UPC · Album

Antony and Cleopatra

Barber, Leontyne Price, Justino Díaz and 4 more

811357018866
28 tracksReleased 2017-04-28

Last verified:

811357018866 is the Universal Product Code (UPC barcode) for the release Antony and Cleopatra by Barber, Leontyne Price, Justino Díaz, Jess Thomas, the Metropolitan Opera Orchestra, Chorus, Thomas Schippers, released 2017-04-28. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 28 tracks, each with its own ISRC. Tracks include USY3P1601375, USY3P1601376, USY3P1601377.

Format

8Number system
11357Manufacturer
01886Product
6Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCAntony and Cleopatra
ISRC28 recordings

Track List (28)

Antony and Cleopatra, Op. 40, Act I: From Alexandria this is the news
the Metropolitan Opera Orchestra, the Metropolitan Opera Chorus, Thomas Schippers
Antony and Cleopatra, Op. 40, Act I: These strong Egyptian fetters I must break
Justino Díaz, Ezio Flagello, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Thomas Schippers
Antony and Cleopatra, Op. 40, Act I: I am sick and sullen
Leontyne Price, Justino Díaz, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Thomas Schippers
Antony and Cleopatra, Op. 40, Act I: Ah! Hail, Marcus Antonius!
Jess Thomas, Justino Díaz, Russell Christopher, Ezio Flagello, John Macurdy, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Thomas Schippers
Antony and Cleopatra, Op. 40, Act I: Give me some music
Leontyne Price, Andrea Velis, Rosalind Elias, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Thomas Schippers
Antony and Cleopatra, Op. 40, Act I: My man of men!
Leontyne Price, Rosalind Elias, the Metropolitan Opera Orchestra, Thomas Schippers
Antony and Cleopatra, Op. 40, Act I: May I never to this good purpose, dream of impediment
Justino Díaz, Jess Thomas, Russell Christopher, Mary Ellen Pracht, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Thomas Schippers
Antony and Cleopatra, Op. 40, Act I: The most infectious pestilence upon you!
Leontyne Price, Paul Franke, Rosalind Elias, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Thomas Schippers
Antony and Cleopatra, Op. 40, Act I: Orchestral interlude … Stick Dance
the Metropolitan Opera Orchestra, Thomas Schippers
Antony and Cleopatra, Op. 40, Act I: This is not yet an Alexandrian feast — Come, thou monarch of the vine
Russell Christopher, Justino Díaz, Ezio Flagello, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Thomas Schippers
Antony and Cleopatra, Op. 40, Act I: What would you more?
Jess Thomas, Ezio Flagello, Russell Christopher, Gene Boucher, the Metropolitan Opera Orchestra, Thomas Schippers
Antony and Cleopatra, Op. 40, Act I: When first she met Mark Antony
Ezio Flagello, Gene Boucher, Leontyne Price, Justino Díaz, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Thomas Schippers
Antony and Cleopatra, Op. 40, Act II: Contemning Rome he has done all this
Jess Thomas, Mary Ellen Pracht, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Thomas Schippers
Antony and Cleopatra, Op. 40, Act II: Lord Alexas, sweet Alexas
Rosalind Elias, Raymond Michalski, Lorenzo Alvary, Belén Amparán, Andrea Velis, the Metropolitan Opera Orchestra, Thomas Schippers
Antony and Cleopatra, Op. 40, Act II: If it be love indeed, tell me how much
Leontyne Price, Justino Díaz, Ezio Flagello, the Metropolitan Opera Orchestra, Thomas Schippers
Antony and Cleopatra, Op. 40, Act II: The night is shiny
Robert Schmorr, Norman Scott, Edward Ghazal, the Metropolitan Opera Orchestra, the Metropolitan Opera Chorus, Thomas Schippers
Antony and Cleopatra, Op. 40, Act II: Eros! Mine armor, Eros!
Justino Díaz, Leontyne Price, Dan Marek, Gabor Carelli, Lloyd Strang, Norman Giffin, Ron Bottcher, Ezio Flagello, the Metropolitan Opera Orchestra, the Metropolitan Opera Chorus, Thomas Schippers
Antony and Cleopatra, Op. 40, Act II: On to our ships
Ezio Flagello, Lloyd Strang, Louis Sgarro, Ron Bottcher, Norman Giffin, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Thomas Schippers
Antony and Cleopatra, Op. 40, Act II: Hark! The land bids me tread no more upon it
Justino Díaz, Jess Thomas, the Metropolitan Opera Orchestra, Thomas Schippers
Antony and Cleopatra, Op. 40, Act II: Most kind ambassador
Leontyne Price, Robert Goodloe, Justino Díaz, Rosalind Elias, Belén Amparán, the Metropolitan Opera Orchestra, Thomas Schippers
Antony and Cleopatra, Op. 40, Act II: Oh, bear me witness, night
Ezio Flagello, Paul de Paola, Luis Forero, Gabor Carelli, the Metropolitan Opera Orchestra, Thomas Schippers
Antony and Cleopatra, Op. 40, Act II: The last she spoke was “Antony, most noble Antony!”
Andrea Velis, Justino Díaz, Bruce Scott, Robert Schmorr, Edward Ghazal, Norman Scott, Raymond Michalski, John Trehy, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Thomas Schippers
Antony and Cleopatra, Op. 40, Act III: O Charmian, I will never go from hence … O sun, burn the great sphere thou movest in
Leontyne Price, Rosalind Elias, Belén Amparán, Raymond Michalski, Justino Díaz, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Thomas Schippers
Antony and Cleopatra, Op. 40, Act III: My lord, my lord! Noblest of men
Leontyne Price, Rosalind Elias, Belén Amparán, Jess Thomas, Gene Boucher, the Metropolitan Opera Orchestra, Thomas Schippers
Antony and Cleopatra, Op. 40, Act III: The breaking of so great a thing
Jess Thomas, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Thomas Schippers
Antony and Cleopatra, Op. 40, Act III: He words me, girls, he words me
Leontyne Price, Belén Amparán, Gene Boucher, Peter Sliker, Clifford Harvuot, the Metropolitan Opera Orchestra, Thomas Schippers
Antony and Cleopatra, Op. 40, Act III: Give me my robe
Leontyne Price, Rosalind Elias, the Metropolitan Opera Orchestra, Thomas Schippers
Antony and Cleopatra, Op. 40, Act III: So, fare thee well
Rosalind Elias, Peter Sliker, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Thomas Schippers

People also ask

What is UPC 811357018866?
UPC 811357018866 is the Universal Product Code (barcode) for "Antony and Cleopatra" by Barber, Leontyne Price, Justino Díaz, Jess Thomas, the Metropolitan Opera Orchestra, Chorus, Thomas Schippers.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 811357018866?
UPC 811357018866 contains 28 tracks, each with its own ISRC.
SourcesMLCMusicBrainz2 sources

Verified on

What is UPC 811357018866?

811357018866 is a Universal Product Code (UPC) assigned to Antony and Cleopatra by Barber, Leontyne Price, Justino Díaz, Jess Thomas, the Metropolitan Opera Orchestra, Chorus, Thomas Schippers. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 28 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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