UPC · Album
Generation ’80s
Various Artists
Last verified:
809167544620 is the Universal Product Code (UPC barcode) for the release “Generation ’80s” by Various Artists, released 2001-01-01 on Warner Special Products. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 30 tracks, each with its own ISRC. Tracks include AUSM08100002, AUWC41010226, AUWC41010363.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (94)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Down Under | Men at Work | AUSM08100002 |
| New Sensation | INXS | AUWC41010226 |
| New Sensation | INXS | AUWC41010363 |
| St. Elmo’s Fire (Man in Motion) | John Parr | DEAF70908091 |
| Bizarre Love Triangle | New Order | GB0028775500 |
| Bizarre Love Triangle | New Order | GB1302400650 |
| Our House | Madness | GB7GZ1000033 |
| Our House | Madness | GBAAA8200033 |
| Karma Chameleon | Culture Club | GBAAA8300010 |
| If You Leave | Orchestral Manoeuvres in the Dark | GBAAA8600027 |
| Heart & Soul | T’Pau | GBAAA8700132 |
| Our House | Madness | GBAAA9900589 |
| Bizarre Love Triangle | New Order | GBAAP0001137 |
| She Drives Me Crazy | Fine Young Cannibals | GBAAP2000255 |
| She Drives Me Crazy | Fine Young Cannibals | GBAAP2500352 |
| She Drives Me Crazy | Fine Young Cannibals | GBAAP8790001 |
| She Drives Me Crazy | Fine Young Cannibals | GBAAP9300297 |
| Things Can Only Get Better | Howard Jones | GBAHS0200071 |
| Back on the Chain Gang | Pretenders | GBAHT0105516 |
| Back on the Chain Gang | Pretenders | GBAHT0700187 |
| Back on the Chain Gang | Pretenders | GBAHT0900194 |
| Back on the Chain Gang | Pretenders | GBAHT1800233 |
| Back on the Chain Gang | Pretenders | GBAHT9500542 |
| Jeopardy | Greg Kihn Band | GBAJE8300038 |
| Chains of Love | Erasure | GBAJH0000271 |
| Chains of Love | Erasure | GBAJH0900814 |
| New Sensation | INXS | GBAMX8700009 |
| She Drives Me Crazy | Fine Young Cannibals | GBAMY1300001 |
| She Drives Me Crazy | Fine Young Cannibals | GBAMY8800001 |
| Hungry Like the Wolf | Duran Duran | GBAYE8200051 |
| Hungry Like the Wolf | Duran Duran | GBAYE8200056 |
| Always Something There to Remind Me | Naked Eyes | GBAYE8300112 |
| Bizarre Love Triangle | New Order | GBCRL0800403 |
| She Drives Me Crazy | Fine Young Cannibals | GBCRL0800754 |
| Bizarre Love Triangle | New Order | GBCRL0900211 |
| Our House | Madness | GBCZR8200009 |
| Tainted Love | Soft Cell | GBF088100001 |
| Tainted Love | Soft Cell | GBF088100017 |
| Tainted Love | Soft Cell | GBF088100120 |
| Tainted Love / Where Did Our Love Go (original 12″) | Soft Cell | GBFO88100017 |
| Our House | Madness | GBHVK0900444 |
| St. Elmo’s Fire (Man in Motion) | John Parr | GBMVM0600001 |
| If You Leave | Orchestral Manoeuvres in the Dark | GBUM71902233 |
| Tainted Love | Soft Cell | GBUM72304240 |
| Down Under | Men at Work | NLB638140003 |
| Always Something There to Remind Me | Naked Eyes | UKKP21800044 |
| Always Something There to Remind Me | Naked Eyes | UKKP22500720 |
| 867‒5309/Jenny | Tommy Tutone | USA560905074 |
| I Can't Wait | Nu Shooz | USAT20001705 |
| St. Elmo’s Fire (Man in Motion) | John Parr | USAT20105874 |
| St. Elmo’s Fire (Man in Motion) | John Parr | USAT20181241 |
| I Can’t Wait | Nu Shooz | USAT20400888 |
| Owner of a Lonely Heart | Yes | USAT20702539 |
| Gloria | Laura Branigan | USAT20903895 |
| St. Elmo’s Fire (Man in Motion) | John Parr | USAT21101216 |
| I Can’t Wait | Nu Shooz | USAT21205864 |
| New Sensation | INXS | USAT29901631 |
| She’s a Beauty | The Tubes | USCA28700982 |
| Magic | The Cars | USEE10100558 |
| Owner of a Lonely Heart | Yes | USEE10251096 |
| Owner of a Lonely Heart | Yes | USEE10301081 |
| Owner of a Lonely Heart | Yes | USEE10801563 |
| Magic | The Cars | USEE11000103 |
| Magic | The Cars | USEE11200113 |
| Owner of a Lonely Heart | Yes | USEE11200770 |
| Owner of a Lonely Heart | Yes | USEE11200790 |
| Magic | The Cars | USEE11700316 |
| Owner of a Lonely Heart | Yes | USEW19900107 |
| Our House | Madness | USGF18200301 |
| I Can’t Wait | Nu Shooz | USGMP0800022 |
| Right On Track | Breakfast Club | USMC18721208 |
| Bizarre Love Triangle | New Order | USQW10000011 |
| Kyrie | Mr. Mister | USRC10100412 |
| Love Shack | The B-52s | USRE10400715 |
| Love Shack | The B-52s | USRE10801410 |
| Love Shack | The B-52s | USRE18900030 |
| She Drives Me Crazy | Fine Young Cannibals | USRH10901907 |
| Magic | The Cars | USRH11509812 |
| Take On Me | a-ha | USRH11600696 |
| Love Shack | The B-52s | USRH11901970 |
| Down Under | Men at Work | USSM18100058 |
| Down Under | Men at Work | USSM18100411 |
| 867‒5309/Jenny | Tommy Tutone | USSM18100804 |
| Life in a Northern Town | The Dream Academy | USWB10107349 |
| Take On Me | a-ha | USWB10403931 |
| Life in a Northern Town | The Dream Academy | USWB10808463 |
| Take On Me | a-ha | USWB10808467 |
| Take On Me | a-ha | USWB11001072 |
| Take On Me | a-ha | USWB11001328 |
| Life in a Northern Town | The Dream Academy | USWB11202722 |
| Take On Me | a-ha | USWB11202727 |
| Take On Me | a-ha | USWB11506474 |
| Back on the Chain Gang | Pretenders | USWB19900768 |
| Take On Me | a-ha | USWB19901214 |
What other identifiers does this connect to?
Musical Works (ISWC)
+48 more
Songwriters/Publishers (IPI)
People also ask
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What is UPC 809167544620?
809167544620 is a Universal Product Code (UPC) assigned to Generation ’80s by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 30 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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