenuto con aspirazione
—
Six Duets, M.S. 110, Duet no. 5: II. Allegro spiritoso con energia
—
Six Duets, M.S. 110, Duet no. 6: I. Cantabile pacificamente
—
Six Duets, M.S. 110, Duet no. 6: II. Buonamente - Rondò quasi allegro
—
Carmagnola with variations, M.S. 1: Largo - Allegro
—
Carmagnola with variations, M.S. 1: Variation 1
—
Carmagnola with variations, M.S. 1: Variation 2
—
Carmagnola with variations, M.S. 1: Variation 3
—
Carmagnola with variations, M.S. 1: Variation 4
—
Carmagnola with variations, M.S. 1: Variation 5
—
Carmagnola with variations, M.S. 1: Variation 6
—
Carmagnola with variations, M.S. 1: Variation 7
—
Carmagnola with variations, M.S. 1: Variation 8
—
Carmagnola with variations, M.S. 1: Variation 9
—
Carmagnola with variations, M.S. 1: Variation 10
—
Carmagnola with variations, M.S. 1: Variation 11
—
Carmagnola with variations, M.S. 1: Variation 12
—
Carmagnola with variations, M.S. 1: Variation 13
—
Carmagnola with variations, M.S. 1: Variation 14
—
Grand Sonata for guitar and violin, M.S. 3: I. Allegro risoluto
—
Grand Sonata for guitar and violin, M.S. 3: II. Romance - Più tosto largo - Amorosamente
—
Grand Sonata for guitar and violin, M.S. 3: III. Andantino variato - Scherzando
—
24 Capricci op. 1, M.S. 25, Capriccio no. 1 in E major - Andante
—
24 Capricci op. 1, M.S. 25, Capriccio no. 2 in B minor - Moderato
—
24 Capricci op. 1, M.S. 25, Capriccio no. 3 in E minor - Sostenuto, Presto
—
24 Capricci op. 1, M.S. 25, Capriccio no. 4 in C minor - Maestoso
—
24 Capricci op. 1, M.S. 25, Capriccio no. 5 in A minor - Agitato
—
24 Capricci op. 1, M.S. 25, Capriccio no. 6 in G minor - Adagio
—
24 Capricci op. 1, M.S. 25, Capriccio no. 7 in A minor - Posato
—
24 Capricci op. 1, M.S. 25, Capriccio no. 8 in E-flat major - Maestoso
—
24 Capricci op. 1, M.S. 25, Capriccio no. 9 in E major - Allegretto
—
24 Capricci op. 1, M.S. 25, Capriccio no. 10 in C major - Vivace
—
24 Capricci op. 1, M.S. 25, Capriccio no. 11 in C major - Andante, Presto
—
24 Capricci op. 1, M.S. 25, Capriccio no. 12 in A-flat major - Allegro
—
24 Capricci op. 1, M.S. 25, Capriccio no. 13 in B-flat major - Moderato
—
24 Capricci op. 1, M.S. 25, Capriccio no. 14 in E-flat major - Moderato
—
24 Capricci op. 1, M.S. 25, Capriccio no. 15 in E minor - Posato
—
24 Capricci op. 1, M.S. 25, Capriccio no. 16 in G minor - Presto
—
24 Capricci op. 1, M.S. 25, Capriccio no. 17 in E-flat major - Sostenuto, Andante
—
24 Capricci op. 1, M.S. 25, Capriccio no. 18 in C major - Corrente, Allegro
—
24 Capricci op. 1, M.S. 25, Capriccio no. 19 in E-flat major - Lento, Allegro assai
—
24 Capricci op. 1, M.S. 25, Capriccio no. 20 in D major - Allegretto
—
24 Capricci op. 1, M.S. 25, Capriccio no. 21 in A major - Amoroso, Presto
—
24 Capricci op. 1, M.S. 25, Capriccio no. 22 in F major - Marcato
—
24 Capricci op. 1, M.S. 25, Capriccio no. 23 in E-flat major - Posato
—
24 Capricci op. 1, M.S. 25, Capriccio no. 24 in A minor - Tema, Quasi Presto
—
Sonata a violino solo, M.S. 83: Without tempo indication
—
Sonata a violino solo, M.S. 83: Adagio non tanto
—
Sonata a violino solo, M.S. 83: Polonaise with variations
—
Sonata a violino solo, M.S. 83: Variation I
—
Sonata a violino solo, M.S. 83: Variation II
—
Sonata a violino solo, M.S. 83: Variation III
—
Sonata a violino solo, M.S. 83: Variation IV
—
Sonata a violino solo, M.S. 83: Variation V
—
Sonata a violino solo, M.S. 83: Variation VI
—
Sonata a violino solo, M.S. 83: Variation VII
—
Caprice d'adieu, M.S. 68: Allegro moderato
—
Capriccio a violino solo "Nel cor più non mi sento", M.S. 44: Capriccio ad Lib. - Tema
—
Capriccio a violino solo "Nel cor più non mi sento", M.S. 44: Variation I
—
Capriccio a violino solo "Nel cor più non mi sento", M.S. 44: Variation II
—
Capriccio a violino solo "Nel cor più non mi sento", M.S. 44: Variation III
—
Capriccio a violino solo "Nel cor più non mi sento", M.S. 44: Variation IV
—
Capriccio a violino solo "Nel cor più non mi sento", M.S. 44: Variation V
—
Capriccio a violino solo "Nel cor più non mi sento", M.S. 44: Variation VI
—
Capriccio a violino solo "Nel cor più non mi sento", M.S. 44: Variation VII
—
God Save the King per violino solo, M.S. 56: Tema - Andante sostenuto
—
God Save the King per violino solo, M.S. 56: Variation I
—
God Save the King per violino solo, M.S. 56: Variation II
—
God Save the King per violino solo, M.S. 56: Variation III
—
God Save the King per violino solo, M.S. 56: Variation IV
—
Inno patriottico per violino, M.S. 81: Tema - Allegro
—
Inno patriottico per violino, M.S. 81: Variation I
—
Inno patriottico per violino, M.S. 81: Variation II
—
Inno patriottico per violino, M.S. 81: Variation III
—
Inno patriottico per violino, M.S. 81: Variation IV
—
Inno patriottico per violino, M.S. 81: Variation V
—
Inno patriottico per violino, M.S. 81: Variation VI
—
Sonata a violino solo, M.S. 6: I. Adagio
—
Sonata a violino solo, M.S. 6: II. Allegro molto
—
Tema variato per violino, M.S. 82: Tema
—
Tema variato per violino, M.S. 82: Variation I
—
Tema variato per violino, M.S. 82: Variation II
—
Tema variato per violino, M.S. 82: Variation III
—
Tema variato per violino, M.S. 82: Variation IV
—
Tema variato per violino, M.S. 82: Variation V
—
Tema variato per violino, M.S. 82: Variation VI
—
Tema variato per violino, M.S. 82: Variation VII
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 1: I. Minuetto
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 1: II. Andantino
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 2: I. (Minuetto)
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 2: II. Allegretto ossia Rondoncino
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 3: I. (Minuetto)
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 3: II. Valtz
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 4: I. (Minuetto)
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 4: II. Rondoncino
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 5: I. Minuetto
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 5: II. Andantino
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 6: I. Minuetto
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 6: II. Allegretto
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 7: I. Minuetto
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 7: II. Valtz
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 8: I. Minuetto
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 8: II. Allegretto scherzando
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 9: I. Minuetto
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 9: II. Valtz
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 10: I. Minuetto
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 10: II. Valtz
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 11: Minuetto
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 12: I. (Minuetto)
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 12: II. Allegretto
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 13: I. Minuetto
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 13: II. Andantino
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 14: I. Minuetto, Valtz
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 14: II. Allegretto
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 15: I. Minuetto, Perigordino
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 15: II. Allegretto
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 16: I. Minuetto
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 16: II. Allegretto
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 17: I. Minuetto
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 17: II. Perigordino
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 18: I. (Minuetto)
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 18: II. Allegretto
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 19: I. Minuetto
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 19: II. Allegretto
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 20: I. (Minuetto)
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 20: II. Valtz
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 21: I. Minuetto
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 21: II. Valtz
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 22: I. Minuetto
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 22: II. Andantino
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 23: I. Minuetto detto il Matto
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 23: II. Allegretto
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 23: III. Allegretto
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 24: I. Minuetto
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 24: II: Andantino
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 25: I. Minuetto
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 25: II. Valtz
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 26: I. Minuetto per la Signora Marina
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 26: II: Allegretto
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 27: I. Minuetto per la Signora Marina
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 27: II: Valtz
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 28: I. Minuetto
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 28: II: Allegretto
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 29: I: Minuetto
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 29: II. Andantino
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 30: I. Minuetto
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 30: II. Allegro
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 31: I. Minuetto - Rondoncino
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 31: II. Valtz
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 32: I. Minuetto
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 32: II. Valtz
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 33: I. Minuetto
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 33: II. Andantino
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 34: Minuetto
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 35: (Minuetto)
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 36: Minuetto
—
The 37 Guitar Sonatas, M.S. 84, Sonata no. 37: Minuetto
—
Cinque Sonatine, M.S. 85, Sonatina no. 1: Allegro
Guido Fichtner
—
Cinque Sonatine, M.S. 85, Sonatina no. 2: I. Marcia
Guido Fichtner
—
Cinque Sonatine, M.S. 85, Sonatina no. 2: II. Passo doppio (Corrente con Trio)
Guido Fichtner
—
Cinque Sonatine, M.S. 85, Sonatina no. 3: Andante
Guido Fichtner
—
Cinque Sonatine, M.S. 85, Sonatina no. 4: (Allegro)
Guido Fichtner
—
Cinque Sonatine, M.S. 85, Sonatina no. 5: I. (Allegro)
Guido Fichtner
—
Cinque Sonatine, M.S. 85, Sonatina no. 5: II. Allegretto
Guido Fichtner
—
Allegretto, M.S. 86
Guido Fichtner
—
Sonata, M.S. 87: I. Minuetto
Guido Fichtner
—
Sonata, M.S. 87: II. Rondò, Allegro
Guido Fichtner
—
Andantino, M.S. 88
Guido Fichtner
—
Andantino, M.S. 89
Guido Fichtner
—
Allegretto, M.S. 90
Guido Fichtner
—
Allegretto, M.S. 91
Guido Fichtner
—
Valtz, M.S. 92
Guido Fichtner
—
Rondoncino, M.S. 94
Guido Fichtner
—
Valtz, M.S. 96
Guido Fichtner
—
Andantino, M.S. 97
Guido Fichtner
—
Andantino, M.S. 99
Guido Fichtner
—
Valtz e Trio, M.S. 100/101
Guido Fichtner
—
Andantino, M.S. 102
Guido Fichtner
—
Marcia, M.S. 103
Guido Fichtner
—
Minuetto e Perigordino, M.S. 104: I. Minuetto
Guido Fichtner
—
Minuetto e Perigordino, M.S. 104: II. Perigordino
Guido Fichtner
—
Marziale, M.S. 105
Guido Fichtner
—
Sinfonia della Lodovisca, M.S. 98
Guido Fichtner
—
Ghiribizzi, M.S. 43: Allegretto in A major
—
Ghiribizzi, M.S. 43: Andantino in C major
—
Ghiribizzi, M.S. 43: Valtz in C major
—
Ghiribizzi, M.S. 43: Allegretto in A major
—
Ghiribizzi, M.S. 43: Moderato in D major
—
Ghiribizzi, M.S. 43: Andantino in G major
—
Ghiribizzi, M.S. 43: Valtz in E major
—
Ghiribizzi, M.S. 43: Andante in C major
—
Ghiribizzi, M.S. 43: Andantino in C major
—
Ghiribizzi, M.S. 43: (Allegretto) in C major
—
Ghiribizzi, M.S. 43: Allegretto in A major
—
Ghiribizzi, M.S. 43: Andante in C major
—
Ghiribizzi, M.S. 43: Allegro in C major
—
Ghiribizzi, M.S. 43: (Allegro assai) in C major
—
Ghiribizzi, M.S. 43: Allegro in G major
—
Ghiribizzi, M.S. 43: In cor più non mi sento - Larghetto in G major
—
Ghiribizzi, M.S. 43: Le Streghe - Andantino in D major
—
Ghiribizzi, M.S. 43: Andantino in D minor
—
Ghiribizzi, M.S. 43: Corrente in G major
—
Ghiribizzi, M.S. 43: Là ci darem la mano - Andante in C major
—
Ghiribizzi, M.S. 43: (Allegretto) in A major
—
Ghiribizzi, M.S. 43: Larghetto in A major
—
Ghiribizzi, M.S. 43: (Allegro) in A major
—
Ghiribizzi, M.S. 43: Andante in A major
—
Ghiribizzi, M.S. 43: Andante in C major
—
Ghiribizzi, M.S. 43: Arietta in D major
—
Ghiribizzi, M.S. 43: Andantino in D major
—
Ghiribizzi, M.S. 43: (Valtz) in D major
—
Ghiribizzi, M.S. 43: Marcia in D major
—
Ghiribizzi, M.S. 43: Allegretto in D major
—
Ghiribizzi, M.S. 43: Minuetto - Andante in A major
—
Ghiribizzi, M.S. 43: Allegretto in A major
—
Ghiribizzi, M.S. 43: Allegretto in A major
—
Ghiribizzi, M.S. 43: Valtz in A major
—
Ghiribizzi, M.S. 43: Valtz in D major
—
Ghiribizzi, M.S. 43: (Allegretto) in C major
—
Ghiribizzi, M.S. 43: Adagetto con espressione - Rossini-Paganini in A major
—
Ghiribizzi, M.S. 43: Vivace in A major
—
Ghiribizzi, M.S. 43: Allegretto in D major
—
Ghiribizzi, M.S. 43: Andante in A major
—
Ghiribizzi, M.S. 43: Allegro in C major
—
Ghiribizzi, M.S. 43: Valtz in E major
—
Ghiribizzi, M.S. 43: (Andantino) in A minor
—
6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Sonatina no. 1, M.S. 124: I. Andante cantabile
Niccolò Paganini
—
6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Sonatina no. 1, M.S. 124: II. Valtz. Andantino
Niccolò Paganini
—
6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Sonatina no. 2, M.S. 125: I. Minuetto cantabile - Andante un poco sostenuto
Niccolò Paganini
—
6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Sonatina no. 2, M.S. 125: II. Valtz. Andantino
Niccolò Paganini
—
6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Cantabile a Minuetto e Valtz no. 3, M.S. 126: I. Andante sostenuto
Niccolò Paganini
—
6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Cantabile a Minuetto e Valtz no. 3, M.S. 126: II. Valtz. Andantino
Niccolò Paganini
—
6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Cantabile e Valtz no. 4, M.S. 127: I. Andante moderato
Niccolò Paganini
—
6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Cantabile e Valtz no. 4, M.S. 127: II. Valtz. Andantino
Niccolò Paganini
—
6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Cantabile e Valtz no. 5, M.S. 128: I. Andante sostenuto
Niccolò Paganini
—
6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Cantabile e Valtz no. 5, M.S. 128: II. Valtz. Andantino
Niccolò Paganini
—
6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Cantabile e Valtz no. 6, M.S. 129: I. Andante
Niccolò Paganini
—
6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Cantabile e Valtz no. 6, M.S. 129: II. Valtz. Andantino
Niccolò Paganini
—
Sonata with Variations for violin, viola, cello and guitar, M.S. 132: Introduzione
Stefano delle Donne, Damiano Puliti, Adriano Sebastiani, Marco Seieli
—
Sonata with Variations for violin, viola, cello and guitar, M.S. 132: Tema. Andantino
Stefano delle Donne, Damiano Puliti, Adriano Sebastiani, Marco Seieli
—
Sonata with Variations for violin, viola, cello and guitar, M.S. 132: Variazione no. 1
Stefano delle Donne, Damiano Puliti, Adriano Sebastiani, Marco Seieli
—
Sonata with Variations for violin, viola, cello and guitar, M.S. 132: Variazione no. 2
Stefano delle Donne, Damiano Puliti, Adriano Sebastiani, Marco Seieli
—
Sonata with Variations for violin, viola, cello and guitar, M.S. 132: Variazione no. 3
Stefano delle Donne, Damiano Puliti, Adriano Sebastiani, Marco Seieli
—
4 Studies for solo violin: Studio no. 1
Niccolò Paganini
—
4 Studies for solo violin: Studio no. 2
Niccolò Paganini
—
4 Studies for solo violin: Studio no. 3
Niccolò Paganini
—
4 Studies for solo violin: Studio no. 4
Niccolò Paganini
—
Sonata a Preghiera, M.S. 23: Maestoso - Recitativo - Allegro molto - Preghiera - Tema e Variazioni
Luca Ballerini, Luca Fanfoni
—
Three Ritornelli for two violins and cello, M.S. 113: Allegro
Daniele Fanfoni, Luca Fanfoni, Luca Simoncini
—
Three Ritornelli for two violins and cello, M.S. 113: Allegro
Daniele Fanfoni, Luca Fanfoni, Luca Simoncini
—
Three Ritornelli for two violins and cello, M.S. 113: Allegro assai
Daniele Fanfoni, Luca Fanfoni, Luca Simoncini
—
Six Preludes for solo violin, no. 1
Luca Fanfoni
—
Six Preludes for solo violin, no. 2
Luca Fanfoni
—
Six Preludes for solo violin, no. 3
Luca Fanfoni
—
Six Preludes for solo violin, no. 4
Luca Fanfoni
—
Six Preludes for solo violin, no. 5
Luca Fanfoni
—
Six Preludes for solo violin, no. 6
Luca Fanfoni
—
Rondò for violin and cello, M.S. 63
Luca Fanfoni, Luca Simoncini
—
Capriccio (Andante) for solo violin, M.S. 54
Luca Fanfoni
—
Grande Concerto in E minor, M.S. 75: I. Risoluto
Luca Fanfoni, Fabrizio Giudice
—
Grande Concerto in E minor, M.S. 75: II. Adagio
Luca Fanfoni, Fabrizio Giudice
—
Grande Concerto in E minor, M.S. 75: III. Rondò ossia Polonese
Luca Fanfoni, Fabrizio Giudice
—
Ghiribizzo vocale, M.S. 120
Lucia Cortese, Fabrizio Giudice, Bin Huang
—
Sul margine d'un rio, M.S. 119
Lucia Cortese, Fabio Macelloni
—
È pur amabile, M.S. 53
Lucia Cortese, Fabio Macelloni
—
Chant Patriorique, M.S. 62
Choir of the Vocal Technique class of the Paganini Conservatory of Genua, Fabio Macelloni
—
Guitar Sonata, M.S. 84
Fabrizio Giudice
—
Valtz, M.S. 80
Bin Huang
—
Canzonetta, M.S. 121
Fabrizio Giudice, Bin Huang
—
Duet for Violin and Guitar, M.S. 122
Nicholas Goluses, Bin Huang
—
Cappriccio no. 1 in E major - Andante
—
Cappriccio no. 2 in B minor - Moderato
—
Cappriccio no. 3 in E minor - Sostenuto, Presto
—
Cappriccio no. 4 in C minor - Maestoto
—
Cappriccio no. 5 in A minor - Agitato
—
Cappriccio no. 6 in G minor - Adagio
—
Cappriccio no. 7 in A minor - Posato
—
Cappriccio no. 8 in E-flat major - Maestoso
—
Cappriccio no. 9 in E major - Allegretto
—
Cappriccio no. 10 in G minor - Vivace
—
Cappriccio no. 11 in C major - Andante, Presto
—
Cappriccio no. 12 in A-flat major - Allegro
—
Cappriccio no. 13 in B-flat major - Moderato
—
Cappriccio no. 14 in E-flat major - Moderato
—
Cappriccio no. 15 in E minor - Posato
—
Cappriccio no. 16 in G minor - Presto
—
Cappriccio no. 17 in E-flat major - Sostenuto, Andante
—
Cappriccio no. 18 in C major - Corrente, Allegro
—
Cappriccio no. 19 in E-flat major - Lento, Allegro assai
—
Cappriccio no. 20 in D major - Allegretto
—
Cappriccio no. 21 in A major - Amoroso, Presto
—
Cappriccio no. 22 in F major - Marcato
—
Cappriccio no. 23 in E-flat major - Posato
—
Cappriccio no. 24 in A minor - Tema, Quasi presto
—
60 Variations on the Barucabà Theme, M.S. 71: First group - A major
—
60 Variations on the Barucabà Theme, M.S. 71: Second group - C major
—
60 Variations on the Barucabà Theme, M.S. 71: Third group - D major
—
Variations on God Save the King, op. 9, M.S. 56
—
Violin Concerto no. 2 in B minor, op. 7, M.S. 48: I. Allegro maestoso
—
Violin Concerto no. 2 in B minor, op. 7, M.S. 48: II. Adagio
—
Violin Concerto no. 2 in B minor, op. 7, M.S. 48: III. Rondo: Allegro moderato
—
Violin Concerto no. 4 in D minor, M.S. 60: I. Allegro maestoso
—
Violin Concerto no. 4 in D minor, M.S. 60: II. Adagio flebile con sentimento
—
Violin Concerto no. 4 in D minor, M.S. 60: III. Rondò galante
—
Variations on "Di Tanti Palpiti" from Rossini's Tancredi, M.S. 77
—
Cantabile in D major, M.S. 109
—
Violin Concerto no. 1 in D major, op. 6: I. Allegro maestoso
—
Violin Concerto no. 1 in D major, op. 6: II. Adagio
—
Violin Concerto no. 1 in D major, op. 6: III. Rondò, Allegro Spiritoso
—
Johann N. Hummel, Recollections of Paganini, Fantasia for the piano
—
Ignaz Mosheles, Gems à la Paganini, Fantasia no. 1
—
Ignaz Mosheles, Gems à la Paganini, Fantasia no. 2
—
Friedrich Kuhlau, La Clochette, Rondeau Brillante pour le pianoforte
—
Franz Liszt, Grandes Etudes de Paganini (1851) no. 1 in G minor
—
Franz Liszt, Grandes Etudes de Paganini (1851) no. 2 in E-flat major
—
Franz Liszt, Grandes Etudes de Paganini (1851) no. 3 in G-sharp minor "La Campanella"
—
Franz Liszt, Grandes Etudes de Paganini (1851) no. 4 in E major
—
Franz Liszt, Grandes Etudes de Paganini (1851) no. 5 in E major
—
Franz Liszt, Grandes Etudes de Paganini (1851) no. 6 in A minor
—
Ferruccio Busoni, Introduzione e Capriccio Paganinesco
—
Luigi Dallapiccola, Sonatina Canonica su Capricci di N. Paganini I
—
Luigi Dallapiccola, Sonatina Canonica su Capricci di N. Paganini II
—
Luigi Dallapiccola, Sonatina Canonica su Capricci di N. Paganini III
—
Luigi Dallapiccola, Sonatina Canonica su Capricci di N. Paganini IV
—
Ignaz Mosheles, Gems à la Paganini, Fantasia no. 3
—
Robert Schumann, Etudes pour le pianoforte d'après des caprices de Paganini, op. 3 no. 1 in A minor
—
Robert Schumann, Etudes pour le pianoforte d'après des caprices de Paganini, op. 3 no. 2 in E major
—
Robert Schumann, Etudes pour le pianoforte d'après des caprices de Paganini, op. 3 no. 3 in C major
—
Robert Schumann, Etudes pour le pianoforte d'après des caprices de Paganini, op. 3 no. 4 in B-flat major
—
Robert Schumann, Etudes pour le pianoforte d'après des caprices de Paganini, op. 3 no. 5 in E-flat major
—
Robert Schumann, Etudes pour le pianoforte d'après des caprices de Paganini, op. 3 no. 6 in G minor
—
Henri Herz, Paganini's Last Waltz
—
Henri Herz, Rondò de Paganini
—
Johann Strauss, Walzer à la Paganini, op. 11
—
Johannes Brahms, Variationen über ein Thema von Paganini, op. 35, Heft I
—
Johannes Brahms, Variationen über ein Thema von Paganini, op. 35, Heft II
—
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
0000000001052698000000002911170900000000310667080000000035138668000000003716626700000000379452600000000047957812000000004811073600000000521034080000000052547308
+35 more
00000000551275520000000055145590000000005514915300000000554594690000000055506915000000007873630X0000000080920173000000008119752X0000000081490689000000008183388000000000819958200000000083545524000000008739505X0000000103161035000000010729481200000001079089920000000108313894000000010944230500000001099194170000000110177393000000011067727500000001145565340000000115480340000000012033910600000001211455730000000122830695000000036277617300000003732193990000000374595919000000038504414300000003855944360000000425812670000000043623380X00000004582935200000000498629279
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8007144077341 is a Universal Product Code (UPC) assigned to Nicolò Paganini Complete Edition by Niccolò Paganini. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
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