UPC · Release
Handel Arias
George Frideric Handel, Orchestra of the Age of Enlightenment, Harry Bicket, Lorraine Hunt Lieberson
822252003024
60 tracksReleased 2004-01-01Avie Records
Last verified:
822252003024 is the Universal Product Code (UPC barcode) for the release “Handel Arias” by George Frideric Handel, Orchestra of the Age of Enlightenment, Harry Bicket, Lorraine Hunt Lieberson, released 2004-01-01 on Avie Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 60 tracks, each with its own ISRC.
Format
8Number system
22252Manufacturer
00302Product
4Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (60)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Theodora, HWV 68: Recitativo: “Ah! Whither Should We Fly, or Fly From Whom?” | — | ||
| 2 | Theodora, HWV 68: Aria: “As With Rosy Steps the Morn” | — | ||
| 3 | Theodora, HWV 68: Recitativo: “O Bright Example of All Goodness!” | — | ||
| 4 | Theodora, HWV 68: Aria: “Bane of Virtue, Nurse of Passions” | — | ||
| 5 | Theodora, HWV 68: Recitativo: “The Clouds Begin to Veil the Hemisphere” | — | ||
| 6 | Theodora, HWV 68: Aria: “Defend Her Heav’n!” | — | ||
| 7 | Theodora, HWV 68: Aria: “Lord, to Thee Each Night and Day” | — | ||
| 8 | Theodora, HWV 68: Recitativo: “She’s Gone, Disdaining Liberty and Life” | — | ||
| 9 | Theodora, HWV 68: “New Scenes of Joy” | — | ||
| 10 | La Lucretia, HWV 145: Recitativo: “O Numi eterni! O stelle, stelle!” | — | ||
| 11 | La Lucretia, HWV 145: Aria: “Gia superbo, del mio affanno” | — | ||
| 12 | La Lucretia, HWV 145: Recitativo: “Ma voi forse nel cielo” | — | ||
| 13 | La Lucretia, HWV 145: Aria: “ll suol che preme, l’aura che spira” | — | ||
| 14 | La Lucretia, HWV 145: Recitativo: “Ah! che ancor nell’abisso” | — | ||
| 15 | La Lucretia, HWV 145: Aria: “Alla salma infedel porga la pena” | — | ||
| 16 | La Lucretia, HWV 145: Recitativo: “A voi, a voi, padre, consorte” | — | ||
| 17 | La Lucretia, HWV 145: Arioso: “Gia nel seno comincia acompir” - Furioso: “Ma se qui non m’e dato” | — | ||
| 18 | Serse, HWV 40: Aria: “Se bramate d’amar, chi vi sdegna” | — | ||
| 19 | Serse, HWV 40: Recitativo: “Fondi tenere e belle” | — | ||
| 20 | Serse, HWV 40: Aria: “Ombra mai fu” | — | ||
| 2-1 | Theodora, HWV 68: Recitativo: “Ah! Whither Should We Fly, or Fly From Whom?” | — | ||
| 2-2 | Theodora, HWV 68: Aria: “As With Rosy Steps the Morn” | — | ||
| 2-3 | Theodora, HWV 68: Recitativo: “O Bright Example of All Goodness!” | — | ||
| 2-4 | Theodora, HWV 68: Aria: “Bane of Virtue, Nurse of Passions” | — | ||
| 2-5 | Theodora, HWV 68: Recitativo: “The Clouds Begin to Veil the Hemisphere” | — | ||
| 2-6 | Theodora, HWV 68: Aria: “Defend Her Heav’n!” | — | ||
| 2-7 | Theodora, HWV 68: Aria: “Lord, to Thee Each Night and Day” | — | ||
| 2-8 | Theodora, HWV 68: Recitativo: “She’s Gone, Disdaining Liberty and Life” | — | ||
| 2-9 | Theodora, HWV 68: “New Scenes of Joy” | — | ||
| 2-10 | La Lucretia, HWV 145: Recitativo: “O Numi eterni! O stelle, stelle!” | — | ||
| 2-11 | La Lucretia, HWV 145: Aria: “Gia superbo, del mio affanno” | — | ||
| 2-12 | La Lucretia, HWV 145: Recitativo: “Ma voi forse nel cielo” | — | ||
| 2-13 | La Lucretia, HWV 145: Aria: “ll suol che preme, l’aura che spira” | — | ||
| 2-14 | La Lucretia, HWV 145: Recitativo: “Ah! che ancor nell’abisso” | — | ||
| 2-15 | La Lucretia, HWV 145: Aria: “Alla salma infedel porga la pena” | — | ||
| 2-16 | La Lucretia, HWV 145: Recitativo: “A voi, a voi, padre, consorte” | — | ||
| 2-17 | La Lucretia, HWV 145: Arioso: “Gia nel seno comincia acompir” - Furioso: “Ma se qui non m’e dato” | — | ||
| 2-18 | Serse, HWV 40: Aria: “Se bramate d’amar, chi vi sdegna” | — | ||
| 2-19 | Serse, HWV 40: Recitativo: “Fondi tenere e belle” | — | ||
| 2-20 | Serse, HWV 40: Aria: “Ombra mai fu” | — | ||
| 3-1 | Theodora, HWV 68: Recitativo: “Ah! Whither Should We Fly, or Fly From Whom?” | — | ||
| 3-2 | Theodora, HWV 68: Aria: “As With Rosy Steps the Morn” | — | ||
| 3-3 | Theodora, HWV 68: Recitativo: “O Bright Example of All Goodness!” | — | ||
| 3-4 | Theodora, HWV 68: Aria: “Bane of Virtue, Nurse of Passions” | — | ||
| 3-5 | Theodora, HWV 68: Recitativo: “The Clouds Begin to Veil the Hemisphere” | — | ||
| 3-6 | Theodora, HWV 68: Aria: “Defend Her Heav’n!” | — | ||
| 3-7 | Theodora, HWV 68: Aria: “Lord, to Thee Each Night and Day” | — | ||
| 3-8 | Theodora, HWV 68: Recitativo: “She’s Gone, Disdaining Liberty and Life” | — | ||
| 3-9 | Theodora, HWV 68: “New Scenes of Joy” | — | ||
| 3-10 | La Lucretia, HWV 145: Recitativo: “O Numi eterni! O stelle, stelle!” | — | ||
| 3-11 | La Lucretia, HWV 145: Aria: “Gia superbo, del mio affanno” | — | ||
| 3-12 | La Lucretia, HWV 145: Recitativo: “Ma voi forse nel cielo” | — | ||
| 3-13 | La Lucretia, HWV 145: Aria: “ll suol che preme, l’aura che spira” | — | ||
| 3-14 | La Lucretia, HWV 145: Recitativo: “Ah! che ancor nell’abisso” | — | ||
| 3-15 | La Lucretia, HWV 145: Aria: “Alla salma infedel porga la pena” | — | ||
| 3-16 | La Lucretia, HWV 145: Recitativo: “A voi, a voi, padre, consorte” | — | ||
| 3-17 | La Lucretia, HWV 145: Arioso: “Gia nel seno comincia acompir” - Furioso: “Ma se qui non m’e dato” | — | ||
| 3-18 | Serse, HWV 40: Aria: “Se bramate d’amar, chi vi sdegna” | — | ||
| 3-19 | Serse, HWV 40: Recitativo: “Fondi tenere e belle” | — | ||
| 3-20 | Serse, HWV 40: Aria: “Ombra mai fu” | — |
Theodora, HWV 68: Recitativo: “Ah! Whither Should We Fly, or Fly From Whom?”
—
Theodora, HWV 68: Aria: “As With Rosy Steps the Morn”
—
Theodora, HWV 68: Recitativo: “O Bright Example of All Goodness!”
—
Theodora, HWV 68: Aria: “Bane of Virtue, Nurse of Passions”
—
Theodora, HWV 68: Recitativo: “The Clouds Begin to Veil the Hemisphere”
—
Theodora, HWV 68: Aria: “Defend Her Heav’n!”
—
Theodora, HWV 68: Aria: “Lord, to Thee Each Night and Day”
—
Theodora, HWV 68: Recitativo: “She’s Gone, Disdaining Liberty and Life”
—
Theodora, HWV 68: “New Scenes of Joy”
—
La Lucretia, HWV 145: Recitativo: “O Numi eterni! O stelle, stelle!”
—
La Lucretia, HWV 145: Aria: “Gia superbo, del mio affanno”
—
La Lucretia, HWV 145: Recitativo: “Ma voi forse nel cielo”
—
La Lucretia, HWV 145: Aria: “ll suol che preme, l’aura che spira”
—
La Lucretia, HWV 145: Recitativo: “Ah! che ancor nell’abisso”
—
La Lucretia, HWV 145: Aria: “Alla salma infedel porga la pena”
—
La Lucretia, HWV 145: Recitativo: “A voi, a voi, padre, consorte”
—
La Lucretia, HWV 145: Arioso: “Gia nel seno comincia acompir” - Furioso: “Ma se qui non m’e dato”
—
Serse, HWV 40: Aria: “Se bramate d’amar, chi vi sdegna”
—
Serse, HWV 40: Recitativo: “Fondi tenere e belle”
—
Serse, HWV 40: Aria: “Ombra mai fu”
—
Theodora, HWV 68: Recitativo: “Ah! Whither Should We Fly, or Fly From Whom?”
—
Theodora, HWV 68: Aria: “As With Rosy Steps the Morn”
—
Theodora, HWV 68: Recitativo: “O Bright Example of All Goodness!”
—
Theodora, HWV 68: Aria: “Bane of Virtue, Nurse of Passions”
—
Theodora, HWV 68: Recitativo: “The Clouds Begin to Veil the Hemisphere”
—
Theodora, HWV 68: Aria: “Defend Her Heav’n!”
—
Theodora, HWV 68: Aria: “Lord, to Thee Each Night and Day”
—
Theodora, HWV 68: Recitativo: “She’s Gone, Disdaining Liberty and Life”
—
Theodora, HWV 68: “New Scenes of Joy”
—
La Lucretia, HWV 145: Recitativo: “O Numi eterni! O stelle, stelle!”
—
La Lucretia, HWV 145: Aria: “Gia superbo, del mio affanno”
—
La Lucretia, HWV 145: Recitativo: “Ma voi forse nel cielo”
—
La Lucretia, HWV 145: Aria: “ll suol che preme, l’aura che spira”
—
La Lucretia, HWV 145: Recitativo: “Ah! che ancor nell’abisso”
—
La Lucretia, HWV 145: Aria: “Alla salma infedel porga la pena”
—
La Lucretia, HWV 145: Recitativo: “A voi, a voi, padre, consorte”
—
La Lucretia, HWV 145: Arioso: “Gia nel seno comincia acompir” - Furioso: “Ma se qui non m’e dato”
—
Serse, HWV 40: Aria: “Se bramate d’amar, chi vi sdegna”
—
Serse, HWV 40: Recitativo: “Fondi tenere e belle”
—
Serse, HWV 40: Aria: “Ombra mai fu”
—
Theodora, HWV 68: Recitativo: “Ah! Whither Should We Fly, or Fly From Whom?”
—
Theodora, HWV 68: Aria: “As With Rosy Steps the Morn”
—
Theodora, HWV 68: Recitativo: “O Bright Example of All Goodness!”
—
Theodora, HWV 68: Aria: “Bane of Virtue, Nurse of Passions”
—
Theodora, HWV 68: Recitativo: “The Clouds Begin to Veil the Hemisphere”
—
Theodora, HWV 68: Aria: “Defend Her Heav’n!”
—
Theodora, HWV 68: Aria: “Lord, to Thee Each Night and Day”
—
Theodora, HWV 68: Recitativo: “She’s Gone, Disdaining Liberty and Life”
—
Theodora, HWV 68: “New Scenes of Joy”
—
La Lucretia, HWV 145: Recitativo: “O Numi eterni! O stelle, stelle!”
—
La Lucretia, HWV 145: Aria: “Gia superbo, del mio affanno”
—
La Lucretia, HWV 145: Recitativo: “Ma voi forse nel cielo”
—
La Lucretia, HWV 145: Aria: “ll suol che preme, l’aura che spira”
—
La Lucretia, HWV 145: Recitativo: “Ah! che ancor nell’abisso”
—
La Lucretia, HWV 145: Aria: “Alla salma infedel porga la pena”
—
La Lucretia, HWV 145: Recitativo: “A voi, a voi, padre, consorte”
—
La Lucretia, HWV 145: Arioso: “Gia nel seno comincia acompir” - Furioso: “Ma se qui non m’e dato”
—
Serse, HWV 40: Aria: “Se bramate d’amar, chi vi sdegna”
—
Serse, HWV 40: Recitativo: “Fondi tenere e belle”
—
Serse, HWV 40: Aria: “Ombra mai fu”
—
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What is UPC 822252003024?
822252003024 is a Universal Product Code (UPC) assigned to Handel Arias by George Frideric Handel, Orchestra of the Age of Enlightenment, Harry Bicket, Lorraine Hunt Lieberson. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 60 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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