UPC · Release
Eldritch
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The UPC for “Underlying Issues” by Eldritch is 8025044028904. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2015-01-01. Label: Scarlet. This release contains 11 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Changing Blood | — | ||
| 2 | Danger Zone | — | ||
| 3 | Broken | — | ||
| 4 | All and More | — | ||
| 5 | The Face I Wear | — | ||
| 6 | To the Moon and Back | — | ||
| 7 | Bringers of Hate | — | ||
| 8 | The Light | — | ||
| 9 | Piece of Clarity | — | ||
| 10 | Before I Die | — | ||
| 11 | Slowmotion ’k’ Us | — |
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8025044028904 is a Universal Product Code (UPC) assigned to Underlying Issues by Eldritch. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 11 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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The UPC for “Underlying Issues” by Eldritch is 8025044028904. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2015-01-01. Label: Scarlet. This release contains 11 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Changing Blood | — | ||
| 2 | Danger Zone | — | ||
| 3 | Broken | — | ||
| 4 | All and More | — | ||
| 5 | The Face I Wear | — | ||
| 6 | To the Moon and Back | — | ||
| 7 | Bringers of Hate | — | ||
| 8 | The Light | — | ||
| 9 | Piece of Clarity | — | ||
| 10 | Before I Die | — | ||
| 11 | Slowmotion ’k’ Us | — |
