UPC · Release
Quincy Jones
Last verified:
823564634227 is the Universal Product Code (UPC barcode) for the release “Complete Recordings 1960-1962” by Quincy Jones, released 2013-01-01 on Enlightenment (3). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 73 tracks, each with its own ISRC. Tracks include USUM70759276, USUM70759277, USUM70759278.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Pleasingly Plump | — | ||
| 2 | G'Wan Train | — | ||
| 3 | Moonglow | — | ||
| 4 | Tone Poem | Quincy Jones | — | |
| 5 | You Turned the Tables on Me | Quincy Jones and His Orchestra | — | |
| 6 | Chinese Checkers | Quincy Jones and His Orchestra | T-700.005.494-6 | |
| 7 | Our Love Is Here To Stay | — | ||
| 8 | The Midnight Sun Will Never Set | Quincy Jones and His Orchestra | T-070.109.284-3 | |
| 9 | Trouble On My Mind | — | ||
| 10 | A Sunday Kind of Love | Quincy Jones and His Orchestra | T-070.275.766-1 | |
| 11 | Hot Sake | — | ||
| 12 | Strike Up the Band | Quincy Jones | — | |
| 13 | Africana | — | ||
| 14 | Meadowlands | — | ||
| 15 | Rico Vacilon | — | ||
| 16 | Under Paris Skies | — | ||
| 17 | Mack The Knife | — | ||
| 18 | Menolete De Espana | — | ||
| 19 | Baia | — | ||
| 20 | Come Back To Sorrento | — | ||
| 21 | Dear Old Stockholm | — | ||
| 2-1 | Meet B.B. | Quincy Jones | — | |
| 2-2 | The Boy in the Tree | Quincy Jones | T-071.386.466-4 | |
| 2-3 | Evening In Paris | — | ||
| 2-4 | Air Mail Special | — | ||
| 2-5 | Lester Leaps In | — | ||
| 2-6 | G'Wan Train | — | ||
| 2-7 | Banja Luka | — | ||
| 2-8 | Ghana | — | ||
| 2-9 | Air Mail Special | — | ||
| 2-10 | Banja Luka | — | ||
| 2-11 | Bess, You Is My Woman Now | — | ||
| 2-12 | Solitude | — | ||
| 2-13 | Stolen Moments | — | ||
| 2-14 | Moanin' | — | ||
| 3-1 | Main Title | — | ||
| 3-2 | The Boy In The Tree | — | ||
| 3-3 | Crucifixion March | — | ||
| 3-4 | Fulla' Fira | Quincy Jones | — | |
| 3-5 | The Quintessence | — | ||
| 3-6 | Robot Portrait | — | ||
| 3-7 | Little Karen | Quincy Jones and His Orchestra | — | |
| 3-8 | Straight, No Chaser | — | ||
| 3-9 | For Lena And Lennie | — | ||
| 3-10 | Hard Sock Dance | — | ||
| 3-11 | Invitation | — | ||
| 3-12 | The Twitch | — | ||
| 3-13 | Alright, Okay, You Win | — | ||
| 3-14 | I'm Falling For You, Fool That I Am, Everything I Have Is For You | — | ||
| 3-15 | In The Still Of The Night | — | ||
| 3-16 | Don't Get Around Much Anymore, I'm Just A Lucky So And So, Caravan, Sophisticated Lady | — | ||
| 3-17 | Work Song | — | ||
| 3-18 | Ma (She's Making Eyes At Me) | — | ||
| 4-1 | Soul Bossa Nova | — | ||
| 4-2 | Boogie Stop Shuffle (issued as Boogie Bossa Nova) | Quincy Jones | T-042.098.537-0 | |
| 4-3 | Desafinado | Quincy Jones | T-039.026.767-0 | |
| 4-4 | Carnival (Manha De Carnaval) | Quincy Jones | T-003.905.377-4 | |
| 4-5 | Se é tarde me perdoa (Forgive Me If I’m Late) | Quincy Jones | T-071.213.783-1 | |
| 4-6 | On the Street Where You Live | Quincy Jones | T-037.659.054-3 | |
| 4-7 | Samba de una nota só (One Note Samba) | Quincy Jones | T-039.027.236-2 | |
| 4-8 | Lalo Bossa Nova | Quincy Jones | — | |
| 4-9 | Serenata | Quincy Jones | T-071.070.260-5 | |
| 4-10 | Chega de saudade (No More Blues) | Quincy Jones | T-039.000.722-3 | |
| 4-11 | You’re Mine You | Sarah Vaughan | T-070.211.351-6 | |
| 4-12 | The Best Is Yet To Come | — | ||
| 4-13 | Witchcraft | — | ||
| 4-14 | The Second Time Around | — | ||
| 4-15 | I Could Write A Book | — | ||
| 4-16 | Maria | — | ||
| 4-17 | Baubles, Bangles And Beads | — | ||
| 4-18 | Fly Me To The Moon | — | ||
| 4-19 | So Long | — | ||
| 4-20 | On Green Dolphin Street | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
823564634227 is a Universal Product Code (UPC) assigned to Complete Recordings 1960-1962 by Quincy Jones. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 73 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
823564634227 is the Universal Product Code (UPC barcode) for the release “Complete Recordings 1960-1962” by Quincy Jones, released 2013-01-01 on Enlightenment (3). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 73 tracks, each with its own ISRC. Tracks include USUM70759276, USUM70759277, USUM70759278.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Pleasingly Plump | — | ||
| 2 | G'Wan Train | — | ||
| 3 | Moonglow | — | ||
| 4 | Tone Poem | Quincy Jones | — | |
| 5 | You Turned the Tables on Me | Quincy Jones and His Orchestra | — | |
| 6 | Chinese Checkers | Quincy Jones and His Orchestra | T-700.005.494-6 | |
| 7 | Our Love Is Here To Stay | — | ||
| 8 | The Midnight Sun Will Never Set | Quincy Jones and His Orchestra | T-070.109.284-3 | |
| 9 | Trouble On My Mind | — | ||
| 10 | A Sunday Kind of Love | Quincy Jones and His Orchestra | T-070.275.766-1 | |
| 11 | Hot Sake | — | ||
| 12 | Strike Up the Band | Quincy Jones | — | |
| 13 | Africana | — | ||
| 14 | Meadowlands | — | ||
| 15 | Rico Vacilon | — | ||
| 16 | Under Paris Skies | — | ||
| 17 | Mack The Knife | — | ||
| 18 | Menolete De Espana | — | ||
| 19 | Baia | — | ||
| 20 | Come Back To Sorrento | — | ||
| 21 | Dear Old Stockholm | — | ||
| 2-1 | Meet B.B. | Quincy Jones | — | |
| 2-2 | The Boy in the Tree | Quincy Jones | T-071.386.466-4 | |
| 2-3 | Evening In Paris | — | ||
| 2-4 | Air Mail Special | — | ||
| 2-5 | Lester Leaps In | — | ||
| 2-6 | G'Wan Train | — | ||
| 2-7 | Banja Luka | — | ||
| 2-8 | Ghana | — | ||
| 2-9 | Air Mail Special | — | ||
| 2-10 | Banja Luka | — | ||
| 2-11 | Bess, You Is My Woman Now | — | ||
| 2-12 | Solitude | — | ||
| 2-13 | Stolen Moments | — | ||
| 2-14 | Moanin' | — | ||
| 3-1 | Main Title | — | ||
| 3-2 | The Boy In The Tree | — | ||
| 3-3 | Crucifixion March | — | ||
| 3-4 | Fulla' Fira | Quincy Jones | — | |
| 3-5 | The Quintessence | — | ||
| 3-6 | Robot Portrait | — | ||
| 3-7 | Little Karen | Quincy Jones and His Orchestra | — | |
| 3-8 | Straight, No Chaser | — | ||
| 3-9 | For Lena And Lennie | — | ||
| 3-10 | Hard Sock Dance | — | ||
| 3-11 | Invitation | — | ||
| 3-12 | The Twitch | — | ||
| 3-13 | Alright, Okay, You Win | — | ||
| 3-14 | I'm Falling For You, Fool That I Am, Everything I Have Is For You | — | ||
| 3-15 | In The Still Of The Night | — | ||
| 3-16 | Don't Get Around Much Anymore, I'm Just A Lucky So And So, Caravan, Sophisticated Lady | — | ||
| 3-17 | Work Song | — | ||
| 3-18 | Ma (She's Making Eyes At Me) | — | ||
| 4-1 | Soul Bossa Nova | — | ||
| 4-2 | Boogie Stop Shuffle (issued as Boogie Bossa Nova) | Quincy Jones | T-042.098.537-0 | |
| 4-3 | Desafinado | Quincy Jones | T-039.026.767-0 | |
| 4-4 | Carnival (Manha De Carnaval) | Quincy Jones | T-003.905.377-4 | |
| 4-5 | Se é tarde me perdoa (Forgive Me If I’m Late) | Quincy Jones | T-071.213.783-1 | |
| 4-6 | On the Street Where You Live | Quincy Jones | T-037.659.054-3 | |
| 4-7 | Samba de una nota só (One Note Samba) | Quincy Jones | T-039.027.236-2 | |
| 4-8 | Lalo Bossa Nova | Quincy Jones | — | |
| 4-9 | Serenata | Quincy Jones | T-071.070.260-5 | |
| 4-10 | Chega de saudade (No More Blues) | Quincy Jones | T-039.000.722-3 | |
| 4-11 | You’re Mine You | Sarah Vaughan | T-070.211.351-6 | |
| 4-12 | The Best Is Yet To Come | — | ||
| 4-13 | Witchcraft | — | ||
| 4-14 | The Second Time Around | — | ||
| 4-15 | I Could Write A Book | — | ||
| 4-16 | Maria | — | ||
| 4-17 | Baubles, Bangles And Beads | — | ||
| 4-18 | Fly Me To The Moon | — | ||
| 4-19 | So Long | — | ||
| 4-20 | On Green Dolphin Street | — |
