UPC · Release
Intuition
Lennie Tristano
Last verified:
805520020640 is the Universal Product Code (UPC barcode) for the release “Intuition” by Lennie Tristano, released 2003-01-01 on Proper Records (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 76 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (76)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Tea for Two | — | ||
| 2 | Tea for Two (take 2) | — | ||
| 3 | Blue Lou | — | ||
| 4 | These Foolish Things | — | ||
| 5 | These Foolish Things (take 2) | — | ||
| 6 | It’s the Talk of the Town | — | ||
| 7 | It’s the Talk of the Town (take 2) | — | ||
| 8 | Yesterdays | — | ||
| 9 | What Is This Thing Called Love? | — | ||
| 10 | Don’t Blame Me | — | ||
| 11 | I Found a New Baby | — | ||
| 12 | I Can’t Get Started | — | ||
| 13 | A Night in Tunisia | — | ||
| 14 | Out on a Limb (take 1) | — | ||
| 15 | Out on a Limb (take 2) | — | ||
| 16 | Out on a Limb (take 3) | — | ||
| 17 | I Can’t Get Started (take 1) | — | ||
| 18 | I Can’t Get Started (take 2) | — | ||
| 19 | I Surrender Dear (take 1) | — | ||
| 20 | I Surrender Dear (take 2) | — | ||
| 21 | I Surrender Dear (take 3) | — | ||
| 22 | Interlude (take 1) | — | ||
| 23 | Interlude (take 2) | — | ||
| 24 | Interlude (take 3) | — | ||
| 25 | Interlude (take 4) | — | ||
| 26 | Interlude (take 5) | — | ||
| 27 | Interlude (take 6) | — | ||
| 2-1 | Untitled Blues | — | ||
| 2-2 | Blue Boy | — | ||
| 2-3 | Atonement | — | ||
| 2-4 | Coolin’ Off With Ulanov (take 1) | — | ||
| 2-5 | Coolin’ Off With Ulanov (take 2) | — | ||
| 2-6 | I Don’t Stand a Ghost of a Chance With You | — | ||
| 2-7 | Spontaneous Combustion | — | ||
| 2-8 | Just Judy | — | ||
| 2-9 | Supersonic | — | ||
| 2-10 | On a Planet | — | ||
| 2-11 | Air Pocket | — | ||
| 2-12 | Celestia | — | ||
| 2-13 | Freedom | — | ||
| 2-14 | Parallel | — | ||
| 2-15 | Apellation | — | ||
| 2-16 | Abstraction | — | ||
| 2-17 | Palimpsest | — | ||
| 2-18 | Dissonance | — | ||
| 2-19 | Through These Portals | — | ||
| 2-20 | Speculation | — | ||
| 2-21 | New Sound | — | ||
| 2-22 | Resemblance | — | ||
| 3-1 | Victory Ball | — | ||
| 3-2 | Tautology | — | ||
| 3-3 | Subconscious Lee | — | ||
| 3-4 | Retrospection | — | ||
| 3-5 | Judy | — | ||
| 3-6 | Wow | — | ||
| 3-7 | Crosscurrent | — | ||
| 3-8 | Yesterdays | — | ||
| 3-9 | Marionette | — | ||
| 3-10 | Sax of a Kind | — | ||
| 3-11 | Intuition | — | ||
| 3-12 | Digression | — | ||
| 3-13 | Remember | — | ||
| 3-14 | Pennies | — | ||
| 3-15 | Foolish Things | — | ||
| 3-16 | Indiana | — | ||
| 3-17 | I’m No Good Without You | — | ||
| 4-1 | Sax of a Kind | — | ||
| 4-2 | You Go to My Head | — | ||
| 4-3 | Ju‐Ju | — | ||
| 4-4 | Passtime | — | ||
| 4-5 | Lennie’s Pennies | — | ||
| 4-6 | 317 East 32nd | — | ||
| 4-7 | You Go to My Head | — | ||
| 4-8 | April | — | ||
| 4-9 | Sound‐Lee | — | ||
| 4-10 | Back‐Home | — |
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Verified on
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People also ask
What is UPC 805520020640?
805520020640 is a Universal Product Code (UPC) assigned to Intuition by Lennie Tristano. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 76 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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