UPC · Release
The Best of Bob Dylan’s Theme Time Radio Hour (Volume 2)
Various Artists
Last verified:
823564608624 is the Universal Product Code (UPC barcode) for the release “The Best of Bob Dylan’s Theme Time Radio Hour (Volume 2)” by Various Artists, released 2008-01-01 on Chrome Dreams. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 52 tracks, each with its own ISRC. Tracks include GBAJD0675044, GBAWA5561027, DEU240526717.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (52)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Jamaica Hurricane | — | ||
| 2 | Just Walkin’ in the Rain | The Prisonaires | T-070.247.649-0 | |
| 3 | Mother Fuyer | — | ||
| 4 | One Mint Julep | — | ||
| 5 | Did You See Jackie Robinson Hit That Ball | — | ||
| 6 | Forty Cups of Coffee | — | ||
| 7 | Folsom Prison Blues | Johnny Cash, The Tennessee Two | T-070.055.040-8 | |
| 8 | My Son Calls Another Man Daddy | Hank Williams, His Drifting Cowboys | — | |
| 9 | Fannie Brown Got Married | — | ||
| 10 | Divorce Me C.O.D. | — | ||
| 11 | June‐Teenth Jamboree | — | ||
| 12 | Bonny Bunch of Roses | — | ||
| 13 | Every Woman I Know | — | ||
| 14 | Get Rich Quick | — | ||
| 15 | Must Have Been the Devil | — | ||
| 16 | 20/20 Vision | — | ||
| 17 | Ain’t I’m a Dog? | — | ||
| 18 | My Friends | — | ||
| 19 | Radio Boogie | — | ||
| 20 | The Old Ark’s a’Moving | — | ||
| 21 | Take Me Back to Tulsa | — | ||
| 22 | Professor Bop | — | ||
| 23 | Atomic Telephone | — | ||
| 24 | Water, Water | — | ||
| 25 | 24 Hours | — | ||
| 26 | Shotgun Boogie | — | ||
| 2-1 | Hoo‐Doo Say | — | ||
| 2-2 | Back to Back, Belly to Belly (Zombie Jamboree) | — | ||
| 2-3 | I Can’t Dance (I’ve Got Ants in My Pants) | — | ||
| 2-4 | A Man’s Best Friend Is a Bed | — | ||
| 2-5 | Hungry Man | — | ||
| 2-6 | Let’s Be Friends | — | ||
| 2-7 | Tennessee Border | — | ||
| 2-8 | Havana Moon | — | ||
| 2-9 | 3 X 7 = 21 | — | ||
| 2-10 | Christmas Morning | — | ||
| 2-11 | Peggy Sue | — | ||
| 2-12 | Red Headed Woman | — | ||
| 2-13 | Uncle Pen | — | ||
| 2-14 | Bad Luck Blues | — | ||
| 2-15 | I’ll Drown in My Own Tears | — | ||
| 2-16 | I’ve Got the Last Laugh Now | — | ||
| 2-17 | Hearts of Stone | — | ||
| 2-18 | Paper in My Shoes | — | ||
| 2-19 | Pink Cadillac | — | ||
| 2-20 | Drifting Texas Sand | — | ||
| 2-21 | Still a Fool (Two Trains Running) | — | ||
| 2-22 | All Aboard | — | ||
| 2-23 | (Now and Then There’s) A Fool Such as I | — | ||
| 2-24 | Let Me Off Uptown | — | ||
| 2-25 | Tax Payin’ Blues | — | ||
| 2-26 | Bad, Bad Whiskey | — |
Additional database matches (5)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| My Son Calls Another Man Daddy | Hank Williams, His Drifting Cowboys | — |
| My Son Calls Another Man Daddy | Hank Williams, His Drifting Cowboys | — |
| My Son Calls Another Man Daddy | Hank Williams, His Drifting Cowboys | — |
| My Son Calls Another Man Daddy | Hank Williams, His Drifting Cowboys | — |
| Folsom Prison Blues (overdubbed) | Johnny Cash | T-070.055.040-8 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
What is UPC 823564608624?
823564608624 is a Universal Product Code (UPC) assigned to The Best of Bob Dylan’s Theme Time Radio Hour (Volume 2) by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 52 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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