UPC · Release
Jivin’ With Jordan
Louis Jordan
805520020473
102 tracksReleased 2002-01-01Proper Records (2)
Last verified:
805520020473 is the Universal Product Code (UPC barcode) for the release “Jivin’ With Jordan” by Louis Jordan, released 2002-01-01 on Proper Records (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 102 tracks, each with its own ISRC. Tracks include USWWW0122771, USMC14303204, USMC14471872.
Format
8Number system
05520Manufacturer
02047Product
3Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCJivin’ With Jordan
ISRC17 recordings
ISWC39 works
IPI5 songwriters
Track List (102)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Honey in the Bee Ball | — | ||
| 2 | Keep A‐Knockin’ (but You Can’t Come In) | — | ||
| 3 | Sam Jones Done Snagged His Britches On | — | ||
| 4 | Doug the Jitterbug | — | ||
| 5 | At the Swing Cat’s Ball | — | ||
| 6 | Honeysuckle Rose | — | ||
| 7 | But I’ll Be Back | — | ||
| 8 | You’re My Meat | — | ||
| 9 | June Tenth Jamboree | — | ||
| 10 | You Run Your Mouth and I’ll Run My Business | — | ||
| 11 | Somebody Done Hoodooed the Hoodoo Man | — | ||
| 12 | Oh Boy, I’m in the Groove | — | ||
| 13 | Never Let Your Left Hand Know What Your Right Hand’s Doin’ | — | ||
| 14 | A Chicken Ain’t Nothin’ but a Bird | — | ||
| 15 | Pinetop’s Boogie Woogie | — | ||
| 16 | Saint Vitus Dance | — | ||
| 17 | Saxa‐Woogie | — | ||
| 18 | Boogie Woogie Came to Town | — | ||
| 19 | How ’Bout That? | — | ||
| 20 | Knock Me a Kiss | — | ||
| 21 | I’m Gonna Move to the Outskirts of Town | — | ||
| 22 | What’s the Use of Gettin’ Sober (When You’re Gonna Get Drunk Again)? | Louis Jordan and His Tympany Five | — | |
| 23 | The Chicks I Pick Are Slender, Tender and Tall | — | ||
| 24 | I’m Gonna Leave You on the Outskirts of Town | — | ||
| 25 | That’ll Just About Knock Me Out | — | ||
| 26 | Five Guys Named Moe | — | ||
| 27 | Ration Blues | Louis Jordan and His Tympany Five | — | |
| 2-1 | Is You Is or Is You Ain’t My Baby? | — | ||
| 2-2 | Deacon Jones | — | ||
| 2-3 | I Like ’em Fat Like That | — | ||
| 2-4 | Mop‐Mop | — | ||
| 2-5 | G.I. Jive | Louis Jordan and His Tympany Five | T-070.063.651-6 | |
| 2-6 | You Can’t Get That No More | — | ||
| 2-7 | My Baby Said Yes (Yip, Yip de Hootie) | — | ||
| 2-8 | Buzz Me | Louis Jordan | T-070.233.192-7 | |
| 2-9 | Caldonia | Louis Jordan and His Tympany Five | T-915.061.408-7 | |
| 2-10 | Somebody Done Changed the Lock on My Door | — | ||
| 2-11 | How Long Must I Wait for You | — | ||
| 2-12 | Salt Pork, West Virginia | — | ||
| 2-13 | Don’t Worry ’Bout That Mule | — | ||
| 2-14 | Stone Cold Dead in the Market | Ella Fitzgerald, Louis Jordan and His Tympany Five | T-070.275.731-0 | |
| 2-15 | Reconversion Blues | — | ||
| 2-16 | Beware | — | ||
| 2-17 | Don’t Let the Sun Catch You Cryin’ | — | ||
| 2-18 | Choo Choo Ch’boogie | Louis Jordan and His Tympany Five | T-070.024.822-1 | |
| 2-19 | Ain’t That Just Like a Woman (They’ll Do It Every Time) | Louis Jordan and His Tympany Five | T-071.072.911-5 | |
| 2-20 | That Chick’s Too Young to Fry | — | ||
| 2-21 | No Sale | — | ||
| 2-22 | Ain’t Nobody Here but Us Chickens | Louis Jordan and His Tympany Five | T-070.000.463-2 | |
| 2-23 | Let the Good Times Roll | — | ||
| 2-24 | All for the Love of Lil | — | ||
| 2-25 | Texas and Pacific | Louis Jordan and His Tympany Five | — | |
| 2-26 | Jack, You’re Dead | Louis Jordan and His Tympany Five | T-071.064.958-3 | |
| 3-1 | Reet, Petite, and Gone | — | ||
| 3-2 | Sure Had a Wonderful Time | — | ||
| 3-3 | I Know What You’re Puttin’ Down | — | ||
| 3-4 | Open the Door Richard | — | ||
| 3-5 | Boogie Woogie Blue Plate | Louis Jordan and His Tympany Five | — | |
| 3-6 | Barnyard Boogie | Louis Jordan and His Tympany Five | — | |
| 3-7 | Every Man to His Own Profession | — | ||
| 3-8 | Early in the Morning | — | ||
| 3-9 | Run Joe | Louis Jordan and His Tympany Five | — | |
| 3-10 | Look Out | — | ||
| 3-11 | Have You Got the Gumption? | — | ||
| 3-12 | We Can’t Agree | — | ||
| 3-13 | Chicky‐Mo, Craney‐Crow | — | ||
| 3-14 | Roamin’ Blues | — | ||
| 3-15 | You’re Much Too Fat (And That’s That) | — | ||
| 3-16 | Pettin’ and Pokin’ | — | ||
| 3-17 | You’re on the Right Track, Baby | — | ||
| 3-18 | Don’t Burn the Candle at Both Ends | — | ||
| 3-19 | Daddy‐O | — | ||
| 3-20 | You Broke Your Promise | — | ||
| 3-21 | Cole Slaw | — | ||
| 3-22 | Beans and Corn Bread | Louis Jordan and His Tympany Five | T-070.232.938-1 | |
| 3-23 | Onions | — | ||
| 3-24 | Baby’s Gonna Go, Bye Bye | — | ||
| 3-25 | Psycho‐Loco | — | ||
| 4-1 | Baby, It’s Cold Outside | — | ||
| 4-2 | School Days | — | ||
| 4-3 | Hungry Man | — | ||
| 4-4 | Saturday Night Fish Fry, Parts 1 & 2 | Louis Jordan and His Tympany Five | T-070.243.362-2 | |
| 4-5 | I Want a Roof Over My Head | — | ||
| 4-6 | Show Me How (You Milk the Cow) | — | ||
| 4-7 | Blue Light Boogie, Parts 1 & 2 | — | ||
| 4-8 | Tamburitza Boogie | — | ||
| 4-9 | (You Dyed Your Hair) Chartreuse | Louis Jordan and His Tympany Five | — | |
| 4-10 | Lemonade | — | ||
| 4-11 | It’s a Great, Great Pleasure | — | ||
| 4-12 | Teardrops From My Eyes | — | ||
| 4-13 | Weak Minded Blues | — | ||
| 4-14 | Is My Pop in There? | — | ||
| 4-15 | I Can’t Give You Anything but Love | — | ||
| 4-16 | If You’re So Smart How Come You Ain’t Rich? | — | ||
| 4-17 | Louisville Lodge Meeting | — | ||
| 4-18 | How Blue Can You Get | — | ||
| 4-19 | Please Don’t Leave Me | — | ||
| 4-20 | Bone Dry | — | ||
| 4-21 | Three Handed Woman | — | ||
| 4-22 | Fat Sam From Birmingham | — | ||
| 4-23 | Cock‐A‐Doodle‐Doo | — | ||
| 4-24 | Lay Something on the Bar (Besides Your Elbow) | — |
Honey in the Bee Ball
—
Keep A‐Knockin’ (but You Can’t Come In)
—
Sam Jones Done Snagged His Britches On
—
Doug the Jitterbug
—
At the Swing Cat’s Ball
—
Honeysuckle Rose
—
But I’ll Be Back
—
You’re My Meat
—
June Tenth Jamboree
—
You Run Your Mouth and I’ll Run My Business
—
Somebody Done Hoodooed the Hoodoo Man
—
Oh Boy, I’m in the Groove
—
Never Let Your Left Hand Know What Your Right Hand’s Doin’
—
A Chicken Ain’t Nothin’ but a Bird
—
Pinetop’s Boogie Woogie
—
Saint Vitus Dance
—
Saxa‐Woogie
—
Boogie Woogie Came to Town
—
How ’Bout That?
—
Knock Me a Kiss
—
I’m Gonna Move to the Outskirts of Town
—
What’s the Use of Gettin’ Sober (When You’re Gonna Get Drunk Again)?
Louis Jordan and His Tympany Five
—
The Chicks I Pick Are Slender, Tender and Tall
—
I’m Gonna Leave You on the Outskirts of Town
—
That’ll Just About Knock Me Out
—
Five Guys Named Moe
—
Ration Blues
Louis Jordan and His Tympany Five
—
Is You Is or Is You Ain’t My Baby?
—
Deacon Jones
—
I Like ’em Fat Like That
—
Mop‐Mop
—
You Can’t Get That No More
—
My Baby Said Yes (Yip, Yip de Hootie)
—
Somebody Done Changed the Lock on My Door
—
How Long Must I Wait for You
—
Salt Pork, West Virginia
—
Don’t Worry ’Bout That Mule
—
Reconversion Blues
—
Beware
—
Don’t Let the Sun Catch You Cryin’
—
Louis Jordan and His Tympany Five
That Chick’s Too Young to Fry
—
No Sale
—
Let the Good Times Roll
—
All for the Love of Lil
—
Texas and Pacific
Louis Jordan and His Tympany Five
—
Reet, Petite, and Gone
—
Sure Had a Wonderful Time
—
I Know What You’re Puttin’ Down
—
Open the Door Richard
—
Boogie Woogie Blue Plate
Louis Jordan and His Tympany Five
—
Barnyard Boogie
Louis Jordan and His Tympany Five
—
Every Man to His Own Profession
—
Early in the Morning
—
Run Joe
Louis Jordan and His Tympany Five
—
Look Out
—
Have You Got the Gumption?
—
We Can’t Agree
—
Chicky‐Mo, Craney‐Crow
—
Roamin’ Blues
—
You’re Much Too Fat (And That’s That)
—
Pettin’ and Pokin’
—
You’re on the Right Track, Baby
—
Don’t Burn the Candle at Both Ends
—
Daddy‐O
—
You Broke Your Promise
—
Cole Slaw
—
Onions
—
Baby’s Gonna Go, Bye Bye
—
Psycho‐Loco
—
Baby, It’s Cold Outside
—
School Days
—
Hungry Man
—
I Want a Roof Over My Head
—
Show Me How (You Milk the Cow)
—
Blue Light Boogie, Parts 1 & 2
—
Tamburitza Boogie
—
(You Dyed Your Hair) Chartreuse
Louis Jordan and His Tympany Five
—
Lemonade
—
It’s a Great, Great Pleasure
—
Teardrops From My Eyes
—
Weak Minded Blues
—
Is My Pop in There?
—
I Can’t Give You Anything but Love
—
If You’re So Smart How Come You Ain’t Rich?
—
Louisville Lodge Meeting
—
How Blue Can You Get
—
Please Don’t Leave Me
—
Bone Dry
—
Three Handed Woman
—
Fat Sam From Birmingham
—
Cock‐A‐Doodle‐Doo
—
Lay Something on the Bar (Besides Your Elbow)
—
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Barnyard Boogie | Louis Jordan and His Tympany Five | T-072.194.136-1 |
Louis Jordan and His Tympany Five
What other identifiers does this connect to?
Musical Works (ISWC)
T-070.000.463-2T-070.024.822-1T-070.063.651-6T-070.243.362-2T-070.275.731-0T-070.000.463-2T-070.009.990-6T-070.024.822-1T-070.063.651-6T-070.074.170-3
+29 more
T-070.095.162-7T-070.095.633-7T-070.210.363-6T-070.210.982-7T-070.243.362-2T-070.261.074-9T-070.262.875-8T-070.266.534-6T-070.268.198-8T-070.268.199-9T-070.275.731-0T-070.282.203-4T-070.898.374-7T-070.902.524-0T-070.904.647-8T-071.072.911-5T-071.058.394-0T-071.072.911-5T-071.223.667-3T-301.758.275-7T-900.307.058-4T-900.756.189-9T-902.958.976-2T-914.779.641-6T-070.232.938-1T-070.233.192-7T-071.064.958-3T-072.194.136-1T-915.061.408-7
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
SourcesMusicBrainzDiscogs2 sources
Verified on
What is UPC 805520020473?
805520020473 is a Universal Product Code (UPC) assigned to Jivin’ With Jordan by Louis Jordan. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 102 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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