UPC · Release
Miss Wonderful
Peggy Lee
Last verified:
805520021081 is the Universal Product Code (UPC barcode) for the release “Miss Wonderful” by Peggy Lee, released 2006-01-01 on Proper Records (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 104 tracks, each with its own ISRC. Tracks include USCA24700009, USCA28900602, USCA28900603.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (104)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ain’t Going No Place | — | ||
| 2 | That Old Feeling | — | ||
| 3 | Baby (Is What He Calls Me) | — | ||
| 4 | Waitin’ for the Train to Come In | — | ||
| 5 | I’m Glad I Waited for You | — | ||
| 6 | I Don’t Know Enough About You | — | ||
| 7 | Linger in My Arms a Little Longer, Baby | — | ||
| 8 | It’s a Good Day | — | ||
| 9 | A Nightingale Can Sing the Blues | — | ||
| 10 | It’s All Over Now | — | ||
| 11 | Aren’t You Kind of Glad We Did? | — | ||
| 12 | She Didn’t Say Yes | — | ||
| 13 | Birmingham Jail | — | ||
| 14 | It’s Lovin’ Time | — | ||
| 15 | Everything’s Movin’ Too Fast | — | ||
| 16 | Swing Low, Sweet Chariot | — | ||
| 17 | Somebody Loves Me | — | ||
| 18 | Chi‐baba Chi‐baba (My Bambino Go to Sleep) | Peggy Lee, Dave Barbour and His Orchestra | T-070.024.619-0 | |
| 19 | It Takes a Long Long Train With a Red Caboose | — | ||
| 20 | Just an Old Love of Mine | — | ||
| 21 | There’ll Be Some Changes Made | — | ||
| 22 | I’ll Dance at Your Wedding | — | ||
| 23 | Sugar (That Sugar Baby of Mine) | — | ||
| 24 | Golden Earrings | — | ||
| 25 | I Can’t Give You Anything but Love | — | ||
| 2-1 | Talkin’ to Myself About You | — | ||
| 2-2 | Why Don’t You Do Right | — | ||
| 2-3 | ’Deed I Do | Peggy Lee | T-070.038.677-1 | |
| 2-4 | Hold Me | — | ||
| 2-5 | Them There Eyes | — | ||
| 2-6 | Baby Don’t Be Mad at Me | — | ||
| 2-7 | Everybody Loves Somebody | — | ||
| 2-8 | Laroo, Laroo, Lilli Bolero | — | ||
| 2-9 | Caramba! It’s the Samba | — | ||
| 2-10 | Manana (Is Soon Enough for Me) | — | ||
| 2-11 | All Dressed Up With a Broken Heart | — | ||
| 2-12 | While We’re Young | — | ||
| 2-13 | For Every Man There’s a Woman | — | ||
| 2-14 | Just a Shade on the Blue Side | — | ||
| 2-15 | Bubble-Loo, Bubble-Loo | — | ||
| 2-16 | Don’t Smoke in Bed | Peggy Lee | T-070.261.063-6 | |
| 2-17 | Please Love Me Tonight | — | ||
| 2-18 | Bali Ha’i | Peggy Lee | T-070.010.190-1 | |
| 2-19 | I’m Gonna Wash That Man Right Out of My Hair | — | ||
| 2-20 | Riders in the Sky (A Cowboy Legend) | Peggy Lee | T-070.126.649-0 | |
| 2-21 | Crazy He Calls Me | — | ||
| 2-22 | Coney Island | — | ||
| 2-23 | Got the Gate on the Golden Gate | — | ||
| 2-24 | The Old Master Painter | — | ||
| 2-25 | Cannonball Express | — | ||
| 3-1 | Show Me the Way to Get Out of This World (’Cause That’s Where Everything Is) | — | ||
| 3-2 | Lover Come Back to Me | — | ||
| 3-3 | I’ve Had My Moments | — | ||
| 3-4 | I Should Care | — | ||
| 3-5 | Someday Sweetheart | — | ||
| 3-6 | September in the Rain | — | ||
| 3-7 | That Old Gang of Mine | — | ||
| 3-8 | Nice Work If You Can Get It | — | ||
| 3-9 | I’m Beginning to See the Light | — | ||
| 3-10 | Gone With the Wind | — | ||
| 3-11 | Don’t Blame Me | — | ||
| 3-12 | Baby Won’t You Please Come Home | — | ||
| 3-13 | My Last Affair | — | ||
| 3-14 | I’m Confessin’ | — | ||
| 3-15 | Where Are You | — | ||
| 3-16 | (When I Dance With You) I Get Ideas | — | ||
| 3-17 | Don’t Fan the Flame | — | ||
| 3-18 | Forgive Me | — | ||
| 3-19 | Be Anything (But Me Mine) | — | ||
| 3-20 | I’m Glad There Is You | — | ||
| 3-21 | You Go to My Head | — | ||
| 3-22 | Just One of Those Things | — | ||
| 3-23 | Lover | — | ||
| 3-24 | Sans Souci | — | ||
| 3-25 | River River | — | ||
| 3-26 | Go You Where You Go | — | ||
| 4-1 | That’s Him Over There | — | ||
| 4-2 | I Hear the Music Now | — | ||
| 4-3 | This Is a Very Special Day | — | ||
| 4-4 | (Sorry Baby) You Let My Love Get Cold | — | ||
| 4-5 | I’ve Got You Under My Skin | — | ||
| 4-6 | I Didn’t Know What Time It Was | — | ||
| 4-7 | Love Me or Leave Me | — | ||
| 4-8 | Easy Living | Peggy Lee | T-070.049.098-7 | |
| 4-9 | A Woman Alone With the Blues | Peggy Lee | T-070.200.605-0 | |
| 4-10 | My Heart Belongs to Daddy | Peggy Lee | T-070.110.901-4 | |
| 4-11 | Black Coffee | Peggy Lee | T-070.011.447-1 | |
| 4-12 | When the World Was Young | Peggy Lee | T-900.755.464-5 | |
| 4-13 | Baubles, Bangles and Beads | — | ||
| 4-14 | Johnny Guitar | — | ||
| 4-15 | Autumn in Rome | — | ||
| 4-16 | Love, You Didn’t Do Right by Me | — | ||
| 4-17 | The Gypsy With Fire in His Shoes | — | ||
| 4-18 | Let Me Go Lover | — | ||
| 4-19 | What Can I Say After I Say I’m Sorry | — | ||
| 4-20 | I’m Gonna Meet My Sweetie Now | — | ||
| 4-21 | Oh, Didn’t He Ramble | — | ||
| 4-22 | Sugar | — | ||
| 4-23 | Somebody Loves Me | Peggy Lee | T-011.606.516-7 | |
| 4-24 | I Never Knew | — | ||
| 4-25 | Bye, Bye, Blackbird | Peggy Lee | T-070.013.021-7 | |
| 4-26 | He Needs Me | — | ||
| 4-27 | Sing a Rainbow | Peggy Lee | T-070.135.593-2 | |
| 4-28 | Me | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 805520021081?
805520021081 is a Universal Product Code (UPC) assigned to Miss Wonderful by Peggy Lee. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 104 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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