UPC · Release
Artifacts: The Definitive Collection of Beatles Rarities 1958-70
The Beatles
Last verified:
8013780060067 is the Universal Product Code (UPC barcode) for the release “Artifacts: The Definitive Collection of Beatles Rarities 1958-70” by The Beatles, released 1993-01-01 on Big Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 129 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (129)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | That’ll Be the Day | — | ||
| 2 | The One After 909 | — | ||
| 3 | I’ll Follow the Sun | — | ||
| 4 | Matchbox | — | ||
| 5 | Thinking of Linking | — | ||
| 6 | The World Is Waiting for the Sunrise / Flaming Pie | — | ||
| 7 | Catswalk | — | ||
| 8 | The One After 909 | — | ||
| 9 | I Saw Her Standing There | — | ||
| 10 | Like Dreamers Do | — | ||
| 11 | Hello Little Girl | — | ||
| 12 | Some Other Guy | — | ||
| 13 | How Do You Do It? | — | ||
| 14 | A Taste of Honey | — | ||
| 15 | I Saw Her Standing There | — | ||
| 16 | There’s a Place | — | ||
| 17 | Misery | — | ||
| 18 | From Me to You | — | ||
| 19 | Please Please Me | — | ||
| 20 | Long Tall Sally | — | ||
| 21 | Money | — | ||
| 22 | I’ll Be on My Way | — | ||
| 23 | I’m in Love | — | ||
| 24 | Bad to Me | — | ||
| 25 | Hold Me Tight | — | ||
| 26 | Don’t Bother Me | — | ||
| 27 | Roll Over Beethoven / She Loves You | — | ||
| 28 | Twist and Shout | — | ||
| 29 | On Moonlight Bay | — | ||
| 2-1 | If I Fell | — | ||
| 2-2 | One and One Is Two | — | ||
| 2-3 | Can’t Buy Me Love | — | ||
| 2-4 | All My Loving | — | ||
| 2-5 | I Want to Hold Your Hand | — | ||
| 2-6 | Please Please Me | — | ||
| 2-7 | A Hard Days Night | — | ||
| 2-8 | From Us to You | — | ||
| 2-9 | You Can’t Do That | — | ||
| 2-10 | Shout | — | ||
| 2-11 | Leave My Kitten Alone | — | ||
| 2-12 | I’m a Loser | — | ||
| 2-13 | She’s a Woman | — | ||
| 2-14 | I Feel Fine | — | ||
| 2-15 | If You’ve Got Troubles | — | ||
| 2-16 | You’re Gonna Lose That Girl | — | ||
| 2-17 | That Means a Lot | — | ||
| 2-18 | Help! | — | ||
| 2-19 | Yesterday | — | ||
| 2-20 | I’m Down | — | ||
| 2-21 | Norwegian Wood (This Bird Has Flown) | — | ||
| 2-22 | Day Tripper | — | ||
| 2-23 | We Can Work It Out | — | ||
| 2-24 | I’m Looking Through You | — | ||
| 2-25 | Twelve‐Bar Blues | — | ||
| 2-26 | Girl | — | ||
| 3-1 | He Said, He Said / She Said, She Said | — | ||
| 3-2 | Tomorrow Never Knows | — | ||
| 3-3 | Paperback Writer | — | ||
| 3-4 | Nowhere Man | — | ||
| 3-5 | Paperback Writer | — | ||
| 3-6 | Strawberry Fields Forever | — | ||
| 3-7 | Penny Lane | — | ||
| 3-8 | A Day in the Life | — | ||
| 3-9 | Good Morning Good Morning | — | ||
| 3-10 | It’s All Too Much | — | ||
| 3-11 | All You Need Is Love | — | ||
| 3-12 | Your Mother Should Know | — | ||
| 3-13 | I Am the Walrus | — | ||
| 3-14 | Fool on the Hill | — | ||
| 3-15 | Aerial Tour Instrumental | — | ||
| 3-16 | Jessie’s Dream | — | ||
| 3-17 | Hello Hello | — | ||
| 3-18 | Blue Jay Way | — | ||
| 3-19 | Cry Baby Cry | — | ||
| 3-20 | Daddy’s Little Sunshine Boy | — | ||
| 4-1 | The Inner Light | — | ||
| 4-2 | Lady Madonna | — | ||
| 4-3 | She Can Talk to Me | — | ||
| 4-4 | Across the Universe | — | ||
| 4-5 | Untitled Instrumental | — | ||
| 4-6 | Blowin’ in the Wind | — | ||
| 4-7 | Hare Krishna Mantra | — | ||
| 4-8 | Thank You, Guru Dev/Happy Birthday Mike Love | — | ||
| 4-9 | The Happy Rishikesh Song | — | ||
| 4-10 | Dear Prudence | — | ||
| 4-11 | Back in the USSR | — | ||
| 4-12 | Piggies | — | ||
| 4-13 | Jubilee | — | ||
| 4-14 | Child of Nature | — | ||
| 4-15 | Sour Milk Sea | — | ||
| 4-16 | Circles | — | ||
| 4-17 | Ob‐La‐Di, Ob‐La‐Da | — | ||
| 4-18 | Revolution | — | ||
| 4-19 | Brian Epstein Blues | — | ||
| 4-20 | While My Guitar Gently Weeps | — | ||
| 4-21 | Hey Jude | — | ||
| 4-22 | Las Vegas Tune | — | ||
| 4-23 | St Louis Blues | — | ||
| 4-24 | Not Guilty | — | ||
| 4-25 | What’s the New Mary Jane | — | ||
| 4-26 | Everyone Had a Hard Year | — | ||
| 4-27 | Heather | — | ||
| 4-28 | Don’t Let Me Down | — | ||
| 4-29 | Goodbye | — | ||
| 5-1 | Another Day / Chat | — | ||
| 5-2 | Commentary Suicide | — | ||
| 5-3 | Act Naturally | — | ||
| 5-4 | Two of Us | — | ||
| 5-5 | Piano Theme | — | ||
| 5-6 | Strawberry Fields Forever | — | ||
| 5-7 | Madman a Coming | — | ||
| 5-8 | Watching Rainbows | — | ||
| 5-9 | Commonwealth | — | ||
| 5-10 | Get Back | — | ||
| 5-11 | Old Brown Shoe | — | ||
| 5-12 | For You Blue | — | ||
| 5-13 | I Lost My Little Girl | — | ||
| 5-14 | Maggie Mae / Fancy Me Chances | — | ||
| 5-15 | Dig It! | — | ||
| 5-16 | Get Back | — | ||
| 5-17 | Dig a Pony | — | ||
| 5-18 | Let It Be | — | ||
| 5-19 | Something | — | ||
| 5-20 | Golden Slumbers / Carry That Weight | — | ||
| 5-21 | Her Majesty | — | ||
| 5-22 | Oh! Darling | — | ||
| 5-23 | Come and Get It | — | ||
| 5-24 | Because | — | ||
| 5-25 | I Me Mine | — |
What other identifiers does this connect to?
Musical Works (ISWC)
+40 more
Creative Contributors (ISNI)
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People also ask
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What is UPC 8013780060067?
8013780060067 is a Universal Product Code (UPC) assigned to Artifacts: The Definitive Collection of Beatles Rarities 1958-70 by The Beatles. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 129 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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