UPC · Release
60 Essential Recordings
Roy Orbison
Last verified:
805520131674 is the Universal Product Code (UPC barcode) for the release “60 Essential Recordings” by Roy Orbison, released 2017-01-01 on Big3. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 60 tracks, each with its own ISRC. Tracks include ITCF41402573, USOR49700027, USSE60370276.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (60)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Only the Lonely (Know the Way I Feel) | Roy Orbison | T-070.242.766-4 | |
| 2 | Running Scared | Roy Orbison | T-901.349.783-1 | |
| 3 | Ooby Dooby | — | ||
| 4 | Trying to Get to You | — | ||
| 5 | Domino | — | ||
| 6 | Rock House | — | ||
| 7 | Go! Go! Go! (Down the Line) | — | ||
| 8 | You’re My Baby | Roy Orbison | T-901.128.037-8 | |
| 9 | Sweet and Easy to Love | Roy Orbison | T-700.068.782-3 | |
| 10 | Devil Doll | — | ||
| 11 | Chicken-Hearted | — | ||
| 12 | I Like Love | Roy Orbison | T-700.025.739-8 | |
| 13 | Mean Little Mama | — | ||
| 14 | Problem Child | — | ||
| 15 | I Was a Fool | — | ||
| 16 | You’re Gonna Cry | Roy Orbison | T-700.083.522-5 | |
| 17 | This Kind of Love | — | ||
| 18 | It’s Too Late | — | ||
| 19 | I Never Knew | — | ||
| 20 | Seems to Me | — | ||
| 2-1 | Crying | Roy Orbison | T-073.369.128-5 | |
| 2-2 | Candy Man | Roy Orbison | T-918.222.770-9 | |
| 2-3 | Blue Angel | Roy Orbison | T-071.074.861-0 | |
| 2-4 | I’m Hurtin’ | Roy Orbison | T-071.145.432-8 | |
| 2-5 | Sweet and Innocent | — | ||
| 2-6 | I’ll Never Tell | — | ||
| 2-7 | Almost Eighteen | — | ||
| 2-8 | Jolie | — | ||
| 2-9 | Paper Boy | — | ||
| 2-10 | With the Bug | Roy Orbison | T-071.237.610-7 | |
| 2-11 | Uptown | Roy Orbison | T-071.230.832-1 | |
| 2-12 | Pretty One | Roy Orbison | T-071.208.521-6 | |
| 2-13 | Blue Avenue | — | ||
| 2-14 | Here Comes That Song Again | — | ||
| 2-15 | Today’s Teardrops | — | ||
| 2-16 | I’ll Say It’s My Fault | — | ||
| 2-17 | Bye Bye Love | — | ||
| 2-18 | Cry | — | ||
| 2-19 | I Can’t Stop Loving You | Roy Orbison | T-010.937.857-5 | |
| 2-20 | Come Back to Me (My Love) | — | ||
| 3-1 | Dream Baby (How long Must I Dream?) | — | ||
| 3-2 | Love Hurts | Roy Orbison | T-072.287.071-4 | |
| 3-3 | Leah | Roy Orbison | T-071.000.685-1 | |
| 3-4 | The Crowd | Roy Orbison | T-910.219.863-0 | |
| 3-5 | Working for the Man | Roy Orbison | T-070.940.868-3 | |
| 3-6 | (I’d Be) A Legend in My Time | Roy Orbison | T-070.240.515-9 | |
| 3-7 | Raindrops | — | ||
| 3-8 | Twenty-Two Days | — | ||
| 3-9 | Let’s Make a Memory | — | ||
| 3-10 | Nite Life | — | ||
| 3-11 | Summer Song | — | ||
| 3-12 | Loneliness | — | ||
| 3-13 | Dance | — | ||
| 3-14 | Lana | — | ||
| 3-15 | She Wears My Ring | — | ||
| 3-16 | The Great Pretender | — | ||
| 3-17 | Wedding Day | Roy Orbison | T-912.976.608-1 | |
| 3-18 | Evergreen | — | ||
| 3-19 | The Actress | — | ||
| 3-20 | Mama | — |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Workin’ for the Man | Roy Orbison | T-070.940.868-3 |
What other identifiers does this connect to?
Musical Works (ISWC)
+60 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 805520131674?
805520131674 is a Universal Product Code (UPC) assigned to 60 Essential Recordings by Roy Orbison. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 60 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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