UPC · Release
Jazz in Britain 1919-1950
Various Artists
805520020886
99 tracksReleased 2005-01-01Proper Records (2)
Last verified:
805520020886 is the Universal Product Code (UPC barcode) for the release “Jazz in Britain 1919-1950” by Various Artists, released 2005-01-01 on Proper Records (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 99 tracks, each with its own ISRC.
Format
8Number system
05520Manufacturer
02088Product
6Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCJazz in Britain 1919-1950
ISWC50 works
IPI15 songwriters
Track List (99)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | At the Jazz Band Ball | — | ||
| 2 | Way Down Yonder in New Orleans | — | ||
| 3 | Snake's Hips | — | ||
| 4 | Tiger Rag | — | ||
| 5 | Eccentric | — | ||
| 6 | Morning After Blues | — | ||
| 7 | Riverboat Shuffle | — | ||
| 8 | Arabella's Wedding Day | — | ||
| 9 | Sugar Foot Stomp | — | ||
| 10 | Stomp Your Feet | — | ||
| 11 | You Don't Like It, Not Much | — | ||
| 12 | Miss Annabelle Lee | — | ||
| 13 | Grieving for You | — | ||
| 14 | Dixie | — | ||
| 15 | A Dicky Bird Told Me So | — | ||
| 16 | Two Guitars | — | ||
| 17 | Nobody's Sweetheart | — | ||
| 18 | Miranda | — | ||
| 19 | Love Me or Leave Me | — | ||
| 20 | That's a Plenty | — | ||
| 21 | Song of the Dawn | — | ||
| 22 | Sobbin' Blues | — | ||
| 23 | St. Louis Blues | — | ||
| 24 | Funny Dear, What Love Can Do | — | ||
| 25 | Allah's Holidays | — | ||
| 26 | Bessie Couldn't Help It | — | ||
| 2-1 | Buddy's Wednesday Outing | — | ||
| 2-2 | Sunny Side of the Street, Part 2 | — | ||
| 2-3 | Ain't Misbehavin | — | ||
| 2-4 | Duke Ellington Talking to Percy Mathison Brooks | — | ||
| 2-5 | Hyde Park | — | ||
| 2-6 | Jazz Cocktail | — | ||
| 2-7 | Japanese Sandman | — | ||
| 2-8 | Ellingtonia, Introducing Black and Tan, Fantasy, It Don't Mean a Thing, Mood Indigo, Bugle Call Rag | — | ||
| 2-9 | Jitter Bug | — | ||
| 2-10 | Romantic Joe | — | ||
| 2-11 | I Ain't Got Nobody | — | ||
| 2-12 | I Wish I Were Twins | — | ||
| 2-13 | Fascinating Rhythm | — | ||
| 2-14 | Stars Fell on Alabama | — | ||
| 2-15 | Sheik of Araby | — | ||
| 2-16 | Some of These Days | — | ||
| 2-17 | Hummin' to Myself | — | ||
| 2-18 | Singin' the Blues | — | ||
| 2-19 | Nightfall | — | ||
| 2-20 | Is It True What They Say About Dixie | — | ||
| 2-21 | Just a Mood | — | ||
| 2-22 | Lady Be Good | — | ||
| 2-23 | Gin and Jive | — | ||
| 2-24 | King Porter Stomp | — | ||
| 2-25 | Cotton Pickers Congregation | — | ||
| 2-26 | Amoresque | — | ||
| 2-27 | Blue Murder | — | ||
| 3-2 | If You Were the Only Girl in the World | — | ||
| 3-3 | Have You Got Any Castles, Baby? | — | ||
| 3-4 | I'm Crazy 'Bout My Baby | — | ||
| 3-5 | Ain't Misbehavin' | — | ||
| 3-6 | Lambeth Walk | — | ||
| 3-7 | Snakehips Swing | — | ||
| 3-8 | 10 a.m. Blues | — | ||
| 3-9 | My Melancholy Baby | — | ||
| 3-10 | Darktown Strutters Ball | — | ||
| 3-11 | Stardust | — | ||
| 3-12 | I Heard | — | ||
| 3-13 | The Java Joint | — | ||
| 3-14 | Tea for Two | — | ||
| 3-15 | Blue Skies | — | ||
| 3-16 | Red Duster Rag | — | ||
| 3-17 | Bugle Call Rag | — | ||
| 3-18 | Buddy's Blues | — | ||
| 3-19 | Rockin' The Blues | — | ||
| 3-20 | I'm Comin' Virginia | — | ||
| 3-21 | Five Flat Flurry | — | ||
| 3-22 | Swing Low Sweet Chariot | — | ||
| 3-23 | Dick's Boogie | — | ||
| 3-24 | In a Little Spanish Town | — | ||
| 3-25 | 165 Blues | — | ||
| 3-26 | Bakerloo Non-Stop | — | ||
| 3-27 | Hey Ba-Ba-Rebop | — | ||
| 4-1 | Blue Charm | — | ||
| 4-2 | Rockin' in Rhythm | — | ||
| 4-3 | When the Saints Go Marching In | — | ||
| 4-4 | Blue Moon | — | ||
| 4-5 | Thriving on a Riff | — | ||
| 4-6 | Five Guys Named Moe | — | ||
| 4-7 | Mop Mop | — | ||
| 4-8 | I Can't Get Started | — | ||
| 4-9 | Shim-Me-Sha-Wabble | — | ||
| 4-10 | Wolverine Blues | — | ||
| 4-11 | Jazz Club Stomp | — | ||
| 4-12 | Wee Dot | — | ||
| 4-13 | Lover Man | — | ||
| 4-14 | Gone With the Windmill | — | ||
| 4-15 | Blues in Thirds | — | ||
| 4-16 | BBC Broadcast/ Hi, Gang!, Put Your Shoes On, Lucy, the World Is Waiting for the Sunrise | — | ||
| 4-17 | Lyonia | — | ||
| 4-18 | Alexander's Ragtime Band | — | ||
| 4-20 | It's Only a Paper Moon | — | ||
| 4-21 | Maple Leaf Rag | — |
At the Jazz Band Ball
—
Way Down Yonder in New Orleans
—
Snake's Hips
—
Tiger Rag
—
Eccentric
—
Morning After Blues
—
Riverboat Shuffle
—
Arabella's Wedding Day
—
Sugar Foot Stomp
—
Stomp Your Feet
—
You Don't Like It, Not Much
—
Miss Annabelle Lee
—
Grieving for You
—
Dixie
—
A Dicky Bird Told Me So
—
Two Guitars
—
Nobody's Sweetheart
—
Miranda
—
Love Me or Leave Me
—
That's a Plenty
—
Song of the Dawn
—
Sobbin' Blues
—
St. Louis Blues
—
Funny Dear, What Love Can Do
—
Allah's Holidays
—
Bessie Couldn't Help It
—
Buddy's Wednesday Outing
—
Sunny Side of the Street, Part 2
—
Ain't Misbehavin
—
Duke Ellington Talking to Percy Mathison Brooks
—
Hyde Park
—
Jazz Cocktail
—
Japanese Sandman
—
Ellingtonia, Introducing Black and Tan, Fantasy, It Don't Mean a Thing, Mood Indigo, Bugle Call Rag
—
Jitter Bug
—
Romantic Joe
—
I Ain't Got Nobody
—
I Wish I Were Twins
—
Fascinating Rhythm
—
Stars Fell on Alabama
—
Sheik of Araby
—
Some of These Days
—
Hummin' to Myself
—
Singin' the Blues
—
Nightfall
—
Is It True What They Say About Dixie
—
Just a Mood
—
Lady Be Good
—
Gin and Jive
—
King Porter Stomp
—
Cotton Pickers Congregation
—
Amoresque
—
Blue Murder
—
If You Were the Only Girl in the World
—
Have You Got Any Castles, Baby?
—
I'm Crazy 'Bout My Baby
—
Ain't Misbehavin'
—
Lambeth Walk
—
Snakehips Swing
—
10 a.m. Blues
—
My Melancholy Baby
—
Darktown Strutters Ball
—
Stardust
—
I Heard
—
The Java Joint
—
Tea for Two
—
Blue Skies
—
Red Duster Rag
—
Bugle Call Rag
—
Buddy's Blues
—
Rockin' The Blues
—
I'm Comin' Virginia
—
Five Flat Flurry
—
Swing Low Sweet Chariot
—
Dick's Boogie
—
In a Little Spanish Town
—
165 Blues
—
Bakerloo Non-Stop
—
Hey Ba-Ba-Rebop
—
Blue Charm
—
Rockin' in Rhythm
—
When the Saints Go Marching In
—
Blue Moon
—
Thriving on a Riff
—
Five Guys Named Moe
—
Mop Mop
—
I Can't Get Started
—
Shim-Me-Sha-Wabble
—
Wolverine Blues
—
Jazz Club Stomp
—
Wee Dot
—
Lover Man
—
Gone With the Windmill
—
Blues in Thirds
—
BBC Broadcast/ Hi, Gang!, Put Your Shoes On, Lucy, the World Is Waiting for the Sunrise
—
Lyonia
—
Alexander's Ragtime Band
—
It's Only a Paper Moon
—
Maple Leaf Rag
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-010434930-5T-010490850-0T-010770254-4T-031563049-9T-031885275-3T-070007927-1T-070011746-9T-070097430-6T-070187554-8T-070197698-8
+40 more
T-070199941-8T-070200602-7T-070262875-8T-070268668-7T-070902519-3T-070906081-0T-070906902-2T-070907672-1T-070918068-6T-071056299-4T-071067465-9T-071069416-8T-071070451-0T-071070452-1T-071397822-3T-071520013-7T-302067080-4T-700078319-9T-800126371-5T-800139721-4T-800197325-8T-800263634-3T-800267181-1T-800268641-2T-800365157-9T-802458253-5T-900300632-4T-900306434-4T-900755998-0T-900758058-7T-901131528-9T-901132017-5T-901136242-8T-902688204-2T-905997637-3T-909754671-9T-909757020-2T-909757021-3T-910406017-5T-914725512-7
Songwriters/Publishers (IPI)
Credits Graph
People also ask
SourcesMusicBrainzDiscogs2 sources
Verified on
What is UPC 805520020886?
805520020886 is a Universal Product Code (UPC) assigned to Jazz in Britain 1919-1950 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 99 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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