UPC · Release
Daddy of Western Swing
Milton Brown and His Musical Brownies
805520020596
106 tracksReleased 2003-01-01Proper Records (2)
Last verified:
805520020596 is the Universal Product Code (UPC barcode) for the release “Daddy of Western Swing” by Milton Brown and His Musical Brownies, released 2003-01-01 on Proper Records (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 106 tracks, each with its own ISRC.
Format
8Number system
05520Manufacturer
02059Product
6Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCDaddy of Western Swing
ISWC4 works
Track List (106)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Oh! You Pretty Woman | — | ||
| 2 | Garbage Man Blues | — | ||
| 3 | Joe Turner Blues | — | ||
| 4 | Brownies Stomp | — | ||
| 5 | Do the Hula Lou | — | ||
| 6 | My Precious Sonny Boy | — | ||
| 7 | Swinging on the Garden Gate | — | ||
| 8 | Four, Five or Six Times | — | ||
| 9 | Get Along Cindy | — | ||
| 10 | Where Have You Been So Long Corrine | — | ||
| 11 | Girl of My Dreams | — | ||
| 12 | Talking About You | — | ||
| 13 | Loveland and You | — | ||
| 14 | Take It Slow and Easy | — | ||
| 15 | Just Sitting on Top of the World | — | ||
| 16 | This Morning, This Evening, So Soon | — | ||
| 17 | Trinity Waltz | — | ||
| 18 | Loveless Life | — | ||
| 19 | Sweet Jennie Lee | — | ||
| 20 | The Object of My Affection | — | ||
| 21 | I Love You | — | ||
| 22 | Pray for the Lights to Go Out | — | ||
| 23 | Put on Your Old Grey Bonnet | — | ||
| 24 | In El Rio Grande | — | ||
| 25 | A Good Man Is Hard to Find | — | ||
| 26 | Down by the O-HI-O | — | ||
| 2-1 | St. Louis Blues | — | ||
| 2-2 | Brownie Special | — | ||
| 2-3 | Copenhagen | — | ||
| 2-4 | Chinatown, My Chinatown | — | ||
| 2-5 | Wabash Blues | — | ||
| 2-6 | Some of These Days | — | ||
| 2-7 | Who's Sorry Now | — | ||
| 2-8 | Just a Dream | — | ||
| 2-9 | Cheesy Breeze | — | ||
| 2-10 | Beautiful Texas | — | ||
| 2-11 | The House at the End of the Lane | — | ||
| 2-12 | In the Shade of the Old Apple Tree | — | ||
| 2-13 | Shine on Harvest Moon | — | ||
| 2-14 | Love in Bloom | — | ||
| 2-15 | My Mary | — | ||
| 2-16 | You're Tired of Me | — | ||
| 2-17 | Wheezie Anna | — | ||
| 2-18 | One of Us Was Wrong | — | ||
| 2-19 | I'll Be Glad When You're Dead, You Rascal You | — | ||
| 2-20 | Sweet Georgia Brown | — | ||
| 2-21 | You're Bound to Look Like a Monkey | — | ||
| 2-22 | Darktown Strutters Ball | — | ||
| 2-23 | Taking Off | — | ||
| 2-24 | Black and White Rag | — | ||
| 2-25 | Crafton Blues | — | ||
| 2-26 | Little Betty Brown | — | ||
| 3-1 | Going Up Busy Fork | — | ||
| 3-2 | Beale Street Mama | — | ||
| 3-3 | The Shiek of Araby | — | ||
| 3-4 | Mexicali Rose | — | ||
| 3-5 | Somebody's Been Using That Thing | — | ||
| 3-6 | Mama Don't Allow It | — | ||
| 3-7 | I've Got the Blues for Mammy | — | ||
| 3-8 | Texas Hambone Blues | — | ||
| 3-9 | The Eyes of Texas | — | ||
| 3-10 | Easy Ridin' Papa | — | ||
| 3-11 | Stay on the Right Side | — | ||
| 3-12 | If You Can't Get Five Take Two | — | ||
| 3-13 | Cielito Lindo (Beautiful Heaven) | — | ||
| 3-14 | The Waltz You Saved for Me | — | ||
| 3-15 | I Had Someone Before You | — | ||
| 3-16 | Am I Blue | — | ||
| 3-17 | Our Baby Boy | — | ||
| 3-18 | Under the Double Eagle | — | ||
| 3-19 | Washington and Lee Swing | — | ||
| 3-20 | The Wheel on the Wagon Is Broken | — | ||
| 3-21 | Memphis Blues | — | ||
| 3-22 | Somebody Stole My Gal | — | ||
| 3-23 | When I'm Gone Don't You Grieve | — | ||
| 3-24 | The Hesitation Blues | — | ||
| 3-25 | The Sweetheart of Sigma Chi | — | ||
| 3-26 | An Old Watermill by a Waterfall | — | ||
| 3-27 | Avalon | — | ||
| 4-1 | Sadie Green (The Vamp of New Orleans) | — | ||
| 4-2 | Show Me the Way to Go Home | — | ||
| 4-3 | The Yellow Rose of Texas | — | ||
| 4-4 | The Roseland Melody | — | ||
| 4-5 | My Galveston Gal | — | ||
| 4-6 | Yes Sir | — | ||
| 4-7 | La Golondrina | — | ||
| 4-8 | When I Take My Sugar to Tea | — | ||
| 4-9 | Song of the Wanderer | — | ||
| 4-10 | Right or Wrong | — | ||
| 4-11 | Chinese Honeymoon | — | ||
| 4-12 | Alice Blue Gown | — | ||
| 4-13 | Fan It | — | ||
| 4-14 | Tired of the Same Thing All the Time | — | ||
| 4-15 | I'll String Along With You | — | ||
| 4-16 | Goofus | — | ||
| 4-17 | Ida, Sweet as Apple Cider | — | ||
| 4-18 | When It's Harvest Time, Sweet Angeline | — | ||
| 4-19 | Carry Me Back to the Lone Prairie | — | ||
| 4-20 | A Thousand Goodnights | — | ||
| 4-21 | Keep a Knockin' | — | ||
| 4-22 | Baby Keeps Stealin' | — | ||
| 4-23 | The Old Grey Mare | — | ||
| 4-24 | Bring It on Down to My House, Honey | — | ||
| 4-25 | High Geared Daddy | — | ||
| 4-26 | Honky Tonk Blues | — | ||
| 4-27 | Louise, Louise Blues | — |
Oh! You Pretty Woman
—
Garbage Man Blues
—
Joe Turner Blues
—
Brownies Stomp
—
Do the Hula Lou
—
My Precious Sonny Boy
—
Swinging on the Garden Gate
—
Four, Five or Six Times
—
Get Along Cindy
—
Where Have You Been So Long Corrine
—
Girl of My Dreams
—
Talking About You
—
Loveland and You
—
Take It Slow and Easy
—
Just Sitting on Top of the World
—
This Morning, This Evening, So Soon
—
Trinity Waltz
—
Loveless Life
—
Sweet Jennie Lee
—
The Object of My Affection
—
I Love You
—
Pray for the Lights to Go Out
—
Put on Your Old Grey Bonnet
—
In El Rio Grande
—
A Good Man Is Hard to Find
—
Down by the O-HI-O
—
St. Louis Blues
—
Brownie Special
—
Copenhagen
—
Chinatown, My Chinatown
—
Wabash Blues
—
Some of These Days
—
Who's Sorry Now
—
Just a Dream
—
Cheesy Breeze
—
Beautiful Texas
—
The House at the End of the Lane
—
In the Shade of the Old Apple Tree
—
Shine on Harvest Moon
—
Love in Bloom
—
My Mary
—
You're Tired of Me
—
Wheezie Anna
—
One of Us Was Wrong
—
I'll Be Glad When You're Dead, You Rascal You
—
Sweet Georgia Brown
—
You're Bound to Look Like a Monkey
—
Darktown Strutters Ball
—
Taking Off
—
Black and White Rag
—
Crafton Blues
—
Little Betty Brown
—
Going Up Busy Fork
—
Beale Street Mama
—
The Shiek of Araby
—
Mexicali Rose
—
Somebody's Been Using That Thing
—
Mama Don't Allow It
—
I've Got the Blues for Mammy
—
Texas Hambone Blues
—
The Eyes of Texas
—
Easy Ridin' Papa
—
Stay on the Right Side
—
If You Can't Get Five Take Two
—
Cielito Lindo (Beautiful Heaven)
—
The Waltz You Saved for Me
—
I Had Someone Before You
—
Am I Blue
—
Our Baby Boy
—
Under the Double Eagle
—
Washington and Lee Swing
—
The Wheel on the Wagon Is Broken
—
Memphis Blues
—
Somebody Stole My Gal
—
When I'm Gone Don't You Grieve
—
The Hesitation Blues
—
The Sweetheart of Sigma Chi
—
An Old Watermill by a Waterfall
—
Avalon
—
Sadie Green (The Vamp of New Orleans)
—
Show Me the Way to Go Home
—
The Yellow Rose of Texas
—
The Roseland Melody
—
My Galveston Gal
—
Yes Sir
—
La Golondrina
—
When I Take My Sugar to Tea
—
Song of the Wanderer
—
Right or Wrong
—
Chinese Honeymoon
—
Alice Blue Gown
—
Fan It
—
Tired of the Same Thing All the Time
—
I'll String Along With You
—
Goofus
—
Ida, Sweet as Apple Cider
—
When It's Harvest Time, Sweet Angeline
—
Carry Me Back to the Lone Prairie
—
A Thousand Goodnights
—
Keep a Knockin'
—
Baby Keeps Stealin'
—
The Old Grey Mare
—
Bring It on Down to My House, Honey
—
High Geared Daddy
—
Honky Tonk Blues
—
Louise, Louise Blues
—
What other identifiers does this connect to?
Musical Works (ISWC)
Credits Graph
People also ask
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Verified on
What is UPC 805520020596?
805520020596 is a Universal Product Code (UPC) assigned to Daddy of Western Swing by Milton Brown and His Musical Brownies. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 106 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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