UPC · Release
Various Artists
Last verified:
The UPC for “The 100 Best Jazz Tunes of the 1950’s” by Various Artists is 823564618029. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2011-01-01. Label: Chrome Dreams. This release contains 100 tracks, each with its own ISRC. Tracks include USMC15384433, FRZ015300010, DEU240819406.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Bloomdido | — | ||
| 2 | Subconscious Lee | — | ||
| 3 | Bouncing with Bud | — | ||
| 4 | My Funny Valentine | — | ||
| 5 | The Surrey with the Fringe on Top | — | ||
| 6 | Au Privave | — | ||
| 7 | Straight No Chaser | — | ||
| 8 | Lullaby of Birdland | — | ||
| 9 | Almost Like Being in Love | — | ||
| 10 | Black Coffee | Peggy Lee | T-070.011.447-1 | |
| 11 | Nuages | Django Reinhardt et ses Rythmes | T-004.020.584-2 | |
| 12 | Django | — | ||
| 13 | Walkin’ | — | ||
| 14 | Caravan | — | ||
| 15 | If There’s Someone Lovelier Than You | — | ||
| 16 | On the Sunny Side of the Street | — | ||
| 17 | Lover Man | — | ||
| 18 | Joy Spring | — | ||
| 2-1 | Doodlin’ | — | ||
| 2-2 | Confirmation | — | ||
| 2-3 | Afrodisia | — | ||
| 2-4 | New Rhumba | — | ||
| 2-5 | ’Round Midnight | Miles Davis Quintet | T-070.002.363-7 | |
| 2-6 | Misty | — | ||
| 2-7 | St. Thomas | Sonny Rollins Quartet | T-070.243.897-8 | |
| 2-8 | Blue Monk | Art Blakey’s Jazz Messengers, Thelonious Monk | T-700.002.943-8 | |
| 2-9 | The Champ | — | ||
| 2-10 | I Was Doing All Right | — | ||
| 2-11 | Avila and Tequila | — | ||
| 2-12 | Guarachi Guaro | — | ||
| 2-13 | April in Paris | — | ||
| 2-14 | Route 66 | — | ||
| 2-15 | Have You Met Miss Jones | — | ||
| 3-1 | Senor Blues | — | ||
| 3-2 | I Remember Clifford | Lee Morgan | T-070.240.862-5 | |
| 3-3 | Mack the Knife | Louis Armstrong | T-071.314.125-3 | |
| 3-4 | The Kid from the Red Bank | — | ||
| 3-5 | The Maids of Cadiz | Miles Davis + 19, Gil Evans | T-700.041.359-4 | |
| 3-6 | Blue Train | John Coltrane | T-070.880.862-1 | |
| 3-7 | Funk in a Deep Freeze | — | ||
| 3-8 | I Want to be Happy | — | ||
| 3-9 | Birks’ Works | Dizzy Gillespie Big Band | — | |
| 3-10 | They Say It’s Spring | — | ||
| 3-11 | Russian Lullaby | John Coltrane | T-070.127.507-1 | |
| 3-12 | Well, You Needn’t | Thelonious Monk Septet | T-700.078.455-6 | |
| 3-13 | One O’clock Jump | — | ||
| 4-1 | Line for Lyons (with Paul Desmond) | — | ||
| 4-2 | Playful Flute | — | ||
| 4-3 | Billie’s Bounce | The Red Garland Quintet, John Coltrane | T-070.233.008-2 | |
| 4-4 | Come Fly With Me | — | ||
| 4-5 | Haitian Fight Song | — | ||
| 4-6 | Soulville | The Ben Webster Quintet | — | |
| 4-7 | Dial S for Sonny | — | ||
| 4-8 | I’ll Close My Eyes | — | ||
| 4-9 | ’s Wonderful / They Can’t Take That Away From Me | — | ||
| 4-10 | You’d Be So Nice to Come Home To | — | ||
| 4-11 | Farmer’s Market | — | ||
| 4-12 | Landslide | — | ||
| 5-1 | Whisper Not | — | ||
| 5-2 | My Baby Just Cares for Me | Nina Simone | T-070.110.622-0 | |
| 5-3 | Stockholm Sweetnin’ | — | ||
| 5-4 | Dawn Ray | — | ||
| 5-5 | Dimenuendo and Crescendo in Blue | — | ||
| 5-6 | Poinciana | — | ||
| 5-7 | Summertime | Louis Armstrong | T-800.364.991-1 | |
| 5-8 | Milestones | Miles Davis | T-070.242.198-4 | |
| 5-9 | Way Out West | — | ||
| 5-10 | AUTUMN LEAVES | CANNONBALL ADDERLEY | T-070.002.297-4 | |
| 6-1 | Moanin’ | — | ||
| 6-2 | Hip Strut | — | ||
| 6-3 | Do It the Hard Way | — | ||
| 6-4 | Cherokee | — | ||
| 6-5 | Let’s Face the Music & Dance | — | ||
| 6-6 | Ginza Samba | — | ||
| 6-7 | In the Wee Small Hours | — | ||
| 6-8 | You’ve Changed | — | ||
| 6-9 | The Night We Called It a Day | — | ||
| 6-10 | Along Came Betty | — | ||
| 6-11 | Cheek to Cheek | — | ||
| 6-12 | Peace Piece | Bill Evans | T-700.012.430-3 | |
| 6-13 | It Ain’t Necessary So | — | ||
| 7-1 | Cool Struttin’ | Sonny Clark | — | |
| 7-2 | The Sermon | Jimmy Smith | T-700.061.641-3 | |
| 7-3 | Here Am I | Donald Byrd | T-070.240.255-8 | |
| 7-4 | Let the Good Times Roll | Ray Charles | T-070.095.633-7 | |
| 7-5 | Better Git It in Your Soul | — | ||
| 7-6 | Manhattan | — | ||
| 7-7 | What a Difference a Day Makes | — | ||
| 7-8 | The End of a Love Affair | — | ||
| 7-9 | Polka Dots & Moonbeams | — | ||
| 8-1 | So What | Miles Davis | T-073.092.797-5 | |
| 8-2 | Lonely Woman | Ornette Coleman | T-913.965.566-6 | |
| 8-3 | Take Five | The Dave Brubeck Quartet | T-070.940.469-2 | |
| 8-4 | Keep It Moving | — | ||
| 8-5 | Ramblin’ | Ornette Coleman | — | |
| 8-6 | Goodbye Pork Pie Hat | — | ||
| 8-7 | Blue in Green | — | ||
| 8-8 | Naima | John Coltrane | T-900.307.245-5 | |
| 8-9 | Blue Rondo a la Turk | — | ||
| 8-10 | Giant Steps | John Coltrane | T-070.234.217-3 |
Identifier Graph
823564618029 is a Universal Product Code (UPC) assigned to The 100 Best Jazz Tunes of the 1950’s by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| WELL YOU NEEDN’T | THELONIOUS MONK | T-700.078.455-6 |
| Giant Steps | John Coltrane | T-311.898.483-7 |
| Cool Struttin’ | Sonny Clark | T-700.006.998-9 |
| WELL, YOU NEEDN'T (FEAT. GIGI GRYCE, ART BLAKEY, COLEMAN HAWKINS & JOHN COLTRANE) | THELONIOUS MONK SEPTET | T-700.078.455-6 |
| THE COMPLETE 1957 RIVERSIDE RECORDINGS | THELONIOUS MONK SEPTET,ORRIN KEEPNEWS,WILBUR WARE,RAY COPELAND,ART BLAKEY,THELONIOUS MONK,THELONIOUS MONK,GIGI GRYCE,COLEMAN HAWKINS,JOHN COLTRANE | T-700.078.455-6 |
| Ah‐Leu‐Cha | Miles Davis Quintet | T-010.320.310-6 |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “The 100 Best Jazz Tunes of the 1950’s” by Various Artists is 823564618029. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2011-01-01. Label: Chrome Dreams. This release contains 100 tracks, each with its own ISRC. Tracks include USMC15384433, FRZ015300010, DEU240819406.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Bloomdido | — | ||
| 2 | Subconscious Lee | — | ||
| 3 | Bouncing with Bud | — | ||
| 4 | My Funny Valentine | — | ||
| 5 | The Surrey with the Fringe on Top | — | ||
| 6 | Au Privave | — | ||
| 7 | Straight No Chaser | — | ||
| 8 | Lullaby of Birdland | — | ||
| 9 | Almost Like Being in Love | — | ||
| 10 | Black Coffee | Peggy Lee | T-070.011.447-1 | |
| 11 | Nuages | Django Reinhardt et ses Rythmes | T-004.020.584-2 | |
| 12 | Django | — | ||
| 13 | Walkin’ | — | ||
| 14 | Caravan | — | ||
| 15 | If There’s Someone Lovelier Than You | — | ||
| 16 | On the Sunny Side of the Street | — | ||
| 17 | Lover Man | — | ||
| 18 | Joy Spring | — | ||
| 2-1 | Doodlin’ | — | ||
| 2-2 | Confirmation | — | ||
| 2-3 | Afrodisia | — | ||
| 2-4 | New Rhumba | — | ||
| 2-5 | ’Round Midnight | Miles Davis Quintet | T-070.002.363-7 | |
| 2-6 | Misty | — | ||
| 2-7 | St. Thomas | Sonny Rollins Quartet | T-070.243.897-8 | |
| 2-8 | Blue Monk | Art Blakey’s Jazz Messengers, Thelonious Monk | T-700.002.943-8 | |
| 2-9 | The Champ | — | ||
| 2-10 | I Was Doing All Right | — | ||
| 2-11 | Avila and Tequila | — | ||
| 2-12 | Guarachi Guaro | — | ||
| 2-13 | April in Paris | — | ||
| 2-14 | Route 66 | — | ||
| 2-15 | Have You Met Miss Jones | — | ||
| 3-1 | Senor Blues | — | ||
| 3-2 | I Remember Clifford | Lee Morgan | T-070.240.862-5 | |
| 3-3 | Mack the Knife | Louis Armstrong | T-071.314.125-3 | |
| 3-4 | The Kid from the Red Bank | — | ||
| 3-5 | The Maids of Cadiz | Miles Davis + 19, Gil Evans | T-700.041.359-4 | |
| 3-6 | Blue Train | John Coltrane | T-070.880.862-1 | |
| 3-7 | Funk in a Deep Freeze | — | ||
| 3-8 | I Want to be Happy | — | ||
| 3-9 | Birks’ Works | Dizzy Gillespie Big Band | — | |
| 3-10 | They Say It’s Spring | — | ||
| 3-11 | Russian Lullaby | John Coltrane | T-070.127.507-1 | |
| 3-12 | Well, You Needn’t | Thelonious Monk Septet | T-700.078.455-6 | |
| 3-13 | One O’clock Jump | — | ||
| 4-1 | Line for Lyons (with Paul Desmond) | — | ||
| 4-2 | Playful Flute | — | ||
| 4-3 | Billie’s Bounce | The Red Garland Quintet, John Coltrane | T-070.233.008-2 | |
| 4-4 | Come Fly With Me | — | ||
| 4-5 | Haitian Fight Song | — | ||
| 4-6 | Soulville | The Ben Webster Quintet | — | |
| 4-7 | Dial S for Sonny | — | ||
| 4-8 | I’ll Close My Eyes | — | ||
| 4-9 | ’s Wonderful / They Can’t Take That Away From Me | — | ||
| 4-10 | You’d Be So Nice to Come Home To | — | ||
| 4-11 | Farmer’s Market | — | ||
| 4-12 | Landslide | — | ||
| 5-1 | Whisper Not | — | ||
| 5-2 | My Baby Just Cares for Me | Nina Simone | T-070.110.622-0 | |
| 5-3 | Stockholm Sweetnin’ | — | ||
| 5-4 | Dawn Ray | — | ||
| 5-5 | Dimenuendo and Crescendo in Blue | — | ||
| 5-6 | Poinciana | — | ||
| 5-7 | Summertime | Louis Armstrong | T-800.364.991-1 | |
| 5-8 | Milestones | Miles Davis | T-070.242.198-4 | |
| 5-9 | Way Out West | — | ||
| 5-10 | AUTUMN LEAVES | CANNONBALL ADDERLEY | T-070.002.297-4 | |
| 6-1 | Moanin’ | — | ||
| 6-2 | Hip Strut | — | ||
| 6-3 | Do It the Hard Way | — | ||
| 6-4 | Cherokee | — | ||
| 6-5 | Let’s Face the Music & Dance | — | ||
| 6-6 | Ginza Samba | — | ||
| 6-7 | In the Wee Small Hours | — | ||
| 6-8 | You’ve Changed | — | ||
| 6-9 | The Night We Called It a Day | — | ||
| 6-10 | Along Came Betty | — | ||
| 6-11 | Cheek to Cheek | — | ||
| 6-12 | Peace Piece | Bill Evans | T-700.012.430-3 | |
| 6-13 | It Ain’t Necessary So | — | ||
| 7-1 | Cool Struttin’ | Sonny Clark | — | |
| 7-2 | The Sermon | Jimmy Smith | T-700.061.641-3 | |
| 7-3 | Here Am I | Donald Byrd | T-070.240.255-8 | |
| 7-4 | Let the Good Times Roll | Ray Charles | T-070.095.633-7 | |
| 7-5 | Better Git It in Your Soul | — | ||
| 7-6 | Manhattan | — | ||
| 7-7 | What a Difference a Day Makes | — | ||
| 7-8 | The End of a Love Affair | — | ||
| 7-9 | Polka Dots & Moonbeams | — | ||
| 8-1 | So What | Miles Davis | T-073.092.797-5 | |
| 8-2 | Lonely Woman | Ornette Coleman | T-913.965.566-6 | |
| 8-3 | Take Five | The Dave Brubeck Quartet | T-070.940.469-2 | |
| 8-4 | Keep It Moving | — | ||
| 8-5 | Ramblin’ | Ornette Coleman | — | |
| 8-6 | Goodbye Pork Pie Hat | — | ||
| 8-7 | Blue in Green | — | ||
| 8-8 | Naima | John Coltrane | T-900.307.245-5 | |
| 8-9 | Blue Rondo a la Turk | — | ||
| 8-10 | Giant Steps | John Coltrane | T-070.234.217-3 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| WELL YOU NEEDN’T | THELONIOUS MONK | T-700.078.455-6 |
| Giant Steps | John Coltrane | T-311.898.483-7 |
| Cool Struttin’ | Sonny Clark | T-700.006.998-9 |
| WELL, YOU NEEDN'T (FEAT. GIGI GRYCE, ART BLAKEY, COLEMAN HAWKINS & JOHN COLTRANE) | THELONIOUS MONK SEPTET | T-700.078.455-6 |
| THE COMPLETE 1957 RIVERSIDE RECORDINGS | THELONIOUS MONK SEPTET,ORRIN KEEPNEWS,WILBUR WARE,RAY COPELAND,ART BLAKEY,THELONIOUS MONK,THELONIOUS MONK,GIGI GRYCE,COLEMAN HAWKINS,JOHN COLTRANE | T-700.078.455-6 |
| Ah‐Leu‐Cha | Miles Davis Quintet | T-010.320.310-6 |
