UPC · Release
A Season in Hell, Part One
Nirvana
Last verified:
8016689100391 is the Universal Product Code (UPC barcode) for the release “A Season in Hell, Part One” by Nirvana, released 1994-01-01 on Banzai. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 66 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (66)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Aneurysm (Alternate Lyrics) | — | ||
| 2 | Oh, The Guilt (Alternate Lyrics) | — | ||
| 3 | Mr. Moustache | — | ||
| 4 | Pay to Play | — | ||
| 5 | Breed | — | ||
| 6 | Floyd the Barber | — | ||
| 7 | About a Girl | — | ||
| 8 | Verse Chorus Verse (Unreleased) | — | ||
| 9 | In Bloom | — | ||
| 10 | Swap Meet | — | ||
| 11 | Been a Son | — | ||
| 12 | Stain | — | ||
| 13 | Blew | — | ||
| 14 | Sappy | — | ||
| 15 | Lithium | — | ||
| 16 | School | — | ||
| 17 | D-7 | — | ||
| 18 | Here She Comes Now | — | ||
| 19 | Sliver | — | ||
| 2-1 | Love Buzz | — | ||
| 2-2 | Floyd the Barber | — | ||
| 2-3 | Scoff | — | ||
| 2-4 | Dive | — | ||
| 2-5 | Spank Thru | — | ||
| 2-6 | About a Girl | — | ||
| 2-7 | Sappy | — | ||
| 2-8 | School | — | ||
| 2-9 | Breed | — | ||
| 2-10 | Been a Son | — | ||
| 2-11 | Stain | — | ||
| 2-12 | Negative Creep | — | ||
| 2-13 | Blew | — | ||
| 2-14 | Beans (demo 1988) | — | ||
| 2-15 | Montage of Heck (demo 1988) | — | ||
| 2-16 | Spank Thru (June 11, 1988) | — | ||
| 2-17 | About a Girl (demo 1988) | — | ||
| 2-18 | Mr. Moustache (Alternate Lyrics) | — | ||
| 2-19 | Sifting (demo, instrumental) | — | ||
| 2-20 | Blew (alternate Lyrics) | — | ||
| 2-21 | Do You Love Me (June 1988) | — | ||
| 2-22 | Been a Son (September, 1989) | — | ||
| 2-23 | Stain (September, 1989) | — | ||
| 2-24 | Even in His Youth (September, 1989) | — | ||
| 3-1 | Polly (September, 1989) | — | ||
| 3-2 | Help Me I'm Hungry (1989 European Tour) | — | ||
| 3-3 | Polly (Peel Session, December 3, 1989) | — | ||
| 3-4 | About a Girl (early 1990) | — | ||
| 3-5 | Spank Thru (early 1990) | — | ||
| 3-6 | Molly's Lips (May 1990) | — | ||
| 3-7 | D-7 (Peel Session, October, 1990) | — | ||
| 3-8 | Aneurysm (Seattle, January 1, 1991) | — | ||
| 3-9 | Even in His Youth (Seattle, January 1, 1991) | — | ||
| 3-10 | Talk to Me (1991 European Tour) | — | ||
| 3-11 | Smells Like Teen Spirit (Top of the Pops, November 1991, alternate Lyrics) | — | ||
| 3-12 | Something in the Way (Mark Goodier's radio Sessions, November, 1991) | — | ||
| 3-13 | Been a Son (Mark Goodier's radio Sessions, November, 1991) | — | ||
| 3-14 | Smells Like Teen Spirit (Saturday Night Live, January 11, 1992) | — | ||
| 3-15 | Territorial Pissings (Saturday Night Live, January 11, 1992) | — | ||
| 3-16 | Return of the Rat (April 1992) | — | ||
| 3-17 | Curmudgeon (April 1992) | — | ||
| 3-18 | Oh, the Guilt (April 1992) | — | ||
| 3-19 | Sappy (March 1993) | — | ||
| 3-20 | I Hate Myself and Want to Die (March 1993) | — | ||
| 3-21 | Marigold (March 1993) | — | ||
| 3-22 | Moist Vagina (March 1993) | — | ||
| 3-23 | Gallons of Rubbing Alcohol Flow Through the Strip (March 1993) | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 8016689100391?
8016689100391 is a Universal Product Code (UPC) assigned to A Season in Hell, Part One by Nirvana. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 66 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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