UPC · Release
The Greatest 80’s Soul Weekender
Various Artists
Last verified:
809274000620 is the Universal Product Code (UPC barcode) for the release “The Greatest 80’s Soul Weekender” by Various Artists, released 2001-01-01 on Warner Strategic Marketing United Kingdom. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 40 tracks, each with its own ISRC. Tracks include USSM10106964, USF068400210, USPR37900051.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (40)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Never Too Much | Luther Vandross | T-070.154.573-4 | |
| 2 | Ain’t Nobody | Rufus, Chaka Khan | T-924.581.428-2 | |
| 3 | You’re the One for Me | — | ||
| 4 | You Can Do It | — | ||
| 5 | Check Out the Groove | — | ||
| 6 | Ladies Night | Kool & the Gang | T-070.100.650-9 | |
| 7 | Can You Handle It | — | ||
| 8 | Running Away | — | ||
| 9 | Ain’t No Stoppin’ Us Now | McFadden & Whitehead | T-911053586-9 | |
| 10 | I Found Lovin’ (remix) | The Fatback Band | T-070.083.367-5 | |
| 11 | We Got the Funk | — | ||
| 12 | It’s a Love Thing | — | ||
| 13 | I Don’t Wanna Be a Freak | — | ||
| 14 | I Shoulda Loved Ya | Narada Michael Walden | T-911063058-5 | |
| 15 | Don’t Push It Don’t Force It | Leon Haywood | T0702337470 | |
| 16 | Let the Music Play | Shannon | T-070101447-2 | |
| 17 | Movin’ | Brass Construction | T-071.001.042-6 | |
| 18 | The Glow of Love | Change | T-071182787-0 | |
| 19 | Love Has Come Around | Donald Byrd | — | |
| 20 | Don’t Stop the Music | Yarbrough & Peoples | T-911057720-3 | |
| 2-1 | Somebody Else’s Guy | Jocelyn Brown | T-070145687-2 | |
| 2-2 | Now That We Found Love | Third World | T-070242589-5 | |
| 2-3 | A Night to Remember | — | ||
| 2-4 | And the Beat Goes On | The Whispers | T-071.056.456-9 | |
| 2-5 | Get Tough | — | ||
| 2-6 | Trapped | — | ||
| 2-7 | Behind the Groove | Teena Marie | T-071.074.240-7 | |
| 2-8 | Boogie Wonderland | Earth, Wind & Fire, The Emotions | T-042106031-2 | |
| 2-9 | Super Freak | Rick James | T-070.144.382-4 | |
| 2-10 | Jump to the Beat | Stacy Lattisaw | T-070.090.101-4 | |
| 2-11 | Good Times | Chic | T-070.067.168-6 | |
| 2-12 | We Are Family | Sister Sledge | T-070203719-1 | |
| 2-13 | I Love Music | — | ||
| 2-14 | Feel So Real | — | ||
| 2-15 | Forget Me Nots | Patrice Rushen | T-070058029-5 | |
| 2-16 | Just a Touch of Love | — | ||
| 2-17 | Searching | — | ||
| 2-18 | Yah Mo B There | James Ingram, Michael McDonald | T-070935185-8 | |
| 2-19 | Young Hearts | — | ||
| 2-20 | Rapper’s Delight | The Sugarhill Gang | T-913.437.593-2 |
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| I Found Lovin’ (12″ version) | Fatback Band | T-070083367-5 |
| We Are Family (single edit) | Sister Sledge | T-070203719-1 |
| Got to Get You Into My Life | Earth, Wind & Fire | T-010162856-1 |
What other identifiers does this connect to?
Musical Works (ISWC)
+51 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+25 more
Identifier Graph
People also ask
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What is UPC 809274000620?
809274000620 is a Universal Product Code (UPC) assigned to The Greatest 80’s Soul Weekender by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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