UPC · Release
Paul Bley
Last verified:
8052405141064 is the Universal Product Code (UPC barcode) for the release “The Complete Remastered Recordings on Black Saint & Soul Note” by Paul Bley, released 2016-01-01 on Soul Note. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 104 tracks, each with its own ISRC. Tracks include ITC000854634, ITC000854635, ITC000854636.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Little Bells | — | ||
| 2 | Landscape | — | ||
| 3 | Speed | — | ||
| 4 | Recollection | — | ||
| 5 | Joined | — | ||
| 6 | Sonor | — | ||
| 7 | Waltz | — | ||
| 8 | Set | — | ||
| 9 | Darkness | — | ||
| 10 | Tight Rope | — | ||
| 2-1 | Tango Palace | — | ||
| 2-2 | C.G. | — | ||
| 2-3 | Woogie | — | ||
| 2-4 | A.G.B. | — | ||
| 2-5 | But Beautiful | — | ||
| 2-6 | Return Love | — | ||
| 2-7 | Bound | — | ||
| 2-8 | Zebra Walk | — | ||
| 2-9 | Please | — | ||
| 2-10 | Explain | — | ||
| 3-1 | When Will the Blues Leave | The Paul Bley Group | — | |
| 3-2 | Around Again | The Paul Bley Group | T-070.230.843-7 | |
| 3-3 | How Long | The Paul Bley Group | T-010.013.168-7 | |
| 3-4 | Mazatlan | The Paul Bley Group | T-700.002.731-8 | |
| 3-5 | Syndrome | The Paul Bley Group | T-070.230.944-1 | |
| 4-1 | Notes | — | ||
| 4-2 | Batterie | — | ||
| 4-3 | Piano Solo No. 1 | — | ||
| 4-4 | West 107th Street | — | ||
| 4-5 | Just Us | — | ||
| 4-6 | No. 3 | — | ||
| 4-7 | Turns | — | ||
| 4-8 | Ballade | — | ||
| 4-9 | Excerpt | — | ||
| 4-10 | Love Hurts | — | ||
| 4-11 | Inside | — | ||
| 4-12 | Finale | — | ||
| 4-13 | Diane | — | ||
| 5-1 | Random Mist | — | ||
| 5-2 | Sunrise Sunlight | — | ||
| 5-3 | How Long | — | ||
| 5-4 | E.D.T. | — | ||
| 5-5 | Back Lash | — | ||
| 5-6 | Duality | — | ||
| 5-7 | Juniper Blue | — | ||
| 5-8 | Meltdown | — | ||
| 5-9 | Heyday | — | ||
| 5-10 | Touching Bass | — | ||
| 5-11 | Flashpoint | — | ||
| 5-12 | Mindset | — | ||
| 5-13 | Where Can UB | — | ||
| 5-14 | Circle With the Hole in the Middle | — | ||
| 6-1 | Blues Waltz | — | ||
| 6-2 | Lover Man | — | ||
| 6-3 | When Will the Blues Leave? | — | ||
| 6-4 | My Old Flame | — | ||
| 6-5 | My Foolish Heart | — | ||
| 7-1 | Memoirs | Bley, Haden, Motian | T-700.166.750-3 | |
| 7-2 | Monk’s Dream | Bley, Haden, Motian | T-700.044.713-4 | |
| 7-3 | Dark Victory | Bley, Haden, Motian | — | |
| 7-4 | Latin Genetics | Bley, Haden, Motian | T-070.912.569-8 | |
| 7-5 | This Is the Hour | Bley, Haden, Motian | — | |
| 7-6 | Insanity | Bley, Haden, Motian | T-920.718.416-5 | |
| 7-7 | New Flame | Bley, Haden, Motian | T-700.147.457-5 | |
| 7-8 | Sting a Ring | Bley, Haden, Motian | — | |
| 7-9 | Blues for Josh | Bley, Haden, Motian | T-700.147.454-2 | |
| 7-10 | Enough Is Enough | Bley, Haden, Motian | — | |
| 8-1 | Conversations With a Goose | — | ||
| 8-2 | The Flock Is In | — | ||
| 8-3 | Echo Through the Canyon | — | ||
| 8-4 | Three Ducks | — | ||
| 8-5 | Watchin' the River | — | ||
| 8-6 | Campfire | — | ||
| 8-7 | Cobra | — | ||
| 8-8 | Among the High Rocks | — | ||
| 8-9 | White Peaks | — | ||
| 8-10 | Calls in the Night | — | ||
| 8-11 | Lonely Days | — | ||
| 8-12 | Jungle Critters | — | ||
| 8-13 | Restless | — | ||
| 9-1 | Chaos | — | ||
| 9-2 | Touching Bass | — | ||
| 9-3 | Modulating | — | ||
| 9-4 | Soft Touch | — | ||
| 9-5 | Poetic Justice | — | ||
| 9-6 | Interpercussion 1 | — | ||
| 9-7 | Touch Control | — | ||
| 9-8 | Turnham Bey | — | ||
| 9-9 | Street Wise | — | ||
| 9-10 | Bow Out | — | ||
| 9-11 | Starting Over | — | ||
| 9-12 | Interpercussion 2 | — | ||
| 9-13 | Template | — | ||
| 10-1 | Trying Hard to Be | — | ||
| 10-2 | A Star Trying | — | ||
| 10-3 | Too Hard to Be a Star | — | ||
| 10-4 | I Must Try | — | ||
| 10-5 | Not to Be | — | ||
| 10-6 | A Star | — | ||
| 10-7 | Try Hard Not To | — | ||
| 10-8 | Be a Star | — | ||
| 10-9 | Trying to Be | — | ||
| 10-10 | A Human Being | — | ||
| 10-11 | Trying Hard to Be Human | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
8052405141064 is a Universal Product Code (UPC) assigned to The Complete Remastered Recordings on Black Saint & Soul Note by Paul Bley. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 104 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
8052405141064 is the Universal Product Code (UPC barcode) for the release “The Complete Remastered Recordings on Black Saint & Soul Note” by Paul Bley, released 2016-01-01 on Soul Note. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 104 tracks, each with its own ISRC. Tracks include ITC000854634, ITC000854635, ITC000854636.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Little Bells | — | ||
| 2 | Landscape | — | ||
| 3 | Speed | — | ||
| 4 | Recollection | — | ||
| 5 | Joined | — | ||
| 6 | Sonor | — | ||
| 7 | Waltz | — | ||
| 8 | Set | — | ||
| 9 | Darkness | — | ||
| 10 | Tight Rope | — | ||
| 2-1 | Tango Palace | — | ||
| 2-2 | C.G. | — | ||
| 2-3 | Woogie | — | ||
| 2-4 | A.G.B. | — | ||
| 2-5 | But Beautiful | — | ||
| 2-6 | Return Love | — | ||
| 2-7 | Bound | — | ||
| 2-8 | Zebra Walk | — | ||
| 2-9 | Please | — | ||
| 2-10 | Explain | — | ||
| 3-1 | When Will the Blues Leave | The Paul Bley Group | — | |
| 3-2 | Around Again | The Paul Bley Group | T-070.230.843-7 | |
| 3-3 | How Long | The Paul Bley Group | T-010.013.168-7 | |
| 3-4 | Mazatlan | The Paul Bley Group | T-700.002.731-8 | |
| 3-5 | Syndrome | The Paul Bley Group | T-070.230.944-1 | |
| 4-1 | Notes | — | ||
| 4-2 | Batterie | — | ||
| 4-3 | Piano Solo No. 1 | — | ||
| 4-4 | West 107th Street | — | ||
| 4-5 | Just Us | — | ||
| 4-6 | No. 3 | — | ||
| 4-7 | Turns | — | ||
| 4-8 | Ballade | — | ||
| 4-9 | Excerpt | — | ||
| 4-10 | Love Hurts | — | ||
| 4-11 | Inside | — | ||
| 4-12 | Finale | — | ||
| 4-13 | Diane | — | ||
| 5-1 | Random Mist | — | ||
| 5-2 | Sunrise Sunlight | — | ||
| 5-3 | How Long | — | ||
| 5-4 | E.D.T. | — | ||
| 5-5 | Back Lash | — | ||
| 5-6 | Duality | — | ||
| 5-7 | Juniper Blue | — | ||
| 5-8 | Meltdown | — | ||
| 5-9 | Heyday | — | ||
| 5-10 | Touching Bass | — | ||
| 5-11 | Flashpoint | — | ||
| 5-12 | Mindset | — | ||
| 5-13 | Where Can UB | — | ||
| 5-14 | Circle With the Hole in the Middle | — | ||
| 6-1 | Blues Waltz | — | ||
| 6-2 | Lover Man | — | ||
| 6-3 | When Will the Blues Leave? | — | ||
| 6-4 | My Old Flame | — | ||
| 6-5 | My Foolish Heart | — | ||
| 7-1 | Memoirs | Bley, Haden, Motian | T-700.166.750-3 | |
| 7-2 | Monk’s Dream | Bley, Haden, Motian | T-700.044.713-4 | |
| 7-3 | Dark Victory | Bley, Haden, Motian | — | |
| 7-4 | Latin Genetics | Bley, Haden, Motian | T-070.912.569-8 | |
| 7-5 | This Is the Hour | Bley, Haden, Motian | — | |
| 7-6 | Insanity | Bley, Haden, Motian | T-920.718.416-5 | |
| 7-7 | New Flame | Bley, Haden, Motian | T-700.147.457-5 | |
| 7-8 | Sting a Ring | Bley, Haden, Motian | — | |
| 7-9 | Blues for Josh | Bley, Haden, Motian | T-700.147.454-2 | |
| 7-10 | Enough Is Enough | Bley, Haden, Motian | — | |
| 8-1 | Conversations With a Goose | — | ||
| 8-2 | The Flock Is In | — | ||
| 8-3 | Echo Through the Canyon | — | ||
| 8-4 | Three Ducks | — | ||
| 8-5 | Watchin' the River | — | ||
| 8-6 | Campfire | — | ||
| 8-7 | Cobra | — | ||
| 8-8 | Among the High Rocks | — | ||
| 8-9 | White Peaks | — | ||
| 8-10 | Calls in the Night | — | ||
| 8-11 | Lonely Days | — | ||
| 8-12 | Jungle Critters | — | ||
| 8-13 | Restless | — | ||
| 9-1 | Chaos | — | ||
| 9-2 | Touching Bass | — | ||
| 9-3 | Modulating | — | ||
| 9-4 | Soft Touch | — | ||
| 9-5 | Poetic Justice | — | ||
| 9-6 | Interpercussion 1 | — | ||
| 9-7 | Touch Control | — | ||
| 9-8 | Turnham Bey | — | ||
| 9-9 | Street Wise | — | ||
| 9-10 | Bow Out | — | ||
| 9-11 | Starting Over | — | ||
| 9-12 | Interpercussion 2 | — | ||
| 9-13 | Template | — | ||
| 10-1 | Trying Hard to Be | — | ||
| 10-2 | A Star Trying | — | ||
| 10-3 | Too Hard to Be a Star | — | ||
| 10-4 | I Must Try | — | ||
| 10-5 | Not to Be | — | ||
| 10-6 | A Star | — | ||
| 10-7 | Try Hard Not To | — | ||
| 10-8 | Be a Star | — | ||
| 10-9 | Trying to Be | — | ||
| 10-10 | A Human Being | — | ||
| 10-11 | Trying Hard to Be Human | — |
