UPC · Release
The Classic Albums Collection 1955-1962
Nat Adderley
Last verified:
823564812908 is the Universal Product Code (UPC barcode) for the release “The Classic Albums Collection 1955-1962” by Nat Adderley, released 2018-01-01 on Enlightenment (3). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 66 tracks, each with its own ISRC. Tracks include USPR35602783, USPR35602786, USPR35602777.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (66)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Watermelon | — | ||
| 2 | Little Joanie Walks | — | ||
| 3 | Two Brothers | — | ||
| 4 | I Should Care | — | ||
| 5 | Crazy Baby | — | ||
| 6 | New Arrivals | — | ||
| 7 | Sun Dance | — | ||
| 8 | Fort Lauderdale | — | ||
| 9 | Friday Nite | — | ||
| 10 | Blues For Bohemia | — | ||
| 11 | Room No. 251 | Nat Adderley | — | |
| 12 | Sam’s Tune | Nat Adderley | T-071.680.063-3 | |
| 13 | Bimini | Nat Adderley | — | |
| 14 | The Fat Man | Nat Adderley | — | |
| 15 | Sermonette | Nat Adderley | — | |
| 16 | Jackleg | Nat Adderley | T-927.058.065-9 | |
| 17 | The Nearness of You | Nat Adderley | T-070.152.078-6 | |
| 18 | Rattler’s Groove | Nat Adderley | T-071.680.015-5 | |
| 19 | Hayseed | Nat Adderley | — | |
| 2-1 | Sister Caroline | — | ||
| 2-2 | Well, You Needn't | — | ||
| 2-3 | Don't Get Around Much Anymore | — | ||
| 2-4 | I've Got Plenty O' Nuthin' | — | ||
| 2-5 | Branching Out | — | ||
| 2-6 | I Never Knew I Could Love Anybody | — | ||
| 2-7 | Warm Blue Stream | — | ||
| 2-8 | Blue Concept | — | ||
| 2-9 | Little Miss | — | ||
| 2-10 | Israel | — | ||
| 2-11 | What Next? | — | ||
| 2-12 | Moving | — | ||
| 2-13 | Blue Brass Groove | — | ||
| 2-14 | Accents | — | ||
| 2-15 | Sometimes I Feel Like A Motherless Child | — | ||
| 3-1 | Work Song | — | ||
| 3-2 | Pretty Memory | — | ||
| 3-3 | I've Got A Crush On You | — | ||
| 3-4 | Mean To Me | — | ||
| 3-5 | Fallout | — | ||
| 3-6 | Sack Of Woe | — | ||
| 3-7 | My Heart Stood Still | — | ||
| 3-8 | Violets For Your Furs | — | ||
| 3-9 | Scrambled Eggs | — | ||
| 3-10 | The Old Country | — | ||
| 3-11 | Chordnation | — | ||
| 3-12 | The Folks Who Live On The Hill | — | ||
| 3-13 | Tadd | — | ||
| 3-14 | You Leave Me Breathless | — | ||
| 3-15 | Night After Night | — | ||
| 3-16 | E.S.P. | — | ||
| 3-17 | That's Right! | — | ||
| 4-1 | Naturally | — | ||
| 4-2 | Seventh Son | — | ||
| 4-3 | Love Letters | — | ||
| 4-4 | This Man's Dream | — | ||
| 4-5 | Chloe | — | ||
| 4-6 | Images | — | ||
| 4-7 | Oleo | — | ||
| 4-8 | Scotch And Water | — | ||
| 4-9 | In The Bag | — | ||
| 4-10 | Sister Wilson | — | ||
| 4-11 | R.S.V.P. | — | ||
| 4-12 | Low Brown | — | ||
| 4-13 | Mozart-In' | — | ||
| 4-14 | New Arrival | — | ||
| 4-15 | Chatterbox | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
Verified on
What is UPC 823564812908?
823564812908 is a Universal Product Code (UPC) assigned to The Classic Albums Collection 1955-1962 by Nat Adderley. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 66 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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