UPC · Release
Michael Blake: Afrikosmos
Antony Gray, Michael Blake
Last verified:
809730137426 is the Universal Product Code (UPC barcode) for the release “Michael Blake: Afrikosmos” by Antony Gray, Michael Blake, released 2023-04-13. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 75 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (75)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Spotted Dikkop and Black Cuckoo | — | ||
| 2 | Linong tsa Lesiba (Song of the Birds) | — | ||
| 3 | African Doves | — | ||
| 4 | if I had Wings | — | ||
| 5 | Walking Song | — | ||
| 6 | Stroll to the Spaza Shop | — | ||
| 7 | Chorale | — | ||
| 8 | Lyric Piece | — | ||
| 9 | Call and Response | — | ||
| 10 | Ntsikana's Bell | — | ||
| 11 | John Knox Bokwe's Plea for Africa | — | ||
| 12 | Heaven's Bow | — | ||
| 13 | iKos'tina | — | ||
| 14 | Variations on a Flute Tune | — | ||
| 15 | Emerging Melody | — | ||
| 16 | Stickfighting Song | — | ||
| 17 | Herding Song | — | ||
| 18 | Threshing Song | — | ||
| 19 | To comfort a child (Lullaby) | — | ||
| 20 | You are a real rascal | — | ||
| 21 | Canon at the Octave | — | ||
| 22 | Wedding Song | — | ||
| 23 | Night Music | — | ||
| 24 | Self Delectative Song | — | ||
| 25 | Latshon'ilanga | — | ||
| 26 | Song for the Evening | — | ||
| 27 | Unevensong | — | ||
| 2-1 | Dance in Seakhi Rhythm | — | ||
| 2-2 | Chaconne in Mbaqanga Style | — | ||
| 2-3 | In Goema Style | — | ||
| 2-4 | Tickey-draai | — | ||
| 2-5 | Daar kom die Alibama | — | ||
| 2-6 | Diary of a Dung Beetle | — | ||
| 2-7 | Scents of Childhood 1 | — | ||
| 2-8 | Scents of Childhood 2 | — | ||
| 2-9 | Scents of Childhood 3 | — | ||
| 2-10 | Interlocking Hands | — | ||
| 2-11 | Changing Times with Repeating Patterns | — | ||
| 2-12 | Five Finger Patterns | — | ||
| 2-13 | Weave | — | ||
| 2-14 | Distant Cowbells | — | ||
| 2-15 | Lusikisiki | — | ||
| 2-16 | Giyani | — | ||
| 2-17 | There cried a hippo | — | ||
| 2-18 | Reedpipe Dance | — | ||
| 2-19 | Four-note Patterns | — | ||
| 2-20 | Slow Dance | — | ||
| 2-21 | Lebombo Bone | — | ||
| 2-22 | Broken Line | — | ||
| 3-1 | The music flows jolly as it won't stop forever | — | ||
| 3-2 | March | — | ||
| 3-3 | Message from the Nduna | — | ||
| 3-4 | Ituri Rain Forest | — | ||
| 3-5 | Reflection | — | ||
| 3-6 | Two Modes Intersecting | — | ||
| 3-7 | In the Hexatonic Mode | — | ||
| 3-8 | Major-Minor | — | ||
| 3-9 | Patterns in a Heptatonic Field | — | ||
| 3-10 | Keep left, pass right | — | ||
| 3-11 | Geyser on! Hat off! | — | ||
| 3-12 | Stay on path | — | ||
| 3-13 | The Seven Steps | — | ||
| 3-14 | Ostinato with Cross Rhythm | — | ||
| 3-15 | Smoke and Mirrors | — | ||
| 3-16 | Postcards from South Africa | — | ||
| 3-17 | Une sonnerie pour G D | — | ||
| 3-18 | High Fives | — | ||
| 3-19 | Supermoon | — | ||
| 3-20 | Sefapanosaurus | — | ||
| 3-21 | Thirds | — | ||
| 3-22 | Variations on 4ths and 5ths | — | ||
| 3-23 | Fifths | — | ||
| 3-24 | Seventh must fall | — | ||
| 3-25 | Haiku | — | ||
| 3-26 | Freedom Day Variations | — |
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Verified on
Credits Graph
People also ask
What is UPC 809730137426?
809730137426 is a Universal Product Code (UPC) assigned to Michael Blake: Afrikosmos by Antony Gray, Michael Blake. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 75 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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