UPC · Release
Joan Baez
Last verified:
The UPC for “How Sweet the Sound” by Joan Baez is 805520300032. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2009-01-01. Label: Proper Records (2). This release contains 41 tracks, each with its own ISRC. Tracks include USVG28808897, USA217300010.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Movie - Vorspann | — | ||
| 2 | Movie - Kindheit und Jugend (Teil 1) | — | ||
| 3 | Movie - Kindheit und Jugend (Teil 2) | — | ||
| 4 | Movie - Der Aufstieg | — | ||
| 5 | Movie - Engagement in der Bürgerrechtsbewegung (Teil 1) | — | ||
| 6 | Movie - Engagement in der Bürgerrechtsbewegung (Teil 2) | — | ||
| 7 | Movie - Die Zeit mit Bob Dylan | — | ||
| 8 | Movie - Mutterschaft, Heirat, Gefängnis, Scheidung (Teil 1) | — | ||
| 9 | Movie - Mutterschaft, Heirat, Gefängnis, Scheidung (Teil 2) | — | ||
| 10 | Movie - Im Angesicht des Krieges | — | ||
| 11 | Movie - Engagement für den Frieden nach Vietnam (Teil 1) | — | ||
| 12 | Movie - Engagement für den Frieden nach Vietnam (Teil 2) | — | ||
| 13 | Movie - Verlust und Abschluss | — | ||
| 14 | Movie - Abspann | — | ||
| 15 | Bonus Content - Conversations With Joan Baez - Dar Williams | — | ||
| 16 | Bonus Content - Conversations With Joan Baez - Bill Fegan And Bishop Earnest Palmer | — | ||
| 17 | Bonus Content - Conversations With Joan Baez - Vaclav Havel | — | ||
| 18 | Bonus Content - Conversations With Joan Baez - Steve Earle | — | ||
| 19 | Bonus Content - Interview Outtakes - Early Family Life | — | ||
| 20 | Bonus Content - Interview Outtakes - Musical Roots | — | ||
| 21 | Bonus Content - Interview Outtakes - Early Career Choices | — | ||
| 22 | Bonus Content - Interview Outtakes - First Newport Folk Festival | — | ||
| 23 | Bonus Content - Interview Outtakes - Buying a Jaguar | — | ||
| 24 | Bonus Content - Interview Outtakes - Family Life Now | — | ||
| 25 | Bonus Content - Cambridge Performance, 1958 - I Never Will Marry | — | ||
| 26 | Bonus Content - Cambridge Performance, 1958 - Barbara Allen | — | ||
| 2-1 | Man Smart, Woman Smarter | — | ||
| 2-2 | I Never Will Marry | — | ||
| 2-3 | Barbara Allen | — | ||
| 2-4 | Silver Dagger | Joan Baez | — | |
| 2-5 | Fennario | — | ||
| 2-6 | Oh Freedom | — | ||
| 2-7 | With God on Our Side | — | ||
| 2-8 | A Song for David | — | ||
| 2-9 | The Night They Drove Old Dixie Down | Joan Baez | T-070.153.733-8 | |
| 2-10 | Carry It On | — | ||
| 2-11 | I Pity the Poor Immigrant | — | ||
| 2-12 | Diamonds and Rust | — | ||
| 2-13 | Love Song to a Stranger | — | ||
| 2-14 | Day After Tomorrow | — | ||
| 2-15 | Jerusalem | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
805520300032 is a Universal Product Code (UPC) assigned to How Sweet the Sound by Joan Baez. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 41 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
Creative Contributors (ISNI)
The UPC for “How Sweet the Sound” by Joan Baez is 805520300032. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2009-01-01. Label: Proper Records (2). This release contains 41 tracks, each with its own ISRC. Tracks include USVG28808897, USA217300010.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Movie - Vorspann | — | ||
| 2 | Movie - Kindheit und Jugend (Teil 1) | — | ||
| 3 | Movie - Kindheit und Jugend (Teil 2) | — | ||
| 4 | Movie - Der Aufstieg | — | ||
| 5 | Movie - Engagement in der Bürgerrechtsbewegung (Teil 1) | — | ||
| 6 | Movie - Engagement in der Bürgerrechtsbewegung (Teil 2) | — | ||
| 7 | Movie - Die Zeit mit Bob Dylan | — | ||
| 8 | Movie - Mutterschaft, Heirat, Gefängnis, Scheidung (Teil 1) | — | ||
| 9 | Movie - Mutterschaft, Heirat, Gefängnis, Scheidung (Teil 2) | — | ||
| 10 | Movie - Im Angesicht des Krieges | — | ||
| 11 | Movie - Engagement für den Frieden nach Vietnam (Teil 1) | — | ||
| 12 | Movie - Engagement für den Frieden nach Vietnam (Teil 2) | — | ||
| 13 | Movie - Verlust und Abschluss | — | ||
| 14 | Movie - Abspann | — | ||
| 15 | Bonus Content - Conversations With Joan Baez - Dar Williams | — | ||
| 16 | Bonus Content - Conversations With Joan Baez - Bill Fegan And Bishop Earnest Palmer | — | ||
| 17 | Bonus Content - Conversations With Joan Baez - Vaclav Havel | — | ||
| 18 | Bonus Content - Conversations With Joan Baez - Steve Earle | — | ||
| 19 | Bonus Content - Interview Outtakes - Early Family Life | — | ||
| 20 | Bonus Content - Interview Outtakes - Musical Roots | — | ||
| 21 | Bonus Content - Interview Outtakes - Early Career Choices | — | ||
| 22 | Bonus Content - Interview Outtakes - First Newport Folk Festival | — | ||
| 23 | Bonus Content - Interview Outtakes - Buying a Jaguar | — | ||
| 24 | Bonus Content - Interview Outtakes - Family Life Now | — | ||
| 25 | Bonus Content - Cambridge Performance, 1958 - I Never Will Marry | — | ||
| 26 | Bonus Content - Cambridge Performance, 1958 - Barbara Allen | — | ||
| 2-1 | Man Smart, Woman Smarter | — | ||
| 2-2 | I Never Will Marry | — | ||
| 2-3 | Barbara Allen | — | ||
| 2-4 | Silver Dagger | Joan Baez | — | |
| 2-5 | Fennario | — | ||
| 2-6 | Oh Freedom | — | ||
| 2-7 | With God on Our Side | — | ||
| 2-8 | A Song for David | — | ||
| 2-9 | The Night They Drove Old Dixie Down | Joan Baez | T-070.153.733-8 | |
| 2-10 | Carry It On | — | ||
| 2-11 | I Pity the Poor Immigrant | — | ||
| 2-12 | Diamonds and Rust | — | ||
| 2-13 | Love Song to a Stranger | — | ||
| 2-14 | Day After Tomorrow | — | ||
| 2-15 | Jerusalem | — |
