UPC · Release
Miles Davis
Last verified:
The UPC for “The Complete Miles Davis at Montreux: 1973–1991” by Miles Davis is 809274183620. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2002-01-01. Label: Warner Music Switzerland. This release contains 132 tracks, each with its own ISRC. Tracks include USRH11505551, USWB10103313, USRH11505555.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Miles in Montreux ’73, Part 1 | — | ||
| 2 | Miles in Montreux ’73, Part 2 | — | ||
| 2-1 | Ife | — | ||
| 2-2 | Calypso Frelimo | — | ||
| 2-3 | Miles in Montreux ’73, Part 3 | — | ||
| 3-1 | Speak / That’s What Happened | — | ||
| 3-2 | Star People | — | ||
| 3-3 | What It Is | — | ||
| 3-4 | It Gets Better | — | ||
| 3-5 | Something’s on Your Mind | — | ||
| 4-1 | Time After Time | — | ||
| 4-2 | Hopscotch / Star on Cicely | — | ||
| 4-3 | Bass Solo | — | ||
| 4-4 | Jean‐Pierre | — | ||
| 4-5 | Lake Geneva | — | ||
| 4-6 | Something’s on Your Mind (reprise) | — | ||
| 5-1 | Speak / That’s What Happened | — | ||
| 5-2 | Star People | — | ||
| 5-3 | What It Is | — | ||
| 5-4 | It Gets Better | — | ||
| 5-5 | Something’s on Your Mind | — | ||
| 6-1 | Time After Time | — | ||
| 6-2 | Hopscotch / Star on Cicely | — | ||
| 6-3 | Bass Solo | — | ||
| 6-4 | Jean Pierre | — | ||
| 6-5 | Lake Geneva | — | ||
| 6-6 | Something’s on Your Mind (reprise) | — | ||
| 6-7 | Code M.D. | — | ||
| 7-1 | Theme From Jack Johnson: One Phone Call / Street Scenes / That’s What Happened | — | ||
| 7-2 | Star People | — | ||
| 7-3 | Maze | — | ||
| 7-4 | Human Nature | — | ||
| 7-5 | MD 1 / Something’s on Your Mind / MD 2 | — | ||
| 7-6 | Time After Time | — | ||
| 7-7 | Ms. Morrisine | — | ||
| 8-1 | Code M.D. | — | ||
| 8-2 | Pacific Express | — | ||
| 8-3 | Katia | — | ||
| 8-4 | Hopscotch | — | ||
| 8-5 | You’re Under Arrest | — | ||
| 8-6 | Jean‐Pierre / You’re Under Arrest / Then There Were None | — | ||
| 8-7 | Decoy | — | ||
| 9-1 | Theme From Jack Johnson: One Phone Call / Street Scenes / That’s What Happened | — | ||
| 9-2 | Star People | — | ||
| 9-3 | Maze | — | ||
| 9-4 | Human Nature | — | ||
| 9-5 | MD 1 / Something’s on Your Mind / MD 2 | — | ||
| 9-6 | Time After Time | — | ||
| 10-1 | Ms. Morrisine | — | ||
| 10-2 | Code M.D. | — | ||
| 10-3 | Pacific Express | — | ||
| 10-4 | Katia | — | ||
| 10-5 | Hopscotch | — | ||
| 10-6 | You’re Under Arrest | — | ||
| 10-7 | Jean‐Pierre / You’re Under Arrest / Then There Were None | — | ||
| 10-8 | Decoy | — | ||
| 11-1 | Theme From Jack Johnson: One Phone Call / Street Scenes / That’s What Happened | — | ||
| 11-2 | New Blues | — | ||
| 11-3 | Maze | — | ||
| 11-4 | Human Nature | — | ||
| 11-5 | Wrinkle | — | ||
| 11-6 | Tutu | — | ||
| 11-7 | Splatch | — | ||
| 12-1 | Time After Time | — | ||
| 12-2 | Al Jarreau | — | ||
| 12-3 | Carnival Time | — | ||
| 12-4 | Burn | — | ||
| 12-5 | Portia | — | ||
| 12-6 | Jean‐Pierre | — | ||
| 13-1 | In a Silent Way | — | ||
| 13-2 | Intruder | — | ||
| 13-3 | New Blues | — | ||
| 13-4 | Perfect Way | — | ||
| 13-5 | The Senate / Me & U | — | ||
| 13-6 | Human Nature | — | ||
| 13-7 | Wrinkle | — | ||
| 13-8 | Tutu | — | ||
| 13-9 | Time After Time | — | ||
| 14-1 | Movie Star | — | ||
| 14-2 | Splatch | — | ||
| 14-3 | Heavy Metal Prelude | — | ||
| 14-4 | Heavy Metal | — | ||
| 14-5 | Don’t Stop Me Now | — | ||
| 14-6 | Carnival Time | — | ||
| 14-7 | Jean‐Pierre | — | ||
| 14-8 | Tomaas | — | ||
| 15-1 | Intruder | — | ||
| 15-2 | New Blues | — | ||
| 15-3 | Perfect Way | — | ||
| 15-4 | Hannibal | — | ||
| 15-5 | Human Nature | — | ||
| 15-6 | Mr. Pastorius | — | ||
| 15-7 | Tutu | — | ||
| 16-1 | Jilli | — | ||
| 16-2 | Time After Time | — | ||
| 16-3 | Jo Jo | — | ||
| 16-4 | Amandla | — | ||
| 16-5 | The Senate / Me & U | — | ||
| 16-6 | Wrinkle | — | ||
| 16-7 | Portia | — | ||
| 17-1 | Perfect Way | — | ||
| 17-2 | New Blues | — | ||
| 17-3 | Hannibal | — | ||
| 17-4 | The Senate / Me & U | — | ||
| 17-5 | In the Night | — | ||
| 17-6 | Human Nature | — | ||
| 17-7 | Time After Time | — | ||
| 18-1 | Wrinkle | — | ||
| 18-2 | Tutu | — | ||
| 18-3 | Don’t Stop Me Now | — | ||
| 18-4 | Carnival Time | — | ||
| 19-1 | Introduction by Claude Nobs and Quincy Jones | Miles Davis, Quincy Jones | T-904.737.154-0 | |
| 19-2 | Boplicity | Miles Davis, Quincy Jones | T-070.233.104-1 | |
| 19-3 | Introduction to “Miles Ahead Medley” / Springsville | — | ||
| 19-4 | Maids of Cadiz | Miles Davis, Quincy Jones | — | |
| 19-5 | The Duke | Miles Davis, Quincy Jones | — | |
| 19-6 | My Ship | Miles Davis, Quincy Jones | T-070.111.363-4 | |
| 19-7 | Miles Ahead | Miles Davis, Quincy Jones | T-905.297.131-0 | |
| 19-8 | Blues for Pablo | Miles Davis, Quincy Jones | — | |
| 19-9 | Introduction to Porgy and Bess Medley | Miles Davis, Quincy Jones | — | |
| 19-10 | Orgone | Miles Davis, Quincy Jones | T-070.939.771-6 | |
| 19-11 | Gone, Gone, Gone | Miles Davis, Quincy Jones | T-070.064.767-1 | |
| 19-12 | Summertime | Miles Davis, Quincy Jones | T-800.364.991-1 | |
| 19-13 | Here Come de Honey Man | Miles Davis, Quincy Jones | T-900.017.926-0 | |
| 19-14 | The Pan Piper | Miles Davis, Quincy Jones | T-342.799.877-0 | |
| 19-15 | Solea | Miles Davis, Quincy Jones | T-070.243.742-0 | |
| 20-1 | Perfect Way | — | ||
| 20-2 | New Blues | — | ||
| 20-3 | Hannibal | — | ||
| 20-4 | Human Nature | — | ||
| 20-5 | Time After Time | — | ||
| 20-6 | Wrinkle | — |
Identifier Graph
809274183620 is a Universal Product Code (UPC) assigned to The Complete Miles Davis at Montreux: 1973–1991 by Miles Davis. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 132 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Maids of Cadiz | Miles Davis, Quincy Jones | T-700.041.359-4 |
| The Duke | Miles Davis, Quincy Jones | — |
| Blues for Pablo | Miles Davis, Quincy Jones | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “The Complete Miles Davis at Montreux: 1973–1991” by Miles Davis is 809274183620. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2002-01-01. Label: Warner Music Switzerland. This release contains 132 tracks, each with its own ISRC. Tracks include USRH11505551, USWB10103313, USRH11505555.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Miles in Montreux ’73, Part 1 | — | ||
| 2 | Miles in Montreux ’73, Part 2 | — | ||
| 2-1 | Ife | — | ||
| 2-2 | Calypso Frelimo | — | ||
| 2-3 | Miles in Montreux ’73, Part 3 | — | ||
| 3-1 | Speak / That’s What Happened | — | ||
| 3-2 | Star People | — | ||
| 3-3 | What It Is | — | ||
| 3-4 | It Gets Better | — | ||
| 3-5 | Something’s on Your Mind | — | ||
| 4-1 | Time After Time | — | ||
| 4-2 | Hopscotch / Star on Cicely | — | ||
| 4-3 | Bass Solo | — | ||
| 4-4 | Jean‐Pierre | — | ||
| 4-5 | Lake Geneva | — | ||
| 4-6 | Something’s on Your Mind (reprise) | — | ||
| 5-1 | Speak / That’s What Happened | — | ||
| 5-2 | Star People | — | ||
| 5-3 | What It Is | — | ||
| 5-4 | It Gets Better | — | ||
| 5-5 | Something’s on Your Mind | — | ||
| 6-1 | Time After Time | — | ||
| 6-2 | Hopscotch / Star on Cicely | — | ||
| 6-3 | Bass Solo | — | ||
| 6-4 | Jean Pierre | — | ||
| 6-5 | Lake Geneva | — | ||
| 6-6 | Something’s on Your Mind (reprise) | — | ||
| 6-7 | Code M.D. | — | ||
| 7-1 | Theme From Jack Johnson: One Phone Call / Street Scenes / That’s What Happened | — | ||
| 7-2 | Star People | — | ||
| 7-3 | Maze | — | ||
| 7-4 | Human Nature | — | ||
| 7-5 | MD 1 / Something’s on Your Mind / MD 2 | — | ||
| 7-6 | Time After Time | — | ||
| 7-7 | Ms. Morrisine | — | ||
| 8-1 | Code M.D. | — | ||
| 8-2 | Pacific Express | — | ||
| 8-3 | Katia | — | ||
| 8-4 | Hopscotch | — | ||
| 8-5 | You’re Under Arrest | — | ||
| 8-6 | Jean‐Pierre / You’re Under Arrest / Then There Were None | — | ||
| 8-7 | Decoy | — | ||
| 9-1 | Theme From Jack Johnson: One Phone Call / Street Scenes / That’s What Happened | — | ||
| 9-2 | Star People | — | ||
| 9-3 | Maze | — | ||
| 9-4 | Human Nature | — | ||
| 9-5 | MD 1 / Something’s on Your Mind / MD 2 | — | ||
| 9-6 | Time After Time | — | ||
| 10-1 | Ms. Morrisine | — | ||
| 10-2 | Code M.D. | — | ||
| 10-3 | Pacific Express | — | ||
| 10-4 | Katia | — | ||
| 10-5 | Hopscotch | — | ||
| 10-6 | You’re Under Arrest | — | ||
| 10-7 | Jean‐Pierre / You’re Under Arrest / Then There Were None | — | ||
| 10-8 | Decoy | — | ||
| 11-1 | Theme From Jack Johnson: One Phone Call / Street Scenes / That’s What Happened | — | ||
| 11-2 | New Blues | — | ||
| 11-3 | Maze | — | ||
| 11-4 | Human Nature | — | ||
| 11-5 | Wrinkle | — | ||
| 11-6 | Tutu | — | ||
| 11-7 | Splatch | — | ||
| 12-1 | Time After Time | — | ||
| 12-2 | Al Jarreau | — | ||
| 12-3 | Carnival Time | — | ||
| 12-4 | Burn | — | ||
| 12-5 | Portia | — | ||
| 12-6 | Jean‐Pierre | — | ||
| 13-1 | In a Silent Way | — | ||
| 13-2 | Intruder | — | ||
| 13-3 | New Blues | — | ||
| 13-4 | Perfect Way | — | ||
| 13-5 | The Senate / Me & U | — | ||
| 13-6 | Human Nature | — | ||
| 13-7 | Wrinkle | — | ||
| 13-8 | Tutu | — | ||
| 13-9 | Time After Time | — | ||
| 14-1 | Movie Star | — | ||
| 14-2 | Splatch | — | ||
| 14-3 | Heavy Metal Prelude | — | ||
| 14-4 | Heavy Metal | — | ||
| 14-5 | Don’t Stop Me Now | — | ||
| 14-6 | Carnival Time | — | ||
| 14-7 | Jean‐Pierre | — | ||
| 14-8 | Tomaas | — | ||
| 15-1 | Intruder | — | ||
| 15-2 | New Blues | — | ||
| 15-3 | Perfect Way | — | ||
| 15-4 | Hannibal | — | ||
| 15-5 | Human Nature | — | ||
| 15-6 | Mr. Pastorius | — | ||
| 15-7 | Tutu | — | ||
| 16-1 | Jilli | — | ||
| 16-2 | Time After Time | — | ||
| 16-3 | Jo Jo | — | ||
| 16-4 | Amandla | — | ||
| 16-5 | The Senate / Me & U | — | ||
| 16-6 | Wrinkle | — | ||
| 16-7 | Portia | — | ||
| 17-1 | Perfect Way | — | ||
| 17-2 | New Blues | — | ||
| 17-3 | Hannibal | — | ||
| 17-4 | The Senate / Me & U | — | ||
| 17-5 | In the Night | — | ||
| 17-6 | Human Nature | — | ||
| 17-7 | Time After Time | — | ||
| 18-1 | Wrinkle | — | ||
| 18-2 | Tutu | — | ||
| 18-3 | Don’t Stop Me Now | — | ||
| 18-4 | Carnival Time | — | ||
| 19-1 | Introduction by Claude Nobs and Quincy Jones | Miles Davis, Quincy Jones | T-904.737.154-0 | |
| 19-2 | Boplicity | Miles Davis, Quincy Jones | T-070.233.104-1 | |
| 19-3 | Introduction to “Miles Ahead Medley” / Springsville | — | ||
| 19-4 | Maids of Cadiz | Miles Davis, Quincy Jones | — | |
| 19-5 | The Duke | Miles Davis, Quincy Jones | — | |
| 19-6 | My Ship | Miles Davis, Quincy Jones | T-070.111.363-4 | |
| 19-7 | Miles Ahead | Miles Davis, Quincy Jones | T-905.297.131-0 | |
| 19-8 | Blues for Pablo | Miles Davis, Quincy Jones | — | |
| 19-9 | Introduction to Porgy and Bess Medley | Miles Davis, Quincy Jones | — | |
| 19-10 | Orgone | Miles Davis, Quincy Jones | T-070.939.771-6 | |
| 19-11 | Gone, Gone, Gone | Miles Davis, Quincy Jones | T-070.064.767-1 | |
| 19-12 | Summertime | Miles Davis, Quincy Jones | T-800.364.991-1 | |
| 19-13 | Here Come de Honey Man | Miles Davis, Quincy Jones | T-900.017.926-0 | |
| 19-14 | The Pan Piper | Miles Davis, Quincy Jones | T-342.799.877-0 | |
| 19-15 | Solea | Miles Davis, Quincy Jones | T-070.243.742-0 | |
| 20-1 | Perfect Way | — | ||
| 20-2 | New Blues | — | ||
| 20-3 | Hannibal | — | ||
| 20-4 | Human Nature | — | ||
| 20-5 | Time After Time | — | ||
| 20-6 | Wrinkle | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Maids of Cadiz | Miles Davis, Quincy Jones | T-700.041.359-4 |
| The Duke | Miles Davis, Quincy Jones | — |
| Blues for Pablo | Miles Davis, Quincy Jones | — |
