UPC · Release
Ladies Sing Baroque
Various Artists
822186052945
23 tracksReleased 2011-01-01Naïve
Last verified:
822186052945 is the Universal Product Code (UPC barcode) for the release “Ladies Sing Baroque” by Various Artists, released 2011-01-01 on Naïve. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 23 tracks, each with its own ISRC. Tracks include FRX299804571, FR2X41725949, FRZ130811040.
Format
8Number system
22186Manufacturer
05294Product
5Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCLadies Sing Baroque
ISRC23 recordings
ISWC3 works
Track List (23)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Stabat mater, Nr. 1: "Grave" | Gemma Bertagnolli, Sara Mingardo, Rinaldo Alessandrini, Concerto Italiano | — | |
| 2 | Mottetto, RV 626 “In furore iustissimae irae”: Aria: In furore iustissimae – Allegro | Sandrine Piau, Accademia Bizantina, Ottavio Dantone | — | |
| 3 | Lamento della ninfa: « Amor » | Rossana Bertini, Concerto Italiano, Rinaldo Alessandrini | — | |
| 4 | A Song for St. Cecilia’s Day, HWV 76: “The Soft Complaining Flute” | Lucy Crowe, Florian Cousin, Les Musiciens du Louvre, Marc Minkowski | — | |
| 5 | Zeffiretti che sussurrate (RV 749.21) | Ann Hallenberg, Sandrine Piau, Modo Antiquo, Federico Maria Sardelli | T-011.572.608-3 | |
| 6 | Juditha triumphans, RV 644: Pars I. Aria “Veni, me sequere fida” (Juditha) | Magdalena Kožená, Academia Montis Regalis, Alessandro De Marchi | — | |
| 7 | Il trionfo del Tempo e del Disinganno, Prima parte: "Fido specchio" | Concerto Italiano, Rinaldo Alessandrini | — | |
| 8 | Il trionfo del Tempo e del Disinganno, Prima parte: "Se la bellezza" | Sara Mingardo, Concerto Italiano, Rinaldo Alessandrini | — | |
| 9 | Saint Matthew Passion: « Erbame Dich » | Chorus Musicus Köln, Angela Kazimierczuk, Das Neue Orchester, Christoph Spering | — | |
| 10 | Tamerlano, HWV 18: Duetto Asteria e Andronico “Vivo in te” | Sara Mingardo, Sandrine Piau, Concerto Italiano, Rinaldo Alessandrini | — | |
| 11 | La verità in cimento, RV 739: Atto primo, Scena 8: Aria “Se l'acquisto di quel Soglio” [Damira] | Nathalie Stutzmann, Ensemble Matheus, Jean-Christophe Spinosi | — | |
| 2-1 | Giulio Cesare in Egitto (1724) : Acte II, Scène VIII. Aria "Se pietà" (Cleopatra) | Sandrine Piau, Les Talens Lyriques, Christophe Rousset | — | |
| 2-2 | Orlando Furioso: Act I, Scene V. "Nel profondo" (Orlando) | Marie-Nicole Lemieux, Ensemble Matheus, Jean-Christophe Spinosi | — | |
| 2-3 | Stabat Mater, sequenza in fa minore per contralto, archi e basso continuo, RV 621: I. Largo "Stabat mater dolorosa" | Marie-Nicole Lemieux, Ensemble Matheus, Jean-Christophe Spinosi | — | |
| 2-4 | Polifemo: « Alto giove » | Marie-Nicole Lemieux, Ensemble Matheus, Jean-Christophe Spinosi | — | |
| 2-5 | L’Olimpiade, RV 725: Atto secondo, Scena 15: Aria di Licida: «Gemo in un punto e fremo » (Allegro) | Sara Mingardo, Concerto Italiano, Rinaldo Alessandrini | T-927.101.657-0 | |
| 2-6 | Orlando finto pazzo, RV 727: Act III Scene 11: Aria: Anderò, volerò, griderò (Origille) | Sonia Prina, Academia Montis Regalis, Alessandro De Marchi | — | |
| 2-7 | Lamento: Lagrime mie, a che vi trattenete | Anna Caterina Antonacci, Modo Antiquo, Federico Maria Sardelli | — | |
| 2-8 | "Miei pensieri", Arietta for Soprano and Continuo | Roberta Invernizzi, Bizzarrie Armoniche | — | |
| 2-9 | “Bid the Virtues” | Patricia Petibon, Amarillis, Héloïse Gaillard | — | |
| 2-10 | Theodora: To Thee, Thou Glorious Son of Worth | Marie-Nicole Lemieux, Karina Gauvin, Il Complesso Barocco, Alan Curtis | — | |
| 2-11 | Ottone in Villa, RV 729: Atto primo: Scena 11: Aria: Gelosia (Caio) | Юлия Михайловна Лежнева, Il giardino armonico, Giovanni Antonini | — | |
| 2-12 | Messe in h-Moll, BWV 232: Va. Agnus Dei: Aria (Alto) "Agnus Dei" | Nathalie Stutzmann, Les Musiciens du Louvre, Marc Minkowski | — |
Stabat mater, Nr. 1: "Grave"
Gemma Bertagnolli, Sara Mingardo, Rinaldo Alessandrini, Concerto Italiano
—
Mottetto, RV 626 “In furore iustissimae irae”: Aria: In furore iustissimae – Allegro
Sandrine Piau, Accademia Bizantina, Ottavio Dantone
—
Lamento della ninfa: « Amor »
Rossana Bertini, Concerto Italiano, Rinaldo Alessandrini
—
A Song for St. Cecilia’s Day, HWV 76: “The Soft Complaining Flute”
Lucy Crowe, Florian Cousin, Les Musiciens du Louvre, Marc Minkowski
—
Ann Hallenberg, Sandrine Piau, Modo Antiquo, Federico Maria Sardelli
Juditha triumphans, RV 644: Pars I. Aria “Veni, me sequere fida” (Juditha)
Magdalena Kožená, Academia Montis Regalis, Alessandro De Marchi
—
Il trionfo del Tempo e del Disinganno, Prima parte: "Fido specchio"
Concerto Italiano, Rinaldo Alessandrini
—
Il trionfo del Tempo e del Disinganno, Prima parte: "Se la bellezza"
Sara Mingardo, Concerto Italiano, Rinaldo Alessandrini
—
Saint Matthew Passion: « Erbame Dich »
Chorus Musicus Köln, Angela Kazimierczuk, Das Neue Orchester, Christoph Spering
—
Tamerlano, HWV 18: Duetto Asteria e Andronico “Vivo in te”
Sara Mingardo, Sandrine Piau, Concerto Italiano, Rinaldo Alessandrini
—
La verità in cimento, RV 739: Atto primo, Scena 8: Aria “Se l'acquisto di quel Soglio” [Damira]
Nathalie Stutzmann, Ensemble Matheus, Jean-Christophe Spinosi
—
Giulio Cesare in Egitto (1724) : Acte II, Scène VIII. Aria "Se pietà" (Cleopatra)
Sandrine Piau, Les Talens Lyriques, Christophe Rousset
—
Orlando Furioso: Act I, Scene V. "Nel profondo" (Orlando)
Marie-Nicole Lemieux, Ensemble Matheus, Jean-Christophe Spinosi
—
Stabat Mater, sequenza in fa minore per contralto, archi e basso continuo, RV 621: I. Largo "Stabat mater dolorosa"
Marie-Nicole Lemieux, Ensemble Matheus, Jean-Christophe Spinosi
—
Polifemo: « Alto giove »
Marie-Nicole Lemieux, Ensemble Matheus, Jean-Christophe Spinosi
—
Sara Mingardo, Concerto Italiano, Rinaldo Alessandrini
Orlando finto pazzo, RV 727: Act III Scene 11: Aria: Anderò, volerò, griderò (Origille)
Sonia Prina, Academia Montis Regalis, Alessandro De Marchi
—
Lamento: Lagrime mie, a che vi trattenete
Anna Caterina Antonacci, Modo Antiquo, Federico Maria Sardelli
—
"Miei pensieri", Arietta for Soprano and Continuo
Roberta Invernizzi, Bizzarrie Armoniche
—
“Bid the Virtues”
Patricia Petibon, Amarillis, Héloïse Gaillard
—
Theodora: To Thee, Thou Glorious Son of Worth
Marie-Nicole Lemieux, Karina Gauvin, Il Complesso Barocco, Alan Curtis
—
Ottone in Villa, RV 729: Atto primo: Scena 11: Aria: Gelosia (Caio)
Юлия Михайловна Лежнева, Il giardino armonico, Giovanni Antonini
—
Messe in h-Moll, BWV 232: Va. Agnus Dei: Aria (Alto) "Agnus Dei"
Nathalie Stutzmann, Les Musiciens du Louvre, Marc Minkowski
—
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Mottetto, RV 626 “In furore iustissimae irae”: Aria: In furore iustissimae – Allegro | Sandrine Piau, Accademia Bizantina, Ottavio Dantone | T-903.128.964-2 |
Sandrine Piau, Accademia Bizantina, Ottavio Dantone
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
0000000055191757000000007366455400000000760685980000000078405455000000010097800700000001072152800000000109379457000000010941075X00000001094108050000000109435869
+26 more
0000000109519106000000010996187700000001102502120000000110264913000000011049607900000001108886110000000114476163000000011476148200000001147636560000000114806812000000011554772800000001164229510000000116589161000000011767244200000001186731130000000121015752000000012121070X000000012121775X00000001212641850000000121275642000000012140420500000001214455840000000122600988000000012302963X00000001236461010000000123700016
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What is UPC 822186052945?
822186052945 is a Universal Product Code (UPC) assigned to Ladies Sing Baroque by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 23 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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