UPC · Release
Niccolò Paganini
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The UPC for “Nicolò Paganini Complete Edition” by Niccolò Paganini is 8007144077341. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2018-01-01. Label: Dynamic (4). This release contains 746 tracks, each with its own ISRC. Tracks include ITN320922001, ITN320922002, ITN320922003.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto no. 1. Allegro maestoso | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 2 | Concerto no. 1. Adagio espressivo | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 3 | Concerto no. 1. Rondò: Allegretto spiritoso | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 4 | Concerto no. 2. Allegro maestoso | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 5 | Concerto no. 2. Adagio | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 6 | Concerto no. 2. Rondò: Andantino - Allegretto moderato | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 2-1 | Concerto No. 3 » Andante - Allegro Marziale | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 2-2 | Concerto No. 3 » Adagio | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 2-3 | Concerto No. 3 » Polacca. Andantino - Vivace | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 2-4 | Concerto No. 5 » Allegro Maestoso | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 2-5 | Concerto No. 5 » Andante un poco sostenuto | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 2-6 | Concerto No. 5 » Rondò. Andante - Allegretto | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 3-1 | Grand Concerto in E minor » Risoluto | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 3-2 | Grand Concerto in E minor » Adagio | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 3-3 | Grand Concerto in E minor » Rondò ossia Polonese | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 3-4 | Concerto No. 4 » Allegro maestoso | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 3-5 | Concerto No. 4 » Adagio flebile con sentimento | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 3-6 | Concerto No. 4 » Rondò galante | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 3-7 | Adagio in E major, M.S. 49 | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 4-1 | Le Streghe, M.S. 19 | Mario Hossen, Vienna Classical Players | — | |
| 4-2 | Suonata con Variazioni, M.S. 47 | Mario Hossen, Vienna Classical Players | — | |
| 4-3 | Non più mesta, M.S. 22 | Mario Hossen, Vienna Classical Players | — | |
| 4-4 | I Palpiti, M.S. 77 | Mario Hossen, Vienna Classical Players | — | |
| 4-5 | Religiosa introduzione al Rondò del Campanello, M.S. 67/1: I. Andante sonnolento | Mario Hossen, Vienna Classical Players, Wiener Singverein | — | |
| 4-6 | Religiosa introduzione al Rondò del Campanello, M.S. 67/1: II. Minuetto | Mario Hossen, Vienna Classical Players | — | |
| 4-7 | Religiosa introduzione al Rondò del Campanello, M.S. 67/1: III. Rondò della Campanella | Mario Hossen, Vienna Classical Players | — | |
| 5-1 | Sonata Varsavia | Salvatore Accardo, Chamber Orchestra of Europe | — | |
| 5-2 | Sonata maria Luisa sul Sol | Salvatore Accardo, Chamber Orchestra of Europe | — | |
| 5-3 | Polacca con Variazioni | Salvatore Accardo, Chamber Orchestra of Europe | — | |
| 5-4 | Balletto Campestre - Variazioni su un Tema Comico | Salvatore Accardo, Chamber Orchestra of Europe | — | |
| 5-5 | Variazioni su "Il Carnevale di Venezia" | Salvatore Accardo, Chamber Orchestra of Europe | — | |
| 6-1 | Napoléon M.S. 5 (original guitar accompaniment by Paganini) | Mario Hossen, Alexander Swete | — | |
| 6-2 | La Primavera M.S. 73 (piano accompaniment by Giusto Dacci) | Mario Hossen, Nadja Hoebarth | — | |
| 6-3 | Sonata movimento perpetuo M.S. 66, with Piano (original piano accompaniment by Paganini): I. Andante amoroso | Mario Hossen, Nadja Hoebarth | — | |
| 6-4 | Sonata movimento perpetuo M.S. 66, with Piano (original piano accompaniment by Paganini): II. Moto perpetuo - Allegro vivace | Mario Hossen, Nadja Hoebarth | T-905.126.392-4 | |
| 6-5 | Maestosa Suonata Sentimentale M.S. 51 | Mario Hossen, Camerata Orphica | — | |
| 7-1 | Tarantella M.S. 76 | Franco Mezzena, Orchestra da Camera di Genova | — | |
| 7-2 | Le Couvent du Mont St. Bernard M.S. 67: I. Andante sonnolento | Franco Mezzena, Orchestra da Camera di Genova, Coro Januensis | — | |
| 7-3 | Le Couvent du Mont St. Bernard M.S. 67: II. Pendule, Lento | Franco Mezzena, Orchestra da Camera di Genova | — | |
| 7-4 | Le Couvent du Mont St. Bernard M.S. 67: III. Minuetto, Moderato | Franco Mezzena, Orchestra da Camera di Genova | — | |
| 7-5 | Le Couvent du Mont St. Bernard M.S. 67: IV. L'Aurora, Lento, Maestoso | Franco Mezzena, Orchestra da Camera di Genova, Coro Januensis | — | |
| 7-6 | Le Couvent du Mont St. Bernard M.S. 67: V. Rondò del campanello | Franco Mezzena, Orchestra da Camera di Genova | — | |
| 7-7 | Niccolò Paganini a Mr. Henry M.S. 65: I. Larghetto | Franco Traverso, Rino Vernizzi, Orchestra da Camera di Genova | — | |
| 7-8 | Niccolò Paganini a Mr. Henry M.S. 65: II. Allegro moderato | Franco Traverso, Rino Vernizzi, Orchestra da Camera di Genova | — | |
| 7-9 | Sonata per la grand viola M.S. 70 | Luigi Alberto Bianchi, Deutsches Symphonie-Orchester Berlin | T-910.773.331-3 | |
| 8-1 | Quartet no. 1 in A minor, op. 4 no. 1, M.S. 28, dedicated to "amateur ladies": I. Introduzione - Andante marcato, Vivace | — | ||
| 8-2 | Quartet no. 1 in A minor, op. 4 no. 1, M.S. 28, dedicated to "amateur ladies": II. Minuetto alla marsigliese - Andantino | — | ||
| 8-3 | Quartet no. 1 in A minor, op. 4 no. 1, M.S. 28, dedicated to "amateur ladies": III. Tema con variazioni - Adagetto cantabile | — | ||
| 8-4 | Quartet no. 9 in D major, M.S. 36, dedicated to L. G. Germi: I. Allegro moderato | — | ||
| 8-5 | Quartet no. 9 in D major, M.S. 36, dedicated to L. G. Germi: II. Minuetto alla Valtz | — | ||
| 8-6 | Quartet no. 9 in D major, M.S. 36, dedicated to L. G. Germi: III. Adagio sostenuto appassionatamente | — | ||
| 8-7 | Quartet no. 9 in D major, M.S. 36, dedicated to L. G. Germi: IV. Allegro vivace | — | ||
| 8-8 | Quartet no. 10 in A major, M.S. 37, dedicated to L. G. Germi: I. Allegretto | — | ||
| 8-9 | Quartet no. 10 in A major, M.S. 37, dedicated to L. G. Germi: II. Minuetto - Scherzo (Allegretto mosso) | — | ||
| 8-10 | Quartet no. 10 in A major, M.S. 37, dedicated to L. G. Germi: III. Adagio cantabile | — | ||
| 8-11 | Quartet no. 10 in A major, M.S. 37, dedicated to L. G. Germi: IV. Rondo (Andantino con brio) | — | ||
| 9-1 | Quartet no. 11 in B major, M.S. 38, dedicated to L. G. Germi: I. Allegro moderato | — | ||
| 9-2 | Quartet no. 11 in B major, M.S. 38, dedicated to L. G. Germi: II. Minuetto (Allegretto) | — | ||
| 9-3 | Quartet no. 11 in B major, M.S. 38, dedicated to L. G. Germi: III. Larghetto, con passione | — | ||
| 9-4 | Quartet no. 11 in B major, M.S. 38, dedicated to L. G. Germi: IV. Polacca (Andante mosso) | — | ||
| 9-5 | Quartet no. 12 in A minor, M.S. 39, dedicated to L. G. Germi: I. Allegro giusto | — | ||
| 9-6 | Quartet no. 12 in A minor, M.S. 39, dedicated to L. G. Germi: II. Tenuto con precisione | — | ||
| 9-7 | Quartet no. 12 in A minor, M.S. 39, dedicated to L. G. Germi: III. Minuetto (Allegretto mosso) | — | ||
| 9-8 | Quartet no. 13 in F major, M.S. 40, dedicated to L. G. Germi: I. Allegro con brio | — | ||
| 9-9 | Quartet no. 13 in F major, M.S. 40, dedicated to L. G. Germi: II. Minuetto (Allegretto) | — | ||
| 9-10 | Quartet no. 13 in F major, M.S. 40, dedicated to L. G. Germi: III. Larghetto, tenuto con anima | — | ||
| 9-11 | Quartet no. 13 in F major, M.S. 40, dedicated to L. G. Germi: IV. Finale - Prestissimo | — | ||
| 10-1 | Quartet no. 3 in A major, op. 4 no. 3, M.S. 30, dedicated to "amateur ladies": I. Pot-pourri - Allegro | — | ||
| 10-2 | Quartet no. 3 in A major, op. 4 no. 3, M.S. 30, dedicated to "amateur ladies": II. Minuetto alla Spagnola - Andantino | — | ||
| 10-3 | Quartet no. 3 in A major, op. 4 no. 3, M.S. 30, dedicated to "amateur ladies": III. Romance - Adagio non tanto | — | ||
| 10-4 | Quartet no. 3 in A major, op. 4 no. 3, M.S. 30, dedicated to "amateur ladies": IV. Rondò - Allegretto | — | ||
| 10-5 | Quartet no. 7 in E major, M.S. 34, dedicated to the Marchesa Caterina Raggi Pallavicini: I. Allegro moderato | — | ||
| 10-6 | Quartet no. 7 in E major, M.S. 34, dedicated to the Marchesa Caterina Raggi Pallavicini: II. Minuetto - Allegretto | — | ||
| 10-7 | Quartet no. 7 in E major, M.S. 34, dedicated to the Marchesa Caterina Raggi Pallavicini: III. Adagio cantabile - Sostenuto con passione | — | ||
| 10-8 | Quartet no. 7 in E major, M.S. 34, dedicated to the Marchesa Caterina Raggi Pallavicini: IV. Rondò vivace | — | ||
| 10-9 | Quartet no. 14 in A major, M.S. 41, dedicated to L. G. Germi: I. Allegro maestoso | — | ||
| 10-10 | Quartet no. 14 in A major, M.S. 41, dedicated to L. G. Germi: II. Minuetto Scherzo - Allegretto | — | ||
| 10-11 | Quartet no. 14 in A major, M.S. 41, dedicated to L. G. Germi: III. Largo con sentimento | — | ||
| 10-12 | Quartet no. 14 in A major, M.S. 41, dedicated to L. G. Germi: IV. Finale - Allegro vivace | — | ||
| 11-1 | Quartet no. 2 in C major, op. 4 no. 2, M.S. 29, dedicated to "amateur ladies": I. Moderato | — | ||
| 11-2 | Quartet no. 2 in C major, op. 4 no. 2, M.S. 29, dedicated to "amateur ladies": II. Minuetto, Andante | — | ||
| 11-3 | Quartet no. 2 in C major, op. 4 no. 2, M.S. 29, dedicated to "amateur ladies": III. Larghetto in Fa | — | ||
| 11-4 | Quartet no. 2 in C major, op .4 no. 2, M.S. 29, dedicated to "amateur ladies": IV. Rondò, Allegretto | — | ||
| 11-5 | Quartet no. 8 in A major M.S. 35, dedicated to the Marchese Filippo Carrega: I. Allegro | — | ||
| 11-6 | Quartet no. 8 in A major M.S. 35, dedicated to the Marchese Filippo Carrega: II. Minuetto, Andantino | — | ||
| 11-7 | Quartet no. 8 in A major M.S. 35, dedicated to the Marchese Filippo Carrega: III. Cantabile molto adagio | — | ||
| 11-8 | Quartet no. 8 in A major M.S. 35, dedicated to the Marchese Filippo Carrega: IV. Rondò, Allegretto | — | ||
| 11-9 | Quartet no. 15 in A minor M.S. 42, dedicated to L. G. Germi: I. Maestoso | — | ||
| 11-10 | Quartet no. 15 in A minor M.S. 42, dedicated to L. G. Germi: II. Minuetto a canone, Andantino | — | ||
| 11-11 | Quartet no. 15 in A minor M.S. 42, dedicated to L. G. Germi: III. Recitativo, Andante sostenuto con sentimento | — | ||
| 11-12 | Quartet no. 15 in A minor M.S. 42, dedicated to L. G. Germi: IV. Adagio cantabile | — | ||
| 11-13 | Quartet no. 15 in A minor M.S. 42, dedicated to L. G. Germi: V. Rondò, Allegretto cantabile | — | ||
| 12-1 | Quartet no. 4 in D major, op. 5 no. 1, M.S. 31, dedicated to "amateur ladies": I. Presto | — | ||
| 12-2 | Quartet no. 4 in D major, op. 5 no. 1, M.S. 31, dedicated to "amateur ladies": II. Andante | — | ||
| 12-3 | Quartet no. 4 in D major, op. 5 no. 1, M.S. 31, dedicated to "amateur ladies": III. Cantabile quasi larghetto | — | ||
| 12-4 | Quartet no. 5 in D major, op. 5 no. 2, M.S. 32, dedicated to "amateur ladies": I. Allegro | — | ||
| 12-5 | Quartet no. 5 in D major, op. 5 no. 2, M.S. 32, dedicated to "amateur ladies": II. Minuetto, Allegretto | — | ||
| 12-6 | Quartet no. 5 in D major, op. 5 no. 2, M.S. 32, dedicated to "amateur ladies": III. Cantabile, Larghetto | — | ||
| 12-7 | Quartet no. 5 in D major, op. 5 no. 2, M.S. 32, dedicated to "amateur ladies": IV. Polacca, quasi presto | — | ||
| 12-8 | Quartet no. 6 in D minor, op. 5 no. 3, M.S. 33, dedicated to "amateur ladies": I. Allegro | — | ||
| 12-9 | Quartet no. 6 in D minor, op. 5 no. 3, M.S. 33, dedicated to "amateur ladies": II. Moderato | — | ||
| 12-10 | Quartet no. 6 in D minor, op. 5 no. 3, M.S. 33, dedicated to "amateur ladies": III. Tema cantabile, quasi larghetto | — | ||
| 12-11 | Quartet no. 6 in D minor, op. 5 no. 3, M.S. 33, dedicated to "amateur ladies": IV. Polacchetta, Allegro con brio | — | ||
| 13-1 | Serenata in C major M.S. 17 for viola, cello and guitar: I. Allegretto spiritoso | — | ||
| 13-2 | Serenata in C major M.S. 17 for viola, cello and guitar: II. Minuetto (Andantino - Amorosamente) | — | ||
| 13-3 | Serenata in C major M.S. 17 for viola, cello and guitar: III. Adagio non tanto (Unione con anima) | — | ||
| 13-4 | Serenata in C major M.S. 17 for viola, cello and guitar: IV. Rondò con maestria e grazia (Canzonetta genovese) | — | ||
| 13-5 | Serenata in C major M.S. 17 for viola, cello and guitar: V. Andantino alla polacca | — | ||
| 13-6 | Terzetto Concertante in D major M.S. 114 for viola, cello and guitar: I. Allegro | — | ||
| 13-7 | Terzetto Concertante in D major M.S. 114 for viola, cello and guitar: II. Minuetto | — | ||
| 13-8 | Terzetto Concertante in D major M.S. 114 for viola, cello and guitar: III. Adagio cantabile | — | ||
| 13-9 | Terzetto Concertante in D major M.S. 114 for viola, cello and guitar: IV. Waltz a rondò (Allegretto con energia) | — | ||
| 13-10 | Terzetto in D major M.S. 69 for violin, cello and guitar: I. Allegro con brio | — | ||
| 13-11 | Terzetto in D major M.S. 69 for violin, cello and guitar: II. Minuetto (Allegro vivace) | — | ||
| 13-12 | Terzetto in D major M.S. 69 for violin, cello and guitar: III. Andante, Larghetto (Cavate) | — | ||
| 13-13 | Terzetto in D major M.S. 69 for violin, cello and guitar: IV. Rondò (Allegretto) | — | ||
| 13-14 | Terzetto in A minor M.S. 116 for two violins and guitar: I. Andante sostenuto | — | ||
| 13-15 | Terzetto in A minor M.S. 116 for two violins and guitar: II. Tempo di minuetto | — | ||
| 13-16 | Terzetto in A minor M.S. 116 for two violins and guitar: III. Andantino - Allegro | — | ||
| 13-17 | Serenata in F major M.S. 115 for two violins and guitar: I. Introduzione, Largo | — | ||
| 13-18 | Serenata in F major M.S. 115 for two violins and guitar: II. Tempo di minuetto - Amoroso | — | ||
| 13-19 | Serenata in F major M.S. 115 for two violins and guitar: III. Andantino scherzando | — | ||
| 14-1 | Quartet no. 1, M.S. 20: I. Allegro maestroso | — | ||
| 14-2 | Quartet no. 1, M.S. 20: II. Minuetto, Allegretto | — | ||
| 14-3 | Quartet no. 1, M.S. 20: III. Adagio, con anima | — | ||
| 14-4 | Quartet no. 1, M.S. 20: IV. Rondò, Allegretto con brio | — | ||
| 14-5 | Quartet no. 2, M.S. 20: I. Moderato | — | ||
| 14-6 | Quartet no. 2, M.S. 20: II. Minuetto, Allegretto | — | ||
| 14-7 | Quartet no. 2, M.S. 20: III. Adagio, con trasporto | — | ||
| 14-8 | Quartet no. 2, M.S. 20: IV. Finale, Prestissimo | — | ||
| 14-9 | Quartet no. 3, M.S. 20: I. Largo, Allegro | — | ||
| 14-10 | Quartet no. 3, M.S. 20: II. Minuetto, Andantino | — | ||
| 14-11 | Quartet no. 3, M.S. 20: III. Andante con variozioni | — | ||
| 14-12 | Quartet no. 3, M.S. 20: IV. Finale, Presto | — | ||
| 15-1 | In cor più non mi sento, Theme and variations for two violins and cello, M.S. 117: Theme | — | ||
| 15-2 | In cor più non mi sento, Theme and variations for two violins and cello, M.S. 117: Variation I | — | ||
| 15-3 | In cor più non mi sento, Theme and variations for two violins and cello, M.S. 117: Variation II | — | ||
| 15-4 | In cor più non mi sento, Theme and variations for two violins and cello, M.S. 117: Variation III | — | ||
| 15-5 | In cor più non mi sento, Theme and variations for two violins and cello, M.S. 117: Variation IV | — | ||
| 15-6 | In cor più non mi sento, Theme and variations for two violins and cello, M.S. 117: Variation V | — | ||
| 15-7 | In cor più non mi sento, Theme and variations for two violins and cello, M.S. 117: Variation VI | — | ||
| 15-8 | In cor più non mi sento, Theme and variations for two violins and cello, M.S. 117: Variation VII | — | ||
| 15-9 | In cor più non mi sento, Theme and variations for two violins and cello, M.S. 117: Variation VIII | — | ||
| 15-10 | Three Duets for violin and cello, M.S. 107, Duet no. 1: Allegro | — | ||
| 15-11 | Three Duets for violin and cello, M.S. 107, Duet no. 1: Rondò, Allegretto | — | ||
| 15-12 | Three Duets for violin and cello, M.S. 107, Duet no. 2: Allegro | — | ||
| 15-13 | Three Duets for violin and cello, M.S. 107, Duet no. 2: Rondò, Presto | — | ||
| 15-14 | Three Duets for violin and cello, M.S. 107, Duet no. 3: Allegro | — | ||
| 15-15 | Three Duets for violin and cello, M.S. 107, Duet no. 3: Polonese, Andante con brio | — | ||
| 15-16 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Minuetto | — | ||
| 15-17 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Allesandrina I | — | ||
| 15-18 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Allesandrina II | — | ||
| 15-19 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Allesandrina III | — | ||
| 15-20 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Allesandrina IV | — | ||
| 15-21 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Allesandrina V | — | ||
| 15-22 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Allesandrina VI | — | ||
| 15-23 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Perigordino I | — | ||
| 15-24 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Perigordino II | — | ||
| 15-25 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Valzer I | — | ||
| 15-26 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Valzer II | — | ||
| 15-27 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Valzer III | — | ||
| 15-28 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Valzer IV | — | ||
| 15-29 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Scozzese | — | ||
| 15-30 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Inglese I | — | ||
| 15-31 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Inglese II | — | ||
| 15-32 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Inglese III | — | ||
| 15-33 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Inglese IV | — | ||
| 15-34 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Inglese V | — | ||
| 15-35 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Inglese VI | — | ||
| 15-36 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Variazioni | — | ||
| 16-1 | Three Duets for Violin and Bassoon, M.S. 130, Duet no. 1: I. Largo - Allegro moderato | — | ||
| 16-2 | Three Duets for Violin and Bassoon, M.S. 130, Duet no. 1: II. Rondò (Allgretto vivo) | — | ||
| 16-3 | Three Duets for Violin and Bassoon, M.S. 130, Duet no. 2: I. Largo - Allegro moderato | — | ||
| 16-4 | Three Duets for Violin and Bassoon, M.S. 130, Duet no. 2: II. Rondò (Allegro moderato) | — | ||
| 16-5 | Three Duets for Violin and Bassoon, M.S. 130, Duet no. 3: I. Allegro con brio poco scherzando - Tempesta | — | ||
| 16-6 | Three Duets for Violin and Bassoon, M.S. 130, Duet no. 3: II. Petite romance, Larghetto | — | ||
| 16-7 | Three Duets for Violin and Bassoon, M.S. 130, Duet no. 3: III. Polacchina, Andantino con grazia | — | ||
| 17-1 | Quattro Notturni a quartetto M.S. 15, Notturno no. 1: I. Adagio | — | ||
| 17-2 | Quattro Notturni a quartetto M.S. 15, Notturno no. 1: II. Allegretto | — | ||
| 17-3 | Quattro Notturni a quartetto M.S. 15, Notturno no. 2: I. Adagio | — | ||
| 17-4 | Quattro Notturni a quartetto M.S. 15, Notturno no. 2: II. Polonse - Andante | — | ||
| 17-5 | Quattro Notturni a quartetto M.S. 15, Notturno no. 3: I. Cantabile - Andante | — | ||
| 17-6 | Quattro Notturni a quartetto M.S. 15, Notturno no. 3: II. Andante - Tempo di Valzer | — | ||
| 17-7 | Quattro Notturni a quartetto M.S. 15, Notturno no. 4: I. Largo - Andante sostenuto | — | ||
| 17-8 | Quattro Notturni a quartetto M.S. 15, Notturno no. 4: II. Andante brillante | — | ||
| 17-9 | Quartet no. 7 in E major, M.S. 34: I. Allegro moderato | — | ||
| 17-10 | Quartet no. 7 in E major, M.S. 34: II. Minuetto, Allegretto | — | ||
| 17-11 | Quartet no. 7 in E major, M.S. 34: III. Adagio cantabile, Sostenuto con passione | — | ||
| 17-12 | Quartet no. 7 in E major, M.S. 34: IV. Rondò, Vivace | — | ||
| 17-13 | Sonata per Rovenefor mandolin and guitar, M.S. 14: I. Arietta, Introduzione - Andante sostenuto | — | ||
| 17-14 | Sonata per Rovenefor mandolin and guitar, M.S. 14: II. Andantino brillane | — | ||
| 17-15 | Serenata for mandolin and guitar, M.S. 16: I. Larghetto | — | ||
| 17-16 | Serenata for mandolin and guitar, M.S. 16: II. Andantino | — | ||
| 17-17 | Minuetto per l'amandorlino, M.S. 106: I. Minuetto | — | ||
| 17-18 | Minuetto per l'amandorlino, M.S. 106: II. Andantino | — | ||
| 17-19 | Minuetto per l'amandorlino, M.S. 106: III. Allegro moderato | — | ||
| 18-1 | Sonata no. 1 in A minor: I. Introduzione - Larghetto, Allegro Maestoso - Tempo di marcia | — | ||
| 18-2 | Sonata no. 1 in A minor: II. Rondoncino - Allegro | — | ||
| 18-3 | Sonata no. 2 in D major: I. Adagio cantabile | — | ||
| 18-4 | Sonata no. 2 in D major: II. Rondoncino - Andantino, Tempo di Polacca | — | ||
| 18-5 | Sonata no. 3 in C major: Introduzione - Prestissimo, Larghetto cantabile | — | ||
| 18-6 | Sonata no. 4 in A major: I. Adagio cantabile | — | ||
| 18-7 | Sonata no. 4 in A major: II. Rondò - Andantino, Allegretto | — | ||
| 18-8 | Sonata no. 5 in E major: I. Allegro assai | — | ||
| 18-9 | Sonata no. 5 in E major: II. Andantino vivace, tre variazioni | — | ||
| 18-10 | Sonata no. 6 in A major: I. Larghetto cantabile | — | ||
| 18-11 | Sonata no. 6 in A major: II. Rondò - Allegro assai | — | ||
| 18-12 | Cantabile in D major, M.S. 109 | — | ||
| 19-1 | Sonata no. 1 in F major: I. Allegro giusto - Buonamente | — | ||
| 19-2 | Sonata no. 1 in F major: II. Polacca - Andantino, Allegretto | — | ||
| 19-3 | Sonata no. 2 in G major: I. Andante cantabile | — | ||
| 19-4 | Sonata no. 2 in G major: II. Rondò - Allegretto | — | ||
| 19-5 | Sonata no. 3 in A major: I. Allegro maestoso - Tempo di marcia | — | ||
| 19-6 | Sonata no. 3 in A major: II. Tema - Andante placido | — | ||
| 19-7 | Sonata no. 3 in A major: III. Variazione I | — | ||
| 19-8 | Sonata no. 3 in A major: IV. Variazione II | — | ||
| 19-9 | Sonata no. 3 in A major: V. Variazione III - Più mosso | — | ||
| 19-10 | Sonata no. 4 in C major: I. Allegro risoluto | — | ||
| 19-11 | Sonata no. 4 in C major: II. Rondò - Andantino vivace (Tempo di Pastorale) | — | ||
| 19-12 | Sonata no. 5 in A minor: I. Cantabile - Andante appassionato, con flessibilita | — | ||
| 19-13 | Sonata no. 5 in A minor: II. Tema - Allegro moderato | — | ||
| 19-14 | Sonata no. 5 in A minor: III. Variazione I | — | ||
| 19-15 | Sonata no. 5 in A minor: IV. Variazione II | — | ||
| 19-16 | Sonata no. 5 in A minor: V. Finale - Tempo di Valz | — | ||
| 19-17 | Sonata no. 6 in D major: I. Andante cantabile | — | ||
| 19-18 | Sonata no. 6 in D major: II. Rondò - Allegretto | — | ||
| 20-1 | Sonata no. 1 in E major: I. Introduzione - Maestoso | — | ||
| 20-2 | Sonata no. 1 in E major: II. Larghetto - Cantabile | — | ||
| 20-3 | Sonata no. 1 in E major: III. Rondò Allegretto - Con brio | — | ||
| 20-4 | Sonata no. 2 in G major: I. Andante Adagetto | — | ||
| 20-5 | Sonata no. 2 in G major: II. Rondò - Allegro molto vivace | — | ||
| 20-6 | Sonata no. 3 in A major: I. Introduzione - Maestoso | — | ||
| 20-7 | Sonata no. 3 in A major: II. Tema - Andante moderato | — | ||
| 20-8 | Sonata no. 3 in A major: III. Variazione I | — | ||
| 20-9 | Sonata no. 3 in A major: IV. Minore (Variazione II) | — | ||
| 20-10 | Sonata no. 3 in A major: V. Maggiore (Variazione III) | — | ||
| 20-11 | Sonata no. 3 in A major: VI. Rondò - Allegretto | — | ||
| 20-12 | Sonata no. 4 in E major: I. Allegro vivace | — | ||
| 20-13 | Sonata no. 4 in E major: II. Minuetto a Valtz - Allegro vivo | — | ||
| 20-14 | Sonata no. 5 in A major: I. introduzione - Andante, Corrente | — | ||
| 20-15 | Sonata no. 5 in A major: II. Andante - Cantabile | — | ||
| 20-16 | Sonata no. 5 in A major: III. Rondò - Allegro vivo | — | ||
| 20-17 | Sonata no. 6 in C major: I. Allegro - Presto | — | ||
| 20-18 | Sonata no. 6 in C major: II. Rondò, Balletto - Allegro vivissimo | — | ||
| 21-1 | Sonatas op. 1, M.S. 9 dedicated to Madama Frassinet: Sonata no. 1 (Amoroso, Andantino) | — | ||
| 21-2 | Sonatas op. 1, M.S. 9 dedicated to Madama Frassinet: Sonata no. 2 (Larghetto, Allegretto) | — | ||
| 21-3 | Sonatas op. 1, M.S. 9 dedicated to Madama Frassinet: Sonata no. 3 (Andante, Allegro) | — | ||
| 21-4 | Sonatas op. 1, M.S. 9 dedicated to Madama Frassinet: Sonata no. 4 (Introduzione, Andantino) | — | ||
| 21-5 | Sonatas op. 1, M.S. 9 dedicated to Madama Frassinet: Sonata no. 5 (Quasi adagio, Polonese - Andantino) | — | ||
| 21-6 | Sonatas op. 1, M.S. 9 dedicated to Madama Frassinet: Sonata no. 6 (Maestoso, Valzer) | — | ||
| 21-7 | Sonatas op. 2, M.S. 10, dedicated to Madama Frassinet: Sonata no. 1 (Larghetto - Allegretto Perigordino con due variazioni) | — | ||
| 21-8 | Sonatas op. 2, M.S. 10, dedicated to Madama Frassinet: Sonata no. 2 (Introduzione, Andante) | — | ||
| 21-9 | Sonatas op. 2, M.S. 10, dedicated to Madama Frassinet: Sonata no. 3 (Cantabile appassionatamente, Andantino scherzando) | — | ||
| 21-10 | Sonatas op. 2, M.S. 10, dedicated to Madama Frassinet: Sonata no. 4 (Quasi adagio amorosamente, Allegro) | — | ||
| 21-11 | Sonatas op. 2, M.S. 10, dedicated to Madama Frassinet: Sonata no. 5 (Introduzione - Adagio assai, Allegretto | — | ||
| 21-12 | Sonatas op. 2, M.S. 10, dedicated to Madama Frassinet: Sonata no. 6 (Adagio con sentimento, Andantino) | — | ||
| 21-13 | Sonatas op. 4, M.S. 11, dedicated to Felice I, Prince of Lucca and Piombino: Sonata no. 1 (Adagio amorosamente, Quasi allegretto) | — | ||
| 21-14 | Sonatas op. 4, M.S. 11, dedicated to Felice I, Prince of Lucca and Piombino: Sonata no. 2 (Adagio espressivo, Andantino innocentemente) | — | ||
| 21-15 | Sonatas op. 4, M.S. 11, dedicated to Felice I, Prince of Lucca and Piombino: Sonata no. 3 (Adagio con zelo, Allegretto con moto) | — | ||
| 22-1 | Sonatas op. 4, M.S. 11, dedicated to Felice I, Prince of Lucca and Piombino: Sonata no. 4 (Adagio con grazia e trasporto, Andantino scherzando) | — | ||
| 22-2 | Sonatas op. 4, M.S. 11, dedicated to Felice I, Prince of Lucca and Piombino: Sonata no. 5 (Adagio con sentimento, Rondò alla Turca - Antantemente) | — | ||
| 22-3 | Sonatas op. 4, M.S. 11, dedicated to Felice I, Prince of Lucca and Piombino: Sonata no. 6 (Adagio appassionatissimamente, Allegretto con piacere) | — | ||
| 22-4 | Sonatas op. 5, M.S. 12, dedicated to Madama T.: Sonata no. 1 (Adagio con passione, Andante smorfiosamente) | — | ||
| 22-5 | Sonatas op. 5, M.S. 12, dedicated to Madama T.: Sonata no. 2 (Adagio con amore, Andante con semplizità) | — | ||
| 22-6 | Sonatas op. 5, M.S. 12, dedicated to Madama T.: Sonata no. 3 (Adagio con anima, Andantino galante) | — | ||
| 22-7 | Sonatas op. 5, M.S. 12, dedicated to Madama T.: Sonata no. 4 (Adagio con sentimento, Corrente con motteggio) | — | ||
| 22-8 | Sonatas op. 5, M.S. 12, dedicated to Madama T.: Sonata no. 5 (Adagio con grazia, Allegro con brio) | — | ||
| 22-9 | Sonatas op. 5, M.S. 12, dedicated to Madama T.: Sonata no. 6 (Adagio con trasporto, Pollonese brillante) | — | ||
| 22-10 | Sonatas op. 6, M.S. 13, dedicated to Principessina Napoleone: Sonata no. 1 (Adagio seducemente, Andantino con grazia) | — | ||
| 22-11 | Sonatas op. 6, M.S. 13, dedicated to Principessina Napoleone: Sonata no. 2 (Adagio maestoso, Allegretto con energia) | — | ||
| 22-12 | Sonatas op. 6, M.S. 13, dedicated to Principessina Napoleone: Sonata no. 3 (Adagio con espressione, Rondò alla napoletana - Andante) | — | ||
| 22-13 | Sonatas op. 6, M.S. 13, dedicated to Principessina Napoleone: Sonata no. 4 (Adagio amorosamente, Allegro con gentilezza) | — | ||
| 22-14 | Sonatas op. 6, M.S. 13, dedicated to Principessina Napoleone: Sonata no. 5 (Adagio con trasporto, Rondò - Andante alla Frassinet) | — | ||
| 22-15 | Sonatas op. 6, M.S. 13, dedicated to Principessina Napoleone: Sonata no. 6 (Adagio con affizione, Valtz galante) | — | ||
| 23-1 | 6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 1: I. Amoroso | — | ||
| 23-2 | 6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 1: II. Andantino | — | ||
| 23-3 | 6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 2: I. Larghetto compassionevolmente | — | ||
| 23-4 | 6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 2: II. Allegretto scherzando | — | ||
| 23-5 | 6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 3: I. Lento e con grazia | — | ||
| 23-6 | 6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 3: II. Andantino brillante | — | ||
| 23-7 | 6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 4: I. Quasi Andante con sentimento | — | ||
| 23-8 | 6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 4: II. Allegro | — | ||
| 23-9 | 6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 5: I. Con anima e trasporto | — | ||
| 23-10 | 6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 5: II. Andantino con brio | — | ||
| 23-11 | 6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 6: I. Quasi Larghetto e con enfasi | — | ||
| 23-12 | 6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 6: II. Andantino motteggiando | — | ||
| 23-13 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 1: I. Allegro | — | ||
| 23-14 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 1: II. Adagio con espressione | — | ||
| 23-15 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 1: III. Allegro con brio | — | ||
| 23-16 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 2: I. Introduzione: Largo - Andante con grazia | — | ||
| 23-17 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 2: II. Andantino Scherzando - Variazione I - Minore - Variazione II | — | ||
| 23-18 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 3: I. Larghetto sentimentalmete | — | ||
| 23-19 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 3: II. Polonese, Andantino brillante | — | ||
| 23-20 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 4: I. Adagio, non tanto | — | ||
| 23-21 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 4: II. Grazioso, Allegretto | — | ||
| 23-22 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 5: I. Adagio affettuoso | — | ||
| 23-23 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 5: II. Andantino corrente - Variazione I - Minore - Variazione II | — | ||
| 23-24 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 6: I. Adagio con amore | — | ||
| 23-25 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 6: II. Polonese, Allegro con energia | — | ||
| 23-26 | Duetto amoroso, M.S. 111: I. Principio, Allegretto | — | ||
| 23-27 | Duetto amoroso, M.S. 111: II. Preghiera, Andante | — | ||
| 23-28 | Duetto amoroso, M.S. 111: III. Acconsentito, Allegretto | — | ||
| 23-29 | Duetto amoroso, M.S. 111: IV. Timidezza, Allegro | — | ||
| 23-30 | Duetto amoroso, M.S. 111: V. Contentezza, Andantino | — | ||
| 23-31 | Duetto amoroso, M.S. 111: VI. Lite, Allegro assai | — | ||
| 23-32 | Duetto amoroso, M.S. 111: VII. Pace, Comodo | — | ||
| 23-33 | Duetto amoroso, M.S. 111: VIII. Segnale d'amore, Allegretto | — | ||
| 23-34 | Duetto amoroso, M.S. 111: IX. Notizia dela partenza, Allegro moderato | — | ||
| 23-35 | Duetto amoroso, M.S. 111: X. Distacco, Allegro | — | ||
| 24-1 | Entrata d'Adone nella reggia di Venere, M.S. 8 | — | ||
| 24-2 | 6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 1 in A major: I. Minuetto - Adagio | — | ||
| 24-3 | 6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 1 in A major: II. Polonese - Quasi allegro | — | ||
| 24-4 | 6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 2 in C major: I. Adagio - Maestoso | — | ||
| 24-5 | 6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 2 in C major: II. Andantino - Galantemente | — | ||
| 24-6 | 6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 3 in D minor: I. Adagio - Maestoso | — | ||
| 24-7 | 6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 3 in D minor: II. Andantino - Galantemente | — | ||
| 24-8 | 6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 4 in A major: I. La Sinagoga - Andante calcando | — | ||
| 24-9 | 6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 4 in A major: II. Andantino con brio | — | ||
| 24-10 | 6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 5 in D major: I. Andante - Moderato impostatamente | — | ||
| 24-11 | 6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 5 in D major: II: Allegro spiritoso | — | ||
| 24-12 | 6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 6 in A minor: I. Largo, con precisione | — | ||
| 24-13 | 6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 6 in A minor: II. Tempo di Valtz | — | ||
| 24-14 | 6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 1 in A major: I. Larghetto | — | ||
| 24-15 | 6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 1 in A major: II. Presto, Variato | — | ||
| 24-16 | 6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 2 in G major: I. Adagio | — | ||
| 24-17 | 6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 2 in G major: II. Andantino scherzoso | — | ||
| 24-18 | 6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 3 in D major: I. Andante sostenuto | — | ||
| 24-19 | 6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 3 in D major: II. Rondò - Molto allegro | — | ||
| 24-20 | 6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 4 in A minor: I. Andante - Largo | — | ||
| 24-21 | 6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 4 in A minor: II. Allegretto - Motteggiando | — | ||
| 24-22 | 6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 5 in A major: I. Adagio amoroso | — | ||
| 24-23 | 6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 5 in A major: II. Allegretto - Energicamente | — | ||
| 24-24 | 6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 6 in E minor: I. Andante - Innocentemente | — | ||
| 24-25 | 6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 6 in E minor: II. Allegro vivo e spiritoso | — | ||
| 24-26 | Allegro vivace a movimento perpetuo, M.S. 72 | — | ||
| 25-1 | Sonata concertata, M.S. 2 for Guitar and Violin: I. Allegro spiritoso | — | ||
| 25-2 | Sonata concertata, M.S. 2 for Guitar and Violin: II. Adagio, assai espressivo | — | ||
| 25-3 | Sonata concertata, M.S. 2 for Guitar and Violin: III. Allegretto con brio, scherzando | — | ||
| 25-4 | Cantabile e Valtz, M.S. 45 | — | ||
| 25-5 | Variations on Barucabà, M.S. 71: Group 1 - Tema | — | ||
| 25-6 | Variations on Barucabà, M.S. 71: Group 1 - Variation 1 | — | ||
| 25-7 | Variations on Barucabà, M.S. 71: Group 1 - Variation 2 | — | ||
| 25-8 | Variations on Barucabà, M.S. 71: Group 1 - Variation 3 | — | ||
| 25-9 | Variations on Barucabà, M.S. 71: Group 1 - Variation 4 | — | ||
| 25-10 | Variations on Barucabà, M.S. 71: Group 1 - Variation 5 | — | ||
| 25-11 | Variations on Barucabà, M.S. 71: Group 1 - Variation 6 | — | ||
| 25-12 | Variations on Barucabà, M.S. 71: Group 1 - Variation 7 | — | ||
| 25-13 | Variations on Barucabà, M.S. 71: Group 1 - Variation 8 | — | ||
| 25-14 | Variations on Barucabà, M.S. 71: Group 1 - Variation 9 | — | ||
| 25-15 | Variations on Barucabà, M.S. 71: Group 1 - Variation 10 | — | ||
| 25-16 | Variations on Barucabà, M.S. 71: Group 1 - Variation 11 | — | ||
| 25-17 | Variations on Barucabà, M.S. 71: Group 1 - Variation 12 | — | ||
| 25-18 | Variations on Barucabà, M.S. 71: Group 1 - Variation 13 | — | ||
| 25-19 | Variations on Barucabà, M.S. 71: Group 1 - Variation 14 | — | ||
| 25-20 | Variations on Barucabà, M.S. 71: Group 1 - Variation 15 | — | ||
| 25-21 | Variations on Barucabà, M.S. 71: Group 1 - Variation 16 | — | ||
| 25-22 | Variations on Barucabà, M.S. 71: Group 1 - Variation 17 | — | ||
| 25-23 | Variations on Barucabà, M.S. 71: Group 1 - Variation 18 | — | ||
| 25-24 | Variations on Barucabà, M.S. 71: Group 1 - Variation 19 | — | ||
| 25-25 | Variations on Barucabà, M.S. 71: Group 1 - Variation 20 | — | ||
| 25-26 | Variations on Barucabà, M.S. 71: Group 2 - Tema | — | ||
| 25-27 | Variations on Barucabà, M.S. 71: Group 2 - Variation 1 | — | ||
| 25-28 | Variations on Barucabà, M.S. 71: Group 2 - Variation 2 | — | ||
| 25-29 | Variations on Barucabà, M.S. 71: Group 2 - Variation 3 | — | ||
| 25-30 | Variations on Barucabà, M.S. 71: Group 2 - Variation 4 | — | ||
| 25-31 | Variations on Barucabà, M.S. 71: Group 2 - Variation 5 | — | ||
| 25-32 | Variations on Barucabà, M.S. 71: Group 2 - Variation 6 | — | ||
| 25-33 | Variations on Barucabà, M.S. 71: Group 2 - Variation 7 | — | ||
| 25-34 | Variations on Barucabà, M.S. 71: Group 2 - Variation 8 | — | ||
| 25-35 | Variations on Barucabà, M.S. 71: Group 2 - Variation 9 | — | ||
| 25-36 | Variations on Barucabà, M.S. 71: Group 2 - Variation 10 | — | ||
| 25-37 | Variations on Barucabà, M.S. 71: Group 2 - Variation 11 | — | ||
| 25-38 | Variations on Barucabà, M.S. 71: Group 2 - Variation 12 | — | ||
| 25-39 | Variations on Barucabà, M.S. 71: Group 2 - Variation 13 | — | ||
| 25-40 | Variations on Barucabà, M.S. 71: Group 2 - Variation 14 | — | ||
| 25-41 | Variations on Barucabà, M.S. 71: Group 2 - Variation 15 | — | ||
| 25-42 | Variations on Barucabà, M.S. 71: Group 2 - Variation 16 | — | ||
| 25-43 | Variations on Barucabà, M.S. 71: Group 2 - Variation 17 | — | ||
| 25-44 | Variations on Barucabà, M.S. 71: Group 2 - Variation 18 | — | ||
| 25-45 | Variations on Barucabà, M.S. 71: Group 2 - Variation 19 | — | ||
| 25-46 | Variations on Barucabà, M.S. 71: Group 2 - Variation 20 | — | ||
| 25-47 | Variations on Barucabà, M.S. 71: Group 3 - Tema | — | ||
| 25-48 | Variations on Barucabà, M.S. 71: Group 3 - Variation 1 | — | ||
| 25-49 | Variations on Barucabà, M.S. 71: Group 3 - Variation 2 | — | ||
| 25-50 | Variations on Barucabà, M.S. 71: Group 3 - Variation 3 | — | ||
| 25-51 | Variations on Barucabà, M.S. 71: Group 3 - Variation 4 | — | ||
| 25-52 | Variations on Barucabà, M.S. 71: Group 3 - Variation 5 | — | ||
| 25-53 | Variations on Barucabà, M.S. 71: Group 3 - Variation 6 | — | ||
| 25-54 | Variations on Barucabà, M.S. 71: Group 3 - Variation 7 | — | ||
| 25-55 | Variations on Barucabà, M.S. 71: Group 3 - Variation 8 | — | ||
| 25-56 | Variations on Barucabà, M.S. 71: Group 3 - Variation 9 | — | ||
| 25-57 | Variations on Barucabà, M.S. 71: Group 3 - Variation 10 | — | ||
| 25-58 | Variations on Barucabà, M.S. 71: Group 3 - Variation 11 | — | ||
| 25-59 | Variations on Barucabà, M.S. 71: Group 3 - Variation 12 | — | ||
| 25-60 | Variations on Barucabà, M.S. 71: Group 3 - Variation 13 | — | ||
| 25-61 | Variations on Barucabà, M.S. 71: Group 3 - Variation 14 | — | ||
| 25-62 | Variations on Barucabà, M.S. 71: Group 3 - Variation 15 | — | ||
| 25-63 | Variations on Barucabà, M.S. 71: Group 3 - Variation 16 | — | ||
| 25-64 | Variations on Barucabà, M.S. 71: Group 3 - Variation 17 | — | ||
| 25-65 | Variations on Barucabà, M.S. 71: Group 3 - Variation 18 | — | ||
| 25-66 | Variations on Barucabà, M.S. 71: Group 3 - Variation 19 | — | ||
| 25-67 | Variations on Barucabà, M.S. 71: Group 3 - Variation 20 | — | ||
| 26-1 | Six Duets, M.S. 110, Duet no. 1: I. Amoroso espressivo | — | ||
| 26-2 | Six Duets, M.S. 110, Duet no. 1: II. Andantino scherzando | — | ||
| 26-3 | Six Duets, M.S. 110, Duet no. 2: I. Cantabile con anima | — | ||
| 26-4 | Six Duets, M.S. 110, Duet no. 2: II. Rondò brillante | — | ||
| 26-5 | Six Duets, M.S. 110, Duet no. 3: I. Romance - Larghetto amabile | — | ||
| 26-6 | Six Duets, M.S. 110, Duet no. 3: II. Polacca - Mosso | — | ||
| 26-7 | Six Duets, M.S. 110, Duet no. 4: I. Placidamente con grazia | — | ||
| 26-8 | Six Duets, M.S. 110, Duet no. 4: II. Andantino trescando | — | ||
| 26-9 | Six Duets, M.S. 110, Duet no. 5: I. Andante sostenuto con aspirazione | — | ||
| 26-10 | Six Duets, M.S. 110, Duet no. 5: II. Allegro spiritoso con energia | — | ||
| 26-11 | Six Duets, M.S. 110, Duet no. 6: I. Cantabile pacificamente | — | ||
| 26-12 | Six Duets, M.S. 110, Duet no. 6: II. Buonamente - Rondò quasi allegro | — | ||
| 26-13 | Carmagnola with variations, M.S. 1: Largo - Allegro | — | ||
| 26-14 | Carmagnola with variations, M.S. 1: Variation 1 | — | ||
| 26-15 | Carmagnola with variations, M.S. 1: Variation 2 | — | ||
| 26-16 | Carmagnola with variations, M.S. 1: Variation 3 | — | ||
| 26-17 | Carmagnola with variations, M.S. 1: Variation 4 | — | ||
| 26-18 | Carmagnola with variations, M.S. 1: Variation 5 | — | ||
| 26-19 | Carmagnola with variations, M.S. 1: Variation 6 | — | ||
| 26-20 | Carmagnola with variations, M.S. 1: Variation 7 | — | ||
| 26-21 | Carmagnola with variations, M.S. 1: Variation 8 | — | ||
| 26-22 | Carmagnola with variations, M.S. 1: Variation 9 | — | ||
| 26-23 | Carmagnola with variations, M.S. 1: Variation 10 | — | ||
| 26-24 | Carmagnola with variations, M.S. 1: Variation 11 | — | ||
| 26-25 | Carmagnola with variations, M.S. 1: Variation 12 | — | ||
| 26-26 | Carmagnola with variations, M.S. 1: Variation 13 | — | ||
| 26-27 | Carmagnola with variations, M.S. 1: Variation 14 | — | ||
| 26-28 | Grand Sonata for guitar and violin, M.S. 3: I. Allegro risoluto | — | ||
| 26-29 | Grand Sonata for guitar and violin, M.S. 3: II. Romance - Più tosto largo - Amorosamente | — | ||
| 26-30 | Grand Sonata for guitar and violin, M.S. 3: III. Andantino variato - Scherzando | — | ||
| 27-1 | 24 Capricci op. 1, M.S. 25, Capriccio no. 1 in E major - Andante | — | ||
| 27-2 | 24 Capricci op. 1, M.S. 25, Capriccio no. 2 in B minor - Moderato | — | ||
| 27-3 | 24 Capricci op. 1, M.S. 25, Capriccio no. 3 in E minor - Sostenuto, Presto | — | ||
| 27-4 | 24 Capricci op. 1, M.S. 25, Capriccio no. 4 in C minor - Maestoso | — | ||
| 27-5 | 24 Capricci op. 1, M.S. 25, Capriccio no. 5 in A minor - Agitato | — | ||
| 27-6 | 24 Capricci op. 1, M.S. 25, Capriccio no. 6 in G minor - Adagio | — | ||
| 27-7 | 24 Capricci op. 1, M.S. 25, Capriccio no. 7 in A minor - Posato | — | ||
| 27-8 | 24 Capricci op. 1, M.S. 25, Capriccio no. 8 in E-flat major - Maestoso | — | ||
| 27-9 | 24 Capricci op. 1, M.S. 25, Capriccio no. 9 in E major - Allegretto | — | ||
| 27-10 | 24 Capricci op. 1, M.S. 25, Capriccio no. 10 in C major - Vivace | — | ||
| 27-11 | 24 Capricci op. 1, M.S. 25, Capriccio no. 11 in C major - Andante, Presto | — | ||
| 27-12 | 24 Capricci op. 1, M.S. 25, Capriccio no. 12 in A-flat major - Allegro | — | ||
| 27-13 | 24 Capricci op. 1, M.S. 25, Capriccio no. 13 in B-flat major - Moderato | — | ||
| 27-14 | 24 Capricci op. 1, M.S. 25, Capriccio no. 14 in E-flat major - Moderato | — | ||
| 27-15 | 24 Capricci op. 1, M.S. 25, Capriccio no. 15 in E minor - Posato | — | ||
| 27-16 | 24 Capricci op. 1, M.S. 25, Capriccio no. 16 in G minor - Presto | — | ||
| 27-17 | 24 Capricci op. 1, M.S. 25, Capriccio no. 17 in E-flat major - Sostenuto, Andante | — | ||
| 27-18 | 24 Capricci op. 1, M.S. 25, Capriccio no. 18 in C major - Corrente, Allegro | — | ||
| 27-19 | 24 Capricci op. 1, M.S. 25, Capriccio no. 19 in E-flat major - Lento, Allegro assai | — | ||
| 27-20 | 24 Capricci op. 1, M.S. 25, Capriccio no. 20 in D major - Allegretto | — | ||
| 27-21 | 24 Capricci op. 1, M.S. 25, Capriccio no. 21 in A major - Amoroso, Presto | — | ||
| 27-22 | 24 Capricci op. 1, M.S. 25, Capriccio no. 22 in F major - Marcato | — | ||
| 27-23 | 24 Capricci op. 1, M.S. 25, Capriccio no. 23 in E-flat major - Posato | — | ||
| 27-24 | 24 Capricci op. 1, M.S. 25, Capriccio no. 24 in A minor - Tema, Quasi Presto | — | ||
| 28-1 | Sonata a violino solo, M.S. 83: Without tempo indication | — | ||
| 28-2 | Sonata a violino solo, M.S. 83: Adagio non tanto | — | ||
| 28-3 | Sonata a violino solo, M.S. 83: Polonaise with variations | — | ||
| 28-4 | Sonata a violino solo, M.S. 83: Variation I | — | ||
| 28-5 | Sonata a violino solo, M.S. 83: Variation II | — | ||
| 28-6 | Sonata a violino solo, M.S. 83: Variation III | — | ||
| 28-7 | Sonata a violino solo, M.S. 83: Variation IV | — | ||
| 28-8 | Sonata a violino solo, M.S. 83: Variation V | — | ||
| 28-9 | Sonata a violino solo, M.S. 83: Variation VI | — | ||
| 28-10 | Sonata a violino solo, M.S. 83: Variation VII | — | ||
| 28-11 | Caprice d'adieu, M.S. 68: Allegro moderato | — | ||
| 28-12 | Capriccio a violino solo "Nel cor più non mi sento", M.S. 44: Capriccio ad Lib. - Tema | — | ||
| 28-13 | Capriccio a violino solo "Nel cor più non mi sento", M.S. 44: Variation I | — | ||
| 28-14 | Capriccio a violino solo "Nel cor più non mi sento", M.S. 44: Variation II | — | ||
| 28-15 | Capriccio a violino solo "Nel cor più non mi sento", M.S. 44: Variation III | — | ||
| 28-16 | Capriccio a violino solo "Nel cor più non mi sento", M.S. 44: Variation IV | — | ||
| 28-17 | Capriccio a violino solo "Nel cor più non mi sento", M.S. 44: Variation V | — | ||
| 28-18 | Capriccio a violino solo "Nel cor più non mi sento", M.S. 44: Variation VI | — | ||
| 28-19 | Capriccio a violino solo "Nel cor più non mi sento", M.S. 44: Variation VII | — | ||
| 28-20 | God Save the King per violino solo, M.S. 56: Tema - Andante sostenuto | — | ||
| 28-21 | God Save the King per violino solo, M.S. 56: Variation I | — | ||
| 28-22 | God Save the King per violino solo, M.S. 56: Variation II | — | ||
| 28-23 | God Save the King per violino solo, M.S. 56: Variation III | — | ||
| 28-24 | God Save the King per violino solo, M.S. 56: Variation IV | — | ||
| 28-25 | Inno patriottico per violino, M.S. 81: Tema - Allegro | — | ||
| 28-26 | Inno patriottico per violino, M.S. 81: Variation I | — | ||
| 28-27 | Inno patriottico per violino, M.S. 81: Variation II | — | ||
| 28-28 | Inno patriottico per violino, M.S. 81: Variation III | — | ||
| 28-29 | Inno patriottico per violino, M.S. 81: Variation IV | — | ||
| 28-30 | Inno patriottico per violino, M.S. 81: Variation V | — | ||
| 28-31 | Inno patriottico per violino, M.S. 81: Variation VI | — | ||
| 28-32 | Sonata a violino solo, M.S. 6: I. Adagio | — | ||
| 28-33 | Sonata a violino solo, M.S. 6: II. Allegro molto | — | ||
| 28-34 | Tema variato per violino, M.S. 82: Tema | — | ||
| 28-35 | Tema variato per violino, M.S. 82: Variation I | — | ||
| 28-36 | Tema variato per violino, M.S. 82: Variation II | — | ||
| 28-37 | Tema variato per violino, M.S. 82: Variation III | — | ||
| 28-38 | Tema variato per violino, M.S. 82: Variation IV | — | ||
| 28-39 | Tema variato per violino, M.S. 82: Variation V | — | ||
| 28-40 | Tema variato per violino, M.S. 82: Variation VI | — | ||
| 28-41 | Tema variato per violino, M.S. 82: Variation VII | — | ||
| 29-1 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 1: I. Minuetto | — | ||
| 29-2 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 1: II. Andantino | — | ||
| 29-3 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 2: I. (Minuetto) | — | ||
| 29-4 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 2: II. Allegretto ossia Rondoncino | — | ||
| 29-5 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 3: I. (Minuetto) | — | ||
| 29-6 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 3: II. Valtz | — | ||
| 29-7 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 4: I. (Minuetto) | — | ||
| 29-8 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 4: II. Rondoncino | — | ||
| 29-9 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 5: I. Minuetto | — | ||
| 29-10 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 5: II. Andantino | — | ||
| 29-11 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 6: I. Minuetto | — | ||
| 29-12 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 6: II. Allegretto | — | ||
| 29-13 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 7: I. Minuetto | — | ||
| 29-14 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 7: II. Valtz | — | ||
| 29-15 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 8: I. Minuetto | — | ||
| 29-16 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 8: II. Allegretto scherzando | — | ||
| 29-17 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 9: I. Minuetto | — | ||
| 29-18 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 9: II. Valtz | — | ||
| 29-19 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 10: I. Minuetto | — | ||
| 29-20 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 10: II. Valtz | — | ||
| 29-21 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 11: Minuetto | — | ||
| 29-22 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 12: I. (Minuetto) | — | ||
| 29-23 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 12: II. Allegretto | — | ||
| 29-24 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 13: I. Minuetto | — | ||
| 29-25 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 13: II. Andantino | — | ||
| 29-26 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 14: I. Minuetto, Valtz | — | ||
| 29-27 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 14: II. Allegretto | — | ||
| 29-28 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 15: I. Minuetto, Perigordino | — | ||
| 29-29 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 15: II. Allegretto | — | ||
| 29-30 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 16: I. Minuetto | — | ||
| 29-31 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 16: II. Allegretto | — | ||
| 30-1 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 17: I. Minuetto | — | ||
| 30-2 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 17: II. Perigordino | — | ||
| 30-3 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 18: I. (Minuetto) | — | ||
| 30-4 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 18: II. Allegretto | — | ||
| 30-5 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 19: I. Minuetto | — | ||
| 30-6 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 19: II. Allegretto | — | ||
| 30-7 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 20: I. (Minuetto) | — | ||
| 30-8 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 20: II. Valtz | — | ||
| 30-9 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 21: I. Minuetto | — | ||
| 30-10 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 21: II. Valtz | — | ||
| 30-11 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 22: I. Minuetto | — | ||
| 30-12 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 22: II. Andantino | — | ||
| 30-13 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 23: I. Minuetto detto il Matto | — | ||
| 30-14 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 23: II. Allegretto | — | ||
| 30-15 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 23: III. Allegretto | — | ||
| 30-16 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 24: I. Minuetto | — | ||
| 30-17 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 24: II: Andantino | — | ||
| 30-18 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 25: I. Minuetto | — | ||
| 30-19 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 25: II. Valtz | — | ||
| 30-20 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 26: I. Minuetto per la Signora Marina | — | ||
| 30-21 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 26: II: Allegretto | — | ||
| 30-22 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 27: I. Minuetto per la Signora Marina | — | ||
| 30-23 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 27: II: Valtz | — | ||
| 30-24 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 28: I. Minuetto | — | ||
| 30-25 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 28: II: Allegretto | — | ||
| 30-26 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 29: I: Minuetto | — | ||
| 30-27 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 29: II. Andantino | — | ||
| 30-28 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 30: I. Minuetto | — | ||
| 30-29 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 30: II. Allegro | — | ||
| 30-30 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 31: I. Minuetto - Rondoncino | — | ||
| 30-31 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 31: II. Valtz | — | ||
| 30-32 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 32: I. Minuetto | — | ||
| 30-33 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 32: II. Valtz | — | ||
| 30-34 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 33: I. Minuetto | — | ||
| 30-35 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 33: II. Andantino | — | ||
| 30-36 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 34: Minuetto | — | ||
| 30-37 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 35: (Minuetto) | — | ||
| 30-38 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 36: Minuetto | — | ||
| 30-39 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 37: Minuetto | — | ||
| 31-1 | Cinque Sonatine, M.S. 85, Sonatina no. 1: Allegro | Guido Fichtner | — | |
| 31-2 | Cinque Sonatine, M.S. 85, Sonatina no. 2: I. Marcia | Guido Fichtner | — | |
| 31-3 | Cinque Sonatine, M.S. 85, Sonatina no. 2: II. Passo doppio (Corrente con Trio) | Guido Fichtner | — | |
| 31-4 | Cinque Sonatine, M.S. 85, Sonatina no. 3: Andante | Guido Fichtner | — | |
| 31-5 | Cinque Sonatine, M.S. 85, Sonatina no. 4: (Allegro) | Guido Fichtner | — | |
| 31-6 | Cinque Sonatine, M.S. 85, Sonatina no. 5: I. (Allegro) | Guido Fichtner | — | |
| 31-7 | Cinque Sonatine, M.S. 85, Sonatina no. 5: II. Allegretto | Guido Fichtner | — | |
| 31-8 | Allegretto, M.S. 86 | Guido Fichtner | — | |
| 31-9 | Sonata, M.S. 87: I. Minuetto | Guido Fichtner | — | |
| 31-10 | Sonata, M.S. 87: II. Rondò, Allegro | Guido Fichtner | — | |
| 31-11 | Andantino, M.S. 88 | Guido Fichtner | — | |
| 31-12 | Andantino, M.S. 89 | Guido Fichtner | — | |
| 31-13 | Allegretto, M.S. 90 | Guido Fichtner | — | |
| 31-14 | Allegretto, M.S. 91 | Guido Fichtner | — | |
| 31-15 | Valtz, M.S. 92 | Guido Fichtner | — | |
| 31-16 | Rondoncino, M.S. 94 | Guido Fichtner | — | |
| 31-17 | Valtz, M.S. 96 | Guido Fichtner | — | |
| 31-18 | Andantino, M.S. 97 | Guido Fichtner | — | |
| 31-19 | Andantino, M.S. 99 | Guido Fichtner | — | |
| 31-20 | Valtz e Trio, M.S. 100/101 | Guido Fichtner | — | |
| 31-21 | Andantino, M.S. 102 | Guido Fichtner | — | |
| 31-22 | Marcia, M.S. 103 | Guido Fichtner | — | |
| 31-23 | Minuetto e Perigordino, M.S. 104: I. Minuetto | Guido Fichtner | — | |
| 31-24 | Minuetto e Perigordino, M.S. 104: II. Perigordino | Guido Fichtner | — | |
| 31-25 | Marziale, M.S. 105 | Guido Fichtner | — | |
| 31-26 | Sinfonia della Lodovisca, M.S. 98 | Guido Fichtner | — | |
| 32-1 | Ghiribizzi, M.S. 43: Allegretto in A major | — | ||
| 32-2 | Ghiribizzi, M.S. 43: Andantino in C major | — | ||
| 32-3 | Ghiribizzi, M.S. 43: Valtz in C major | — | ||
| 32-4 | Ghiribizzi, M.S. 43: Allegretto in A major | — | ||
| 32-5 | Ghiribizzi, M.S. 43: Moderato in D major | — | ||
| 32-6 | Ghiribizzi, M.S. 43: Andantino in G major | — | ||
| 32-7 | Ghiribizzi, M.S. 43: Valtz in E major | — | ||
| 32-8 | Ghiribizzi, M.S. 43: Andante in C major | — | ||
| 32-9 | Ghiribizzi, M.S. 43: Andantino in C major | — | ||
| 32-10 | Ghiribizzi, M.S. 43: (Allegretto) in C major | — | ||
| 32-11 | Ghiribizzi, M.S. 43: Allegretto in A major | — | ||
| 32-12 | Ghiribizzi, M.S. 43: Andante in C major | — | ||
| 32-13 | Ghiribizzi, M.S. 43: Allegro in C major | — | ||
| 32-14 | Ghiribizzi, M.S. 43: (Allegro assai) in C major | — | ||
| 32-15 | Ghiribizzi, M.S. 43: Allegro in G major | — | ||
| 32-16 | Ghiribizzi, M.S. 43: In cor più non mi sento - Larghetto in G major | — | ||
| 32-17 | Ghiribizzi, M.S. 43: Le Streghe - Andantino in D major | — | ||
| 32-18 | Ghiribizzi, M.S. 43: Andantino in D minor | — | ||
| 32-19 | Ghiribizzi, M.S. 43: Corrente in G major | — | ||
| 32-20 | Ghiribizzi, M.S. 43: Là ci darem la mano - Andante in C major | — | ||
| 32-21 | Ghiribizzi, M.S. 43: (Allegretto) in A major | — | ||
| 32-22 | Ghiribizzi, M.S. 43: Larghetto in A major | — | ||
| 32-23 | Ghiribizzi, M.S. 43: (Allegro) in A major | — | ||
| 32-24 | Ghiribizzi, M.S. 43: Andante in A major | — | ||
| 32-25 | Ghiribizzi, M.S. 43: Andante in C major | — | ||
| 32-26 | Ghiribizzi, M.S. 43: Arietta in D major | — | ||
| 32-27 | Ghiribizzi, M.S. 43: Andantino in D major | — | ||
| 32-28 | Ghiribizzi, M.S. 43: (Valtz) in D major | — | ||
| 32-29 | Ghiribizzi, M.S. 43: Marcia in D major | — | ||
| 32-30 | Ghiribizzi, M.S. 43: Allegretto in D major | — | ||
| 32-31 | Ghiribizzi, M.S. 43: Minuetto - Andante in A major | — | ||
| 32-32 | Ghiribizzi, M.S. 43: Allegretto in A major | — | ||
| 32-33 | Ghiribizzi, M.S. 43: Allegretto in A major | — | ||
| 32-34 | Ghiribizzi, M.S. 43: Valtz in A major | — | ||
| 32-35 | Ghiribizzi, M.S. 43: Valtz in D major | — | ||
| 32-36 | Ghiribizzi, M.S. 43: (Allegretto) in C major | — | ||
| 32-37 | Ghiribizzi, M.S. 43: Adagetto con espressione - Rossini-Paganini in A major | — | ||
| 32-38 | Ghiribizzi, M.S. 43: Vivace in A major | — | ||
| 32-39 | Ghiribizzi, M.S. 43: Allegretto in D major | — | ||
| 32-40 | Ghiribizzi, M.S. 43: Andante in A major | — | ||
| 32-41 | Ghiribizzi, M.S. 43: Allegro in C major | — | ||
| 32-42 | Ghiribizzi, M.S. 43: Valtz in E major | — | ||
| 32-43 | Ghiribizzi, M.S. 43: (Andantino) in A minor | — | ||
| 33-1 | 6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Sonatina no. 1, M.S. 124: I. Andante cantabile | Niccolò Paganini | — | |
| 33-2 | 6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Sonatina no. 1, M.S. 124: II. Valtz. Andantino | Niccolò Paganini | — | |
| 33-3 | 6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Sonatina no. 2, M.S. 125: I. Minuetto cantabile - Andante un poco sostenuto | Niccolò Paganini | — | |
| 33-4 | 6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Sonatina no. 2, M.S. 125: II. Valtz. Andantino | Niccolò Paganini | — | |
| 33-5 | 6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Cantabile a Minuetto e Valtz no. 3, M.S. 126: I. Andante sostenuto | Niccolò Paganini | — | |
| 33-6 | 6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Cantabile a Minuetto e Valtz no. 3, M.S. 126: II. Valtz. Andantino | Niccolò Paganini | — | |
| 33-7 | 6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Cantabile e Valtz no. 4, M.S. 127: I. Andante moderato | Niccolò Paganini | — | |
| 33-8 | 6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Cantabile e Valtz no. 4, M.S. 127: II. Valtz. Andantino | Niccolò Paganini | — | |
| 33-9 | 6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Cantabile e Valtz no. 5, M.S. 128: I. Andante sostenuto | Niccolò Paganini | — | |
| 33-10 | 6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Cantabile e Valtz no. 5, M.S. 128: II. Valtz. Andantino | Niccolò Paganini | — | |
| 33-11 | 6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Cantabile e Valtz no. 6, M.S. 129: I. Andante | Niccolò Paganini | — | |
| 33-12 | 6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Cantabile e Valtz no. 6, M.S. 129: II. Valtz. Andantino | Niccolò Paganini | — | |
| 33-13 | Sonata with Variations for violin, viola, cello and guitar, M.S. 132: Introduzione | Stefano delle Donne, Damiano Puliti, Adriano Sebastiani, Marco Seieli | — | |
| 33-14 | Sonata with Variations for violin, viola, cello and guitar, M.S. 132: Tema. Andantino | Stefano delle Donne, Damiano Puliti, Adriano Sebastiani, Marco Seieli | — | |
| 33-15 | Sonata with Variations for violin, viola, cello and guitar, M.S. 132: Variazione no. 1 | Stefano delle Donne, Damiano Puliti, Adriano Sebastiani, Marco Seieli | — | |
| 33-16 | Sonata with Variations for violin, viola, cello and guitar, M.S. 132: Variazione no. 2 | Stefano delle Donne, Damiano Puliti, Adriano Sebastiani, Marco Seieli | — | |
| 33-17 | Sonata with Variations for violin, viola, cello and guitar, M.S. 132: Variazione no. 3 | Stefano delle Donne, Damiano Puliti, Adriano Sebastiani, Marco Seieli | — | |
| 33-18 | 4 Studies for solo violin: Studio no. 1 | Niccolò Paganini | — | |
| 33-19 | 4 Studies for solo violin: Studio no. 2 | Niccolò Paganini | — | |
| 33-20 | 4 Studies for solo violin: Studio no. 3 | Niccolò Paganini | — | |
| 33-21 | 4 Studies for solo violin: Studio no. 4 | Niccolò Paganini | — | |
| 34-1 | Sonata a Preghiera, M.S. 23: Maestoso - Recitativo - Allegro molto - Preghiera - Tema e Variazioni | Luca Ballerini, Luca Fanfoni | — | |
| 34-2 | Three Ritornelli for two violins and cello, M.S. 113: Allegro | Daniele Fanfoni, Luca Fanfoni, Luca Simoncini | — | |
| 34-3 | Three Ritornelli for two violins and cello, M.S. 113: Allegro | Daniele Fanfoni, Luca Fanfoni, Luca Simoncini | — | |
| 34-4 | Three Ritornelli for two violins and cello, M.S. 113: Allegro assai | Daniele Fanfoni, Luca Fanfoni, Luca Simoncini | — | |
| 34-5 | Six Preludes for solo violin, no. 1 | Luca Fanfoni | — | |
| 34-6 | Six Preludes for solo violin, no. 2 | Luca Fanfoni | — | |
| 34-7 | Six Preludes for solo violin, no. 3 | Luca Fanfoni | — | |
| 34-8 | Six Preludes for solo violin, no. 4 | Luca Fanfoni | — | |
| 34-9 | Six Preludes for solo violin, no. 5 | Luca Fanfoni | — | |
| 34-10 | Six Preludes for solo violin, no. 6 | Luca Fanfoni | — | |
| 34-11 | Rondò for violin and cello, M.S. 63 | Luca Fanfoni, Luca Simoncini | — | |
| 34-12 | Capriccio (Andante) for solo violin, M.S. 54 | Luca Fanfoni | — | |
| 34-13 | Grande Concerto in E minor, M.S. 75: I. Risoluto | Luca Fanfoni, Fabrizio Giudice | — | |
| 34-14 | Grande Concerto in E minor, M.S. 75: II. Adagio | Luca Fanfoni, Fabrizio Giudice | — | |
| 34-15 | Grande Concerto in E minor, M.S. 75: III. Rondò ossia Polonese | Luca Fanfoni, Fabrizio Giudice | — | |
| 35-1 | Ghiribizzo vocale, M.S. 120 | Lucia Cortese, Fabrizio Giudice, Bin Huang | — | |
| 35-2 | Sul margine d'un rio, M.S. 119 | Lucia Cortese, Fabio Macelloni | — | |
| 35-3 | È pur amabile, M.S. 53 | Lucia Cortese, Fabio Macelloni | — | |
| 35-4 | Chant Patriorique, M.S. 62 | Choir of the Vocal Technique class of the Paganini Conservatory of Genua, Fabio Macelloni | — | |
| 35-5 | Guitar Sonata, M.S. 84 | Fabrizio Giudice | — | |
| 35-6 | Valtz, M.S. 80 | Bin Huang | — | |
| 35-7 | Canzonetta, M.S. 121 | Fabrizio Giudice, Bin Huang | — | |
| 35-8 | Duet for Violin and Guitar, M.S. 122 | Nicholas Goluses, Bin Huang | — | |
| 36-1 | Cappriccio no. 1 in E major - Andante | — | ||
| 36-2 | Cappriccio no. 2 in B minor - Moderato | — | ||
| 36-3 | Cappriccio no. 3 in E minor - Sostenuto, Presto | — | ||
| 36-4 | Cappriccio no. 4 in C minor - Maestoto | — | ||
| 36-5 | Cappriccio no. 5 in A minor - Agitato | — | ||
| 36-6 | Cappriccio no. 6 in G minor - Adagio | — | ||
| 36-7 | Cappriccio no. 7 in A minor - Posato | — | ||
| 36-8 | Cappriccio no. 8 in E-flat major - Maestoso | — | ||
| 36-9 | Cappriccio no. 9 in E major - Allegretto | — | ||
| 36-10 | Cappriccio no. 10 in G minor - Vivace | — | ||
| 36-11 | Cappriccio no. 11 in C major - Andante, Presto | — | ||
| 36-12 | Cappriccio no. 12 in A-flat major - Allegro | — | ||
| 36-13 | Cappriccio no. 13 in B-flat major - Moderato | — | ||
| 36-14 | Cappriccio no. 14 in E-flat major - Moderato | — | ||
| 36-15 | Cappriccio no. 15 in E minor - Posato | — | ||
| 36-16 | Cappriccio no. 16 in G minor - Presto | — | ||
| 36-17 | Cappriccio no. 17 in E-flat major - Sostenuto, Andante | — | ||
| 36-18 | Cappriccio no. 18 in C major - Corrente, Allegro | — | ||
| 36-19 | Cappriccio no. 19 in E-flat major - Lento, Allegro assai | — | ||
| 36-20 | Cappriccio no. 20 in D major - Allegretto | — | ||
| 36-21 | Cappriccio no. 21 in A major - Amoroso, Presto | — | ||
| 36-22 | Cappriccio no. 22 in F major - Marcato | — | ||
| 36-23 | Cappriccio no. 23 in E-flat major - Posato | — | ||
| 36-24 | Cappriccio no. 24 in A minor - Tema, Quasi presto | — | ||
| 37-1 | 60 Variations on the Barucabà Theme, M.S. 71: First group - A major | — | ||
| 37-2 | 60 Variations on the Barucabà Theme, M.S. 71: Second group - C major | — | ||
| 37-3 | 60 Variations on the Barucabà Theme, M.S. 71: Third group - D major | — | ||
| 37-4 | Variations on God Save the King, op. 9, M.S. 56 | — | ||
| 37-5 | Violin Concerto no. 2 in B minor, op. 7, M.S. 48: I. Allegro maestoso | — | ||
| 37-6 | Violin Concerto no. 2 in B minor, op. 7, M.S. 48: II. Adagio | — | ||
| 37-7 | Violin Concerto no. 2 in B minor, op. 7, M.S. 48: III. Rondo: Allegro moderato | — | ||
| 38-1 | Violin Concerto no. 4 in D minor, M.S. 60: I. Allegro maestoso | — | ||
| 38-2 | Violin Concerto no. 4 in D minor, M.S. 60: II. Adagio flebile con sentimento | — | ||
| 38-3 | Violin Concerto no. 4 in D minor, M.S. 60: III. Rondò galante | — | ||
| 38-4 | Variations on "Di Tanti Palpiti" from Rossini's Tancredi, M.S. 77 | — | ||
| 38-5 | Cantabile in D major, M.S. 109 | — | ||
| 38-6 | Violin Concerto no. 1 in D major, op. 6: I. Allegro maestoso | — | ||
| 38-7 | Violin Concerto no. 1 in D major, op. 6: II. Adagio | — | ||
| 38-8 | Violin Concerto no. 1 in D major, op. 6: III. Rondò, Allegro Spiritoso | — | ||
| 39-1 | Johann N. Hummel, Recollections of Paganini, Fantasia for the piano | — | ||
| 39-2 | Ignaz Mosheles, Gems à la Paganini, Fantasia no. 1 | — | ||
| 39-3 | Ignaz Mosheles, Gems à la Paganini, Fantasia no. 2 | — | ||
| 39-4 | Friedrich Kuhlau, La Clochette, Rondeau Brillante pour le pianoforte | — | ||
| 39-5 | Franz Liszt, Grandes Etudes de Paganini (1851) no. 1 in G minor | — | ||
| 39-6 | Franz Liszt, Grandes Etudes de Paganini (1851) no. 2 in E-flat major | — | ||
| 39-7 | Franz Liszt, Grandes Etudes de Paganini (1851) no. 3 in G-sharp minor "La Campanella" | — | ||
| 39-8 | Franz Liszt, Grandes Etudes de Paganini (1851) no. 4 in E major | — | ||
| 39-9 | Franz Liszt, Grandes Etudes de Paganini (1851) no. 5 in E major | — | ||
| 39-10 | Franz Liszt, Grandes Etudes de Paganini (1851) no. 6 in A minor | — | ||
| 39-11 | Ferruccio Busoni, Introduzione e Capriccio Paganinesco | — | ||
| 39-12 | Luigi Dallapiccola, Sonatina Canonica su Capricci di N. Paganini I | — | ||
| 39-13 | Luigi Dallapiccola, Sonatina Canonica su Capricci di N. Paganini II | — | ||
| 39-14 | Luigi Dallapiccola, Sonatina Canonica su Capricci di N. Paganini III | — | ||
| 39-15 | Luigi Dallapiccola, Sonatina Canonica su Capricci di N. Paganini IV | — | ||
| 40-1 | Ignaz Mosheles, Gems à la Paganini, Fantasia no. 3 | — | ||
| 40-2 | Robert Schumann, Etudes pour le pianoforte d'après des caprices de Paganini, op. 3 no. 1 in A minor | — | ||
| 40-3 | Robert Schumann, Etudes pour le pianoforte d'après des caprices de Paganini, op. 3 no. 2 in E major | — | ||
| 40-4 | Robert Schumann, Etudes pour le pianoforte d'après des caprices de Paganini, op. 3 no. 3 in C major | — | ||
| 40-5 | Robert Schumann, Etudes pour le pianoforte d'après des caprices de Paganini, op. 3 no. 4 in B-flat major | — | ||
| 40-6 | Robert Schumann, Etudes pour le pianoforte d'après des caprices de Paganini, op. 3 no. 5 in E-flat major | — | ||
| 40-7 | Robert Schumann, Etudes pour le pianoforte d'après des caprices de Paganini, op. 3 no. 6 in G minor | — | ||
| 40-8 | Henri Herz, Paganini's Last Waltz | — | ||
| 40-9 | Henri Herz, Rondò de Paganini | — | ||
| 40-10 | Johann Strauss, Walzer à la Paganini, op. 11 | — | ||
| 40-11 | Johannes Brahms, Variationen über ein Thema von Paganini, op. 35, Heft I | — | ||
| 40-12 | Johannes Brahms, Variationen über ein Thema von Paganini, op. 35, Heft II | — |
Musical Works (ISWC)
Identifier Graph
8007144077341 is a Universal Product Code (UPC) assigned to Nicolò Paganini Complete Edition by Niccolò Paganini. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 746 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Nicolò Paganini Complete Edition” by Niccolò Paganini is 8007144077341. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2018-01-01. Label: Dynamic (4). This release contains 746 tracks, each with its own ISRC. Tracks include ITN320922001, ITN320922002, ITN320922003.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto no. 1. Allegro maestoso | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 2 | Concerto no. 1. Adagio espressivo | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 3 | Concerto no. 1. Rondò: Allegretto spiritoso | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 4 | Concerto no. 2. Allegro maestoso | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 5 | Concerto no. 2. Adagio | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 6 | Concerto no. 2. Rondò: Andantino - Allegretto moderato | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 2-1 | Concerto No. 3 » Andante - Allegro Marziale | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 2-2 | Concerto No. 3 » Adagio | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 2-3 | Concerto No. 3 » Polacca. Andantino - Vivace | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 2-4 | Concerto No. 5 » Allegro Maestoso | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 2-5 | Concerto No. 5 » Andante un poco sostenuto | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 2-6 | Concerto No. 5 » Rondò. Andante - Allegretto | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 3-1 | Grand Concerto in E minor » Risoluto | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 3-2 | Grand Concerto in E minor » Adagio | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 3-3 | Grand Concerto in E minor » Rondò ossia Polonese | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 3-4 | Concerto No. 4 » Allegro maestoso | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 3-5 | Concerto No. 4 » Adagio flebile con sentimento | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 3-6 | Concerto No. 4 » Rondò galante | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 3-7 | Adagio in E major, M.S. 49 | Massimo Quarta, Orchestra del teatro Carlo Felice di Genova | — | |
| 4-1 | Le Streghe, M.S. 19 | Mario Hossen, Vienna Classical Players | — | |
| 4-2 | Suonata con Variazioni, M.S. 47 | Mario Hossen, Vienna Classical Players | — | |
| 4-3 | Non più mesta, M.S. 22 | Mario Hossen, Vienna Classical Players | — | |
| 4-4 | I Palpiti, M.S. 77 | Mario Hossen, Vienna Classical Players | — | |
| 4-5 | Religiosa introduzione al Rondò del Campanello, M.S. 67/1: I. Andante sonnolento | Mario Hossen, Vienna Classical Players, Wiener Singverein | — | |
| 4-6 | Religiosa introduzione al Rondò del Campanello, M.S. 67/1: II. Minuetto | Mario Hossen, Vienna Classical Players | — | |
| 4-7 | Religiosa introduzione al Rondò del Campanello, M.S. 67/1: III. Rondò della Campanella | Mario Hossen, Vienna Classical Players | — | |
| 5-1 | Sonata Varsavia | Salvatore Accardo, Chamber Orchestra of Europe | — | |
| 5-2 | Sonata maria Luisa sul Sol | Salvatore Accardo, Chamber Orchestra of Europe | — | |
| 5-3 | Polacca con Variazioni | Salvatore Accardo, Chamber Orchestra of Europe | — | |
| 5-4 | Balletto Campestre - Variazioni su un Tema Comico | Salvatore Accardo, Chamber Orchestra of Europe | — | |
| 5-5 | Variazioni su "Il Carnevale di Venezia" | Salvatore Accardo, Chamber Orchestra of Europe | — | |
| 6-1 | Napoléon M.S. 5 (original guitar accompaniment by Paganini) | Mario Hossen, Alexander Swete | — | |
| 6-2 | La Primavera M.S. 73 (piano accompaniment by Giusto Dacci) | Mario Hossen, Nadja Hoebarth | — | |
| 6-3 | Sonata movimento perpetuo M.S. 66, with Piano (original piano accompaniment by Paganini): I. Andante amoroso | Mario Hossen, Nadja Hoebarth | — | |
| 6-4 | Sonata movimento perpetuo M.S. 66, with Piano (original piano accompaniment by Paganini): II. Moto perpetuo - Allegro vivace | Mario Hossen, Nadja Hoebarth | T-905.126.392-4 | |
| 6-5 | Maestosa Suonata Sentimentale M.S. 51 | Mario Hossen, Camerata Orphica | — | |
| 7-1 | Tarantella M.S. 76 | Franco Mezzena, Orchestra da Camera di Genova | — | |
| 7-2 | Le Couvent du Mont St. Bernard M.S. 67: I. Andante sonnolento | Franco Mezzena, Orchestra da Camera di Genova, Coro Januensis | — | |
| 7-3 | Le Couvent du Mont St. Bernard M.S. 67: II. Pendule, Lento | Franco Mezzena, Orchestra da Camera di Genova | — | |
| 7-4 | Le Couvent du Mont St. Bernard M.S. 67: III. Minuetto, Moderato | Franco Mezzena, Orchestra da Camera di Genova | — | |
| 7-5 | Le Couvent du Mont St. Bernard M.S. 67: IV. L'Aurora, Lento, Maestoso | Franco Mezzena, Orchestra da Camera di Genova, Coro Januensis | — | |
| 7-6 | Le Couvent du Mont St. Bernard M.S. 67: V. Rondò del campanello | Franco Mezzena, Orchestra da Camera di Genova | — | |
| 7-7 | Niccolò Paganini a Mr. Henry M.S. 65: I. Larghetto | Franco Traverso, Rino Vernizzi, Orchestra da Camera di Genova | — | |
| 7-8 | Niccolò Paganini a Mr. Henry M.S. 65: II. Allegro moderato | Franco Traverso, Rino Vernizzi, Orchestra da Camera di Genova | — | |
| 7-9 | Sonata per la grand viola M.S. 70 | Luigi Alberto Bianchi, Deutsches Symphonie-Orchester Berlin | T-910.773.331-3 | |
| 8-1 | Quartet no. 1 in A minor, op. 4 no. 1, M.S. 28, dedicated to "amateur ladies": I. Introduzione - Andante marcato, Vivace | — | ||
| 8-2 | Quartet no. 1 in A minor, op. 4 no. 1, M.S. 28, dedicated to "amateur ladies": II. Minuetto alla marsigliese - Andantino | — | ||
| 8-3 | Quartet no. 1 in A minor, op. 4 no. 1, M.S. 28, dedicated to "amateur ladies": III. Tema con variazioni - Adagetto cantabile | — | ||
| 8-4 | Quartet no. 9 in D major, M.S. 36, dedicated to L. G. Germi: I. Allegro moderato | — | ||
| 8-5 | Quartet no. 9 in D major, M.S. 36, dedicated to L. G. Germi: II. Minuetto alla Valtz | — | ||
| 8-6 | Quartet no. 9 in D major, M.S. 36, dedicated to L. G. Germi: III. Adagio sostenuto appassionatamente | — | ||
| 8-7 | Quartet no. 9 in D major, M.S. 36, dedicated to L. G. Germi: IV. Allegro vivace | — | ||
| 8-8 | Quartet no. 10 in A major, M.S. 37, dedicated to L. G. Germi: I. Allegretto | — | ||
| 8-9 | Quartet no. 10 in A major, M.S. 37, dedicated to L. G. Germi: II. Minuetto - Scherzo (Allegretto mosso) | — | ||
| 8-10 | Quartet no. 10 in A major, M.S. 37, dedicated to L. G. Germi: III. Adagio cantabile | — | ||
| 8-11 | Quartet no. 10 in A major, M.S. 37, dedicated to L. G. Germi: IV. Rondo (Andantino con brio) | — | ||
| 9-1 | Quartet no. 11 in B major, M.S. 38, dedicated to L. G. Germi: I. Allegro moderato | — | ||
| 9-2 | Quartet no. 11 in B major, M.S. 38, dedicated to L. G. Germi: II. Minuetto (Allegretto) | — | ||
| 9-3 | Quartet no. 11 in B major, M.S. 38, dedicated to L. G. Germi: III. Larghetto, con passione | — | ||
| 9-4 | Quartet no. 11 in B major, M.S. 38, dedicated to L. G. Germi: IV. Polacca (Andante mosso) | — | ||
| 9-5 | Quartet no. 12 in A minor, M.S. 39, dedicated to L. G. Germi: I. Allegro giusto | — | ||
| 9-6 | Quartet no. 12 in A minor, M.S. 39, dedicated to L. G. Germi: II. Tenuto con precisione | — | ||
| 9-7 | Quartet no. 12 in A minor, M.S. 39, dedicated to L. G. Germi: III. Minuetto (Allegretto mosso) | — | ||
| 9-8 | Quartet no. 13 in F major, M.S. 40, dedicated to L. G. Germi: I. Allegro con brio | — | ||
| 9-9 | Quartet no. 13 in F major, M.S. 40, dedicated to L. G. Germi: II. Minuetto (Allegretto) | — | ||
| 9-10 | Quartet no. 13 in F major, M.S. 40, dedicated to L. G. Germi: III. Larghetto, tenuto con anima | — | ||
| 9-11 | Quartet no. 13 in F major, M.S. 40, dedicated to L. G. Germi: IV. Finale - Prestissimo | — | ||
| 10-1 | Quartet no. 3 in A major, op. 4 no. 3, M.S. 30, dedicated to "amateur ladies": I. Pot-pourri - Allegro | — | ||
| 10-2 | Quartet no. 3 in A major, op. 4 no. 3, M.S. 30, dedicated to "amateur ladies": II. Minuetto alla Spagnola - Andantino | — | ||
| 10-3 | Quartet no. 3 in A major, op. 4 no. 3, M.S. 30, dedicated to "amateur ladies": III. Romance - Adagio non tanto | — | ||
| 10-4 | Quartet no. 3 in A major, op. 4 no. 3, M.S. 30, dedicated to "amateur ladies": IV. Rondò - Allegretto | — | ||
| 10-5 | Quartet no. 7 in E major, M.S. 34, dedicated to the Marchesa Caterina Raggi Pallavicini: I. Allegro moderato | — | ||
| 10-6 | Quartet no. 7 in E major, M.S. 34, dedicated to the Marchesa Caterina Raggi Pallavicini: II. Minuetto - Allegretto | — | ||
| 10-7 | Quartet no. 7 in E major, M.S. 34, dedicated to the Marchesa Caterina Raggi Pallavicini: III. Adagio cantabile - Sostenuto con passione | — | ||
| 10-8 | Quartet no. 7 in E major, M.S. 34, dedicated to the Marchesa Caterina Raggi Pallavicini: IV. Rondò vivace | — | ||
| 10-9 | Quartet no. 14 in A major, M.S. 41, dedicated to L. G. Germi: I. Allegro maestoso | — | ||
| 10-10 | Quartet no. 14 in A major, M.S. 41, dedicated to L. G. Germi: II. Minuetto Scherzo - Allegretto | — | ||
| 10-11 | Quartet no. 14 in A major, M.S. 41, dedicated to L. G. Germi: III. Largo con sentimento | — | ||
| 10-12 | Quartet no. 14 in A major, M.S. 41, dedicated to L. G. Germi: IV. Finale - Allegro vivace | — | ||
| 11-1 | Quartet no. 2 in C major, op. 4 no. 2, M.S. 29, dedicated to "amateur ladies": I. Moderato | — | ||
| 11-2 | Quartet no. 2 in C major, op. 4 no. 2, M.S. 29, dedicated to "amateur ladies": II. Minuetto, Andante | — | ||
| 11-3 | Quartet no. 2 in C major, op. 4 no. 2, M.S. 29, dedicated to "amateur ladies": III. Larghetto in Fa | — | ||
| 11-4 | Quartet no. 2 in C major, op .4 no. 2, M.S. 29, dedicated to "amateur ladies": IV. Rondò, Allegretto | — | ||
| 11-5 | Quartet no. 8 in A major M.S. 35, dedicated to the Marchese Filippo Carrega: I. Allegro | — | ||
| 11-6 | Quartet no. 8 in A major M.S. 35, dedicated to the Marchese Filippo Carrega: II. Minuetto, Andantino | — | ||
| 11-7 | Quartet no. 8 in A major M.S. 35, dedicated to the Marchese Filippo Carrega: III. Cantabile molto adagio | — | ||
| 11-8 | Quartet no. 8 in A major M.S. 35, dedicated to the Marchese Filippo Carrega: IV. Rondò, Allegretto | — | ||
| 11-9 | Quartet no. 15 in A minor M.S. 42, dedicated to L. G. Germi: I. Maestoso | — | ||
| 11-10 | Quartet no. 15 in A minor M.S. 42, dedicated to L. G. Germi: II. Minuetto a canone, Andantino | — | ||
| 11-11 | Quartet no. 15 in A minor M.S. 42, dedicated to L. G. Germi: III. Recitativo, Andante sostenuto con sentimento | — | ||
| 11-12 | Quartet no. 15 in A minor M.S. 42, dedicated to L. G. Germi: IV. Adagio cantabile | — | ||
| 11-13 | Quartet no. 15 in A minor M.S. 42, dedicated to L. G. Germi: V. Rondò, Allegretto cantabile | — | ||
| 12-1 | Quartet no. 4 in D major, op. 5 no. 1, M.S. 31, dedicated to "amateur ladies": I. Presto | — | ||
| 12-2 | Quartet no. 4 in D major, op. 5 no. 1, M.S. 31, dedicated to "amateur ladies": II. Andante | — | ||
| 12-3 | Quartet no. 4 in D major, op. 5 no. 1, M.S. 31, dedicated to "amateur ladies": III. Cantabile quasi larghetto | — | ||
| 12-4 | Quartet no. 5 in D major, op. 5 no. 2, M.S. 32, dedicated to "amateur ladies": I. Allegro | — | ||
| 12-5 | Quartet no. 5 in D major, op. 5 no. 2, M.S. 32, dedicated to "amateur ladies": II. Minuetto, Allegretto | — | ||
| 12-6 | Quartet no. 5 in D major, op. 5 no. 2, M.S. 32, dedicated to "amateur ladies": III. Cantabile, Larghetto | — | ||
| 12-7 | Quartet no. 5 in D major, op. 5 no. 2, M.S. 32, dedicated to "amateur ladies": IV. Polacca, quasi presto | — | ||
| 12-8 | Quartet no. 6 in D minor, op. 5 no. 3, M.S. 33, dedicated to "amateur ladies": I. Allegro | — | ||
| 12-9 | Quartet no. 6 in D minor, op. 5 no. 3, M.S. 33, dedicated to "amateur ladies": II. Moderato | — | ||
| 12-10 | Quartet no. 6 in D minor, op. 5 no. 3, M.S. 33, dedicated to "amateur ladies": III. Tema cantabile, quasi larghetto | — | ||
| 12-11 | Quartet no. 6 in D minor, op. 5 no. 3, M.S. 33, dedicated to "amateur ladies": IV. Polacchetta, Allegro con brio | — | ||
| 13-1 | Serenata in C major M.S. 17 for viola, cello and guitar: I. Allegretto spiritoso | — | ||
| 13-2 | Serenata in C major M.S. 17 for viola, cello and guitar: II. Minuetto (Andantino - Amorosamente) | — | ||
| 13-3 | Serenata in C major M.S. 17 for viola, cello and guitar: III. Adagio non tanto (Unione con anima) | — | ||
| 13-4 | Serenata in C major M.S. 17 for viola, cello and guitar: IV. Rondò con maestria e grazia (Canzonetta genovese) | — | ||
| 13-5 | Serenata in C major M.S. 17 for viola, cello and guitar: V. Andantino alla polacca | — | ||
| 13-6 | Terzetto Concertante in D major M.S. 114 for viola, cello and guitar: I. Allegro | — | ||
| 13-7 | Terzetto Concertante in D major M.S. 114 for viola, cello and guitar: II. Minuetto | — | ||
| 13-8 | Terzetto Concertante in D major M.S. 114 for viola, cello and guitar: III. Adagio cantabile | — | ||
| 13-9 | Terzetto Concertante in D major M.S. 114 for viola, cello and guitar: IV. Waltz a rondò (Allegretto con energia) | — | ||
| 13-10 | Terzetto in D major M.S. 69 for violin, cello and guitar: I. Allegro con brio | — | ||
| 13-11 | Terzetto in D major M.S. 69 for violin, cello and guitar: II. Minuetto (Allegro vivace) | — | ||
| 13-12 | Terzetto in D major M.S. 69 for violin, cello and guitar: III. Andante, Larghetto (Cavate) | — | ||
| 13-13 | Terzetto in D major M.S. 69 for violin, cello and guitar: IV. Rondò (Allegretto) | — | ||
| 13-14 | Terzetto in A minor M.S. 116 for two violins and guitar: I. Andante sostenuto | — | ||
| 13-15 | Terzetto in A minor M.S. 116 for two violins and guitar: II. Tempo di minuetto | — | ||
| 13-16 | Terzetto in A minor M.S. 116 for two violins and guitar: III. Andantino - Allegro | — | ||
| 13-17 | Serenata in F major M.S. 115 for two violins and guitar: I. Introduzione, Largo | — | ||
| 13-18 | Serenata in F major M.S. 115 for two violins and guitar: II. Tempo di minuetto - Amoroso | — | ||
| 13-19 | Serenata in F major M.S. 115 for two violins and guitar: III. Andantino scherzando | — | ||
| 14-1 | Quartet no. 1, M.S. 20: I. Allegro maestroso | — | ||
| 14-2 | Quartet no. 1, M.S. 20: II. Minuetto, Allegretto | — | ||
| 14-3 | Quartet no. 1, M.S. 20: III. Adagio, con anima | — | ||
| 14-4 | Quartet no. 1, M.S. 20: IV. Rondò, Allegretto con brio | — | ||
| 14-5 | Quartet no. 2, M.S. 20: I. Moderato | — | ||
| 14-6 | Quartet no. 2, M.S. 20: II. Minuetto, Allegretto | — | ||
| 14-7 | Quartet no. 2, M.S. 20: III. Adagio, con trasporto | — | ||
| 14-8 | Quartet no. 2, M.S. 20: IV. Finale, Prestissimo | — | ||
| 14-9 | Quartet no. 3, M.S. 20: I. Largo, Allegro | — | ||
| 14-10 | Quartet no. 3, M.S. 20: II. Minuetto, Andantino | — | ||
| 14-11 | Quartet no. 3, M.S. 20: III. Andante con variozioni | — | ||
| 14-12 | Quartet no. 3, M.S. 20: IV. Finale, Presto | — | ||
| 15-1 | In cor più non mi sento, Theme and variations for two violins and cello, M.S. 117: Theme | — | ||
| 15-2 | In cor più non mi sento, Theme and variations for two violins and cello, M.S. 117: Variation I | — | ||
| 15-3 | In cor più non mi sento, Theme and variations for two violins and cello, M.S. 117: Variation II | — | ||
| 15-4 | In cor più non mi sento, Theme and variations for two violins and cello, M.S. 117: Variation III | — | ||
| 15-5 | In cor più non mi sento, Theme and variations for two violins and cello, M.S. 117: Variation IV | — | ||
| 15-6 | In cor più non mi sento, Theme and variations for two violins and cello, M.S. 117: Variation V | — | ||
| 15-7 | In cor più non mi sento, Theme and variations for two violins and cello, M.S. 117: Variation VI | — | ||
| 15-8 | In cor più non mi sento, Theme and variations for two violins and cello, M.S. 117: Variation VII | — | ||
| 15-9 | In cor più non mi sento, Theme and variations for two violins and cello, M.S. 117: Variation VIII | — | ||
| 15-10 | Three Duets for violin and cello, M.S. 107, Duet no. 1: Allegro | — | ||
| 15-11 | Three Duets for violin and cello, M.S. 107, Duet no. 1: Rondò, Allegretto | — | ||
| 15-12 | Three Duets for violin and cello, M.S. 107, Duet no. 2: Allegro | — | ||
| 15-13 | Three Duets for violin and cello, M.S. 107, Duet no. 2: Rondò, Presto | — | ||
| 15-14 | Three Duets for violin and cello, M.S. 107, Duet no. 3: Allegro | — | ||
| 15-15 | Three Duets for violin and cello, M.S. 107, Duet no. 3: Polonese, Andante con brio | — | ||
| 15-16 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Minuetto | — | ||
| 15-17 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Allesandrina I | — | ||
| 15-18 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Allesandrina II | — | ||
| 15-19 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Allesandrina III | — | ||
| 15-20 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Allesandrina IV | — | ||
| 15-21 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Allesandrina V | — | ||
| 15-22 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Allesandrina VI | — | ||
| 15-23 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Perigordino I | — | ||
| 15-24 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Perigordino II | — | ||
| 15-25 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Valzer I | — | ||
| 15-26 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Valzer II | — | ||
| 15-27 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Valzer III | — | ||
| 15-28 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Valzer IV | — | ||
| 15-29 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Scozzese | — | ||
| 15-30 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Inglese I | — | ||
| 15-31 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Inglese II | — | ||
| 15-32 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Inglese III | — | ||
| 15-33 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Inglese IV | — | ||
| 15-34 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Inglese V | — | ||
| 15-35 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Inglese VI | — | ||
| 15-36 | Divertimenti carnevaleschi for two violins and cello, M.S. 4: Variazioni | — | ||
| 16-1 | Three Duets for Violin and Bassoon, M.S. 130, Duet no. 1: I. Largo - Allegro moderato | — | ||
| 16-2 | Three Duets for Violin and Bassoon, M.S. 130, Duet no. 1: II. Rondò (Allgretto vivo) | — | ||
| 16-3 | Three Duets for Violin and Bassoon, M.S. 130, Duet no. 2: I. Largo - Allegro moderato | — | ||
| 16-4 | Three Duets for Violin and Bassoon, M.S. 130, Duet no. 2: II. Rondò (Allegro moderato) | — | ||
| 16-5 | Three Duets for Violin and Bassoon, M.S. 130, Duet no. 3: I. Allegro con brio poco scherzando - Tempesta | — | ||
| 16-6 | Three Duets for Violin and Bassoon, M.S. 130, Duet no. 3: II. Petite romance, Larghetto | — | ||
| 16-7 | Three Duets for Violin and Bassoon, M.S. 130, Duet no. 3: III. Polacchina, Andantino con grazia | — | ||
| 17-1 | Quattro Notturni a quartetto M.S. 15, Notturno no. 1: I. Adagio | — | ||
| 17-2 | Quattro Notturni a quartetto M.S. 15, Notturno no. 1: II. Allegretto | — | ||
| 17-3 | Quattro Notturni a quartetto M.S. 15, Notturno no. 2: I. Adagio | — | ||
| 17-4 | Quattro Notturni a quartetto M.S. 15, Notturno no. 2: II. Polonse - Andante | — | ||
| 17-5 | Quattro Notturni a quartetto M.S. 15, Notturno no. 3: I. Cantabile - Andante | — | ||
| 17-6 | Quattro Notturni a quartetto M.S. 15, Notturno no. 3: II. Andante - Tempo di Valzer | — | ||
| 17-7 | Quattro Notturni a quartetto M.S. 15, Notturno no. 4: I. Largo - Andante sostenuto | — | ||
| 17-8 | Quattro Notturni a quartetto M.S. 15, Notturno no. 4: II. Andante brillante | — | ||
| 17-9 | Quartet no. 7 in E major, M.S. 34: I. Allegro moderato | — | ||
| 17-10 | Quartet no. 7 in E major, M.S. 34: II. Minuetto, Allegretto | — | ||
| 17-11 | Quartet no. 7 in E major, M.S. 34: III. Adagio cantabile, Sostenuto con passione | — | ||
| 17-12 | Quartet no. 7 in E major, M.S. 34: IV. Rondò, Vivace | — | ||
| 17-13 | Sonata per Rovenefor mandolin and guitar, M.S. 14: I. Arietta, Introduzione - Andante sostenuto | — | ||
| 17-14 | Sonata per Rovenefor mandolin and guitar, M.S. 14: II. Andantino brillane | — | ||
| 17-15 | Serenata for mandolin and guitar, M.S. 16: I. Larghetto | — | ||
| 17-16 | Serenata for mandolin and guitar, M.S. 16: II. Andantino | — | ||
| 17-17 | Minuetto per l'amandorlino, M.S. 106: I. Minuetto | — | ||
| 17-18 | Minuetto per l'amandorlino, M.S. 106: II. Andantino | — | ||
| 17-19 | Minuetto per l'amandorlino, M.S. 106: III. Allegro moderato | — | ||
| 18-1 | Sonata no. 1 in A minor: I. Introduzione - Larghetto, Allegro Maestoso - Tempo di marcia | — | ||
| 18-2 | Sonata no. 1 in A minor: II. Rondoncino - Allegro | — | ||
| 18-3 | Sonata no. 2 in D major: I. Adagio cantabile | — | ||
| 18-4 | Sonata no. 2 in D major: II. Rondoncino - Andantino, Tempo di Polacca | — | ||
| 18-5 | Sonata no. 3 in C major: Introduzione - Prestissimo, Larghetto cantabile | — | ||
| 18-6 | Sonata no. 4 in A major: I. Adagio cantabile | — | ||
| 18-7 | Sonata no. 4 in A major: II. Rondò - Andantino, Allegretto | — | ||
| 18-8 | Sonata no. 5 in E major: I. Allegro assai | — | ||
| 18-9 | Sonata no. 5 in E major: II. Andantino vivace, tre variazioni | — | ||
| 18-10 | Sonata no. 6 in A major: I. Larghetto cantabile | — | ||
| 18-11 | Sonata no. 6 in A major: II. Rondò - Allegro assai | — | ||
| 18-12 | Cantabile in D major, M.S. 109 | — | ||
| 19-1 | Sonata no. 1 in F major: I. Allegro giusto - Buonamente | — | ||
| 19-2 | Sonata no. 1 in F major: II. Polacca - Andantino, Allegretto | — | ||
| 19-3 | Sonata no. 2 in G major: I. Andante cantabile | — | ||
| 19-4 | Sonata no. 2 in G major: II. Rondò - Allegretto | — | ||
| 19-5 | Sonata no. 3 in A major: I. Allegro maestoso - Tempo di marcia | — | ||
| 19-6 | Sonata no. 3 in A major: II. Tema - Andante placido | — | ||
| 19-7 | Sonata no. 3 in A major: III. Variazione I | — | ||
| 19-8 | Sonata no. 3 in A major: IV. Variazione II | — | ||
| 19-9 | Sonata no. 3 in A major: V. Variazione III - Più mosso | — | ||
| 19-10 | Sonata no. 4 in C major: I. Allegro risoluto | — | ||
| 19-11 | Sonata no. 4 in C major: II. Rondò - Andantino vivace (Tempo di Pastorale) | — | ||
| 19-12 | Sonata no. 5 in A minor: I. Cantabile - Andante appassionato, con flessibilita | — | ||
| 19-13 | Sonata no. 5 in A minor: II. Tema - Allegro moderato | — | ||
| 19-14 | Sonata no. 5 in A minor: III. Variazione I | — | ||
| 19-15 | Sonata no. 5 in A minor: IV. Variazione II | — | ||
| 19-16 | Sonata no. 5 in A minor: V. Finale - Tempo di Valz | — | ||
| 19-17 | Sonata no. 6 in D major: I. Andante cantabile | — | ||
| 19-18 | Sonata no. 6 in D major: II. Rondò - Allegretto | — | ||
| 20-1 | Sonata no. 1 in E major: I. Introduzione - Maestoso | — | ||
| 20-2 | Sonata no. 1 in E major: II. Larghetto - Cantabile | — | ||
| 20-3 | Sonata no. 1 in E major: III. Rondò Allegretto - Con brio | — | ||
| 20-4 | Sonata no. 2 in G major: I. Andante Adagetto | — | ||
| 20-5 | Sonata no. 2 in G major: II. Rondò - Allegro molto vivace | — | ||
| 20-6 | Sonata no. 3 in A major: I. Introduzione - Maestoso | — | ||
| 20-7 | Sonata no. 3 in A major: II. Tema - Andante moderato | — | ||
| 20-8 | Sonata no. 3 in A major: III. Variazione I | — | ||
| 20-9 | Sonata no. 3 in A major: IV. Minore (Variazione II) | — | ||
| 20-10 | Sonata no. 3 in A major: V. Maggiore (Variazione III) | — | ||
| 20-11 | Sonata no. 3 in A major: VI. Rondò - Allegretto | — | ||
| 20-12 | Sonata no. 4 in E major: I. Allegro vivace | — | ||
| 20-13 | Sonata no. 4 in E major: II. Minuetto a Valtz - Allegro vivo | — | ||
| 20-14 | Sonata no. 5 in A major: I. introduzione - Andante, Corrente | — | ||
| 20-15 | Sonata no. 5 in A major: II. Andante - Cantabile | — | ||
| 20-16 | Sonata no. 5 in A major: III. Rondò - Allegro vivo | — | ||
| 20-17 | Sonata no. 6 in C major: I. Allegro - Presto | — | ||
| 20-18 | Sonata no. 6 in C major: II. Rondò, Balletto - Allegro vivissimo | — | ||
| 21-1 | Sonatas op. 1, M.S. 9 dedicated to Madama Frassinet: Sonata no. 1 (Amoroso, Andantino) | — | ||
| 21-2 | Sonatas op. 1, M.S. 9 dedicated to Madama Frassinet: Sonata no. 2 (Larghetto, Allegretto) | — | ||
| 21-3 | Sonatas op. 1, M.S. 9 dedicated to Madama Frassinet: Sonata no. 3 (Andante, Allegro) | — | ||
| 21-4 | Sonatas op. 1, M.S. 9 dedicated to Madama Frassinet: Sonata no. 4 (Introduzione, Andantino) | — | ||
| 21-5 | Sonatas op. 1, M.S. 9 dedicated to Madama Frassinet: Sonata no. 5 (Quasi adagio, Polonese - Andantino) | — | ||
| 21-6 | Sonatas op. 1, M.S. 9 dedicated to Madama Frassinet: Sonata no. 6 (Maestoso, Valzer) | — | ||
| 21-7 | Sonatas op. 2, M.S. 10, dedicated to Madama Frassinet: Sonata no. 1 (Larghetto - Allegretto Perigordino con due variazioni) | — | ||
| 21-8 | Sonatas op. 2, M.S. 10, dedicated to Madama Frassinet: Sonata no. 2 (Introduzione, Andante) | — | ||
| 21-9 | Sonatas op. 2, M.S. 10, dedicated to Madama Frassinet: Sonata no. 3 (Cantabile appassionatamente, Andantino scherzando) | — | ||
| 21-10 | Sonatas op. 2, M.S. 10, dedicated to Madama Frassinet: Sonata no. 4 (Quasi adagio amorosamente, Allegro) | — | ||
| 21-11 | Sonatas op. 2, M.S. 10, dedicated to Madama Frassinet: Sonata no. 5 (Introduzione - Adagio assai, Allegretto | — | ||
| 21-12 | Sonatas op. 2, M.S. 10, dedicated to Madama Frassinet: Sonata no. 6 (Adagio con sentimento, Andantino) | — | ||
| 21-13 | Sonatas op. 4, M.S. 11, dedicated to Felice I, Prince of Lucca and Piombino: Sonata no. 1 (Adagio amorosamente, Quasi allegretto) | — | ||
| 21-14 | Sonatas op. 4, M.S. 11, dedicated to Felice I, Prince of Lucca and Piombino: Sonata no. 2 (Adagio espressivo, Andantino innocentemente) | — | ||
| 21-15 | Sonatas op. 4, M.S. 11, dedicated to Felice I, Prince of Lucca and Piombino: Sonata no. 3 (Adagio con zelo, Allegretto con moto) | — | ||
| 22-1 | Sonatas op. 4, M.S. 11, dedicated to Felice I, Prince of Lucca and Piombino: Sonata no. 4 (Adagio con grazia e trasporto, Andantino scherzando) | — | ||
| 22-2 | Sonatas op. 4, M.S. 11, dedicated to Felice I, Prince of Lucca and Piombino: Sonata no. 5 (Adagio con sentimento, Rondò alla Turca - Antantemente) | — | ||
| 22-3 | Sonatas op. 4, M.S. 11, dedicated to Felice I, Prince of Lucca and Piombino: Sonata no. 6 (Adagio appassionatissimamente, Allegretto con piacere) | — | ||
| 22-4 | Sonatas op. 5, M.S. 12, dedicated to Madama T.: Sonata no. 1 (Adagio con passione, Andante smorfiosamente) | — | ||
| 22-5 | Sonatas op. 5, M.S. 12, dedicated to Madama T.: Sonata no. 2 (Adagio con amore, Andante con semplizità) | — | ||
| 22-6 | Sonatas op. 5, M.S. 12, dedicated to Madama T.: Sonata no. 3 (Adagio con anima, Andantino galante) | — | ||
| 22-7 | Sonatas op. 5, M.S. 12, dedicated to Madama T.: Sonata no. 4 (Adagio con sentimento, Corrente con motteggio) | — | ||
| 22-8 | Sonatas op. 5, M.S. 12, dedicated to Madama T.: Sonata no. 5 (Adagio con grazia, Allegro con brio) | — | ||
| 22-9 | Sonatas op. 5, M.S. 12, dedicated to Madama T.: Sonata no. 6 (Adagio con trasporto, Pollonese brillante) | — | ||
| 22-10 | Sonatas op. 6, M.S. 13, dedicated to Principessina Napoleone: Sonata no. 1 (Adagio seducemente, Andantino con grazia) | — | ||
| 22-11 | Sonatas op. 6, M.S. 13, dedicated to Principessina Napoleone: Sonata no. 2 (Adagio maestoso, Allegretto con energia) | — | ||
| 22-12 | Sonatas op. 6, M.S. 13, dedicated to Principessina Napoleone: Sonata no. 3 (Adagio con espressione, Rondò alla napoletana - Andante) | — | ||
| 22-13 | Sonatas op. 6, M.S. 13, dedicated to Principessina Napoleone: Sonata no. 4 (Adagio amorosamente, Allegro con gentilezza) | — | ||
| 22-14 | Sonatas op. 6, M.S. 13, dedicated to Principessina Napoleone: Sonata no. 5 (Adagio con trasporto, Rondò - Andante alla Frassinet) | — | ||
| 22-15 | Sonatas op. 6, M.S. 13, dedicated to Principessina Napoleone: Sonata no. 6 (Adagio con affizione, Valtz galante) | — | ||
| 23-1 | 6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 1: I. Amoroso | — | ||
| 23-2 | 6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 1: II. Andantino | — | ||
| 23-3 | 6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 2: I. Larghetto compassionevolmente | — | ||
| 23-4 | 6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 2: II. Allegretto scherzando | — | ||
| 23-5 | 6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 3: I. Lento e con grazia | — | ||
| 23-6 | 6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 3: II. Andantino brillante | — | ||
| 23-7 | 6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 4: I. Quasi Andante con sentimento | — | ||
| 23-8 | 6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 4: II. Allegro | — | ||
| 23-9 | 6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 5: I. Con anima e trasporto | — | ||
| 23-10 | 6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 5: II. Andantino con brio | — | ||
| 23-11 | 6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 6: I. Quasi Larghetto e con enfasi | — | ||
| 23-12 | 6 Lucca Sonatas op. 3, M.S. 133, Sonata no. 6: II. Andantino motteggiando | — | ||
| 23-13 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 1: I. Allegro | — | ||
| 23-14 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 1: II. Adagio con espressione | — | ||
| 23-15 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 1: III. Allegro con brio | — | ||
| 23-16 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 2: I. Introduzione: Largo - Andante con grazia | — | ||
| 23-17 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 2: II. Andantino Scherzando - Variazione I - Minore - Variazione II | — | ||
| 23-18 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 3: I. Larghetto sentimentalmete | — | ||
| 23-19 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 3: II. Polonese, Andantino brillante | — | ||
| 23-20 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 4: I. Adagio, non tanto | — | ||
| 23-21 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 4: II. Grazioso, Allegretto | — | ||
| 23-22 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 5: I. Adagio affettuoso | — | ||
| 23-23 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 5: II. Andantino corrente - Variazione I - Minore - Variazione II | — | ||
| 23-24 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 6: I. Adagio con amore | — | ||
| 23-25 | 6 Lucca Sonatas op. 8, M.S. 134, Sonata no. 6: II. Polonese, Allegro con energia | — | ||
| 23-26 | Duetto amoroso, M.S. 111: I. Principio, Allegretto | — | ||
| 23-27 | Duetto amoroso, M.S. 111: II. Preghiera, Andante | — | ||
| 23-28 | Duetto amoroso, M.S. 111: III. Acconsentito, Allegretto | — | ||
| 23-29 | Duetto amoroso, M.S. 111: IV. Timidezza, Allegro | — | ||
| 23-30 | Duetto amoroso, M.S. 111: V. Contentezza, Andantino | — | ||
| 23-31 | Duetto amoroso, M.S. 111: VI. Lite, Allegro assai | — | ||
| 23-32 | Duetto amoroso, M.S. 111: VII. Pace, Comodo | — | ||
| 23-33 | Duetto amoroso, M.S. 111: VIII. Segnale d'amore, Allegretto | — | ||
| 23-34 | Duetto amoroso, M.S. 111: IX. Notizia dela partenza, Allegro moderato | — | ||
| 23-35 | Duetto amoroso, M.S. 111: X. Distacco, Allegro | — | ||
| 24-1 | Entrata d'Adone nella reggia di Venere, M.S. 8 | — | ||
| 24-2 | 6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 1 in A major: I. Minuetto - Adagio | — | ||
| 24-3 | 6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 1 in A major: II. Polonese - Quasi allegro | — | ||
| 24-4 | 6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 2 in C major: I. Adagio - Maestoso | — | ||
| 24-5 | 6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 2 in C major: II. Andantino - Galantemente | — | ||
| 24-6 | 6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 3 in D minor: I. Adagio - Maestoso | — | ||
| 24-7 | 6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 3 in D minor: II. Andantino - Galantemente | — | ||
| 24-8 | 6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 4 in A major: I. La Sinagoga - Andante calcando | — | ||
| 24-9 | 6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 4 in A major: II. Andantino con brio | — | ||
| 24-10 | 6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 5 in D major: I. Andante - Moderato impostatamente | — | ||
| 24-11 | 6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 5 in D major: II: Allegro spiritoso | — | ||
| 24-12 | 6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 6 in A minor: I. Largo, con precisione | — | ||
| 24-13 | 6 Sonatas op. 2 (op. 9), M.S. 26, Sonata no. 6 in A minor: II. Tempo di Valtz | — | ||
| 24-14 | 6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 1 in A major: I. Larghetto | — | ||
| 24-15 | 6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 1 in A major: II. Presto, Variato | — | ||
| 24-16 | 6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 2 in G major: I. Adagio | — | ||
| 24-17 | 6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 2 in G major: II. Andantino scherzoso | — | ||
| 24-18 | 6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 3 in D major: I. Andante sostenuto | — | ||
| 24-19 | 6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 3 in D major: II. Rondò - Molto allegro | — | ||
| 24-20 | 6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 4 in A minor: I. Andante - Largo | — | ||
| 24-21 | 6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 4 in A minor: II. Allegretto - Motteggiando | — | ||
| 24-22 | 6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 5 in A major: I. Adagio amoroso | — | ||
| 24-23 | 6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 5 in A major: II. Allegretto - Energicamente | — | ||
| 24-24 | 6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 6 in E minor: I. Andante - Innocentemente | — | ||
| 24-25 | 6 Sonatas op. 3 (op. 10), M.S. 27, Sonata no. 6 in E minor: II. Allegro vivo e spiritoso | — | ||
| 24-26 | Allegro vivace a movimento perpetuo, M.S. 72 | — | ||
| 25-1 | Sonata concertata, M.S. 2 for Guitar and Violin: I. Allegro spiritoso | — | ||
| 25-2 | Sonata concertata, M.S. 2 for Guitar and Violin: II. Adagio, assai espressivo | — | ||
| 25-3 | Sonata concertata, M.S. 2 for Guitar and Violin: III. Allegretto con brio, scherzando | — | ||
| 25-4 | Cantabile e Valtz, M.S. 45 | — | ||
| 25-5 | Variations on Barucabà, M.S. 71: Group 1 - Tema | — | ||
| 25-6 | Variations on Barucabà, M.S. 71: Group 1 - Variation 1 | — | ||
| 25-7 | Variations on Barucabà, M.S. 71: Group 1 - Variation 2 | — | ||
| 25-8 | Variations on Barucabà, M.S. 71: Group 1 - Variation 3 | — | ||
| 25-9 | Variations on Barucabà, M.S. 71: Group 1 - Variation 4 | — | ||
| 25-10 | Variations on Barucabà, M.S. 71: Group 1 - Variation 5 | — | ||
| 25-11 | Variations on Barucabà, M.S. 71: Group 1 - Variation 6 | — | ||
| 25-12 | Variations on Barucabà, M.S. 71: Group 1 - Variation 7 | — | ||
| 25-13 | Variations on Barucabà, M.S. 71: Group 1 - Variation 8 | — | ||
| 25-14 | Variations on Barucabà, M.S. 71: Group 1 - Variation 9 | — | ||
| 25-15 | Variations on Barucabà, M.S. 71: Group 1 - Variation 10 | — | ||
| 25-16 | Variations on Barucabà, M.S. 71: Group 1 - Variation 11 | — | ||
| 25-17 | Variations on Barucabà, M.S. 71: Group 1 - Variation 12 | — | ||
| 25-18 | Variations on Barucabà, M.S. 71: Group 1 - Variation 13 | — | ||
| 25-19 | Variations on Barucabà, M.S. 71: Group 1 - Variation 14 | — | ||
| 25-20 | Variations on Barucabà, M.S. 71: Group 1 - Variation 15 | — | ||
| 25-21 | Variations on Barucabà, M.S. 71: Group 1 - Variation 16 | — | ||
| 25-22 | Variations on Barucabà, M.S. 71: Group 1 - Variation 17 | — | ||
| 25-23 | Variations on Barucabà, M.S. 71: Group 1 - Variation 18 | — | ||
| 25-24 | Variations on Barucabà, M.S. 71: Group 1 - Variation 19 | — | ||
| 25-25 | Variations on Barucabà, M.S. 71: Group 1 - Variation 20 | — | ||
| 25-26 | Variations on Barucabà, M.S. 71: Group 2 - Tema | — | ||
| 25-27 | Variations on Barucabà, M.S. 71: Group 2 - Variation 1 | — | ||
| 25-28 | Variations on Barucabà, M.S. 71: Group 2 - Variation 2 | — | ||
| 25-29 | Variations on Barucabà, M.S. 71: Group 2 - Variation 3 | — | ||
| 25-30 | Variations on Barucabà, M.S. 71: Group 2 - Variation 4 | — | ||
| 25-31 | Variations on Barucabà, M.S. 71: Group 2 - Variation 5 | — | ||
| 25-32 | Variations on Barucabà, M.S. 71: Group 2 - Variation 6 | — | ||
| 25-33 | Variations on Barucabà, M.S. 71: Group 2 - Variation 7 | — | ||
| 25-34 | Variations on Barucabà, M.S. 71: Group 2 - Variation 8 | — | ||
| 25-35 | Variations on Barucabà, M.S. 71: Group 2 - Variation 9 | — | ||
| 25-36 | Variations on Barucabà, M.S. 71: Group 2 - Variation 10 | — | ||
| 25-37 | Variations on Barucabà, M.S. 71: Group 2 - Variation 11 | — | ||
| 25-38 | Variations on Barucabà, M.S. 71: Group 2 - Variation 12 | — | ||
| 25-39 | Variations on Barucabà, M.S. 71: Group 2 - Variation 13 | — | ||
| 25-40 | Variations on Barucabà, M.S. 71: Group 2 - Variation 14 | — | ||
| 25-41 | Variations on Barucabà, M.S. 71: Group 2 - Variation 15 | — | ||
| 25-42 | Variations on Barucabà, M.S. 71: Group 2 - Variation 16 | — | ||
| 25-43 | Variations on Barucabà, M.S. 71: Group 2 - Variation 17 | — | ||
| 25-44 | Variations on Barucabà, M.S. 71: Group 2 - Variation 18 | — | ||
| 25-45 | Variations on Barucabà, M.S. 71: Group 2 - Variation 19 | — | ||
| 25-46 | Variations on Barucabà, M.S. 71: Group 2 - Variation 20 | — | ||
| 25-47 | Variations on Barucabà, M.S. 71: Group 3 - Tema | — | ||
| 25-48 | Variations on Barucabà, M.S. 71: Group 3 - Variation 1 | — | ||
| 25-49 | Variations on Barucabà, M.S. 71: Group 3 - Variation 2 | — | ||
| 25-50 | Variations on Barucabà, M.S. 71: Group 3 - Variation 3 | — | ||
| 25-51 | Variations on Barucabà, M.S. 71: Group 3 - Variation 4 | — | ||
| 25-52 | Variations on Barucabà, M.S. 71: Group 3 - Variation 5 | — | ||
| 25-53 | Variations on Barucabà, M.S. 71: Group 3 - Variation 6 | — | ||
| 25-54 | Variations on Barucabà, M.S. 71: Group 3 - Variation 7 | — | ||
| 25-55 | Variations on Barucabà, M.S. 71: Group 3 - Variation 8 | — | ||
| 25-56 | Variations on Barucabà, M.S. 71: Group 3 - Variation 9 | — | ||
| 25-57 | Variations on Barucabà, M.S. 71: Group 3 - Variation 10 | — | ||
| 25-58 | Variations on Barucabà, M.S. 71: Group 3 - Variation 11 | — | ||
| 25-59 | Variations on Barucabà, M.S. 71: Group 3 - Variation 12 | — | ||
| 25-60 | Variations on Barucabà, M.S. 71: Group 3 - Variation 13 | — | ||
| 25-61 | Variations on Barucabà, M.S. 71: Group 3 - Variation 14 | — | ||
| 25-62 | Variations on Barucabà, M.S. 71: Group 3 - Variation 15 | — | ||
| 25-63 | Variations on Barucabà, M.S. 71: Group 3 - Variation 16 | — | ||
| 25-64 | Variations on Barucabà, M.S. 71: Group 3 - Variation 17 | — | ||
| 25-65 | Variations on Barucabà, M.S. 71: Group 3 - Variation 18 | — | ||
| 25-66 | Variations on Barucabà, M.S. 71: Group 3 - Variation 19 | — | ||
| 25-67 | Variations on Barucabà, M.S. 71: Group 3 - Variation 20 | — | ||
| 26-1 | Six Duets, M.S. 110, Duet no. 1: I. Amoroso espressivo | — | ||
| 26-2 | Six Duets, M.S. 110, Duet no. 1: II. Andantino scherzando | — | ||
| 26-3 | Six Duets, M.S. 110, Duet no. 2: I. Cantabile con anima | — | ||
| 26-4 | Six Duets, M.S. 110, Duet no. 2: II. Rondò brillante | — | ||
| 26-5 | Six Duets, M.S. 110, Duet no. 3: I. Romance - Larghetto amabile | — | ||
| 26-6 | Six Duets, M.S. 110, Duet no. 3: II. Polacca - Mosso | — | ||
| 26-7 | Six Duets, M.S. 110, Duet no. 4: I. Placidamente con grazia | — | ||
| 26-8 | Six Duets, M.S. 110, Duet no. 4: II. Andantino trescando | — | ||
| 26-9 | Six Duets, M.S. 110, Duet no. 5: I. Andante sostenuto con aspirazione | — | ||
| 26-10 | Six Duets, M.S. 110, Duet no. 5: II. Allegro spiritoso con energia | — | ||
| 26-11 | Six Duets, M.S. 110, Duet no. 6: I. Cantabile pacificamente | — | ||
| 26-12 | Six Duets, M.S. 110, Duet no. 6: II. Buonamente - Rondò quasi allegro | — | ||
| 26-13 | Carmagnola with variations, M.S. 1: Largo - Allegro | — | ||
| 26-14 | Carmagnola with variations, M.S. 1: Variation 1 | — | ||
| 26-15 | Carmagnola with variations, M.S. 1: Variation 2 | — | ||
| 26-16 | Carmagnola with variations, M.S. 1: Variation 3 | — | ||
| 26-17 | Carmagnola with variations, M.S. 1: Variation 4 | — | ||
| 26-18 | Carmagnola with variations, M.S. 1: Variation 5 | — | ||
| 26-19 | Carmagnola with variations, M.S. 1: Variation 6 | — | ||
| 26-20 | Carmagnola with variations, M.S. 1: Variation 7 | — | ||
| 26-21 | Carmagnola with variations, M.S. 1: Variation 8 | — | ||
| 26-22 | Carmagnola with variations, M.S. 1: Variation 9 | — | ||
| 26-23 | Carmagnola with variations, M.S. 1: Variation 10 | — | ||
| 26-24 | Carmagnola with variations, M.S. 1: Variation 11 | — | ||
| 26-25 | Carmagnola with variations, M.S. 1: Variation 12 | — | ||
| 26-26 | Carmagnola with variations, M.S. 1: Variation 13 | — | ||
| 26-27 | Carmagnola with variations, M.S. 1: Variation 14 | — | ||
| 26-28 | Grand Sonata for guitar and violin, M.S. 3: I. Allegro risoluto | — | ||
| 26-29 | Grand Sonata for guitar and violin, M.S. 3: II. Romance - Più tosto largo - Amorosamente | — | ||
| 26-30 | Grand Sonata for guitar and violin, M.S. 3: III. Andantino variato - Scherzando | — | ||
| 27-1 | 24 Capricci op. 1, M.S. 25, Capriccio no. 1 in E major - Andante | — | ||
| 27-2 | 24 Capricci op. 1, M.S. 25, Capriccio no. 2 in B minor - Moderato | — | ||
| 27-3 | 24 Capricci op. 1, M.S. 25, Capriccio no. 3 in E minor - Sostenuto, Presto | — | ||
| 27-4 | 24 Capricci op. 1, M.S. 25, Capriccio no. 4 in C minor - Maestoso | — | ||
| 27-5 | 24 Capricci op. 1, M.S. 25, Capriccio no. 5 in A minor - Agitato | — | ||
| 27-6 | 24 Capricci op. 1, M.S. 25, Capriccio no. 6 in G minor - Adagio | — | ||
| 27-7 | 24 Capricci op. 1, M.S. 25, Capriccio no. 7 in A minor - Posato | — | ||
| 27-8 | 24 Capricci op. 1, M.S. 25, Capriccio no. 8 in E-flat major - Maestoso | — | ||
| 27-9 | 24 Capricci op. 1, M.S. 25, Capriccio no. 9 in E major - Allegretto | — | ||
| 27-10 | 24 Capricci op. 1, M.S. 25, Capriccio no. 10 in C major - Vivace | — | ||
| 27-11 | 24 Capricci op. 1, M.S. 25, Capriccio no. 11 in C major - Andante, Presto | — | ||
| 27-12 | 24 Capricci op. 1, M.S. 25, Capriccio no. 12 in A-flat major - Allegro | — | ||
| 27-13 | 24 Capricci op. 1, M.S. 25, Capriccio no. 13 in B-flat major - Moderato | — | ||
| 27-14 | 24 Capricci op. 1, M.S. 25, Capriccio no. 14 in E-flat major - Moderato | — | ||
| 27-15 | 24 Capricci op. 1, M.S. 25, Capriccio no. 15 in E minor - Posato | — | ||
| 27-16 | 24 Capricci op. 1, M.S. 25, Capriccio no. 16 in G minor - Presto | — | ||
| 27-17 | 24 Capricci op. 1, M.S. 25, Capriccio no. 17 in E-flat major - Sostenuto, Andante | — | ||
| 27-18 | 24 Capricci op. 1, M.S. 25, Capriccio no. 18 in C major - Corrente, Allegro | — | ||
| 27-19 | 24 Capricci op. 1, M.S. 25, Capriccio no. 19 in E-flat major - Lento, Allegro assai | — | ||
| 27-20 | 24 Capricci op. 1, M.S. 25, Capriccio no. 20 in D major - Allegretto | — | ||
| 27-21 | 24 Capricci op. 1, M.S. 25, Capriccio no. 21 in A major - Amoroso, Presto | — | ||
| 27-22 | 24 Capricci op. 1, M.S. 25, Capriccio no. 22 in F major - Marcato | — | ||
| 27-23 | 24 Capricci op. 1, M.S. 25, Capriccio no. 23 in E-flat major - Posato | — | ||
| 27-24 | 24 Capricci op. 1, M.S. 25, Capriccio no. 24 in A minor - Tema, Quasi Presto | — | ||
| 28-1 | Sonata a violino solo, M.S. 83: Without tempo indication | — | ||
| 28-2 | Sonata a violino solo, M.S. 83: Adagio non tanto | — | ||
| 28-3 | Sonata a violino solo, M.S. 83: Polonaise with variations | — | ||
| 28-4 | Sonata a violino solo, M.S. 83: Variation I | — | ||
| 28-5 | Sonata a violino solo, M.S. 83: Variation II | — | ||
| 28-6 | Sonata a violino solo, M.S. 83: Variation III | — | ||
| 28-7 | Sonata a violino solo, M.S. 83: Variation IV | — | ||
| 28-8 | Sonata a violino solo, M.S. 83: Variation V | — | ||
| 28-9 | Sonata a violino solo, M.S. 83: Variation VI | — | ||
| 28-10 | Sonata a violino solo, M.S. 83: Variation VII | — | ||
| 28-11 | Caprice d'adieu, M.S. 68: Allegro moderato | — | ||
| 28-12 | Capriccio a violino solo "Nel cor più non mi sento", M.S. 44: Capriccio ad Lib. - Tema | — | ||
| 28-13 | Capriccio a violino solo "Nel cor più non mi sento", M.S. 44: Variation I | — | ||
| 28-14 | Capriccio a violino solo "Nel cor più non mi sento", M.S. 44: Variation II | — | ||
| 28-15 | Capriccio a violino solo "Nel cor più non mi sento", M.S. 44: Variation III | — | ||
| 28-16 | Capriccio a violino solo "Nel cor più non mi sento", M.S. 44: Variation IV | — | ||
| 28-17 | Capriccio a violino solo "Nel cor più non mi sento", M.S. 44: Variation V | — | ||
| 28-18 | Capriccio a violino solo "Nel cor più non mi sento", M.S. 44: Variation VI | — | ||
| 28-19 | Capriccio a violino solo "Nel cor più non mi sento", M.S. 44: Variation VII | — | ||
| 28-20 | God Save the King per violino solo, M.S. 56: Tema - Andante sostenuto | — | ||
| 28-21 | God Save the King per violino solo, M.S. 56: Variation I | — | ||
| 28-22 | God Save the King per violino solo, M.S. 56: Variation II | — | ||
| 28-23 | God Save the King per violino solo, M.S. 56: Variation III | — | ||
| 28-24 | God Save the King per violino solo, M.S. 56: Variation IV | — | ||
| 28-25 | Inno patriottico per violino, M.S. 81: Tema - Allegro | — | ||
| 28-26 | Inno patriottico per violino, M.S. 81: Variation I | — | ||
| 28-27 | Inno patriottico per violino, M.S. 81: Variation II | — | ||
| 28-28 | Inno patriottico per violino, M.S. 81: Variation III | — | ||
| 28-29 | Inno patriottico per violino, M.S. 81: Variation IV | — | ||
| 28-30 | Inno patriottico per violino, M.S. 81: Variation V | — | ||
| 28-31 | Inno patriottico per violino, M.S. 81: Variation VI | — | ||
| 28-32 | Sonata a violino solo, M.S. 6: I. Adagio | — | ||
| 28-33 | Sonata a violino solo, M.S. 6: II. Allegro molto | — | ||
| 28-34 | Tema variato per violino, M.S. 82: Tema | — | ||
| 28-35 | Tema variato per violino, M.S. 82: Variation I | — | ||
| 28-36 | Tema variato per violino, M.S. 82: Variation II | — | ||
| 28-37 | Tema variato per violino, M.S. 82: Variation III | — | ||
| 28-38 | Tema variato per violino, M.S. 82: Variation IV | — | ||
| 28-39 | Tema variato per violino, M.S. 82: Variation V | — | ||
| 28-40 | Tema variato per violino, M.S. 82: Variation VI | — | ||
| 28-41 | Tema variato per violino, M.S. 82: Variation VII | — | ||
| 29-1 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 1: I. Minuetto | — | ||
| 29-2 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 1: II. Andantino | — | ||
| 29-3 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 2: I. (Minuetto) | — | ||
| 29-4 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 2: II. Allegretto ossia Rondoncino | — | ||
| 29-5 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 3: I. (Minuetto) | — | ||
| 29-6 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 3: II. Valtz | — | ||
| 29-7 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 4: I. (Minuetto) | — | ||
| 29-8 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 4: II. Rondoncino | — | ||
| 29-9 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 5: I. Minuetto | — | ||
| 29-10 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 5: II. Andantino | — | ||
| 29-11 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 6: I. Minuetto | — | ||
| 29-12 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 6: II. Allegretto | — | ||
| 29-13 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 7: I. Minuetto | — | ||
| 29-14 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 7: II. Valtz | — | ||
| 29-15 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 8: I. Minuetto | — | ||
| 29-16 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 8: II. Allegretto scherzando | — | ||
| 29-17 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 9: I. Minuetto | — | ||
| 29-18 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 9: II. Valtz | — | ||
| 29-19 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 10: I. Minuetto | — | ||
| 29-20 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 10: II. Valtz | — | ||
| 29-21 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 11: Minuetto | — | ||
| 29-22 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 12: I. (Minuetto) | — | ||
| 29-23 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 12: II. Allegretto | — | ||
| 29-24 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 13: I. Minuetto | — | ||
| 29-25 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 13: II. Andantino | — | ||
| 29-26 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 14: I. Minuetto, Valtz | — | ||
| 29-27 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 14: II. Allegretto | — | ||
| 29-28 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 15: I. Minuetto, Perigordino | — | ||
| 29-29 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 15: II. Allegretto | — | ||
| 29-30 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 16: I. Minuetto | — | ||
| 29-31 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 16: II. Allegretto | — | ||
| 30-1 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 17: I. Minuetto | — | ||
| 30-2 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 17: II. Perigordino | — | ||
| 30-3 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 18: I. (Minuetto) | — | ||
| 30-4 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 18: II. Allegretto | — | ||
| 30-5 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 19: I. Minuetto | — | ||
| 30-6 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 19: II. Allegretto | — | ||
| 30-7 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 20: I. (Minuetto) | — | ||
| 30-8 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 20: II. Valtz | — | ||
| 30-9 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 21: I. Minuetto | — | ||
| 30-10 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 21: II. Valtz | — | ||
| 30-11 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 22: I. Minuetto | — | ||
| 30-12 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 22: II. Andantino | — | ||
| 30-13 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 23: I. Minuetto detto il Matto | — | ||
| 30-14 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 23: II. Allegretto | — | ||
| 30-15 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 23: III. Allegretto | — | ||
| 30-16 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 24: I. Minuetto | — | ||
| 30-17 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 24: II: Andantino | — | ||
| 30-18 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 25: I. Minuetto | — | ||
| 30-19 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 25: II. Valtz | — | ||
| 30-20 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 26: I. Minuetto per la Signora Marina | — | ||
| 30-21 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 26: II: Allegretto | — | ||
| 30-22 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 27: I. Minuetto per la Signora Marina | — | ||
| 30-23 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 27: II: Valtz | — | ||
| 30-24 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 28: I. Minuetto | — | ||
| 30-25 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 28: II: Allegretto | — | ||
| 30-26 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 29: I: Minuetto | — | ||
| 30-27 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 29: II. Andantino | — | ||
| 30-28 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 30: I. Minuetto | — | ||
| 30-29 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 30: II. Allegro | — | ||
| 30-30 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 31: I. Minuetto - Rondoncino | — | ||
| 30-31 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 31: II. Valtz | — | ||
| 30-32 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 32: I. Minuetto | — | ||
| 30-33 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 32: II. Valtz | — | ||
| 30-34 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 33: I. Minuetto | — | ||
| 30-35 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 33: II. Andantino | — | ||
| 30-36 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 34: Minuetto | — | ||
| 30-37 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 35: (Minuetto) | — | ||
| 30-38 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 36: Minuetto | — | ||
| 30-39 | The 37 Guitar Sonatas, M.S. 84, Sonata no. 37: Minuetto | — | ||
| 31-1 | Cinque Sonatine, M.S. 85, Sonatina no. 1: Allegro | Guido Fichtner | — | |
| 31-2 | Cinque Sonatine, M.S. 85, Sonatina no. 2: I. Marcia | Guido Fichtner | — | |
| 31-3 | Cinque Sonatine, M.S. 85, Sonatina no. 2: II. Passo doppio (Corrente con Trio) | Guido Fichtner | — | |
| 31-4 | Cinque Sonatine, M.S. 85, Sonatina no. 3: Andante | Guido Fichtner | — | |
| 31-5 | Cinque Sonatine, M.S. 85, Sonatina no. 4: (Allegro) | Guido Fichtner | — | |
| 31-6 | Cinque Sonatine, M.S. 85, Sonatina no. 5: I. (Allegro) | Guido Fichtner | — | |
| 31-7 | Cinque Sonatine, M.S. 85, Sonatina no. 5: II. Allegretto | Guido Fichtner | — | |
| 31-8 | Allegretto, M.S. 86 | Guido Fichtner | — | |
| 31-9 | Sonata, M.S. 87: I. Minuetto | Guido Fichtner | — | |
| 31-10 | Sonata, M.S. 87: II. Rondò, Allegro | Guido Fichtner | — | |
| 31-11 | Andantino, M.S. 88 | Guido Fichtner | — | |
| 31-12 | Andantino, M.S. 89 | Guido Fichtner | — | |
| 31-13 | Allegretto, M.S. 90 | Guido Fichtner | — | |
| 31-14 | Allegretto, M.S. 91 | Guido Fichtner | — | |
| 31-15 | Valtz, M.S. 92 | Guido Fichtner | — | |
| 31-16 | Rondoncino, M.S. 94 | Guido Fichtner | — | |
| 31-17 | Valtz, M.S. 96 | Guido Fichtner | — | |
| 31-18 | Andantino, M.S. 97 | Guido Fichtner | — | |
| 31-19 | Andantino, M.S. 99 | Guido Fichtner | — | |
| 31-20 | Valtz e Trio, M.S. 100/101 | Guido Fichtner | — | |
| 31-21 | Andantino, M.S. 102 | Guido Fichtner | — | |
| 31-22 | Marcia, M.S. 103 | Guido Fichtner | — | |
| 31-23 | Minuetto e Perigordino, M.S. 104: I. Minuetto | Guido Fichtner | — | |
| 31-24 | Minuetto e Perigordino, M.S. 104: II. Perigordino | Guido Fichtner | — | |
| 31-25 | Marziale, M.S. 105 | Guido Fichtner | — | |
| 31-26 | Sinfonia della Lodovisca, M.S. 98 | Guido Fichtner | — | |
| 32-1 | Ghiribizzi, M.S. 43: Allegretto in A major | — | ||
| 32-2 | Ghiribizzi, M.S. 43: Andantino in C major | — | ||
| 32-3 | Ghiribizzi, M.S. 43: Valtz in C major | — | ||
| 32-4 | Ghiribizzi, M.S. 43: Allegretto in A major | — | ||
| 32-5 | Ghiribizzi, M.S. 43: Moderato in D major | — | ||
| 32-6 | Ghiribizzi, M.S. 43: Andantino in G major | — | ||
| 32-7 | Ghiribizzi, M.S. 43: Valtz in E major | — | ||
| 32-8 | Ghiribizzi, M.S. 43: Andante in C major | — | ||
| 32-9 | Ghiribizzi, M.S. 43: Andantino in C major | — | ||
| 32-10 | Ghiribizzi, M.S. 43: (Allegretto) in C major | — | ||
| 32-11 | Ghiribizzi, M.S. 43: Allegretto in A major | — | ||
| 32-12 | Ghiribizzi, M.S. 43: Andante in C major | — | ||
| 32-13 | Ghiribizzi, M.S. 43: Allegro in C major | — | ||
| 32-14 | Ghiribizzi, M.S. 43: (Allegro assai) in C major | — | ||
| 32-15 | Ghiribizzi, M.S. 43: Allegro in G major | — | ||
| 32-16 | Ghiribizzi, M.S. 43: In cor più non mi sento - Larghetto in G major | — | ||
| 32-17 | Ghiribizzi, M.S. 43: Le Streghe - Andantino in D major | — | ||
| 32-18 | Ghiribizzi, M.S. 43: Andantino in D minor | — | ||
| 32-19 | Ghiribizzi, M.S. 43: Corrente in G major | — | ||
| 32-20 | Ghiribizzi, M.S. 43: Là ci darem la mano - Andante in C major | — | ||
| 32-21 | Ghiribizzi, M.S. 43: (Allegretto) in A major | — | ||
| 32-22 | Ghiribizzi, M.S. 43: Larghetto in A major | — | ||
| 32-23 | Ghiribizzi, M.S. 43: (Allegro) in A major | — | ||
| 32-24 | Ghiribizzi, M.S. 43: Andante in A major | — | ||
| 32-25 | Ghiribizzi, M.S. 43: Andante in C major | — | ||
| 32-26 | Ghiribizzi, M.S. 43: Arietta in D major | — | ||
| 32-27 | Ghiribizzi, M.S. 43: Andantino in D major | — | ||
| 32-28 | Ghiribizzi, M.S. 43: (Valtz) in D major | — | ||
| 32-29 | Ghiribizzi, M.S. 43: Marcia in D major | — | ||
| 32-30 | Ghiribizzi, M.S. 43: Allegretto in D major | — | ||
| 32-31 | Ghiribizzi, M.S. 43: Minuetto - Andante in A major | — | ||
| 32-32 | Ghiribizzi, M.S. 43: Allegretto in A major | — | ||
| 32-33 | Ghiribizzi, M.S. 43: Allegretto in A major | — | ||
| 32-34 | Ghiribizzi, M.S. 43: Valtz in A major | — | ||
| 32-35 | Ghiribizzi, M.S. 43: Valtz in D major | — | ||
| 32-36 | Ghiribizzi, M.S. 43: (Allegretto) in C major | — | ||
| 32-37 | Ghiribizzi, M.S. 43: Adagetto con espressione - Rossini-Paganini in A major | — | ||
| 32-38 | Ghiribizzi, M.S. 43: Vivace in A major | — | ||
| 32-39 | Ghiribizzi, M.S. 43: Allegretto in D major | — | ||
| 32-40 | Ghiribizzi, M.S. 43: Andante in A major | — | ||
| 32-41 | Ghiribizzi, M.S. 43: Allegro in C major | — | ||
| 32-42 | Ghiribizzi, M.S. 43: Valtz in E major | — | ||
| 32-43 | Ghiribizzi, M.S. 43: (Andantino) in A minor | — | ||
| 33-1 | 6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Sonatina no. 1, M.S. 124: I. Andante cantabile | Niccolò Paganini | — | |
| 33-2 | 6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Sonatina no. 1, M.S. 124: II. Valtz. Andantino | Niccolò Paganini | — | |
| 33-3 | 6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Sonatina no. 2, M.S. 125: I. Minuetto cantabile - Andante un poco sostenuto | Niccolò Paganini | — | |
| 33-4 | 6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Sonatina no. 2, M.S. 125: II. Valtz. Andantino | Niccolò Paganini | — | |
| 33-5 | 6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Cantabile a Minuetto e Valtz no. 3, M.S. 126: I. Andante sostenuto | Niccolò Paganini | — | |
| 33-6 | 6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Cantabile a Minuetto e Valtz no. 3, M.S. 126: II. Valtz. Andantino | Niccolò Paganini | — | |
| 33-7 | 6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Cantabile e Valtz no. 4, M.S. 127: I. Andante moderato | Niccolò Paganini | — | |
| 33-8 | 6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Cantabile e Valtz no. 4, M.S. 127: II. Valtz. Andantino | Niccolò Paganini | — | |
| 33-9 | 6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Cantabile e Valtz no. 5, M.S. 128: I. Andante sostenuto | Niccolò Paganini | — | |
| 33-10 | 6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Cantabile e Valtz no. 5, M.S. 128: II. Valtz. Andantino | Niccolò Paganini | — | |
| 33-11 | 6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Cantabile e Valtz no. 6, M.S. 129: I. Andante | Niccolò Paganini | — | |
| 33-12 | 6 Sonatinas for violin and guitar dedicated to Camillo Sivori, Cantabile e Valtz no. 6, M.S. 129: II. Valtz. Andantino | Niccolò Paganini | — | |
| 33-13 | Sonata with Variations for violin, viola, cello and guitar, M.S. 132: Introduzione | Stefano delle Donne, Damiano Puliti, Adriano Sebastiani, Marco Seieli | — | |
| 33-14 | Sonata with Variations for violin, viola, cello and guitar, M.S. 132: Tema. Andantino | Stefano delle Donne, Damiano Puliti, Adriano Sebastiani, Marco Seieli | — | |
| 33-15 | Sonata with Variations for violin, viola, cello and guitar, M.S. 132: Variazione no. 1 | Stefano delle Donne, Damiano Puliti, Adriano Sebastiani, Marco Seieli | — | |
| 33-16 | Sonata with Variations for violin, viola, cello and guitar, M.S. 132: Variazione no. 2 | Stefano delle Donne, Damiano Puliti, Adriano Sebastiani, Marco Seieli | — | |
| 33-17 | Sonata with Variations for violin, viola, cello and guitar, M.S. 132: Variazione no. 3 | Stefano delle Donne, Damiano Puliti, Adriano Sebastiani, Marco Seieli | — | |
| 33-18 | 4 Studies for solo violin: Studio no. 1 | Niccolò Paganini | — | |
| 33-19 | 4 Studies for solo violin: Studio no. 2 | Niccolò Paganini | — | |
| 33-20 | 4 Studies for solo violin: Studio no. 3 | Niccolò Paganini | — | |
| 33-21 | 4 Studies for solo violin: Studio no. 4 | Niccolò Paganini | — | |
| 34-1 | Sonata a Preghiera, M.S. 23: Maestoso - Recitativo - Allegro molto - Preghiera - Tema e Variazioni | Luca Ballerini, Luca Fanfoni | — | |
| 34-2 | Three Ritornelli for two violins and cello, M.S. 113: Allegro | Daniele Fanfoni, Luca Fanfoni, Luca Simoncini | — | |
| 34-3 | Three Ritornelli for two violins and cello, M.S. 113: Allegro | Daniele Fanfoni, Luca Fanfoni, Luca Simoncini | — | |
| 34-4 | Three Ritornelli for two violins and cello, M.S. 113: Allegro assai | Daniele Fanfoni, Luca Fanfoni, Luca Simoncini | — | |
| 34-5 | Six Preludes for solo violin, no. 1 | Luca Fanfoni | — | |
| 34-6 | Six Preludes for solo violin, no. 2 | Luca Fanfoni | — | |
| 34-7 | Six Preludes for solo violin, no. 3 | Luca Fanfoni | — | |
| 34-8 | Six Preludes for solo violin, no. 4 | Luca Fanfoni | — | |
| 34-9 | Six Preludes for solo violin, no. 5 | Luca Fanfoni | — | |
| 34-10 | Six Preludes for solo violin, no. 6 | Luca Fanfoni | — | |
| 34-11 | Rondò for violin and cello, M.S. 63 | Luca Fanfoni, Luca Simoncini | — | |
| 34-12 | Capriccio (Andante) for solo violin, M.S. 54 | Luca Fanfoni | — | |
| 34-13 | Grande Concerto in E minor, M.S. 75: I. Risoluto | Luca Fanfoni, Fabrizio Giudice | — | |
| 34-14 | Grande Concerto in E minor, M.S. 75: II. Adagio | Luca Fanfoni, Fabrizio Giudice | — | |
| 34-15 | Grande Concerto in E minor, M.S. 75: III. Rondò ossia Polonese | Luca Fanfoni, Fabrizio Giudice | — | |
| 35-1 | Ghiribizzo vocale, M.S. 120 | Lucia Cortese, Fabrizio Giudice, Bin Huang | — | |
| 35-2 | Sul margine d'un rio, M.S. 119 | Lucia Cortese, Fabio Macelloni | — | |
| 35-3 | È pur amabile, M.S. 53 | Lucia Cortese, Fabio Macelloni | — | |
| 35-4 | Chant Patriorique, M.S. 62 | Choir of the Vocal Technique class of the Paganini Conservatory of Genua, Fabio Macelloni | — | |
| 35-5 | Guitar Sonata, M.S. 84 | Fabrizio Giudice | — | |
| 35-6 | Valtz, M.S. 80 | Bin Huang | — | |
| 35-7 | Canzonetta, M.S. 121 | Fabrizio Giudice, Bin Huang | — | |
| 35-8 | Duet for Violin and Guitar, M.S. 122 | Nicholas Goluses, Bin Huang | — | |
| 36-1 | Cappriccio no. 1 in E major - Andante | — | ||
| 36-2 | Cappriccio no. 2 in B minor - Moderato | — | ||
| 36-3 | Cappriccio no. 3 in E minor - Sostenuto, Presto | — | ||
| 36-4 | Cappriccio no. 4 in C minor - Maestoto | — | ||
| 36-5 | Cappriccio no. 5 in A minor - Agitato | — | ||
| 36-6 | Cappriccio no. 6 in G minor - Adagio | — | ||
| 36-7 | Cappriccio no. 7 in A minor - Posato | — | ||
| 36-8 | Cappriccio no. 8 in E-flat major - Maestoso | — | ||
| 36-9 | Cappriccio no. 9 in E major - Allegretto | — | ||
| 36-10 | Cappriccio no. 10 in G minor - Vivace | — | ||
| 36-11 | Cappriccio no. 11 in C major - Andante, Presto | — | ||
| 36-12 | Cappriccio no. 12 in A-flat major - Allegro | — | ||
| 36-13 | Cappriccio no. 13 in B-flat major - Moderato | — | ||
| 36-14 | Cappriccio no. 14 in E-flat major - Moderato | — | ||
| 36-15 | Cappriccio no. 15 in E minor - Posato | — | ||
| 36-16 | Cappriccio no. 16 in G minor - Presto | — | ||
| 36-17 | Cappriccio no. 17 in E-flat major - Sostenuto, Andante | — | ||
| 36-18 | Cappriccio no. 18 in C major - Corrente, Allegro | — | ||
| 36-19 | Cappriccio no. 19 in E-flat major - Lento, Allegro assai | — | ||
| 36-20 | Cappriccio no. 20 in D major - Allegretto | — | ||
| 36-21 | Cappriccio no. 21 in A major - Amoroso, Presto | — | ||
| 36-22 | Cappriccio no. 22 in F major - Marcato | — | ||
| 36-23 | Cappriccio no. 23 in E-flat major - Posato | — | ||
| 36-24 | Cappriccio no. 24 in A minor - Tema, Quasi presto | — | ||
| 37-1 | 60 Variations on the Barucabà Theme, M.S. 71: First group - A major | — | ||
| 37-2 | 60 Variations on the Barucabà Theme, M.S. 71: Second group - C major | — | ||
| 37-3 | 60 Variations on the Barucabà Theme, M.S. 71: Third group - D major | — | ||
| 37-4 | Variations on God Save the King, op. 9, M.S. 56 | — | ||
| 37-5 | Violin Concerto no. 2 in B minor, op. 7, M.S. 48: I. Allegro maestoso | — | ||
| 37-6 | Violin Concerto no. 2 in B minor, op. 7, M.S. 48: II. Adagio | — | ||
| 37-7 | Violin Concerto no. 2 in B minor, op. 7, M.S. 48: III. Rondo: Allegro moderato | — | ||
| 38-1 | Violin Concerto no. 4 in D minor, M.S. 60: I. Allegro maestoso | — | ||
| 38-2 | Violin Concerto no. 4 in D minor, M.S. 60: II. Adagio flebile con sentimento | — | ||
| 38-3 | Violin Concerto no. 4 in D minor, M.S. 60: III. Rondò galante | — | ||
| 38-4 | Variations on "Di Tanti Palpiti" from Rossini's Tancredi, M.S. 77 | — | ||
| 38-5 | Cantabile in D major, M.S. 109 | — | ||
| 38-6 | Violin Concerto no. 1 in D major, op. 6: I. Allegro maestoso | — | ||
| 38-7 | Violin Concerto no. 1 in D major, op. 6: II. Adagio | — | ||
| 38-8 | Violin Concerto no. 1 in D major, op. 6: III. Rondò, Allegro Spiritoso | — | ||
| 39-1 | Johann N. Hummel, Recollections of Paganini, Fantasia for the piano | — | ||
| 39-2 | Ignaz Mosheles, Gems à la Paganini, Fantasia no. 1 | — | ||
| 39-3 | Ignaz Mosheles, Gems à la Paganini, Fantasia no. 2 | — | ||
| 39-4 | Friedrich Kuhlau, La Clochette, Rondeau Brillante pour le pianoforte | — | ||
| 39-5 | Franz Liszt, Grandes Etudes de Paganini (1851) no. 1 in G minor | — | ||
| 39-6 | Franz Liszt, Grandes Etudes de Paganini (1851) no. 2 in E-flat major | — | ||
| 39-7 | Franz Liszt, Grandes Etudes de Paganini (1851) no. 3 in G-sharp minor "La Campanella" | — | ||
| 39-8 | Franz Liszt, Grandes Etudes de Paganini (1851) no. 4 in E major | — | ||
| 39-9 | Franz Liszt, Grandes Etudes de Paganini (1851) no. 5 in E major | — | ||
| 39-10 | Franz Liszt, Grandes Etudes de Paganini (1851) no. 6 in A minor | — | ||
| 39-11 | Ferruccio Busoni, Introduzione e Capriccio Paganinesco | — | ||
| 39-12 | Luigi Dallapiccola, Sonatina Canonica su Capricci di N. Paganini I | — | ||
| 39-13 | Luigi Dallapiccola, Sonatina Canonica su Capricci di N. Paganini II | — | ||
| 39-14 | Luigi Dallapiccola, Sonatina Canonica su Capricci di N. Paganini III | — | ||
| 39-15 | Luigi Dallapiccola, Sonatina Canonica su Capricci di N. Paganini IV | — | ||
| 40-1 | Ignaz Mosheles, Gems à la Paganini, Fantasia no. 3 | — | ||
| 40-2 | Robert Schumann, Etudes pour le pianoforte d'après des caprices de Paganini, op. 3 no. 1 in A minor | — | ||
| 40-3 | Robert Schumann, Etudes pour le pianoforte d'après des caprices de Paganini, op. 3 no. 2 in E major | — | ||
| 40-4 | Robert Schumann, Etudes pour le pianoforte d'après des caprices de Paganini, op. 3 no. 3 in C major | — | ||
| 40-5 | Robert Schumann, Etudes pour le pianoforte d'après des caprices de Paganini, op. 3 no. 4 in B-flat major | — | ||
| 40-6 | Robert Schumann, Etudes pour le pianoforte d'après des caprices de Paganini, op. 3 no. 5 in E-flat major | — | ||
| 40-7 | Robert Schumann, Etudes pour le pianoforte d'après des caprices de Paganini, op. 3 no. 6 in G minor | — | ||
| 40-8 | Henri Herz, Paganini's Last Waltz | — | ||
| 40-9 | Henri Herz, Rondò de Paganini | — | ||
| 40-10 | Johann Strauss, Walzer à la Paganini, op. 11 | — | ||
| 40-11 | Johannes Brahms, Variationen über ein Thema von Paganini, op. 35, Heft I | — | ||
| 40-12 | Johannes Brahms, Variationen über ein Thema von Paganini, op. 35, Heft II | — |
